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New York Times Buffy Article -- Dandy, 19:24:10 04/19/03 Sat

There is a copy of a NY Times Buffy article with suggestions for the final episode posted at Buffy Cross and Stake Spoiler Board, 4/19/03 by yellowcrayons.

Right now it is on archive page 1.

Have a look. Personally I do not think Buffy should become a goddess. Her purpose is to fight the good fight of living, from dealing with bratty little sisters to monsters, ex- lovers and flooded basements.

Besides, maybe we will get a Buffy movie with exotic Anne Ricey locales and love triangle with Angel and Spike. And of course a flooded basement............

[> Re: New York Times Buffy Article -- Alison, 19:33:33 04/19/03 Sat

Buffy is just everywhere right now....even in the most obsure of places, like the Nora Roberts article in the Washington Post where she says it has "the best writing on TV" ...even my local bookstore has a special display of Buffy books.

[> [> It's definitely a Buffy world out there -- Valheru, 02:14:28 04/20/03 Sun

And I just know that there's some Joss-worshipping fanperson out there saying, "Joss planned this all along! Since he was twelve! 'First a movie, then a television show, a spinoff, books, comics, lunchboxes, lawnmowers...' Joss is a genius!"

And take a gander at this little tidbit I ran across, from the Long Beach Press Telegram. Seems like TNN (America's "The National Network") is changing its name to "Spike TV."

As for the Spike TV handle: "We were looking for a name that would reflect the attitude we wanted smart, sexy, active, irreverent, slightly aggressive and unapologetically male,'' says Hecht. (We've got goosebumps!)

His role models: Spike the macho vamp in "Buffy the Vampire Slayer''; directors Spike Lee and Spike Jonze. As a verb, think spike a volleyball. "It's a cool spike. An aggressive spike,'' Hecht says.


Maybe James Marsters's face will be the new logo. Now if only someone would start that "Drusilla TV" channel I've been waiting for...part Psychic Network, part "Tales From the Crypt," part extreme Playboy Channel, and 100% insane. It would be like a sexy Monty Python channel!

Seven years of ridicule, neglect, and ratings-basementship, and only at the end does BtVS achieve any sort of widespread cultural significance beyond the name. Now I know how the original Star Trek fans felt.

[> Re: DANDY, I CANNOT FIND THIS ?New York Times Buffy Article -- Angelina, 10:11:19 04/20/03 Sun

Could you post the website. Could anyone post a thread, I would be very interested in reading this. Thanks in advance,
Angelina.

[> [> NYT story -- KdS, 10:19:48 04/20/03 Sun

There's a link to it on the front page of Slayage.com. The headline is "Getting Buffy's Last Rites Right".

[> [> [> Could you cut & paste to here? Thanks! -- Solitude1056, 10:40:07 04/20/03 Sun


[> [> [> [> Here ya go! (unspoiled spec for finale) -- ponygirl, 11:00:50 04/20/03 Sun

April 20, 2003
Getting Buffy's Last Rites Right
By JOYCE MILLMAN


VAMPIRES, hellgods, snake demons ó I've watched Buffy battle them all. But they weren't as scary as the knowledge that, very soon, I will no longer have an excuse to put life on hold every Tuesday night. I admit it: over the last six years, I've devoted an almost embarrassing amount of time, energy and thought, both personal and professional, to "Buffy the Vampire Slayer." Now, with only a few weeks left until the May 20 series finale, I'm facing my "Buffy"-less future by burrowing into seasons past, trying to imagine a fitting end to the coolest television coming-of-age horror- fantasy-love story ever told.

It's difficult to predict what Joss Whedon, the show's fiendishly inventive creator and executive producer, has devised for the final episode (which he wrote and directed). Mr. Whedon, after all, has already killed his heroine (twice) and jolted viewers with such unexpected twists as the death of Buffy's mom, the surprise ensouling of the vampire Spike and the episode in which everybody sings. Frankly, as long as Mr. Whedon doesn't try to tell us that the whole series was a figment of Buffy's imagination, I'll be happy. I'll be even happier if the finale grandly articulates, one last time, the show's main themes: woman power, friendship, growing up and sacrifice.

WOMAN POWER On "Buffy," women rule the world and men are largely watchers. Part of an ancient line of girls imbued with the power to vanquish demons, Buffy Summers (Sarah Michelle Gellar) has lived longer than any of her predecessors. This season, Buffy traveled through a time portal to the origins of the First Slayer and learned that she was created by shamen, who mated her with demon energy to keep evil away from the village. "You violated that girl, made her kill for you because you're weak, you're pathetic," Buffy sneered. "You're just ó men." Buffy is strong enough to save the world (which she did "a lot," according to her tombstone at the end of Season 5). But, like that first slayer, she has been rendered a little less than human by her mission. She's been emotionally frozen for the past couple of seasons, unable to drop her guard and let love (her adoring former sex partner Spike) in.

Buffy is not the only one who has been blocked from tapping the positive energy of her better, female, self. Her friend Willow (Alyson Hannigan), the lovable lesbian witch and computer whiz, proved in last season's finale that she was strong enough to (almost) destroy the world, when she went on a vengeful rampage sparked by the murder of her girlfriend. This season, Willow has been as emotionally frozen as Buffy, afraid to fully utilize her Wiccan powers, lest they turn destructive again. We need some healing here. Which is why I think "Buffy" ought to end with both a Wiccapalooza and the most gargantuan release of girl power the show's ever attempted.

I want to see Buffy beat on everyone and everything in sight, save the world again and still find the time to finally admit her feelings for poor Spike (James Marsters). I want to see Willow get her mojo back. I want to see Buffy's rival slayer, the self-doubting bad girl Faith (Eliza Dushku), regain her self-esteem and fight at Buffy's side. I want to see Buffy's teenage sister Dawn (Michelle Trachtenberg), a dormant but powerful unearthly being, come of age in a flash of glory. I want to see the dozens of young Slayers in Training, who are wandering aimlessly and namelessly through the Summerses' house, truly become the "army" Buffy has been promising us for most of the season, and make a stand against the current big bad, an incorporeal entity called the First Evil.

But most of all, I want to see them thrash that misogynistic preacher Caleb (Nathan Fillion), an agent of the First Evil, who believes women were "born dirty." For some intriguing Christian symbolism, let Buffy's last battle be for the collective soul of womankind, to remove the biblical taint from the gender.

FRIENDSHIP Buffy's "Scooby gang" ó Willow, Giles (Anthony Stewart Head), Dawn, Spike, Xander (Nicholas Brendon) and Anya (Emma Caulfield) ó has always been greater than the sum of its parts. This pseudo-family of misfits banded together at the climax of each season to save the world. And they were a formidable blend, with Buffy's super powers, Willow's witchy energy (and, when she was a teen, research skills), Giles's knowledge of ancient demonology, Spike's muscle and bravado, Dawn's spunk and Anya's enjoyment of a good fight.

As for Xander, he's Mr. Whedon's stand-in, the "unremarkable" guy who lives in the shadow of the gifted heroine. Or does he? Have you noticed how, time and again, Xander plays a crucial 11th-hour role in enabling Buffy to prevail? I'd feel cheated if the Xan Man wasn't the unsung hero, again, in the finale.

But for all their past harmony, the Scoobys have drifted apart of late. Each member has been battling inner demons: addiction, insecurity, self-loathing, jealousy, guilt. Like its strength, the gang's weakness is greater than the sum of its parts. Earlier this season, Buffy dreamed of her dead mother warning that "evil is always here . . . evil is a part of us. All of us. It's natural." Maybe the Scoobys have brought on this latest apocalypse; maybe the First Evil feeds on each character's psychic fragility, on negativity and unquiet minds. The Scoobys have to get over themselves. They need to learn to trust one another again in order to bring "Buffy" back to the point it's been making all along ó that friendship, community and love are the greatest weapons of all.

GROWING UP The coming-of-age theme has served "Buffy" well ever since the show's earliest high school-is-hell metaphor. Buffy and her pals have grappled with the usual adolescent traumas, as well as the highs and lows of life as twentysomethings. As the last hour nears, Buffy is fully entering adulthood ó she has already lost her mother (her dad was always absent) and relations are strained between her and her father figure, her watcher Giles. She is growing more distant, accepting her responsibilities and preparing to fight the final battle alone. I always believed that "Buffy" was the story of a girl finding her place in the big bad world. But now I see that the show is not about our heroine growing up as much as it's about the other characters' maturing enough to let her go.


SACRIFICE Buffy has always been a Christlike figure. She questions her destiny as the chosen one, doubts her abilities to see the mission through, yet always fulfills her role as savior. This was never more true than in the finale of Season 5, when she sacrificed herself to save Dawn from being killed in an apocalyptic ritual. As a reward, Buffy entered Paradise, but she was soon ripped back to earth ó and the grind of fighting evil ó by the Scoobys, who used a spell to bring her back to life. She has since grown battle-weary. She longs to lay down her arms, but the only way to do that, as her mother foretold in that dream, is to "rest." The logical end to the saga is for Buffy to get back to Paradise.

Speaking of sacrifice, Spike needs to make one, too. The brash but sensitive vampire has been a central figure in Buffy's story line; they were adversaries in Season 4, wary comrades-in-arms in Season 5, punishing lovers in Season 6. Now, as ex-lovers who've been through hell together, they've approached something like real love. Spike's devotion to Buffy and her mission has set him on a path to redemption; he endured torture to win back his soul for her, then suffered at the hands of the First Evil. But Buffy has yet to tell him she loves him.

In the finale, I want to see Buffy give Spike the moment of happiness he's earned. And then I want my heart to be broken, because one thing "Buffy" does better than any show on television is break your heart. I want to see Buffy and Spike both make the ultimate sacrifice, and both be rewarded for it. But they can't be together; it's not in their destinies. I want Buffy to die and become an immortal god(dess) who rights the balance of good and evil in the universe. I want Spike to die and be reborn as a human (and therefore available for a possible spinoff).

I can see the series's last moments now. As Buffy turns immortal, she shines beatifically, and we finally understand the foreshadowing significance in Spike's puzzling past fondness for the words "effulgent" and "glowing." Buffy's ascension unleashes a surge of positive energy that empowers the forces of good. They rise up as one and drop-kick the First's evil army of gnarled ubervampires back to hell.

Then, everybody sings.




Copyright 2003 The New York Times Company |

[> [> [> [> [> Re: THANKS SO MUCH! Here ya go! (unspoiled spec for finale) -- Angelina, 04:16:17 04/21/03 Mon



In defence of Cordelia Chase -- yabyumpan, 13:19:59 04/20/03 Sun

There have been a number of posts over the past few weeks discussing Cordelia's responsability in bringing Jasmine (and by extention, the Beast) into being. Many posts have stated that it was her ego and vainity which allowed it to happen and she is, in effect, to blame for the present situation. I want to look at the full impilications of that line of thinking.

Firstly, I want to look at what she would actually be responsable for -
The rain of fire and the destruction of much of L.A., the deaths of thousands of innocent people, turning L.A. into a demon playground, the manipulation and moral decline of a confused, needy and probably abused young man, the unleashing of Angelus, the mind control of much of L.A., plus, what ever horrors are comming up next.

That's a pretty impressive list! It's probably more death and destruction than The Master, Angelus(during his reign in SD), The Mayor, Adam, Glory, The Troika and all the demons and BB's (including W&H) on AtS, have been responsable for put together.

A number of posters have said they'd like to see Cordelia have to deal with the results of her ego and vainity. If those results are the list above, how the hell can she!? How could any person with a conscience deal with that sort of responsability? Imagine if Willow had not only killed Warren, but had also wiped out half of SD before Xander was able to get to her. I don't think there's anyway she could have come back from that, she'd either be a gibbering wreck in a Psych ward or dead. I cannot see that Cordelia, realising just what she's responsable for, not also being similarly destroyed. Does Cordelia Chase really deserve such anguish? It seems to me, that to follow what appears to be the popular line of thinking re: Cordelia would also mean the total destruction of her character.

While it may be true that Cordelia's actions and attitudes have, in part, been spurned on by her ego and vainity I would argue that she has been equally, if not overwhelmingly, motivated by her compassion and the desire to help those that are suffering. To quote Wesley from 'Epiphany'

Wesley: "But you don't. You don't know her at all. For months now you haven't cared to. Otherwise you might have realized that our Cordelia has become a very solitary girl. She's not the vain, carefree creature she once was... Well, certainly not carefree. - It's the visions, you see. The visions that were meant to guide you. You could turn away from them. She doesn't have that luxury. She knows and experiences the pain in this city, and because of who she is, she feels compelled to do something about it.

She has grown a lot since SD and her ego and vainity is only a small part of who she is now.

My impression on this board and others, is that Cordelia isn't the most popular of characters. That's fine, but do people really believe that she is such a bad person that she deserves to carry the weight of responsability for all that's happened this season? If people do believe that because of her vainity and ego Cordelia is responsable for all that's happened, what do they see as the outcome for her? Isn't the fact that she has been thoroughly violated (again), enough punishment for being vain/saintly/boring/bitchy/a love interest for Angel? (pick your crime)

There have been some very interesting post regarding the how/when/what/why of Cordelia, but I've yet to see discussed the full implications of the theories posted or possible outcomes. I'm hopping this post will start those discussions up ;o)

[> Re: In defence of Cordelia Chase -- Dannyblue, 13:47:59 04/20/03 Sun

The reasoning on the part of many seems to be that, because Cordelia made a choice, based on her vanity, that lead to all of these bad things happening, she should be punished somehow.

Well, take all the characters who have really done "bad things" in the Jossverse, but have been forgiven (more or less) by the fans.

1. Angel/Angelus, who not only committed countless murders, rapes, tortures, etc, but also tried to suck the world into hell.

2. Spike, who also committed his share of murders and rapes in the past.

3. Faith who, instead of dealing with her guilt over killing a human accidentally, went into full psycho-mode instead.

4. Willow who, in her grief, skinned a guy alive, almost killed her friends, and tried to end the world. And seemed to enjoy doing most of it.

You know what the major difference is between Cordy and everyone else. The four above chose to do things they knew were wrong. Cordy chose to do something she thought was right, and had know way of knowing what the results would be. Not only that, but all of the bad things that happened this season (blotting out the sun, the beast on a killing spree, etc) were not the direct results of anything Cordy did. They were the workings of an evil entity that took possession of her body.

I think blame must depend a lot on intention and choice, free will. There's a difference between choosing to do something that you know will hurt others, and choosing to do something you think is good and right, but having it turn out badly.

Even Wesley, who thought he was doing the right thing by taking Connor, knew on some level that what he was doing (taking a child away from its father) was wrong.

The same could not be said for Cordy. In fact, while her choice might have been partially made with her ego, she also chose to give up something she wanted (meeting Angel at the bluffs) in order to do what she thought was the right thing.

So, it dependes on what choice you think you are making. Is it one you know will hurt others, or is it one you think will help?

Say I choose not to take my friend to the mall. For one, I don't want to go to the mall. For another, I promised to babysit my nephew. So my friend borrows a car with bad brakes, has a massive car accident on the freeway, and several people are hurt or killed as a result. Am I to blame for that? Even though I had no idea my choice could possibly hurt anyone?

Of course, I'd feel guilty. That's human nature. But how much would I truly be to blame?

How much is Cordy really to blame for making a choice she thought could only help people, with no clue how dire the consequences would be?

[> I don't think anyone is holding her responsible in the way that you're implying -- KdS, 13:58:22 04/20/03 Sun

I don't believe that anyone is denying the broadly positive impulses that drove Cordelia to (definitely) become part demon and ascend and (possibly) accept Jasmine.

Even if the worst that people have been suggesting is true, I don't believe that it would make her as responsible for Jasmine's actions as you suggest. We still haven't got any clear indication of how much of Cordelia's actions in this season were her idea. As far as I can see, the suggestions which have been made are:

a) That Cordelia's original personality has been entirely destroyed and that all her actions since Slouching were those of some kind of proto-Jasmine impersonating her - hence Cordelia cannot be held responsible beyond allowing herself to be manipulated in Tomorrow.

b) That during S4 we have been seeing Cordelia herself for the most part, but acting under the influence of mental possession by proto-Jasmine, initially in brief flashes (eg having sex with Connor) but fully possessed by, say, Calvary. Hence, again, her responsiblity runs only as far as Tomorrow.

c) As (b), but that Cordelia voluntarily accepted possession by Jasmine, under the impression that Jasmine was a cleansing figure of good, and unaware of the lengths to which said "cleansing" would go.

d) That it has all been Cordelia, but acting under a thrall similar to that exerted by Jasmine over the whole of LA after her birth, so that she believed that everything was justified if it brought Jasmine into being.

If (a) or (b) are true, the most that Cordelia can be held responsible for is allowing herself to be taken in by Skip in Birthday and Tomorrow. I think that she was motivated primarily by the desire to do good, but failed to ask certain questions because of her ego-driven assumption that it was perfectly natural for her to be offered apotheosis. If (c) or (d) (especially (d)) is true, Cordelia herself will undoubtedly suffer far more than if (a) or (b) were true, but at worst she was acting under a magical influence powerful enough to correspond, to neutral observers, to a loss of soul.

Regarding comparisons: even if Willow had slaughtered half of Sunnydale, she would have far more on her conscience than Cordelia would in her worst case scenario. Although the black magic she absorbed from the books and from Rack drove her insane, she absorbed it for an evil initial purpose (to kill Warren) and with a fairly clear idea of what it might do to her. I think a better comparison would be with Liam. Liam didn't go down that alleyway after Darla in the hope of becoming a mass-murdering monster, he did so in the hope, at worst, of casual sex. If Angel shanshued and became, effectively, an older and wiser Liam, without any demon part, he'd still be suffering guilt but he would know that his actions as Angelus were unforseeable by him in 1745. (And is the total body count caused by Jasmine/Cordelia in at most a few weeks plausibly greater than Angelus's over 150 years, not to mention the total body count of Dru, Spike, Penn, and the other vamps in his line of descent?)

Even in the most serious situations (c) or (d), I think Cordelia could come back. The crimes on her conscience would be great in size, but even the most uncharitable interpretation of her culpability for them would be much lighter than Angel, Willow, even Faith, simply because of the extent to which her charitable impulses were deliberately manipulated using her very human, and humanising weaknesses. By the end of the season, everyone will probably have done some fairly ugly things under Jasmine's influence (Connor, especially, is far more culpable than Cordelia). I think that the main impulse of the season is the things that humans can be made to do under the influence of moral fanaticism of any stripe, and Cordy was just the first to succumb.

[> [> When Bad Things Happen to Good People (vague spoiler thru MB) -- WickedWeirds, 15:00:05 04/20/03 Sun

We don't even know if it even was entirely her decision in Birthday to go with Skip. In fact, until we are told by the scriptwriters - it's 100% up in the air who, when, how, why and how much *anyone* is/was making choices on their own? The scharacters actions have ranged through a spectrum of complete self-responsibility to the other end, where they're completely manipulated.

Jasmine mentions how far back everything had been planned -at least as far back as Connors birth. And such an incredible series of incidents must lead to get that precise event to happen - the Jasmine entity must be the ultimate of manipulators AND planners. How far back does it all really go? Past Connors kidnapping and upbringing upbringing by Holtz in another dimension - those influences play strongly on his sense of alienation and consequent vulnerability and loyalty to Cordelia. Farther back than Angel being sired by Darla - which is vital to those two meeting, bonding and recurring in each others lives?

Makes me wonder if there was very much free will going on at all through the entire series. Jasmines disclosure of how much had been manipulated throws a much larger mystery into the show as to when free will WAS ever present.

Jasmine seems to have been all three Fates. If she's weaving, measuring and cutting each persons destiny - then logically wouldn't it mean she is controlling most of now, too? Freds inital escape from Jasmine? The others? Connors betrayal/immunity?

It creates the question of Jasmines actual position in the Angel universe. Jamine gets hurt, loses some control over certain people and is surprised by such events. Could she a beast working for something even more powerful.

It's all up in the air.

[> [> Thank you for this discussion, yab and Kds -- Masq, 15:42:23 04/20/03 Sun

It is very helpful to get the possibilities out in the open and discuss their reprecussions.

Of course, KdS is right, even us folks here in North America don't know which of the theories is right, if any--we aren't completely sure what happened to Cordelia in the higher realm, what kind of influence was affecting Cordelia once she got back on Earth (if anything, but most likely, in some way, Jasmine).

Speculation can get dicey under our circumstances.

Hopefully, we will get the answers to this before the end of the Season, but if ME's history on AtS is any indication, the full answers lie in seasons to come. Which leaves us hoping for a Season 5 (as usual!), and hoping for Ms. Carpenter to return in Season 5 to help provide those answers.

[> [> Re: I don't think anyone is holding her responsible in the way that you're implying -- yabyumpan, 17:12:48 04/20/03 Sun

I don't believe that anyone is denying the broadly positive impulses that drove Cordelia to (definitely) become part demon and ascend and (possibly) accept Jasmine.

I have seen a number of posts over the past few weeks which specifically stated that it was because of her ego and vainity i.e. thinking she was special, accepting Skip's offer in 'Tomorrow', that Jasmine was able to take over her with all the resulting death and destruction. It was those posts I was reacting/responding to. Maybe over-reacting but in all that's gone on, what's actually happened to her seems to have been pushed to one side.

The poor woman has been duped, her body used to sleep with her best friend's/potential lover's son, used to kill Lilah and the girl, used to incubate an evil entity and now left in a coma with her blood being used as an antidote to the evil that came from her body. We don't know where her consciousness is; whether still in her body, aware but unable to reacte or still in misty glowy land, looking down at what her body has been forced to do. The best case scenario would be for her to wake up and have no memory of what's happened but this is ME so I can't really see that happening!

I just find that I really feel for her. So often over the past few years she's been violated - the over night pregnancy in 'Expecting', the vision nightmare of TSILA, the torture by the priests in Pylea, the hot-wireing and disfigurement in TVT - and now it's happening again, bigtime. While every one's looking at the big picture it's easy to forget that Cordelia is going to have to live with the consequence of all this and may infact be living with it right now. That is a real tragedy which I hope won't be over looked by ME. To often in the past she's just bounced back from whatever's been done to her and the consquences just brushed aside (laughing off the torture in Pylea because she got made a Princess). I hope that care is taken next season to focus on the effect this will have on Cordelia and it won't be just a case of her just waking up from her coma and bouncing back, as usual.

[> Kind of focusing on a relatively unimportant point, but. . . -- Finn Mac Cool, 15:04:20 04/20/03 Sun

"It's probably more death and destruction than The Master, Angelus(during his reign in SD), The Mayor, Adam, Glory, The Troika and all the demons and BB's (including W&H) on AtS, have been responsable for put together."

I highly doubt this. Even the Master alone has probably been responsible for more pain and destruction than Cordelia/Beast/Jasmine have this season.

Let's use a conservative estimate and say that most vampires feed once a month. At 12 months a year and the Master's life span of at least 1000 years, this comes to a minimum of 12,000 people that the Master has killed personally. Then factor in that he bears indirect responsibility for the murders commited by his bloodline. Darla alone bumps up the bodycount by several thousand, most likely. If you add in the crimes of Angelus, Drusilla, and Spike, not to mention all of the other vampires of the Order of Aurelius, than the Master is probably responsible for hundreds of thousands of deaths, quite possibly in the millions, even.

Then there's Wolfram & Hart. They've supposedly been around since the dawn of humanity. Over the thousands of years that they've existed, W&H has probably surpassed the Season 4 body count in employee termination alone, as well as being party to countless more murders and other acts of evil and despair.

Then there's the Mayor. He was the guy that BUILT Sunnydale so that demons would have an all you can eat buffet on the Hellmouth. Essentially, the Mayor bears culpability for everyone who's died in Sunnydale over the past 104 years.

Then there's Glory. In "Weight of the World", Ben mentioned that she "slaughtered hundreds of people" just in our dimension. Just imagine how much pain, death, and carnage she wreaked back in her own hell dimension.

Cordy/Beast/Jasmine has been responsible for thousands of people dying in LA, but that's about it. Perhaps it got up into the tens of thousands, or maybe even hundreds of thousands, but it still doesn't quite surpass the likes of Glory, Wolfram & Hart, the Master, and maybe not even the Mayor.

[> Re: In defence of Cordelia Chase -- Wizard, 15:43:37 04/20/03 Sun

Ever since we met Cordy, she's been vain. It's a character flaw. But, what a lot of us seem to forget- and I've been guilty of this on occasion- is that since the beginning, she was also willing to show kindness and acceptance. She was nice to Buffy, at first. So, the evil bitch had seeds of goodness in her, just like innocent Willow had evil seeds in her- or have we forgotten Willow tricking Cordy into deleting all her hard work back in "The Harvest?"

I have to hand it to Jasmine and Skip- they played her beautifully. "Birthday" took advantage of Cordy's selflessness and situation- she was so willing to help people that she became half-demon over the chance of a perfect life (yes, I know what the situation really was, but this is what she- and we- knew at the time). The season finale played upon Cordy's kindness, and vanity as well. Remember, her new powers not only made the headaches go away, but also sent the slug-demons back to their dimension and purged Connor of the residuals of Quortoth (sp). They also expanded her visions. In that context, being told that she was now meant for greater things played a bit on her vanity, but was also logical given everything that she- and we- had seen. Someone she trusted told her that she was able to fight for good on a cosmic level. IIRC, he then presented her with a choice- do so, or lose her powers to help people at all. On top of that, she was being asked to abandon a chance for love to help people. Willing self-sacrifice has almost always been presented as a good thing in the Buffyverse. Of course she chose to help- and her consciousness was subsumed, and she became the vehicle of great evil. When Real!Cordelia comes back, she should be VERY angry at first, then guilty, even though she has no cause to be.

[> Re: In defence of Cordelia Chase -- Wizard, 15:44:53 04/20/03 Sun

Ever since we met Cordy, she's been vain. It's a character flaw. But, what a lot of us seem to forget- and I've been guilty of this on occasion- is that since the beginning, she was also willing to show kindness and acceptance. She was nice to Buffy, at first. So, the evil bitch had seeds of goodness in her, just like innocent Willow had evil seeds in her- or have we forgotten Willow tricking Cordy into deleting all her hard work back in "The Harvest?"

I have to hand it to Jasmine and Skip- they played her beautifully. "Birthday" took advantage of Cordy's selflessness and situation- she was so willing to help people that she became half-demon over the chance of a perfect life (yes, I know what the situation really was, but this is what she- and we- knew at the time). The season finale played upon Cordy's kindness, and vanity as well. Remember, her new powers not only made the headaches go away, but also sent the slug-demons back to their dimension and purged Connor of the residuals of Quortoth (sp). They also expanded her visions. In that context, being told that she was now meant for greater things played a bit on her vanity, but was also logical given everything that she- and we- had seen. Someone she trusted told her that she was able to fight for good on a cosmic level. IIRC, he then presented her with a choice- do so, or lose her powers to help people at all. On top of that, she was being asked to abandon a chance for love to help people. Willing self-sacrifice has almost always been presented as a good thing in the Buffyverse. Of course she chose to help- and her consciousness was subsumed, and she became the vehicle of great evil. When Real!Cordelia comes back, she should be VERY angry at first, then guilty, even though she has no cause to be.


Jasmine, the FE, and Andrew -- luna, 14:22:27 04/20/03 Sun

All art is self-referential. Roman Jakobson

You might argue that she meant that Bush's use of the media is like mind control, but she did not say that. Grant


I havenít seen anyone yet discuss the greatest thing that Jasmine and the FE have in common, and the theme that seems to be dominating this yearís seasons on both Angel and Buffy (and perhaps the whole of both series). Early in the season, FE as Buffy says, ìItís all about power.î Yet by speaking through Buffyís mouth, FE illustrates that it is really all about illusion.

In many S7 episodes of Buffy, illusion and its cousin, deception, have been either the central plot device or a major theme, and have consequently given rise to many, many posts and discussions. In CwDP, we are first aware that something is taking on the appearance of others, and looking back we realize that Spike has already been experiencing these visions. We argue at length over whether or not Giles is really Giles, and we are duped ourselves by the false Chloe, and still donít know what to make of the false Joyce. The characters on the shows are equally susceptible, and for them and us, in many cases we still canít be sure if we and they are seeing the reality, or just one more layer of illusionóas with Robin Wood, for example.

Earlier in Angel, weíve seen Cordy as one of the best of the good guysóuntil the mask is dropped. Angelus pretends to be Angel for a time, and both we and the AI fall for his act. Connor still sees Cordy as good, even after she kills Lilah, and Angel as evil even after his soul is returned, long after most of us have made other judgments. When Jasmine appears, she is able to make everyone believe in her deceptions, until contact with the reality of her blood opens their eyesóstill except for Connor.

Andrew in Storyteller and briefly in DG shows us how the vision of reality can be manipulated by the one who tells the story. The death of Jonathan becomes a different act with a different narrator, though the actual act remains the sameóand Buffy is able to alter that by telling a different story, that gives the facts the mean she and we have seen. The facts are lying scattered all around, but the Storyteller is the one who gathers them together and makes A Truth out of them. Small wonder that Jasmineís early words are a narrative that establishes her as a power of goodness in the minds of those who hear it. The power of her illusion operates even before she tells her story; it is the narrative that makes sense of it.

But illusion is not JUST narrative. The other thing we see with Jasmine, the FE, and Andrew is the power of the image. People fall under Jasmineís spell just from seeing her, Buffy and gang believe in the reality of Chloe because they see her, and Andrew works with a camera, not just his words.

So what Jasmine and the FE have most strongly in common is their ability to manipulate through story and imageómuch like a movie, or a TV series, or a newscast. So in a sense this seasonís Buffy and Angel are almost like mirrors, looking at their own processes. How often have we seen discussions on this board bring people to real anger, although the characters are really non-existent? In that sense, the series itself manipulates us just as Jasmine and the FE manipulate the charactersóby making us take illusion for reality. Andrew underlines this by reflecting it comicallyówe CANíT miss his inability to do the same thing. Iím not suggesting that the series is a polemic against TV or movies, but that it does make us look at our own ability to confuse art and reality, and at the power of art.

Now taking this comparison to the real world, letís look at media as it supposedly represents reality, in newscastsówhere image and story again create their own reality. Since the long thread about the possible political symbolism of Jasmine is about to be bitten by the Voynok demon, Iím posting my response to it hereóbecause Iíd like to go in another direction entirely with it. I donít believeóand weíve often discussedóthat ME would work in that kind of literal allegory (FE=Bush), but I do think it possible that the current situation of the war does nicely parallel the themes of this story. I confess to not having read all of the threads, but there did seem to be a call for evidence of media manipulation. Skillful illusion is maintained by omission as much as by overt distortion, and certainly thatís easiest to see. I imagine many of you know approximately how many Americans were killed in Iraq, and followed the story of Jessica Lynchís rescue, perhaps can even visualize her face. Where have you seen the realities of the casualties of the other side, and what do you know about their families? What pictures have you seen of their wounded soldiers? The narrative is that they are not human individuals, but faceless minions of Saddam. Even more to the point: 50% of Americans believe that Saddam Hussein engineered 9/11óyet even Bush himself, when pressed, has admitted that there was no evidence of any connection. Where did this belief come from? From hints, suggestions, manipulationsómany made by Bush himself, when he called for a ìdefenseî of the US (yet the attackers were Al Quaeda, not Iraq). Finally, most recently there has been a condemnation of all dissent, justified by the idea that any disagreement with the Presidentís decisions will ìhelp Saddam win.î Refuting this doesnít call for evidence but for logicówas there really any possible chance, in anyoneís mind, that the Iraqi army had a chance against the US?

Again, I donít think any parallels with the particulars of the war could possibly have been intended by ME. I think that once again, good art reflects human universals, and one of those is our weakness for illusion.

Jasmine as Bush? Nah. But she might be Fox News.

[> Re: Jasmine, the FE, and Andrew -- CW, 16:49:57 04/20/03 Sun

Jasmine as Bush? Nah. But she might be Fox News.

I think one of the biggest reasons for backlash against dissent we've seen recently in the US was the coverage by national news media. During the first few days of the war only probably only fifteen or twenty percent of all the war coverage was devoted to showing opposition to the war. But, not coincidentally, almost all of that appeared during the regular time for the evening news and the three-hour prime- time-period each evening, not just on one news network, but all of them. You can draw your own conclusions as to why this happened. Given the fact that most working-age Americans were not sympathetic to the anti-war sentiment in the first place, one can imagine the kind of reaction the networks got to that kind of slanting. Is it any wonder that since then, to try to deflect criticism from themselves, they have been overly generous in permitting all kinds of cheap shots to be aired about the French, Hollywood stars who voiced their opinions, etc? During the news the presentation of this stuff is always in the form of 'isn't that a shame.' But, who is responsible for spreading it nationwide in the first place? So I agree with your statement.

Changing gears. When Roman Jakobson left the USSR in 1920 his primary interest was the Russian symbolist literary movement which was going out of fashion even before the First World War. His structural approach to the study literature was well known among us students of Russian, long before it became popular here in English departments. It very much influences the way I look at Buffy and Angel. Although his name certainly did come up in both my Master's and Doctoral exams, the context had nothing to do with his ideas on literature, but instead concerned his considerable contributions to the study of Russian linguistics.

[> [> Re: Jasmine, the FE, and Andrew -- luna, 17:30:57 04/20/03 Sun

Well, the coverage I saw was much slanted in the other direction; I confess that I mainly read newspapers and I have not seen statistics on the percentage given to anti-war versus prowar in the written press nationally, but I can assure you that less than one page total coverage of ALL anti-war activity was present in the paper I read locally. The local broadcasts were the same. And also, many stats I saw during the early days, before the media really kicked into high gear, showed a LOT of reluctance to enter the war, which I think the protests embodied. Once the media began to give primarily the patriotic call, perhaps that influenced watchers? Are you sure you were watching the dog and not the tail?

Now, re Jakobson, I did study him as a linguist in the course of history of linguistics classes, but his views on literature came in a semiotics class--the Formalists leading to Post-Structuralism and on to more elaborate and obscure ideas, but that thought I mentioned in the quote never seems to go away, though the Russian Formalists are left behind. More later--jumping in while my SO abandons the computer for a moment!

[> [> [> Re: Jasmine, the FE, and Andrew -- CW, 18:43:30 04/20/03 Sun

I am among those who was reluctant to go to war. I am also painfully honest. Obviously, I know nothing about your local coverage in print or on TV. But, if you watched national TV coverage during the daytime it was heavily presented from the government's/millitary's point of view. If you watched the national coverage in the evening, it was heavily slanted against the war, with many films of demonstrations, more experts than in the daytime with negative opinions, and frequent stories about how much the war was going to be a drain on the economy. Believe me, the people with day-jobs who were really on the pro-war side have a lot gripe about; as do anti-war people who for whatever reason could only watch TV during the day.

Re the percentages, I saw the same thing happen during the war in Viet-nam. The anti-war faction always griped they were not getting enough publicity despite the fact the press showed up for practically any announced demonstration, and usually put the event on the air no matter how few people showed up. On the other hand when I came home from the anti- war demonstrations I took part in in the spring of 1970, I learned that the folks outside it all thought they were just a series of riots. The news is often a terrible place to get your news.

[> [> [> [> Andrew and the Media--what about non-US media? -- luna, 06:58:25 04/21/03 Mon

Well, I teach English in a community college, and often found that my students (who are definitely the working- during-the-day type!) had seen coverage of the anti-war movements, but only in a very distorted way (emphasis on nudity, violence--both, in reality, happening rarely. The protests I experienced, including Washington Jan. 15, were dominated by middle-aged schoolteacher types, like me wearing LOTS of clothes since the high for the day was 22F). The protests were reported, but the images were selective and the narrative supplied was ridicule and belittlement (my point about Andrew).

But I had not seen those statistics about the amount of anti- war coverage.

However, I'm not so much concerned with how the anti-war protests were covered as with how the war is covered. What is shown on TV at night is reported by most people I know who have travelled or have access to other media as being very different from what is shown on TV from other countries, including our ally, England. I know this only second-hand, but I've also heard it about news from other "coalition of the willing"--that even Polish news shows more complete coverage. I believe that what was shown, once the war began, was clearly what I have always been taught to consider propaganda. For example, when the statue of Saddam was toppled, American TV constantly replayed it, apparently showing a huge crowd cheering the fall, with the narrative that all Iraqi's are delighted with their American liberators. On TV and in papers in other countries, it was clear that it was a small group of about 200 in the middle of an otherwise empty square. Then the narrative is created to explain why these Iraqi's who were so glad to get rid of Saddam have now "changed" and want us to leave ("They've been taken over," "These people have no right to speak," etc.). So once again, distortion of image and re-creation of narrative based on elements of turth create a false "reality" that deceives the viewer.

It would be interesting to know how people on this board from other countries are seeing the coverage of the war and its aftermath.

[> [> [> [> [> Re: Andrew and the Media--what about non-US media? -- 110v3w1110w, 07:25:06 04/21/03 Mon

the death of right and wrong in our society has made people afraid to use their own judgement so now we have the situation where people judge the merits and morality of war based on how well the media and government can spin it to them. when there was a war in serbia and when clinton bombed iraq there was never the public outcry there is now why is that ? because clinton can go on TV and look sorrowful and bite his lip and people will support a war bush on the otherhand does not speak that well and looks like he smirks so he is not supported. the media shows pictures of the wounded iraqis on TV and they are terrible images and they turn people against the war but if they had shown as many pictures of the childrens prisons and other crimes that saddam commited then people would have supported the war like they did when the media showed pictures of the crimes of ethnic cleansing going on in serbia. out of serbia and iraq, iraq was the bigger threat to america iraq has killed more people iraq has created the bigger humanitarian disaster iraq is far worse in every respect yet more people supported the war in serbia because it had better PR and that goes to show IMO how much the poltical left has destroyed the concept of right and wrong

[> [> [> [> [> Yep -- CW, 07:55:51 04/21/03 Mon

TV news cameramen have always been experts at using zoom lenses to hide the true numbers of crowds. Some news outlets were more honest about the make-up of the crowds here than others. I remember one of my local station saying that the local group they saw was mostly middle-aged. On the other hand the Spanish language national network program I watch tends to have 'broader' standards of what they will put on. They showed pixelated nude folks demonstrating all over South America.

[> [> [> [> [> Re: What about non-US media? -- Celebaelin, 09:23:00 04/21/03 Mon

I'm content that the post-war coverage in the UK has been fairly even-handed. Much of the emphasis is now on what is being done for the civilian casualties and the apparent attitudes of the Iraqi population. We are shown the demonstrations but it is left to the individual to decide the implications. My personal take is that under Sadaam the demonstrators would have been shot if they had dared to air their grievances in any manner, let alone in a mass demonstration and I don't think this fact is lost on either the coalition forces or the Iraqis themselves. It is a test of will if you like, almost a matter of the Iraqis not really believing that no-one is going to be murdered or tortured for speaking their mind. The next question is of course 'What is an acceptable form of government for all concerned?' and by all concerned I mean especially the occupying forces. There is, understandably, a desire not to replace one authoritative regime with another or indeed to hand the victory over to Islamic clerics in what would doubtless be interpreted by some Imams as a sign of fealty to the 'true power' in Iraq.

It is a difficult time whilst some semblance of civic order is demanded by elements of the population on the one hand and allegations of imperialism and exploitation are being sprinkled around like confetti on the other. I sincerely hope that the coalition forces can secure the country sufficiently to be able to hand over to a UN security force within, say, six months (RAF fighter squadrons have already started coming back to the UK 'job done'). I live in hope of an extrication of all (or nearly all) units involved in the armed conflict with all reasonable speed.

The appointment of Jay Gardener I find particularly apt. Whilst some are likely emphasise that he is a former General, I only see that he is a former General and I hope the Iraqis will see this point of view. They should, when all is said and done, be aware of the involvement of Generals in what has happened to their country and I would hope that a gradual move away from a martial emphasis to the power structure in Iraq would be welcomed.

Civil government brings its' own problems and administering the flow of oil revenues to the re-building of Iraq may not be easy. If Sadaam's holdings worldwide are be liquidated and returned to the Iraqi people some headway will have been made in this regard (Sadaam is allegedly worth ~£200 billion it seems). I honestly think there is some hope for Iraq and its' people but, ideally, the responsibility will be in their own hands (but not as soon as they would want in all likelihood/certainty).

C

[> [> [> [> [> False realities and our own choices -- Dariel, 10:56:33 04/21/03 Mon

As you mentioned in your earlier post, people have a weakness for illusion (or was it image?--sorry). I think the US media showed a rather narrow view of the war, but it was also the one that most Americans wanted to see. Even for an anti-war person like myself, the image of the statue- toppling was moving. However, I was watching the news not just to seee the news, but to see how the war was being presented. After seeing this same image repeated multiple times on every channel, I started to get suspicious--weren't there any other happy people in Iraq besides this one crowd (and the Kurds, but they liberated themselves for the most part)? I mentioned this to several people who had been ambivalent about the war, but they didn't seem to get the point. In fact, they got rather irritated. I think they were happy to receive these distorted images because they really wanted their faith in the US restored.

My point--the media does manipulate, but most of us don't mind it so much! We want to believe in our leaders, in our country, because, as AI found, it's really depressing when you can't do it anymore!

[> [> [> [> [> Re: Andrew and the Media--what about non-US media? -- O'Cailleagh, 12:22:05 04/21/03 Mon

From what I have seen of the UK news coverage of the war- which isn't that much of late, not really a fan of reality tv-it seems to have been pretty broad. Especially compared to the coverage shown on CNN and the other American news channels we get here. For instance, I don't recall ever seeing 'friendly fire' mentioned on the US news, just lots of talk of supposed proof of chemical weapons (according to UK news it was agricultural fertilizer). And speaking from my own perspective, if I was an evil dictator with chemical weaponry...well, I think I might have used it by now...

O'Cailleagh

[> [> [> [> [> [> Re: Andrew and the Media--what about non-US media? -- Dariel, 15:01:56 04/21/03 Mon

And speaking from my own perspective, if I was an evil dictator with chemical weaponry...well, I think I might have used it by now.

Well, that's a funny thing. Some of the Arabic media has postulated that the US and Saddam worked out a deal. Basically, you play nice with us and we'll play nice with you. I have no opinion on this, other then to say it wouldn't surprise me. It will be interesting to see where he turns up!

[> [> [> [> [> [> [> A truly paranoid theory -- luna, 19:12:58 04/21/03 Mon

I know someone who is convinced he's at the Bush ranch. I don't believe it myself, but then...

[> [> [> [> [> [> [> [> LOL! Pretty soon we'll start having "Saddam sightings" a la Elvis -- Dariel, 19:28:13 04/21/03 Mon


[> Re: Jasmine, different interpretations, and evidence -- LeeAnn, 07:29:14 04/21/03 Mon

While I still prefer the Jasmine is Bush symbolism I know a Bush worshipper/Buffy & Angel lover who says that the Jasmine storyline is an indictment of fundamentalism, especially Muslim fundamentalism. Myself, I like how the symbolism can be interpreted in more ways than one. I think the best art always has multiple interpretations.

********

If you aren't familiar with the evidence for media manipulation by the Bush administration, how about this?

Remember those pictures of Iraqis tearing down a statue of Saddam, pictures beamed around the world. Well it turns out that was as staged and scripted as, well, Buffy the Vampire Slayer.

The photographs tell the story... : Is This Media manipulation on a grand scale?



April 6th: Iraqi National Congress founder, Ahmed Chalabi is flown into the southern Iraqi city of Nasiriyah by the Pentagon. Chalabi, along with 700 fighters of his "Free Iraqi Forces" are airlifted aboard four massive C17 military transport planes. Chalabi and the INC are Washington favorites to head the new Iraqi government. A photograph is taken of Chalabi and members of his Free Iraqi Forces militia as they arrive in Nasiriyah.

April 9th: One of the "most memorable images of the war" is created when U.S. troops pull down the statue of Saddam Hussein in Fardus Square. Oddly enough... a photograph is taken of a man who bears an uncanny resemblance to one of Chalabi's militia members... he is near Fardus Square to greet the Marines. How many members of the pro-American Free Iraqi Forces were in and around Fardus Square as the statue of Saddam came tumbling down?

The up close action video of the statue being destroyed is broadcast around the world as proof of a massive uprising. Still photos grabbed off of Reuters show a long-shot view of Fardus Square... it's empty save for the U.S. Marines, the International Press, and a small handful of Iraqis. There are no more than 200 people in the square at best. The Marines have the square sealed off and guarded by tanks. A U.S. mechanized vehicle is used to pull the statue of Saddam from its base. The entire event is being hailed as an equivalent of the Berlin Wall falling... but even a quick glance of the long-shot photo shows something more akin to a carefully constructed media event tailored for the television cameras.



This was hardly the first or last instance of the Bush administration faking the news. They are masters at it.

White House Gets Credit in Some Quarters for "Spinning" War. Isn't That Called Propaganda, Skilled Use of Lies and Deception? In the New York Times: Even Critics of War Say the White House Spun It With Skill

That is the assessment of the Bush administration's wartime public relations campaign by both its supporters and critics, who say the spin operation was extraordinarily successful in shaping a positive battlefield narrative, at least for American audiences. They say the effort floundered in the Arab world.

Its success at home can be traced to three major factors.

First was the repeated use of phrases that critics branded propaganda, like "coalition forces" and "death squads," that became part of the accepted language of war. Second was the powerful cinÈma vÈritÈ journalism of reporters and photographers, whose words and pictures humanized the American soldiers they were with. [Non embedded journalists were threatened with death and some deliberately killed.]Third, but not least, was the message discipline of a White House that plotted appearances by top officials on a daily "communications grid," ensuring that in the first half of the day there was a news briefing by an administration official every two hours, and that everyone was saying more or less the same thing.

ÖThe third factor in the communications strategy, the message discipline, began in December 2002, when the top communications officials from the White House, the Pentagon, the State Department and Britain instituted a daily 9:30 a.m. conference call about the theme of the day and who was delivering it. By the time the war started, the call was generally led by Tucker Eskew, the director of the White House office of global communications, which was created to spread the American message on the war in Iraq. Mr. Eskew made sure that the president, the defense secretary and the secretary of state or their press officers were briefing at regular intervals.

As a result, cable television viewers could watch a steady stream of the administration's message starting at 7 a.m. Eastern time in the United States, when Brig. Gen. Vincent K. Brooks briefed at the $250,000 set created at the United States Central Command's forward headquarters in Doha, Qatar.

http://www.nytimes.com/2003/04/20/international/worldspecial /20BUSH.html

I was especially struck by how much this resembled Nazi Germany's propaganda apparatus which gave out their own message of the day, called a daily parole, in which they instructed the German press how to present the Nazi spin on events. Still I guess that's not too surprising considering all the links the Bush family has to the Nazis.

Fair did an analysis of coverage of the war by the networks which showed it was heavily biased toward the Bush administration. The networks were just megaphones for the official view. The Bush administration controls the US press to a greater extent than any previous administration. Only the internet is still free.


[> [> Re: Jasmine, different interpretations, and evidence -- 110v3w1110w, 09:51:13 04/21/03 Mon

firstly i don't worship bush and secondly i never said the curret angel story line represets islamic fundamentalismi said it represents fanaticism in general islamic or any other kind. as for the iraqis protesting they are much like the protests in the west the do not always show what most people think as we seen millions protesting the war in america yet public support for the war is about 70% according to the opinion polls. also while the people that are protesting may not like america we have not any of them calling for saddam to come back everyone agrees that him going was a good thing. i see iraq having a bright future if america ca rebuild the country and help establish democracy and liberty but the path will not be easy as there are many factions in and out side of iraq that want a share of power. they will try to throw a spanner in the works america must not give in to these forces and must not hand over power to anyone until iraq is ready for the responsibility of governing itself. also does anyone have any ideas on why conner wasn't cured by the blood ? personaly i think he was cured but i remember when angel was cured he wated to try to go back to jasmin and pretend everything was ok maybe that is what conner is doing because he has never felt loved like that before

[> [> [> Re: Jasmine, different interpretations, and evidence -- Shiraz, 12:54:26 04/21/03 Mon

First off, NO ONE on the left ever suggested that Saddam Hussein was (is) a good person. His crimes against humanity are well known.

However, so are the crimes of dozens of other dictators all around the world; several of which have received my tax dollars. (Heck, SADDAM received a chunk of my parent's taxes!)

Are we now to send our army out to eradicate these evil- doers everywhere?

This is not a valid reason to go to war.

"if america ca rebuild the country and help establish democracy and liberty but the path will not be easy as there are many factions in and out side of iraq that want a share of power. they will try to throw a spanner in the works america must not give in to these forces and must not hand over power to anyone until iraq is ready for the responsibility of governing itself. "

Erm... who desides when Iraq is 'ready for the responsibility of governing itself'?

What if some Iraqis disagree with this self-imposed arbiter?

Is this the same arbiter who desides which forces are anti "liberty and democracy" and can therefore be excluded from the process?

And finally, whose going to pay for all of this? Cause last I checked things like hospitals, schools and roads didn't come cheap, and the U.S. is piling up red ink as it is.

-Shiraz

"Bethan snorted and strode across to the little man, who tried to back away. He was too late.

She picked him up by his apron straps and glared at him eye to eye. Torn though her dress was, disarrayed though her hair was, she became for a moment the symbol of every woman who has caught a man with his thumb on the scales of life."

Terry Pratchett - "The Light Fantastic"

[> [> [> [> Re: Jasmine, different interpretations, and evidence -- 110v3w1110w, 13:37:19 04/21/03 Mon

because america does not rid the world of all dictators and has supported them in the past does not make it wrong when it does decide to get rid of one. stoping a fascist from opressing and killing people is a good deed whatever else happens. as for the political left they have sunk to new lows in this conflict some have gone as far as commiting treason by actualy trying to stop military convoys. as for who decides when iraq is ready the american government will because they occupy iraq and if some iraqis disagree then tough they have no experiance in creatig democratic government and making sure there is justice and liberty so they will have to learn for a few years

[> [> [> [> [> Re: Jasmine, different interpretations, and evidence -- Shiraz, 15:15:08 04/21/03 Mon

So, what you're saying is that the US has a right, not a duty (which would require us to invade), but a right to invade whoever the US government wants to, whenever it wants to no matter who objects?

And anything that anyone from that "undemocratic" nation says about the actions of the US government can then be safely ignored because of their lack of familiarity with democracy?

And if the US decides that Iraq won't be ready for say 10 or 20 years, then your OK with that? Are you OK with that even if the majority of the Iraqi people very vocally AREN'T OK with that?

And what if Iraqi vision of 'Liberty and Justice' is somewhat different from ours? Do we re-educate them to accept our version?

Remember foreign relations are like court cases, they set precedents, and what foreign policy actions a superpower takes are the equivalent to a supreme court precedents; meaning that they validate similar actions by other powers.

With this war we have set a very dangerous precedent. We have now given legitimacy to the idea that any strong nation who wishes to invade any smaller nation, provided they can find some moral fault with that nation.

Russia vs. Uzbekistan? Go for it! Those Uzbeks have been repressing all kinds of minorities, and its a dictatorship!

China vs. Mongolia? Sure! Mongolia's just a Stalinist hold- over anyway.

-Shiraz

You can't impose democracy, and you can't force liberty down people's throats.

[> [> [> [> [> [> Re: Jasmine, different interpretations, and evidence -- 110v3w1110w, 04:23:02 04/22/03 Tue

yeah thats pretty much what i am saying if you gave iraqis a vote now or to soon before they are ready for it they will vote an islamic theocracy into power and they will end up in the same situation as iran is in now i.e poor human rights, poor womens rights and no rights for gays at all and i don't think that is acceptable even if most iraqis want it. As for countries waiting for someone else to set a precedent in policy so they can follow this shows you have a flawed understanding of how the world works. russia and china base their policys on what is in their national interests at no point do they rule a course of action out because america has not done it first.


Belated reply to the discussion of Get it Done -- norms, 15:33:44 04/20/03 Sun

someone, I don't know who wrote:
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The issue is whether [Willow and Spike's] situations are symmetrical to Buffy's. After much thought, I don't believe so. Buffy did not ask them to gain more power. She didn't ask Willow to go drain another Rack, she didn't ask Spike to become an UberVamp. What she did was demand that they use the power they already have. This was no different than what Buffy demands of herself. Yes, Willow and Spike have powers rooted in darkness; we now know that Buffy does too. She controls that power in order to use it for good. She demanded that Willow and Spike do the same.
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the sad part is not that someone wrote this, the sad part is that someone thought this drivel was worthy of being imortallized on the episode page. (No offense)

the one real differance here (between the situation of buffy and that of willow&spike) is that with willow and spike the power is "already in them", that however is meaningless

the essence of the whole episode was that buffy wanted spike and willow to risk there humanity to be better fighters, but when called on to do the same she wouldn't do it.

Not that this is surprising, Buffy, as a charactor, never really had any kind of moral fiber, there were always things she was to squemish to do but she never had a problem if someone else did it for her. and the few "moral" judgements she has ever made were based an this brain- damaged valley girl mentality that equated "creepy" or weird with evil and morally wrong.

if you really want a differance between buffy and the W&S situation then I have one, Willow and Spike both have actual humanity, buffy on the other hand, is human by apperance only (if you didn't realize that then go back and watch season six, if you still don't get it then I'd like you to wear tin-foil SO WE KNOW WHO YOU ARE) and if I were in the postion of any of the group and I was offer power in exchange for an EMPTY SACK (which is all buffy humanity amounts to these days) the I would say that to even hesitate would be a betrayal of humanity

[> Re: Belated reply to the discussion of Get it Done -- M. (wearing a tin-foil hat), 21:30:06 04/20/03 Sun

Buffy made her decision and I wonít even argue about whether it was the right or wrong decision, but simply defend the fact that it was her decision to make.
What Buffy says to Spike or Willow can not be compared to what the shadow men tried to do to her. Buffy did not chain then up and try to force power upon them, she did not try to force them in anyway. She simply told them what was needed and allowed them to chose. The Shadowmen knocked her out, chained her up and exposed her to the demon essence. Did you really expect that Buffy would stand there and allow herself to ìget knocked up (raped!) by some demon dust? I found myself wondering what would have happened if they had told Buffy about the turokan first, then offered her the power instead of trying to force it upon her.

[> [> Okay, now you're just dodging the issue -- norms, 12:33:08 04/21/03 Mon

---------------------------------------------------------
Buffy made her decision and I wonít even argue about whether it was the right or wrong decision, but simply defend the fact that it was her decision to make.
-------------------------------------------------------
well in the words of Bill Cosby "well that changes the subject doesn't it.". I was't judgeing weather buffy was right or wrong (except at the end, the part about the sack). I was merely stating that buffy once again failed to practice what she loudly and abrasively preaches.

--------------------------------------------
What Buffy says to Spike or Willow can not be compared to what the shadow men tried to do to her. Buffy did not chain then up and try to force power upon them, she did not try to force them in anyway
---------------------------------------------------
You have a point, it's irrelevent and only true in a technical sense (if you really don't consider the constant verbal abuse an attempt to "force" spike and willow to do what she wanted in any sense of the word, then I truly pittiy your command of the english language)

---------------------------------------------------
The Shadowmen knocked her out, chained her up and exposed her to the demon essence. Did you really expect that Buffy would stand there and allow herself to ìget knocked up (raped!) by some demon dust?
------------------------------------------------------

also irrelevent, this piece of narrative would only support buffy if you think that if they had ask first she would have gone through with it. the point still stands that in the end SHE made the choice to not do what she wanted from her "friends" ( I use quotes because I don't believe buffy understands the concept any longer)

[> [> [> Re: Okay, now you're just dodging the issue -- M., 17:16:08 04/21/03 Mon

Ok, Iíll try again. You say ìthe one real differance (difference?) here (between the situation of Buffy and that of Willow & Spike) is that with Willow and Spike the power is "already in them", that however is meaninglessî. Why is that meaningless? It seems to me that Sophist demonstrated fairly conclusively that this difference is very significant (and doesnít need my defence, but I like to argue sometimes). No only is Buffy not asking them to gain more power nor asking them to relinquish their humanity, she is only asking them to do things that they have each done before and they both know exactly what the results could be. Buffy does not in fact have any idea what the result would have been if she had let the Shadowmen have their way with her. We donít even know that it would help.
The next point is you consider ìconstant verbal abuse an attempt to "force" spike and willowî. I will attempt not to engage in nor acknowledge personal attacks but I will ask ìare you trying to ìforceî people to agree with you?î You must see that there is a difference between verbal coercion and physical violence. No only that but I have to ask ìwhat do you mean by ìconstantî verbal abuse?î Until this point Buffy has been very understanding and supportive when dealing with Willows concerns about magic, and Spike seemed down right shocked that Buffy felt the way she did. It does not seem to me that she badgered or wore them down. Do you consider Spike and Willow to be such weak willed individuals that they can be so absolutely controlled by a single comment from Buffy? Strongly influenced yes but they still had a choice. I do not think that it was Buffyís intent to deny them that choice, but rather ìforceî them to make it. That is not the same thing as what the Shadowmen tried to do, they tried to make the choice for Buffy.
The final question is do you ìthink that if they had ask(ed) first she would have gone through with itî. I hope that I understand your argument, you seem to imply that even if Buffy had been given a chance to make an informed choice, she still would have turned them down and therefore the actions of the Shadowmen are ìirrelevantî. First I have to say that the violence and attempted rape (and I do mean that) is completely indefensible. It would be unfair to expect anyone to make the right choice under those circumstances. Next why are you so sure that Buffy would have turned them down had they asked? It seems fairly obvious that Buffy had reconsidered her decision after seeing the army of Turok-han, she tells Willow ìI think I made a mistakeî.







By the way, still proudly sporting my tin-foil hat and taking the little bus to battle.

[> [> [> [> um... damn -- norms, 18:57:57 04/21/03 Mon

Overall you have a very good point, I concede to your logic and knowledge.

HOWEVER, I few points I would like to dispute:

-----------------------------------------
You say ìthe one real differance (difference?) here (between the situation of Buffy and that of Willow & Spike) is that with Willow and Spike the power is "already in them", that however is meaninglessî. Why is that meaningless? It seems to me that Sophist demonstrated fairly conclusively that this difference is very significant
------------------------------------------------------------
where? and what is this significance?

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No only is Buffy not asking them to gain more power nor asking them to relinquish their humanity
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Actually buffy is quite clear that she looks down on spike for not "relishing the kill" the way he used to, and seemed quite frustrated with willow because she refused risking a repeat of the events which almost ENDDED THE WORLD last year. so that falls pretty well under asking them to relinquish thier humanity.


------------------------------------------------------
Until this point Buffy has been very understanding and supportive when dealing with Willows concerns about magic, and Spike seemed down right shocked that Buffy felt the way she did. It does not seem to me that she badgered or wore them down. Do you consider Spike and Willow to be such weak willed individuals that they can be so absolutely controlled by a single comment from Buffy?
----------------------------------------------------------
good point about spike, but buffy had been haranging willow for a while. and as for relitive weakness of will I must wonder how you've watched so many episodes and missed the fact that the scooby-gang long ago ceased to be a group of friends and became a cult devoted to worshiping the slayer and fighting a jihad agains't all demons that they aren't two lazy to find

--------------------------------------------------------
you seem to imply that even if Buffy had been given a chance to make an informed choice, she still would have turned them down and therefore the actions of the Shadowmen are ìirrelevant
----------------------------------------------------------
Exactly!

------------------------------------------------------
First I have to say that the violence and attempted rape (and I do mean that) is completely indefensible
------------------------------------------------------------
and I make no attempt to defend it.

-------------------------------------------------------
It would be unfair to expect anyone to make the right choice under those circumstances.
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Why? I understand the emotional charge of such a situation can cloud ones judgement but someone buffy's age (or even someone three quarters of buffy's age) should have enough emotional maturity to seperate emotion from logic when the stakes are this high.

[> [> [> [> [> Concessions, clarifications and general ramblings. -- M., 22:38:13 04/21/03 Mon

I will concede one of your points as well. I said the Buffy didnít ask them to give up their humanity. But maybe that is exactly what she did. But I still maintain that they had a choice, at that is what is significant. Iím trying to think of any examples of Buffy ìharanging Willowî and I canít think of any that occurred before ìGet It Doneî (or after). In ìShowtimeî I saw Buffy being sensitive and supportive to Willow when asking for her to make a barrier to protect the potentials. I saw the same concern in ìPotentialsî when Willow volunteers to cast a spell to find the missing potential. You may take a cynical viewpoint that she was just pretending to be nice to take advantage of Willow, but that is not how I see it.

It always amazes me (in a good way) how two people can look at the same thing and see two completely different things. You see Buffy as shallow, conceited and lacking humanity, and the Scooby gang as a mindless cult who worship her. (How dare you suggest that Buffy has a cult following!). I see Buffy as a hero in the truest sense of the word, sacrificing herself for the good of the world. Iím not just talking about the two times she literally gave her life, but the way she devotes her life every day to fighting the forces of evil (sorry to sound like a comic book). The same applies to Willow and Xander. Willow who could have been literally anything she wanted chose to stay in Sunnydale to fight the good fight way back in season three, and then chose to come back at the beginning of this season because she was needed. Xander shows incredible courage to face these monsters without any of the super powers of the others.

I am not saying in anyway that Buffy is without flaws. She has demonstrated a dangerous blind spot regarding Spike, a definite tendency to lecture to the potentials instead of listening to them, and a lack of respect and consideration for the views of her allies who are in this fight with her. But I would like to remind you that she would not be such and interesting character if she was without flaws. Also in every good story there has to be tension. In every season of BTVS there has been a point just before the climax where the character flaws seem almost insurmountable. In season one Buffy tried to deny her calling and responsibility. In season two she has been unable to fight the monster that had her lovers face. In season 3 she was conflicted about the council and indecisive about how to destroy the monster who was going to eat the town. In season four she fought and argued with the Scooby Gang. In season 5 she sunk into a fugue state because she couldnít handle the stress of protecting her sister and of course you are right that she struggled with depression throught much of season six. Now in season seven Buffy is once again becoming disconnected with the Scooby gang, she has been unable to inspire the confidence of the Potentials and has yet to find a way to fight an intangible foe. The point is that she overcame these challenges in the past, and will again. At this point I am going to make an impassioned plea to you, not to ignore Buffyís flaws, but donít concentrate on them to the exclusion of all else and allow yourself to see her strengths and maybe even her humanity.



Now briefly to something more specific that I hope you will respond specifically to. You say ìsomeone Buffy's age (or even someone three quarters of Buffy's age) should have enough emotional maturity to separate emotion from logic when the stakes are this high.î. Personaly I am just about six quarters of Buffyís age and I canít claim I am always able to separate logic from emotions, especially in times of stress. (Anyone who claims they can always make logical decisions unaffected by stress or emotion must be a ìVulcanologistî) When someone tries to force something on me even if it is for my own good, my natural response is to resist. The point is that if given the needed information and time to think about it, things might be different. You seem to be absolutely certain that Buffy would have turned down the Shadowmen offer under any circumstances. I would like to know why you feel this way when Buffy herself seems to feel that maybe she should have taken the power.

[> [> [> [> [> [> Since I have a completely impartial interest in this issue..... -- Sophist, 09:10:57 04/22/03 Tue

let me just offer one point in response.

I said the Buffy didnít ask them to give up their humanity. But maybe that is exactly what she did.

The way I see it is this: the exercise of special powers by any of the three (Buffy, Willow, Spike) runs along a continuum. Using Willow as an example, we might say that the continuum runs from locater spells to teleportation to raising the dead to attempting to destroy the world.

Now, if any exercise of power along this continuum puts their humanity at risk, then Buffy certainly did ask Willow and Spike to take that risk. By the same token, however, Buffy cannot be accused of hypocrisy because she exercises her power every day and, by the same logic, must therefore put her own humanity at risk.

I don't believe that the mere exercise of power alone puts their humanity at risk. It's the abuse or excess of that power which does so. Buffy pushes herself as far as she can, but made the decision that the "extra" offered by the Shadowmen went too far.

What she told Spike and Willow was, in essence, "Hey, you guys are limiting yourselves to the tinkerbell end of the spectrum. I need you to go further because I know you can. I believe in your ability to control it and I myself am taking that same risk." Buffy did not tell them to "risk their humanity". She told them to use the power they had while remaining in control. Again, Buffy herself does this. Faith, as we have seen, faces the same challenge. Given the circumstances, it's fair to demand no less of Spike and Willow (and, on a different scale, Giles, Xander and Wood).

[> [> [> [> [> [> [> Exactly, Sophist (spoilers for GID, very vague spoilers for S7 to date) -- Random, 09:35:55 04/22/03 Tue

The continuum is important...mere evidence alone has shown us that Spike and Willow have done what Buffy asked of them and are still with us in a good-guy, not-trying-to-destroy- the-world-or-murder-lots-of-innocent-people way. Willow has exercised her power more liberally, Spike as gone back, to some degree, to the Big Bad, leather duster and all. The point is, therefore, moot as of the most recent episode. Hell, it was close to being moot by the time the ubervamp army showed up at the end of GID. Why are we still discussing GID in terms that have since been dealt with?

[> [> [> [> [> [> Re: Concessions, clarifications and general ramblings. -- norms, 12:40:21 04/22/03 Tue

once again you prove logical and clarifiy several parts of your statements that apparently misunderstood, however I feel you have misinterpreted a key detail of my side of this discussion. I fully agree with you that buffy WAS quite heroic, emphasis on was. she was a very admirable, respectable, human charactor until season six (though there were shades of the problem in season five). this is actually quite common on other buffy boards I post on. I see buffy (and to a lesser extent the rest of the cast) NOW, on UPN, as entirely differant from the buffy seen when BTVS was on WB. due mostly to the massive and uneven personality shifts that took place repeatedly durring season six.

buffy in S 1-5 was a hero as you describe. buffy S6 and at very common intervals in S7 is , at least compared to the old buffy, a self-centered, sadistic, sociopath with mental functionality on par with a lovecraftian ghoul (for those who haven't read the relevent writings, imagine a human, now strip away the conscience, personality, higher reasoning capacity, and everything else that makes us more then a snarling, rabid animal, concernd only with the physical and the most primitive of emotional gratifications. which is , one must admit, a perfect decription of buffy's season six behavior.

also, you mention I should look past here flaws to see the virtues, I did. the only problem is that when season six started she lost all those virtues and gained more flaws. and secondly to that, in fiction (as in real-life) I find it hard to see past flaws when a person is such a fanitical hypocrite. I have no problem with human flaws, I just have a problem with people who are riddled with flaws that they see in everyone BUT themselves. "physition, heal thy self"

[> [> [> [> [> [> [> Huge heavy sigh. -- M., 14:56:34 04/22/03 Tue

We are not going to agree, and we donít have to. I just hope you keep watching with your eyes open, and keep your heart and mind open as well. What you see just might suprise you!


Good luck

[> Umm...nice to hear from you. Glad you could unenlighten us with your drivel (no offense intended) -- Random, adjusting his shiny new tin-foil hat and vest, 22:52:03 04/20/03 Sun


[> [> BTW, Sophist generally tends to consider his posts to be periphrastic sophistry, not drivel -- Random, donning his tin-foil pants of evil, 23:06:30 04/20/03 Sun


[> [> [> Great point -- Sophist, 08:13:12 04/21/03 Mon


[> [> Hey, I just call them as I see them (nt) -- norms, 12:12:42 04/21/03 Mon


[> [> [> Hay, straw is cheaper, -- Cleanthes, 14:07:31 04/21/03 Mon

grass is free; marry a farmer and you'll get all three.

[> [> [> [> oh, how witty! -- norms, 19:02:15 04/21/03 Mon

can you believe this is the third time this year that this has happened.

the thrid time someone who disagreed with me tried to make me seem wrong by attack my choice or usage of words while making no attempt to refute my logic.

interesting.

[> [> [> [> [> Sigh...fine, I'll give you a reply to mull over -- Random, wearing tin-foil boots, 19:45:06 04/21/03 Mon

You offer us an unsubstantiated theorem:

Buffy, as a charactor, never really had any kind of moral fiber, there were always things she was to squemish to do but she never had a problem if someone else did it for her. and the few "moral" judgements she has ever made were based an this brain-damaged valley girl mentality that equated "creepy" or weird with evil and morally wrong.

and expect a refutation of your logic. In order to address you, we have to have a reason to take you seriously. What exact situations are you referring to? Her willingness to go to jail over the death of Katrina? The fact that she sacrificed her life twice to save the world? The fact that she doesn't kill the "weird" Clem, or the "weird" demon who offered up the books of Ascension or the newly-chipped Spike, to name three that she had no reason to spare except simple mercy? By engaging in ad hominem attacks about Buffy's mentality, you make it difficult to address your "logic." And referring to someone else's observations as drivel tends to be rather counterproductive if you want someone to take your drivel (no offense, of course, cause we all know that phrase makes everything better) seriously. I offer this perspective to you because you clearly feel like people are rejecting or dismissing you -- the thrid time someone who disagreed with me tried to make me seem wrong by attack my choice or usage of words while making no attempt to refute my logic. -- and I don't want you to have to deserve the treatment you get.

Furthermore (donning a tin-foil cape), your last paragraph - -

if you really want a differance between buffy and the W&S situation then I have one, Willow and Spike both have actual humanity, buffy on the other hand, is human by apperance only (if you didn't realize that then go back and watch season six, if you still don't get it then I'd like you to wear tin-foil SO WE KNOW WHO YOU ARE) and if I were in the postion of any of the group and I was offer power in exchange for an EMPTY SACK (which is all buffy humanity amounts to these days) the I would say that to even hesitate would be a betrayal of humanity

-- offers a perspective that I would love to debate with you. If only it weren't utterly without any definition of terms or actual argument. "Watch season six" doesn't offer anything in the way of constructive advice to help us understand your point. Buffy felt disconnected, this is true. It is also true that we are now almost a season past the point where she appears to re-connect. My question is whether you have a clear idea of what you mean by "human" and "humanity." Are you saying that Buffy doesn't feel human emotions? Does her inhumanity show up in the fact that a 22 year old girl with the weight of the world on her shoulders suffers from the strain, and sometimes acts or reacts in a brusque fashion? Does that make those drivers who flip the bird to other drivers inhuman because they suffer from the strain of traffic jams and work-scheduled? Are you suggesting that her rejection of the apparent dehumanization offered by the Shadowmen is evidence of her lack of true humanity? I would be quite puzzled by your reasoning...except, of course, you offer no reasoning. Sophist makes an interesting point: Willow and Spike are holding back. Buffy isn't holding back, she's rejecting additional violation. The situations are not parallel. Furthermore, Buffy is being consistent. You can't fight evil by doing evil. You can't violate a souled Spike anymore than you can violate a souled Buffy.

[> [> [> [> [> [> Great post, Ran -- fidhle (putting on tin-foil boots too.), 19:50:46 04/21/03 Mon


[> [> [> [> [> [> You can't fight evil by doing evil, but -- Cleanthes, 20:07:11 04/21/03 Mon

can you fight unreason with sweet reason?

I applaud your effort, Random, but I'm thinking my approach works better. Were you able to write your reply without exasperation? If so, you're the Gunga Din to my Archie Cutter.

I handle exasperation poorly, so I choose to reply to "crab grass posts" with absurdity, just as I do with the crab grass in my yard. It doesn't respond well to reason either, although it demands attention by popping up so vigorously.

[> [> [> [> [> [> Excellent, my friend! :) -- Rob, 22:45:43 04/21/03 Mon

P.S. I have been busy this week, but I'm definitely going to try to make it to chat tomorrow night. You gonna be around?

[> [> [> [> [> [> [> Surely...I'm doing a road trip today, but I should be back later. Look forward to it. -- Random, 10:14:56 04/22/03 Tue


[> [> [> [> [> [> [> Are you bringing the chocolate? -- LittleBit, 13:09:00 04/22/03 Tue


[> [> [> [> [> [> [> [> Oh, yeah...but unfortunately, it will have to be Kosher- for-Passover chocolate! ;o) -- Rob, 14:00:14 04/22/03 Tue


[> [> [> [> [> [> Da'het fe'urst (Translation: I sumit to you authority) -- a very sorry norms, 13:29:50 04/22/03 Tue

just to fully detail this offical retraction

-----------------------------------------------------------
Buffy, as a charactor, never really had any kind of moral fiber, there were always things she was to squemish to do but she never had a problem if someone else did it for her. and the few "moral" judgements she has ever made were based an this brain-damaged valley girl mentality that equated "creepy" or weird with evil and morally wrong.
----------------------------------------------------------
these statement come from a combination of laziness, over generaliztion, and a spotty memory. I've spent alot of time of time on the Buffyguide.com forums danceing in the gray areas, I forgot all the counter points you offer which generated little debate.


--------------------------------------------
? By engaging in ad hominem attacks about Buffy's mentality, you make it difficult to address your "logic."
-------------------------------------------------------
then maybe someone should address my lack of logic. merely because I didn't give a detailed episomlogical explantion dosen't mean there is nothing to refute. make your own statements and back them up, talk me out of it.


-------------------------------------
And referring to someone else's observations as drivel tends to be rather counterproductive if you want someone to take your drivel (no offense, of course, cause we all know that phrase makes everything better) seriously.
------------------------------------------------
so what you're saying is... form over substance? my (antagionistic) choice of words automaticly disqualify me from deserving a debate?


----------------------------------------------------
"Watch season six" doesn't offer anything in the way of constructive advice to help us understand your point. Buffy felt disconnected, this is true. It is also true that we are now almost a season past the point where she appears to re- connect.
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how reconnected is she, she's softened a little bit, true but she still has the same (sadistic, guiltless, self- centered) "New and dysfunctional" personality.
(guiltless and selfcentered are by degree not absoulte. and if you want the most recent proof sadistic I suggest you re watch "Him", many caught how buffy helped dawn in the end, I more noticed that her first instinct was to kick her while she was down, "Face it dawn, you're never gonna get him" not a trace of sympathy or even pity, just an urge to cause pain to someone who's vulnerable)


----------------------------------------------------------
? Does her inhumanity show up in the fact that a 22 year old girl with the weight of the world on her shoulders suffers from the strain, and sometimes acts or reacts in a brusque fashion
-------------------------------------------------------
Weight of the world? you mean season five. in season six buffy only fought what, two demons, and they both came to her. she spent the whole season avoiding her friends to avoid thier problems, screwing spike and claiming it as time on patrol or at work, and the coup de grace, beating the shit out of, verbally demeaning, and sexually violating the only person who tried to help her. (and yes, spike was violated, that, I believe, is the only way to describe buffy stomping into his house in "Gone" ,and completely ingnoring spike protests about being used and doing whatever we it was she did off camera)

but I digress, this was meant as a retraction, I have a tendency to try an "counter balance" the popular mistakes of the fandom. like the huge clog of...grrrr...arrrgh... fans that somehow came to the conclusion that buffy was the victim in season six.

[> [> [> [> [> [> [> Correction: I suBmit to you authority + one more thing -- norms, 13:45:54 04/22/03 Tue

you said:
--------------------------------------------------------
I offer this perspective to you because you clearly feel like people are rejecting or dismissing you -- "the thrid time someone who disagreed with me tried to make me seem wrong by attack my choice or usage of words while making no attempt to refute my logic." -- and I don't want you to have to deserve the treatment you get.
-----------------------------------------------------------
My point was that I don't deserve this treatment. I write the way I speak; agressive, off the cuff, and antagionistic. and some are regarding me with an extremely dismissive tone because I used one or two words they consider "improper" or "bad english". I find it especially infuriating that the people who take this tone, that is, the ones who are to distracted by the form to address the substance, thier assumption of superiority proves their inferiority. If the symetry were any more perfect I would cry ;)

[> [> [> [> [> [> [> [> Eh, not trying to be an authority... -- Random, 18:30:34 04/22/03 Tue

Just observing the realities of dialogue. I notice you actually make some cogent, reasoned arguments, once you settle down a little . It isn't so much a question of whether you deserve debate, but of whether other people are willing to look past what they perceive as antagonistic and personal observations. If that's your normal IRL form of discourse, as you say, then I imagine you've encountered negative reactions before. Just a fact of life.

Anyway, I would argue she still has the weight of the world on her shoulders. I mean, the ultimate Evil is hell-bent on destroying her and the world. And, while she behaved badly in S6, I will also note she was hardly the monster that some people say. This a a girl that made some bad choices, but do a comparison analysis with, say, Angel of S2 or Spike or Willow S6...our expectations of Buffy may be a tad too high. I mean, she wasn't out robbing and murdering...she was dealing with issues


Tamara Swift -- Celebaelin, 17:10:43 04/20/03 Sun

I've just been looking at the BBC website and found Amber Benson's current project which you can watch free of charge (unless you pay your TV licence fee in the UK to fund the Beeb's free to air stuff) at

Tamara Swift


Incidentally, on the Beeb's Buffy site I found this

Ripe For Captioning


Any takers? Nothing extraordinarily impolite please!

C

[> Oh, I forgot my caption -- Celebaelin, 18:22:02 04/20/03 Sun

I'll say this for her, she can certainly hold her liquor.

[> Caption, my caption -- pr10n, 22:26:04 04/20/03 Sun

Now that is a woman that knows how to moisturize!


Mind Control in the Buffyverse (Spoilers through "Magic Bullet") -- Finn Mac Cool, 19:19:14 04/20/03 Sun

When Jasmine burst out of Cordelia's womb and started spouting platitudes about love, hope, and fighting evil, there was definite ambiguity about whether she was a truly evil creature, or a misguided power fighting for good. Of course, the revelations of her true form (a maggot covered corpse), her need to eat people, and her non-chalant attitude to her followers' deaths is definitely pointing towards Jasmine being a being intent on doing evil. So, one might ask, if she's evil and is capable of enchanting all who look at or listen to her, why'd she talk to Angel Investigations about faith, love, and eradicating all evil?

Well, that seems to be how mind control works in the Buffyverse, for the most part. We've seen several other demons like Jasmine whose modus operandi is to enchant human beings into doing their will. In "Are You Now Or Have You Ever Been", the paranoia demon exploited the fears and distrustfulness of the Hyperion Hotel residents until they lynched Angel. In "Gingerbread", the Hansel and Gretel demon heightened parents' concern for children until they tried to burn three of them at the stake. And in "I Robot, You Jane", Moloch preceded Jasmine by drawing human followers into a state of quasi-love for him. And now Jasmine has joined the club.

Something these particular demons emphasise is that mind control in the Buffyverse isn't total. They can't just totally subjugate someone's personality and free will. After all, when Willow met Moloch online, he didn't go "I'm a powerful demon. Obey me." No, he told Willow he was a normal guy, a nice guy, and slowly drew her to him. He took tempting, seductive words and used a certain amount of magic to make them seem even more appealing. Eventually, long exposure to Moloch's persuasive words and magic resulted in devoted slaves praising Moloch's "love". The others acted in the same way. They find something inside each person (whether it's fear or love) and exploit it. Mind control can't totally control someone's thoughts, but it can heighten particular feelings and beliefs until they're all consuming.

This is why Jasmine told AI she came to bring love and peace. She first needed to bring out their desire for a higher power to make everything all right before she could make that all they thought about. While her mind control took almost immediate effect, it may have lacked quite as much oomph if she didn't use AI's search for a higher good to its full effect. But, in "Magic Bullet", we saw her power increasing. She developed a psychic and visual link between her and everyone else under her thrall. And, as the control grows stronger, she can afford to be less subtle. She tells Connor quite openly "I ate them", and he doesn't even bat an eye, just like how the Hansel and Gretel demon could appear to the parents in the form of the two dead kids eventually, even though the ghosts of dead children would normally draw their attention. And, also like the Hansel and Gretel demon, once Jasmine's true form is revealed, the spell is broken.

Did this all make much sense? It started as an explanation with Jasmine's attitude matching her evil nature, but it kinda broke down near the end. Sorry, but, of five rewrites, this was the best one.

[> Re: Mind Control in the Buffyverse (Spoilers through "Magic Bullet") -- Ray, 05:35:19 04/21/03 Mon

"Did this all make much sense? It started as an explanation with Jasmine's attitude matching her evil nature, but it kinda broke down near the end. Sorry, but, of five rewrites, this was the best one."

I found it very interesting. Going all the way back to Moloch (6 years) with your references.
I can't actually think of any episode that would contradict you.

[> [> Superstar Jonathan? -- neaux, 07:55:56 04/21/03 Mon

I dont think Superstar was exactly mind control.. but the parallels between Shiny Happy People and Superstar are definately there.

You could compare Buffy to Fred as the lone person knowing something is amiss.

[> [> [> I noticed that, too -- Masq, 09:28:26 04/21/03 Mon

The effect super-star Jonathan had on Sunnydale (and one presumes the rest of the world, too?) was very similar to the effect Jasmine has on L.A. The major difference, I suppose, is motive. Jonathan's motives were very human--low self-esteem, loneliness. He let his personal needs take precedence over a nasty side-effect of his spell--the balancing monster--but he didn't do what he did because he was evil, or because he had some kind of disdain for the rest of humanity.

Jasmine's motives are still very mysterious, IMO. She does seem to rely on "consuming" human beings to regenerate herself in someway, and she is willing to hurt and kill people to maintain her control over the populace. But is all her "love-and-happiness" talk ONLY talk? She seems to believe in a lot of it. There is duplicity in her, but I'm not convinced she doesn't believe in what she's doing on some level. Yet.

Now perhaps she's just turning L.A., and then the Earth, into one big giant cattle barn/slaughter house for some powerful BigBads waiting to join her on Earth, or maybe she's just a really, really morally ambiguous "messiah" who wants to make the world a better place for humankind's "own good" and just happens to be above us on the food chain as well. To her, human beings are like animals--mostly cherished pets, but ocassionally, dinner.

[> [> [> [> Re: attachment issues -- aliera, 15:32:41 04/21/03 Mon

At little OT but until his teens, my dad grew up on a working farm and (at least in his case) this was the thing they wouldn't dare do... I remember asking about it as a kid (probably after reading Charlotte's Web.)

Anyway, did anyone other than me just have a flashback to Dawn's words from Lessons:
Dawn: I know! You never know whatís coming, the stake is not the power, To Serve Man is a cookbook!

[> [> [> [> What if (spoilers Magic Bullet) -- lunasea, 15:50:19 04/21/03 Mon

Jasmine is like Connor and really doesn't know what love is? She is spouting hallmark card sentiments that give people hope, but she doesn't have that genuine concern for people. She confuses her affection with real love. Spike and Angel confuse approval with love because they didn't know any better. What if Jasmine is confusing the hope she gives to people and the Shiney Happy feelings that she generates as love?

She doesn't have a genuine concern for our well-being. She just wants us to all be shiney and happy. As we have learned, sometimes doing the most loving thing involves pain. As the Guide tells Buffy, love is pain.

If someone is eaten, they aren't unhappy any more. Willow was going to destroy the world because of all the unhappiness. Jasmine is just trying to make everyone happy.

Mindcontrol to me is the means to something else, typically something incredibly sinister. Jasmine just wants shiney happy people. I don't think she has another end. There is no something else.

But I could be wrong. I tend to be.

[> [> Another two mind control episodes -- RadiusRS, 00:22:26 04/22/03 Tue

While I agree with your post, I do have a few episodes in mind that, while they don't contradict you, might add a different perspective. In "The Pack", the characters were possesed by the spirit but still retained facets of their personalities and a post-possesion memory of all that happened, much like Angelus experiences everything that Angel does but is impotent to affect it (isn't Angel essentially Liam's soul possesing the body of the Demon Angelus, who in turned possesed Liam's body when he became a vampire?). In "Bad Eggs", a phsyical entity was the medium of mind control. While the characters kept attributes and memories, they were like robots for the mother demon, much like the Borg and their Queen. The costume episode showed that while some were possesed by the characteristics of their costumes, they retained most of their good qualities (Xander), some didn't (Buffy), and some kept everything (Willow). Maybe no one was directly controlling their minds a la Jasmine but, there was once again a physical connection to the subjugation of the victim's will; those most costumed (Buffy, the demon kids) were the ones most affected. In "Band Candy", much like "Spin the Bottle", the characters minds were subjugated through the chocolate bars, kept their core personalities, and remembered everything. The one with Xander's spell so that Cordy would fall in love with him and "Him" also subverted the characters desires while allowing their personalities to remain. The first demon who impregnated Cordy and the other women was able to directly control their actions after a while. "Billy" was able to influence people's actions towards hatred through touch. In "Waiting in the Wings" and "I Only Have Eyes for You", the supernatural drama has possesed the chracaters because of the parallelism to their own lives at the moment. The Beastmaster completely subjugated Cordy's personality while retaining her memories (and who wants to bet Cordy remembers everything too?).
All these examples plus your own lead me to believe that Jasmine IS indeed Evil, and she's a worse form of mind control than all the ones we've seen so far; she embodies evil as a hive mind much like the Borg, the Alien Queen, or those monsters in killer insect movies do. She is like a Messiah, a God in flesh. Gods want adoration (Glory), it's what feeds them. Jasmine has subverted everyone into worshipping her, fueling her so that she can continue to grow more powerful. I do believe that she is using subertfuge by offering everyone a utopia, what they want the most (sounds just like the Devil's M.O.), so she can wriggle herself into their minds and hearts. What makes Jasmine so much more worse than everything we've seen is her control does not require physical contact (though blood-to-blood contact with her or her mom does break the spell, ironic huh?). While at first she was only able to influence their actions, she is now able to replace their moral compass with her own. They do feel love from her but it is like an addictive drug, the ultimate high (hence the post-Jasmine depression). And their love for her eclipses their concern for Fred. The Jasminites are now vessels she can see and control, extensions of herself. In order to maintain life, she must consume them. Seems to Jasmine is the ultimate evil because she takes the best human emotion and perverts it to her own purposes.
But...whatever she is, she is still Connor and Cordy's child, and therefore probably has a soul (and remember, she's just a vessel for the Beastmaster). I think she has the potential to do as much good as evil, and I think this will affect the Beastmaster within her somehow (human weakness) who, in "Players" showed that It is not all It used to be, and this might open the door toward her downfall and/or possible redemption.


Anyone know what episodes the flashbacks came from? ("Dirty Girls" spoilers) -- Finn Mac Cool, 19:48:09 04/20/03 Sun

Just for fun, I've been trying to keep track of every Buffy episode that's been referenced this season. And, 1hen Andrew is telling the potentials about Faith, there are a LOT of clips from previous episodes. So I'd like to know which episodes these were clips of, if anyone knows, since a flashback is a pretty direct reference.

And happy Easter/Passover/Spring/Fall (for all you Australians out there)!

[> Re: Anyone know what episodes the flashbacks came from? ("Dirty Girls" spoilers) -- Rob, 20:04:57 04/20/03 Sun

I can't remember every one at the moment, but I definitely recognized some clips from "Bad Girls."

Rob

[> Re: Anyone know what episodes the flashbacks came from? ("Dirty Girls" spoilers) -- pellenaka, 08:16:44 04/21/03 Mon

Enemies - Faith holding Buffy up against the wall and Faith looking at Angel with Buffy in the background.
GD1 - Faith shooting Angel (Green, bright Sunnydale sign), killing vulcanologist.
Bad Girls - Dancing, smashing stuff, B&F standing in the bright light, killing Mr. Finch.
Choices - Faith gets a brand new knife and threathens Willow.
Consequences or Enemies - Faith fighting Angel.
Faith, Hope And Trick (I think) - Faith, a guy and a fence.
The Zeppo (I think) - the very first short clip of Faith and Faith killing blue demon. (in the beginning of the ep. I believe)


A life? Me? No, what would I need that for?

[> [> I could have sworn there was a "This Year's Girl" clip in there -- Finn Mac Cool, 09:07:09 04/21/03 Mon

I think from the Joyce-as-hostage scene. Nothing actually happened in the clip, just Faith briefly there, flaunting her cleavage, but I think it might have been the same outfit as TYG.

With you on the life thing. They're highly overrated.

[> [> [> Oh, and there was a "Beauty/Beasts" clip of Faith with the tranq gun. -- Finn Mac Cool, 09:09:23 04/21/03 Mon

But thanks for clarifying some of the others. I'm beginning to suspect that this season of BtVS might reference EVERY past episode. Not likely, but possible.

[> [> [> [> Ah, so that's where that one was from -- pellenaka, 11:40:56 04/21/03 Mon


[> [> [> [> & the scenes w/the vulcan, of course, were from "faith, hope, & spock" @>D -- anom, 12:20:47 04/21/03 Mon


[> [> [> [> [> Really? I thought they were from "Vulcanation, part 1" -- Masq, 13:30:20 04/21/03 Mon

By which time, Faith had gone evil... and illogical

[> [> [> [> [> [> I'll never forget that classic episode! -- Rob, 16:10:03 04/21/03 Mon

With that killer twist ending that Faith, that whole time, was actually selling the Mayor out, by working as a Ferengi spy. And in the second part, where Troi mind-melded with Willow to create a psychic web to entrap Faith, and Worf taught Faith the true meaning of a warrior. True classics!

Rob

[> [> [> [> [> [> [> Re: I'll never forget that classic episode! -- ponygirl, 07:47:13 04/22/03 Tue

Yeah but that sub-plot about Xander being trapped on the holo-deck (again!) was totally lame.

[> [> [> [> [> [> LOL..... -- Rufus, 19:20:58 04/21/03 Mon

See what happens when a gal wears a wonderbra??? All logic goes south....;)

[> [> [> [> [> [> nope, it's fh&s... -- anom, 15:03:35 04/22/03 Tue

...note the Classic Trek-era uniform. Remember, it was one of those which-side-are-you-on mixups ME is so fond of, w/Faith asking this "demon," "What are you supposed to be, a Vulcan?" (Love that self-referential stuff, where yeah, turns out he really is!) The which-side aspect is neatly echoed in Dirty Girls itself in Faith & Spike's exchange in the graveyard, although I wouldn't say it counts as foreshadowing.

And when was Faith ever into logic?

[> [> [> Ah, you're right. (link inside) -- pellenaka, 11:51:36 04/21/03 Mon

Screencaps from said clip.

http://www.buffyworld.com/buffy/season7/vidcaps/dirtygi rls/dirtygirls357.jpg
http://www.buffyworld.com/buffy/season7/vidcaps/dirtygi rls/dirtygirls358.jpg
http://www.buffyworld.com/buffy/season7/vidcaps/dirtygi rls/dirtygirls359.jpg

[> [> Some other ones... -- Grant, 16:01:16 04/21/03 Mon

A few other ones that I noticed:

Revelations: Very short clip at beginning of Faith sitting in her motel with a stake. Also the clip of Faith fighting Angel was from Revelations. You can see poor evil Ms. Post collapsed against the wall. There is also a clip of Faith fighting the big demon guy who also wanted the lightning glove thing. And the clip of Faith and Buffy doing the synchronized slaying is from the beginning of this episode as well.

GD1: Faith punching the punching bag.

Bad Girls: Faith in the sporting goods store doing that pose (I think she was raising her hands for the police) while Andrew states the definition of the noun faith. Also the scene of Faith beckoning from the window.

Faith, Hope, and Trick: Faith pummeling a vampire, which is off camera in the clip.

Enemies: There is also a clip in there of the standoff from this episode where Faith and Buffy have knives to each other's throats ("What are you gonna do, B? Kill me? You become me. You're not ready. Yet.").

[> Question for you Finn -- tomfool, 21:42:10 04/21/03 Mon

I've been wondering about the references too, but haven't been keeping track. From what you've seen, does it look like they will eventually reference every episode from previous seasons, at least in a minor way? If so, how close are they? i.e., 70%, 40%? Just wondering.

[> [> Here are the past episodes references that I caught -- Finn Mac Cool, 14:59:24 04/22/03 Tue

(If I'm missing any, please tell me)


Season 1:

"Welcome to the Hellmouth", "The Witch", "Teacher's Pet", "The Pack", "Invisible Girl", "Prophecy Girl"

Total: 6 episodes



Season 2:

"School Hard", "Reptile Boy", "Halloween", "What's My Line II", "Innocence", "Phases", "Bewitched, Bothered, and Bewildered", "Passion", "Go Fish", "Becoming I", "Becoming II"

Total: 11 episodes



Season 3:

"Faith, Hope, and Trick", "Beauty and the Beasts", "Homecoming", "Revelations", "Lovers' Walk", "The Wish", "Amends", "Helpless", "Bad Girls", "Consequences", "Dopplegangland", "Enemies", "Choices", "The Prom", "Graduation Day I", "Graduation Day II"

Total: 16 episodes



Season 4:

"The Initiative", "Something Blue", "Hush", "The I in Team", "Goodbye, Iowa", "This Year's Girl", "Who Are You?", "The Yoko Factor", "Primeval", "Restless"

Total: 10 episodes



Season 5:

"Buffy vs. Dracula", "No Place Like Home", "Fool For Love", "Into the Woods", "Triangle", "Checkpoint", "Blood Ties", "The Body", "Intervention", "The Gift"

Total: 10 episodes



Season 6:

"Bargaining I", "Afterlife", "Flooded", "Life Serial", "All the Way", "Once More with Feeling", "Smashed", "Gone", "Double Meat Palace", "Dead Things", "Older and Far Away", "Hell's Bells", "Entropy", "Seeing Red", "Villains", "Two to Go", "Grave"

Total: 17 episodes



All together, there has been a total of 70 episodes referenced this season, out of a total of 122. So 57.4% of Buffy's past episodes are accounted for. Now that I actually figured out the percentage, it seems a little less likely that every episode will be references (unless Buffy's life flashes before her eyes again in the final episode, or if the First Evil revisits a bunch of past events). Still, if it did, that would be a neat way of seeing the show off.

[> [> [> One missing ref and a few less likely ones (spoilers up to DG) -- skyMatrix, 17:04:43 04/22/03 Tue

I've actually given some thought to this since I read that you were working on it. This kind of thing fascinates me, unfortunately for my academic career! It's hard to say what a reference is, of course. When we are reminded that Xander still lives in his apartment and works his construction job, does that count as a reference to "The Replacement," where Xander gets promoted at his job and gets the new apartment? Probably not, but maybe so. Anothe questionable one is the references to Anya's bunny phobia in "Selfless." Does this count as a reference to "Fear, Itself," where the bunny phobia was first established, or not, since it has been reiterated since then in "The Gift" and "Once More, With Feeling," among others. Is the reminder in "Selfless" that Willow went to school before a reference to "The Freshman"? You decide.

Some things I see as homages. For instance, when Buffy lets herself be drawn into a trap by a taunt in "Dirty Girls" (I understand why she did it but that's another thread!), to me homage, maybe even a "reference," to her similar behavior in "When She Was Bad" (which you didn't list) and "Becoming, Part 1" (which you did).

Also, in "Dirty Girls," when Buffy seems resentful that Faith got to be in Angel's mind, it seems to me to recall "Earshot," where Buffy tried to use her temporary psychic powers to read Angel's mind. Buffy never could get into Angel's mind even when she tried, so she must really be envious that Faith could (and of course she might be wondering how that was possible, much as Masq did in her analysis!)

Anyway, the one you definitely missed was "Normal Again." Anya asks Buffy in "Selfless" if there's any of her friends she hasn't tried to kill, and of course Buffy tried to kill Xander, Willow, Dawn and Tara in that one. Also, she almost tried to kill Giles (as the demon) in "A New Man" but I don't know if that counts.

Also, when Willow tells Kennedy that her mother barely cared about her coming out and didn't have much to do with Tara, it seems to be a fairly direct reference to "Gingerbread," which is the only time we meet Sheila Rosenberg, who acts in a manner not inconsistent with what Willow describes in "The Killer in Me."

Hopefully some of this is useful! It's a good project you're doing, good luck with it! Oh, and I have a question. Where do they reference "Afterlife"? I don't remember anyone mentioning that Buffy had been to heaven in this season.

[> [> [> [> OK, I'm not sure if this counts or not (spoilers through Angel 4.17) -- Finn Mac Cool, 19:18:50 04/22/03 Tue

But Angel has made some references to Buffy this season as well. The Orb of Thessala remark was how I fit "Passion" in there. "Spin the Bottle" was how I fit the "Helpless" reference in (though I suppose the introduction of Quentin Travers there could also count, given his appearance in "Never Leave Me"). And "Afterlife" comes from Skip's comment: "No one comes back from Paradise. Well, a Slayer, once . . ." I was thinking that if references are made to Buffy episodes on Angel, than they count. After all, they are episodes referenced this season, just on a different show.

I will definitely add "Normal Again" to the list. I won't be adding "Earshot" or "When She Was Bad". As for some of the others, I'll keep them in mind in case they aren't referenced by 7.22. I already kinda used it that way (the introduction of Drusilla, the Master, the Mayor, and Adam was how I got WttH, "School Hard", "Homecoming", and "The I in Team" to count.

What's kinda sad is I had all these references stored in the old memory bank. Oh well, I'm among fellow obsesses here.

[> [> [> [> [> Re: OK, I'm not sure if this counts or not (spoilers through Angel 4.17) -- skyMatrix, 21:06:59 04/22/03 Tue

I didn't realize you were including stuff from Angel S4. As for including the first episode characters are introduced, I guess I wouldn't, but that's just me! ;)

[> [> [> Thanks -- tomfool, 08:52:26 04/23/03 Wed

Thanks for the list and statistics. It might be fun at the end of the season to compile a table of the references. I know they are consciously increasing the number of references; I wonder if they have a 'completist' goal. We'll only know at the end, I guess.


Now for a little something to help offset the downer I posted earlier. -- OnM, 20:19:12 04/20/03 Sun

Find ye a modicum of necessary absurdity by clicking:

Here


Warning!

agent156 and other individuals suffering from MPIDS (Marshmallow Poultry Immune Deficiency Syndrome) are strongly advised not to visit this site!

Goodnight, all-- See you tomorrow.

;-)

[> And from art to, um, science... -- Darby, 06:26:17 04/21/03 Mon

There's

http://www.peepresearch.org/

The "Risk analysis" page is just...wrong.

[> [> This cannot be socially-repsonsible research! -- luna, 07:32:23 04/21/03 Mon



Pics from BtVS wrap party! -- HonorH, 09:35:34 04/21/03 Mon

Lots of pics. Unfortunately, you have to be a member to see the larger images, but what you can see on these pages is quite nice.

Note 1: The pictures labeled "David Greenwalt" are actually of the lovely and talented Drew Goddard. I get dibs on having his baby, ladies.

Note 2: Any guys who don't want to get a serious case of Dawn-lust need to stay away from the pics of Michelle Trachtenberg herein. She looks freakin' *amazing*.

BtVS Wrap Party

[> *sob*! -- Masq, 09:43:13 04/21/03 Mon

I can't believe it's over! Seeing those older faces (Oz, Joyce, etc) just brought it back.


so where was SMG?

[> [> She and Eliza Dushku weren't able to attend. -- HonorH, 09:50:42 04/21/03 Mon

So they threw the Buffy wrap party without Buffy. Oh, well. I didn't see David Boreanaz there, either.

[> [> [> A Slayer-less slayer-end? oddness -- Majin Gojira, 13:26:43 04/21/03 Mon


[> Ooh! They corrected Drew Goddard's caption! -- HonorH, 09:48:02 04/21/03 Mon

He's so gorgeous. And boy, can the man *write*! I think I've found the future Mr. HonorH.

[> [> Re: Ooh! They corrected Drew Goddard's caption! -- pellenaka, 12:40:25 04/21/03 Mon

You know, I told my sister:
David Greenwalt looks very similiar to Drew Goddard.
But she wouldn't listen. Ha! That'll show her.

He is incredibly cute. And those pictures are even better than the ones from the PBP.
You are spoilerfree, my dear?

[> [> [> I'm a born-again spoiler virgin! -- HonorH, 13:31:49 04/21/03 Mon

Er, that would be a yes. Spoiler-free here, just like NewDrew wanted. Honor the NewDrew.

[> [> [> [> A very wise decision, judging from the pics -- pellenaka, 15:00:27 04/21/03 Mon


[> [> I think I'm going to have to fight you for the Drew Goddard love child! -- ponygirl, 07:39:07 04/22/03 Tue

Drew! Drew! He's so new! If he can't write it I don't know who!

All right I don't think I'm going to win him with rhyming but damn, the man is cute!

[> Links to Full Sized Pics from Rufus' Board (via the C & S - no spoilers) and MT looks AMAZING -- Dochawk, 17:41:51 04/21/03 Mon

MT must turn 18 soon! (I know she just turned 17), but she has never looked sexier.

Date Posted: 05:51:53 04/21/03 Mon
Author: denmaroca
Author Host/IP: 82.43.57.238
Subject: High quality pics of the wrap party.

At:

http://users.pandora.be/patsie/buffy/

http://www.slayerhelp.com/news/viewalone.php?newsid=688

http://www.slayerhelp.com/news/viewalone.php?newsid=690

MT looks frigging amazing and way sexier than she ever did on the show.

[> [> Tsk, tsk, tsk........SMAP!!!!!!!!! Bad Doc.....<g> -- Rufus, 19:24:54 04/21/03 Mon

Like I said at another board, who let that girl go to the party wearing what amounts to a dinner napkin....when she develops the breasts to hold up a dress like that she will almost be old enough to wear it.

[> [> "Woman-sized" indeed. Warned ya. -- HonorH, 19:27:32 04/21/03 Mon


[> [> Ooh! Must critique the fashions! -- Honorificus (Who Is Every Woman), 22:09:52 04/21/03 Mon

Tom Lenk: Too tame, by far. If he wants to dispel the bad taste left by his character, he simply must break out and do something truly fashion-forward. The color of that shirt was wrong, too. It wore him.

Emma Caulfield: Why can't Anya dress like this? Simple silk top (and what a color!) with jeans and one hell of a necklace. I love that thing! Finish off the ensemble with understated makeup and hair and a pair of gold sandals, and you've got a better fashion statement than Anya's worn all season.

Alexis Denisof: A man this sexy, and *that* was what he chose to wear? The top looks like a bad '70s flashback!

Alyson Hannigan: Now, that's more like it. I love, simply love, the skirt. Must get one just like it. The tank top worked well with it and showed off her cute little figure, and the accessories were perfect. Loved her hair, too. A bravura performance!

ASH: Ah, darling, we must get together. A conservative suit, with just enough rebellion to remind us that he isn't Giles. But honey--an earring? Are we trying to be Wood?

Joss: I might have excused the suit if he'd made some attempt to brush his hair. He didn't, however, so he bears the full brunt of my sartorial wrath. Unflattering, vaguely rumpled, and I hate the shirt.

Michelle Trachtenberg: Has decided she's ready to step out from big sister's shadow, and what a way to steal the spotlight! Perfect, from the top of her curled head down to her red, red toenails. The dress is perfect--sexy, flattering, and guaranteed to send many men to A Special Hell. Top that off with smoky eyes and touseled hair, neatly contrasted with the innocent pink of her lipstick, and you've got an ingenue who's ready to claim her place in the sky. Brava, Michelle!

James Marsters: Keeping it simple, keeping it real, keeping me hormonal. Black turtleneck paired with distressed jeans- -the perfect way of saying, "I may not be Spike, but I'm still a little bad." Look me up, James, honey.

Other notes of interest:

--Marti, Marti, Marti: why? You need a nice peach or coral, not that hideous shade of orange, and polka-dotted to boot! You have many talents, but picking an outfit does not appear to be one of them.

--Kristine Sutherland: looks lovely, but the shade of lipstick she chose is completely wrong for her delicate coloring. She should've borrowed from Marti, who at least got her makeup right.

--Juliet Landau: managed to commit more fashion atrocities in one outfit than Dru did in her entire stint in the Jossverse.

--Julie Benz: so pretty, and I adore her earrings, but I do not love that top. Bad, dear, bad.

--Amber Benson: simply lovely. She keeps it simple and figure-flattering, and she wins. Love the longer hair, too.

And that, dears, is the extent of the wisdom I shall bestow on you tonight.

[> [> [> About the earring...... -- Rufus, 00:34:22 04/22/03 Tue

ASH: Ah, darling, we must get together. A conservative suit, with just enough rebellion to remind us that he isn't Giles. But honey--an earring? Are we trying to be Wood?

I'm sure ASH got the earring from chewing it out of DB's ear during some over the top slash fiction....;)



Julie Benz: so pretty, and I adore her earrings, but I do not love that top. Bad, dear, bad.

I was hoping that was a jacket and she had some flattering t- shirt or cami underneath.



Kristine Sutherland: looks lovely, but the shade of lipstick she chose is completely wrong for her delicate coloring. She should've borrowed from Marti, who at least got her makeup right.

If she didn't know before she knows now....says Rufus who likes bright red lipstick.



James Marsters: Keeping it simple, keeping it real, keeping me hormonal. Black turtleneck paired with distressed jeans--the perfect way of saying, "I may not be Spike, but I'm still a little bad." Look me up, James, honey.


I remember telling someone that if JM wanted to make points to keep is simple and remember with his hair that colour he needed to wear something that wouldn't make him look head to toe monochrome. My bet is someone picked his clothes or everything was in the wash and that was all that was left.

[> [> [> You just don't understand artists, dear -- Masq, 06:41:08 04/22/03 Tue

True arteeests don't wear rebellious fashions or pressed suits and they certainly don't waste time on trivial practicalities like ironing their clothes and combing their hair.

Joss has his next great inspiration swimming in those gi- normous, squishy frontal lobes of his, and you condemn him for being... scruffy?

Fashionista nazi, you! Determined to set back artistic progress into the... into the gasp! 1980's!

[> [> [> Saguaro Stalker joins the fashion police. -- The desert's biggest fashion criminal, 07:47:52 04/22/03 Tue

Since guys tend to see things a bit differently than the lady's I thought I'd chime in. My ssytem is pass/fail, with snide comments, of course.

Passing
AH
AB, but somebody slip her and order of sopapillas. She looks famished.
D.B. Woodside, doesn't look like his mommy dresses him.
JM
J Whedon, Compared to some of these goobers his hair looks great.
Julie Benz, Gold Star winner for the evening!
Juliette Landau. Don't listen to Honorficus. She looks great.
Kristine Southerland, yeah her lipstick is a few shades off. But, remember Faith as Buffy tricked her into burning her best shade.
Marti Noxon. Hey, she's the boss, let her in, even if that neckline is a bit inappropriate both for the occaision and her personally.
Seth Green
Tom Lenk

Conditional pass (clothing acceptable in all cases)
D Strong, needs mommy to comb his hair.
Nathan Fillion, Cut that hair! That low forehead makes him look like his IQ is lower than his age.
NB, Cut it or comb it, dude!

Fail
AD, How cold was it in LA the other night? How dirty is that green tee-shirt underneath?
ASH, Looks like he stole that outfit off a much taller homeless person.
Emma C, that top and blue jeans?
MT, maybe her mommy should dress her for a few more years. Black is not her color, and hopefully, streetwalker is not her profession.
James (Clem) Leary At least he found a homeless person the right size to rob.

Fashion tips from the worst possible source (me)
Ladies -Last year's dress is fine. Last year's lipstick is fine. Don't be a slave to fashion, and to thine own self (coloration, maturity) be true.

Gentlemen - For those of you who still have enough hair to comb. It's okay if your mommy combs it for you, but never let your girlfriend touch it. She'll make you look like an idiot every time. Wives are problematic at best in the early years, but eventually tire of standing next to a freak a parties, and will stop doing you wrong in the fashion sense.

Both genders - looking sharp is fine, looking showy can be fine, looking grungy can be fine. But, unless you've got superpowers never mix showy and grungy!

[> [> [> [> Stick with spying on cacti, dear. -- Honorificus (The True Fashion Goddess), 12:05:39 04/22/03 Tue


[> [> Mmm, Michele -- Augh, Marti! My eyes, my eyes! -- pr0ng, 08:10:13 04/22/03 Tue


[> [> [> Funny, I had the exact opposite reaction .... -- LonesomeSundown, alone in saying MT looks better on the show, 13:16:58 04/22/03 Tue


[> [> Sunnydale sign -- pellenaka, 10:05:48 04/22/03 Tue

Don't forget to notice the 'Welcome To Sunnydale' sign on the left side of the cast pictures.

And speaking of, where is Nick on those pics?

[> [> Yummy MT, JB, AH, and AD -- Joss is cute too ; ) -- Scroll, 11:25:33 04/22/03 Tue


[> [> [> From a totally straight perspective, gotta say Joss looks so much better now w/o that stupid beard! -- Rob, 12:06:23 04/22/03 Tue


[> [> [> [> Rob, Rob, Rob... -- dub ;o), 15:01:34 04/22/03 Tue

No one is totally straight!

;o)

[> [> [> [> [> Okay, okay... -- Rob, 16:15:35 04/22/03 Tue

...mostly straight perspective. Then again, most of my friends, including the gay and lesbian ones, tell me I have the tastes of a gay man (I love showtunes, Madonna, reading classic literature)...so maybe only partly straight perspective. ;o) lol

Rob

[> [> [> [> [> [> And don't forget the pom-poms! -- Masq, 21:47:04 04/22/03 Tue


[> [> [> [> [> [> [> LOL. There's that too. -- Rob, 00:08:02 04/23/03 Wed


[> [> Lamb dressed up as mutton.... -- QueenC, 13:32:40 04/22/03 Tue

Poor MT has no idea how to dress or do her hair in an age- appropriate way. That dress should be worn by someone at least 15 years older than Miss Trachtenberg who also has some cleavage to reveal. The highlights in her hair were atrocious and she should get her money back as well as punitive damages and compensation for my pain and agony in having to view the monstrousness of it. Her makeup was far too heavy for anyone of any age and the colours she used were more appropriate for darker skin tones and an older age than hers. We've all know how terrible it looks when mutton dresses up as lamb but lamb dressing up like mutton is just as bad. She reminded me of Lydia Bennett.

The most stunning look of the evening is definitely Ms. Benson - hair, face, outfit all perfection. More Ms. Bennett, with the spirit of Elizabeth.


The Wounded Hero -- Hemiola, 10:20:20 04/21/03 Mon

In the immortal phrase of "Linda Richman", "I'll give you a topic....."

The serious wounding of Xander shocked me as I know it shocked many unspoiled viewers. In thinking about it, though, I realized that there is a long tradition of heros/protagonists who encounter evil and are seriously wounded in the process, yet continue in their quests to overthrow the evil in question (a famous example would be Ransom in C.S. Lewis' "Perelandra").

So, do you think Xander will be made stronger by his terrible wound, or will he be "broken" and bow out?

As LR would say, "Discuss!":-)

[> He won't be broken -- Masq, on-topic grrl, 10:35:12 04/21/03 Mon

Xander just isn't that kind of person. He'll continue to be part of Buffy's team and fight at her side. That's really defined his life for seven years, given his life meaning and purpose. I don't see that changing.

However, I do wonder if we will see a little Xander-attitude boy from the olden days, though. A little anger at Buffy for getting them into that situation in the first place? If we do, it won't be motivated by his own wounded eye, though. It will be motivated by the death of those two Potentials.

I was also unspoiled for the eye-gouging, and when I saw it, I thought, "Oh! It really is the end of the series! They never would have done this kind of debilitating wound in earlier seasons!"

It will be tougher for Xander to be a figher with this disability, and, unfortunately, we won't see the long story arc about how he will cope with it. From what I understand, Nick Brendon is off to do other things now, separate from the Buffyverse???

[> [> Re: He won't be broken -- CW, 10:51:41 04/21/03 Mon

If it were earlier in the series, it would be a sure bet his eye would have been replaced by something mystical to give him a consolation power. And sick as it sounds, we could have had Xander give the evil eye with a genuine evil eye.

Maybe Willow can whip up something quick (and not so evil) for him.

[> [> [> I feel quite good - except for the rage. -- Utopia, 12:26:08 04/21/03 Mon

Yeah, I'm really hoping that they'll do something interesting with this in the time they have left. I hope they don't just push him into the background with an eyepatch and let that be the end of it.

I mean, do they really want to send the message that ordinary people can't make a stand and try to make a difference without being permanently mutilated? After seven years of loyalty and fighting evil and staying human I can't believe that this would be his reward.

For christs sake, the way the episode read (to me at least) was that he was being punished for looking at the underaged girls. Let your eyes wander, have them put out. It makes me sick to think that the most human character would be treated this way. Flawed but trying isn't good enough, apparently.

[> [> [> [> Bad things don't happen to just the bad people -- Robert, 15:36:37 04/21/03 Mon

>>> For christs sake, the way the episode read (to me at least) was that he was being punished for looking at the underaged girls.

I firmly believe that God does not reserve his blessings for only those individuals who are perfect. Xander was not being punished. The two potential slayers (whose names I do not know) were not being punished when they were killed. Bad things happen to good people. Good things happen to bad people.

>>> It makes me sick to think that the most human character would be treated this way.

I'm sorry about your illness, but this is the aspect of the show that makes it real for me. As horrified as I was, I still believe it was the best part of the show.

>>> Flawed but trying isn't good enough, apparently.

Of course it isn't enough. No one is so perfect as to be immune to tragedy. But, this is what makes the show good.

[> [> [> [> [> Re: Bad things...(And unorganized thoughts) -- Utopia, 17:04:48 04/21/03 Mon

I firmly believe that God does not reserve his blessings for only those individuals who are perfect.

Who said anything about God? I'm talking about the way the story is written. God and the authors are not one and the same. For instance; Joss said he didn't want to punish Buffy for having sex, and worried about how the soul-loss plot read. Not God, Joss.

The two potential slayers that were killed did not have scenes that highlighted some sin that they could possibly be suffering for. They were not killed in any way that suggested they were getting payback for something.

Xander was shown having lusty thoughts about 15 year-olds that would not be acceptable to act on. Then later his eye was put out. Looking at what is forbidden - losing an eye.

I'm not saying anything against him. I realize that they were innocent dreams, and he's a twenty two year old guy, and he would never go through with them. In fact that is my point. I don't like that he would be punished for having sexy dreams. I don't like that it's implied.

Bad things happen to good people. Good things happen to bad people...but this is the aspect of the show that makes it real for me. As horrified as I was, I still believe it was the best part of the show.

My first post (that you are responding to) was originally much longer, and it totally got eaten. I had to reconstruct it and I forgot most of what I was going to say. BUT! I did have stuff in there about bad stuff happening to good people and reality etc.
Let me try to remember the gist of it...I was going to say that I know in real life, yes, bad things happen, but Buffy exists in a fantasy world where almost everything is some sort of metaphor or symbol. Having an eye put out is a big honkin' symbolical event. I want it dealt with. I want some sort of interesting story to happen with it. I don't want Xander pushed into the background where he's been for the past...pretty much the entire season, I want plot! Character development! It could be painful or happy or anything, I just don't want this latest development to be ignored or brushed off with one line or something. I'm hoping that they didn't mutilate him just for the shock value.

I'm sorry about your illness

Um, thanks. I didn't mean sick literally. I meant sick at heart. Not that I have heart disease. Heheh.

[> [> [> [> I know how you feel, bud -- the disillusioned exile, 19:16:21 04/21/03 Mon

----------------------------------------------------
. I hope they don't just push him [xander] into the background with an eyepatch and let that be the end of it.
------------------------------------------------------------
I feel the same way, I think that to do so would be a huge disapointment.

which is exactly why that that is what's going to happen. let's face it, they quit charactor development, charactor consistancey, metaphor, message, and all the rest when they moved to UPN.

I mourn the loss as much as anyone but it's time to come to grips. Joss ranout of ideas two years ago and has been dealing with the discontent by hitting the crack pipe, and let's face it the show could still be halfway decent if he would scrape for good ideas with half as much effort as he spends scraping for resins.

[> Spoilers for "Dirty Girls" in Hemiola's post and subsequent thread -- Random, 12:46:41 04/21/03 Mon


[> And luckily I knew of this or might be spoiled too! -- O'Cailleagh, 12:54:31 04/21/03 Mon

Please mark your subject heading 'spoilers', even if the episode has been shown where you live. There are many people who visit this board who are not yet aware of what happens in the later episodes, and with a subject heading like yours ( the wounded hero), well there was nothing to say it was concerning the show, or some aspect of folklore/mythology/etc (which I thought it was!).
I'm not being snarky, or trying to single you out, but its exactly this sort of situation that has caused me to become as spoiled as I have. Little hints and such have a way of making one go looking for more and before you know it, you know everything thats going to happen.

O'Cailleagh

[> Re: The Wounded Hero -- luna, 12:55:27 04/21/03 Mon

I believe he'll go on--I'll bet he will even continue to be a good carpenter! Xander's kind of guy doesn't have to be perfect. We already know about the damage his family did to him--I think eventually he'll transcend both.

[> Re: The Wounded Hero (spoilers dirty girl) -- lunasea, 15:34:34 04/21/03 Mon

I think he is going back to his orignal role. What happened showed that he was no longer capable of the one he was occupying. Since season 1 there has been a character whose job it was was to show Buffy what she looked like through his eyes. His eyes had to be perceptive and current though. S1-3 that role was wonderfully filled by Angel. If Angel is coming back, even for a brief time, it will be to assume that role.

Season 4 that role was wonderfully played by Xander. His speech in "The Freshman" still makes me cry. Season 5 that role is played by Xander in "Into the Woods." In "Forever" the role is again assumed by Angel. Giles plays it in "Spiral." Season 6 it is played by new improved Riley in "As You Were."

In "Dirty Girls" the speech was right up there with the above instances, but there was one problem, it wasn't how Buffy was acting any more. Xander wasn't seeing Buffy's state of mind and speaking to that. The speech wasn't even directed to Buffy. Caleb took out the eye that was closest to Buffy, the eye that Xander wasn't really using.

How much of a loss will it be? It will probably return him to Mr Perceptive Guy, a role he used to have because he doesn't have complete faith in Buffy. He can see her weaknesses and counsel her accordingly. (well maybe not counsel. More like yell at and accuse)

It will probably also return him to the role of damsel in distress, which he can share with Dawn. Willow can't occupy that role any more. It would be beyond laughable. We don't really care about the Potentials and many actually root for them to be winnowed out. Buffy is going to need something to rescue. Xander will get to fill that roll.

What effect the maiming has on Xander will barely be shown. It is the effect it has on Buffy that is important. Xander doesn't even have an arc this season, per NB.

[> Remember (spoilers, dirty girls) -- Shiraz, 07:23:14 04/22/03 Tue

There is always the possibilty that Xander's missing eye will be portrayed as it usually is in comic books and movies; used to give the character a 'grizzled' appearance but confering no disability on them.

I hope they don't go this route, but with so few episodes left to air it seems likely.

-Shiraz

"Star man: "If you kill me a thousand will take my place."
Cohen: "Yes, but that isn't the point, is it? The point is, you'll be dead."
Star man: "There is that, yes..." "

Terry Pratchett "The Light Fantastic"

[> [> One-eyedness -- KdS, 08:53:02 04/22/03 Tue

Just to point out that as well as the obvious reduction in visual field, much of our judgement of distance is based on subconsciously comparing the views of an object of our two eyes.


Interview of Freddie Prinze - SMG is POed over something - any ideas? -- Angelina, 10:45:50 04/21/03 Mon

End of 'Buffy' Only Makes Gellar Stronger
Thu, Apr 17, 2003 03:20 PM PDT
by Kate O'Hare
Zap2it, TV News

LOS ANGELES (Zap2it.com) - Next week, Freddie Prinze Jr. and his wife, "Buffy the Vampire Slayer" star Sarah Michelle Gellar, are due to head to Vancouver, Canada, to start production on the "Scooby-Doo" sequel.
Work on the film immediately follows the end of production on "Buffy," which is shutting down after seven seasons -- five on The WB and the last two on UPN.
Without going into specifics, Prinze hints that the later seasons of "Buffy" may have been rough for his bride.

"A lot of people owe Sarah a lot for doing that show," Prinze says, "and she doesn't always get the credit she deserves. She's a very strong woman, because she deals with a lot of nonsense, and instead of that nonsense, she should be thanked -- and she's not. That's the reason she won't be coming back."
"Sarah's the most appreciative person in the world, and if that environment would have remained the way it would six years ago, she would go back, because she's loyal. But things change, and people's egos get in the way sometimes. They make poor decisions."
"I don't agree with it, but I understand it, and I just pray I'm never guilty of it."
Prinze asserts that, whatever happened, Gellar gave 100 percent. "And even if she's not, nobody knew, because she commits. She's badass."
The series finale of "Buffy the Vampire Slayer" airs on UPN Tuesday, May 20, at 8 p.m. ET.

[> Re: Interview of Freddie Prinze - SMG is POed over something - any ideas? -- CW, 11:10:22 04/21/03 Mon

Not surprising. SMG seemed to be missing most of the time when we've known the rest of the cast was getting together socially. As Freddie says, it doesn't show on screen which is all that really matters. Right now I'm more interested in the final product, than the behind the scenes cat fights. Ten years from now, maybe...

[> [> Not sure what I think of FPJ for saying all this. - - HonorH, 11:30:48 04/21/03 Mon

If there have been behind-the-scenes fights, SMG has never let it show. In interviews, she's always been very complimentary about the cast and crew of BtVS. I can't recall her ever saying anything negative about any of them. Very classy, IMHO, and if I were her, I'd be a little upset with hubby for letting this slip.

[> [> [> Exactly! No matter what her feelings, SMG always was polite and respectful... -- Rob, 12:04:27 04/21/03 Mon

...of her co-workers. Freddy really should keep his mouth shut, because I'm sure SMG is horrified he let this slip. Completely classless of him. Reminds me a little of that famous Connie Chung interview where Newt Gingrich's mother let slip that he thought Hillary Clinton was a bitch.

Rob

[> [> [> [> It occurs to me, too, that this could be a male/female thing. -- HonorH, 15:47:11 04/21/03 Mon

A little while back, a male friend told me that his wife would come home and complain to him about her job, which she supposedly liked, to the point that he was wondering why she didn't just quit. I told him that she likely *did* like her job, but certain things about it drove her nuts. She'd vent about those things to her husband, feel better about it, and then go back to work and enjoy it. "Good point," said he. Perhaps Freddie has been the recipient of wifely griping and unwisely spilled to the press.

SMG has been dedicated to this show for seven years. There's no doubt in my mind that someone as focused and driven as she is has clashed with Joss and other BtVS higher- ups. However, in every interview I've ever seen by both of them, they've been extremely respectful of each other. I'd be very surprised if they started badmouthing each other now.

As for fan sites, Angelina--keep in mind that they work mostly on gossip and take everything you read with a grain of salt. A big one.

[> [> [> [> [> I agree plus......... -- Rufus, 18:48:30 04/21/03 Mon

It's common in the industry for someone at any given time to have their knickers in a twist over something. The difference is that when that happens it could hit the papers and people not in the know guess to who is the bad or good guy....then all of a sudden everyone kisses and makes up leaving fans wondering what the hell they were worried and angry about.

[> [> [> [> [> Well said, as usual-- saved me a lot of writing again!! :-) -- OnM, 06:48:10 04/22/03 Tue

Classic old B. Dylan line:

Bent out of shape by society's pliers / who cares not to rise any higher /
but rather drag you down to the place that he's in


I can't help but feel this way about a lot of the 'gossip' oriented sites and magazines etc-- these people don't have a very good life, or feel badly about themselves, and seek to 'elevate' their own status by tearing down others who appear to be successful.

Everyone suffers, has disagreements, can't always get what they want. The chances of getting any sizable group of people together and still have everyone working in perfect harmony is next to nil. I have yet to see any article or interview from a responsible source that characterized Sarah as anything but incredibly professional at her craft. Being professional doesn't mean you won't have conflicts with the people you work for, nor should your mutual respect diminish because of it. Joss is hardly perfect either, but that doesn't suddenly render his work invalid-- and Sarah certainly understands this.

SMG's spouse may mean well by standing up for her, but he isn't doing her any favors-- Sarah can fight her own battles, and he's diminishing her by acting this way in a public forum.

[> [> Re: I AGREE BUT.....Interview - SMG is POed over something - any ideas? -- Angelina, 14:02:40 04/21/03 Mon

You know, I am NEVER going to another fan site again. Not only do I get spoiled, but I find out WAY too much about the "behind the scenes" stuff that I really don't want to know. After reading the above interview with FPJ, I couldnít leave well enough alone, and had to follow through the rest of the site. Well, I found out things about SMG that I really didn't want to find out. AND...I am wondering if "harsh" feelings between ME, Joss and the star of the show could have serious dire consequences to how this epic journey ends. I know that is highly unprofessional, yes, but people are people, and people can be VERY vindictive. I hope I am wrong about this, but who knows. Hollywood. Jeez. Also, I am very upset cause I love Buffy and I love SMG as an actress. I am SO pissed of at myself right now.

[> [> [> Re: I AGREE BUT.....Interview - SMG is POed over something - any ideas? -- Rob, 14:47:58 04/21/03 Mon

I've heard the "SMG is a bitch" rumors and rumblings, too. Ya know what? I just don't let it get to me. Like you, I love her as an actress. She does her job wonderfully and has entertained me for the past 7 years on "Buffy," as well as numerous of her film roles. As long as she continues to make me happy in her career, I could personally care less about how she is off-screen. As long as she isn't beating up old ladies and murdering people, that is. ;o)

Rob

[> [> [> [> Ang does have a point there that I tend to agree with... -- Briar, 16:23:48 04/21/03 Mon

Watching the last few eps of this season (Storyteller on basically...) I have noticed the Writers tending to show us a very negative view of Buffy as a character. Disrepectful of others, ego driven, endless "motivational" speeches based more in emotional and verbal abuse than anything else, and more 'going through the motions' than anything since the beginning of season 6. Buffy just doesn't have as much HEART in her this year....

I had wondered about this trend as it started to come up in posts by people earky this year during the talk about this being a major contract decision year at the new UPN Buffy boards. It became a sort of "Hey don't kill the character because the actress wants to move on..." bug a boo with me. It was like people were angry at SMG for not being quick to re-sign, so a lot were Buffy-bashing in general. I posted about it here and there and elsewhere at the time and kept being told that it wasn't happening. But it WAS happening among the board posters in some places. And it also showed in the general maliase among some posters here cncerning this season as a whole. Some here were basically saying, "Can't get into it. Why should I? It's ending anyway."

And then in the series itself, it has turned into a long series of sanctimonious Buffy spiels to the SITS and the Scoobies and taking the HEART out of the character we have known for seven years.

I am hoping that this trend STOPS within the next couple of eps. It's so painful for me to watch. Like the egos of ME are trying to seperate me from my love of the character by showing Buffy as a selfish and controlling Be-otch. Therefore, I can't help but see it as a cross over from personal, real life issues haven't made their way into the ME portrayal of Buffy and what she's about.

Since it's not UNCOMMON for a show that is doing it's last run to go for the major tear jerker eps to make you really appreciate the lead character before the swan song... I have to ask the Universe if this change in Buffy isn't trying to do the opposite: Make the audience dislike her so when she goes it won't be such an emotional thing.

I really don't like that train of thought.

[> [> [> [> [> Re: Awesome BRIER - PLEASE SEE MY OTHER points that I tend to agree with... -- Angelina, 17:42:55 04/21/03 Mon

WOW, that was great! That is exactly the first thing that went through my mind when I was reading the SMG bashing on some fan sites today. I mean there were posts that had the most unfaltering things to say about SMG, it was very upsetting. Major feuds with SMG and ME about Season 6 - she HATED doing that year, and was very vocal about it. Stuff about Joss allowing the show to be "dumped on UPN." Bitter stuff. I also just cannot help feeling in my gut, that the general trend of showing Buffy so out of character and in such a negative way, that fans actually stepped back from her character and were just unrealistic and Cruel in their critiquing of Buffy. I feel it was a deliberate attempt to punish the actress, SMG, for being "uncooperative" and hostile during filming of Season 6 and 7. Now, Joss could be a dumb vindictive a-hole and write an ending for Buffy, the ultimate hero of the saga he dreamed of and wrote and that could make her character look so bad, that the fans will just hate her. A really pathetic way to end such a great show. Or. Joss can take the high road, and write a spectacular ending for Buffy, one that she deserves as a CHARACTER that he created and that all of us just loved. It could go either way, but as of right now, the writers have taken all the PASSION out of Buffy, and SMG is trying very hard to work with what she is being given. I don't know how it will go. But I hope for the legacy of the show, that Joss Whedon decides on the High Road. Buffy was an unique, powerful and wonderfully crafted show with the most amazing ensemble cast ever. It and its indefinable hero, Buffy Anne Summers, should be remembered as such. Its about the Art folks - wise up ME and give the fans what they want to see at the end. Don't give our Hero clay feet JUST to apease a grudge. Don't do it, please, even if it is only to sell those DVDS, comics, action figures, novals, etc. Bring Back Buffy. Again. We need to take that with us when she goes.

------------------------------------------------------------ --------------------

[> [> [> [> [> [> Probably not Joss -- heywhynot, 20:17:32 04/21/03 Mon

I just throw it out there that is might not have been Joss that SMG was upset about. Joss the last couple of seasons has been more hands off than usual. SMG from what I know is very dedicated to the character of Buffy and did not fully agree with everything Marti Nixon brought to the series when MN took fuller control of the show. It is bound to happen. Literal creative difference. Not everyone is going to have the same vision. Tensions happen.

In terms of the show, I still think highly of Buffy. She is trying to be strong for everyone. Not an easy task. She hasn't been sleeping much. She is fighting for her principles against not just evil but those she has respected like Giles (the whole the means matter speech to him). The potentials are well just that and not living up to the title. The fact so few died in the battle with Caleb probably due to the training. Could Buffy of done better? Yes but she is a new role. She is a teacher, a mentor, an adult now. The learning curve can be pretty high.

[> [> [> [> [> [> Re: Awesome BRIER - Huh? -- Rina, 10:37:43 04/22/03 Tue

I've had no problems with Buffy's character in Seasons 6 and 7. Why do people expect the main character of any story to behave perfectly? Why can't they show flaws?

Buffy is not the first fictional character to behave like she did after being resurrected. A major character on one of the TREK show actually became hostile and later, suicidal. What did many fans expect her to do? Become brave and noble after being ripped out of heaven by selfish friends, incapable of moving on?

As for Season 7, I see a big improvement over Buffy's character in compare to Season 6. But to expect her to resume her old personality from Seasons 1-5 was a big mistake. In fact, that would have been a mistake from a writer's POV. Naturally, Buffy was going to change after all that has happened to her. And during those changes, she was bound to make mistakes. Like many other well-written characters have done. Like many humans in "real life" have done.

[> [> [> [> [> [> [> Re: Awesome BRIER - Huh? -- Miss Edith, 05:07:52 04/23/03 Wed

Sarah herself has commented unfavorably on the portrayal of Buffy in season 6. She had problems with the way B/S was written, and the way Buffy treated her friends in scenes like the public sex in the Bronze. She has publicly stated she would have prefered Buffy to remain a more heroic character for young girls to relate to. Personally I emphasised with Buffy the most in season 6 when she was struggling, I'm just throwing Sarah's point of view out there.

[> [> [> [> [> [> People, People...stop believing everything you read...you'll never last! -- maddog, 12:39:04 04/22/03 Tue


[> [> [> [> [> She's actually the opposite of her Season 6 self in Season 7 -- Finn Mac Cool, 19:32:53 04/21/03 Mon

In Season 6, Buffy felt dead inside. She felt like she wasn't human and couldn't care or feel about anything. But she put a mask over it. She tried to pretend, for her friends, that everything was all right, that she was OK. It was only to Spike and a little to Tara that she revealed how horribly wrong she felt.

Now things have gone the other direction. Buffy does seem to be feeling, at least to me. Note her many tender moments with Spike, gently looking at a sleeping Dawn after the events of "Lies My Parents Told Me", confessing to Wood that sending the potentials into battle didn't seem like the right thing, or walking sorrowfully down Sunnydale's streets at the end of "Dirty Girls" (and these are only some of the times Buffy has revealed her true thoughts/feelings in quiet little moments). In Season 7, Buffy DOES feel alive, she does have human emotion. But she's still got a mask. She hides her real feelings, trying to seem calm, collected, and untroubled by the events unfolding around her.

The trick this season, at least to me, is catching these little moments, the ones where Buffy's alone, or it's just her and one of the Scoobies (particularly Spike), and NO potential Slayers around. She's a bundle of uncertainties, fears, and dilemmas hid under the guise of a general. The thing is, Buffy doesn't realize what others think about this. She hears Xander's speech about her, but doesn't get to hear the potentials being uncertain about her methods. She doesn't hear the snide remarks about her speeches. She thinks that what she'd doing now is both what is needed and what people want.

My guess is this will end when Buffy has to finally face the First Evil. Think about it, the First hasn't really come after her yet this season. She's only seen it three times in her entire life, and all three times she was interrupting the First with somebody else (in "Amends" it was only interested in Angel, in "Showtime" and "Get It Done" it was more concerned with the potentials). Eventually though, the First Evil will wreak its wacky mental mojo on Buffy, and that's when the mask will crumble.

[> [> [> [> [> [> Well said Finn -- fidhle, 19:41:57 04/21/03 Mon


[> [> [> [> [> [> I may not agree with all the details, but I do agree with the general feeling. -- Ender, 21:17:25 04/21/03 Mon


[> [> [> [> [> [> Agree 100%! -- Rob, 21:51:12 04/21/03 Mon


[> [> [> [> [> Re: Ang does have a point there that I tend to agree with... -- maddog, 12:32:00 04/22/03 Tue

People that bitched at Buffy for not resigning are selfish. It's that simple. The show's been on the air 7 years. That's longer than most. It's gone through so many changes. And this year's storyline just feels like an ending. It felt like it early on. These people have their lives...they need all to move on...whether that be to Angel or to other projects. As a fan I can understand that and applaude them for going out on top.

As for the storyline, people are always so quick to jump on Joss just because they don't like the way this show goes. And yet every year he pulls it together and shows us why he had to go that route. I learned to trust him years ago. It's sad that those that sit through these endless conversations can't see the light at the end of the tunnel. You just gotta have a little Faith. Buffy looks bad....sure...but if she didn't...the dramtic tension for the ending would be that much less. Just give her a chance...things come together to a degree....they always do.

[> [> [> Re: I AGREE BUT.....Interview - SMG is POed over something - any ideas? -- maddog, 12:21:04 04/22/03 Tue

This is the thing though...whatever you read about someone...their personality...it's all subjective...you could meet her tomorrow and find out she's the sweetest woman alive. And if you're reading things she's done then you have no idea the circumstances around it. the main point here is, never worry about what others say...there's always a bias involved. Feel good about Buffy again...until she, personally, gives you reason not to.

[> Re: Interview of Freddie Prinze - SMG is POed over something - any ideas? -- Sofdog, 11:40:48 04/21/03 Mon

Since the comments are removed from their context entirely, I'm not even sure what FPJ is talking about. Then again, who doesn't go through crap at work? Things change, and we have to make the best of it. Whatever that means to us.

[> Shut up Freddie! -- pellenaka, not very constructive tonight., 11:58:35 04/21/03 Mon


[> I have a theory... -- pr10n, 16:36:25 04/21/03 Mon

ITEM: What well-chiseled cheekbones were recently featured in a splashy, fan-sponsored Variety thank-you ad? And FPJ says "six years ago" -- not seven of five or two. "Cheekbones" arrived on the set six years ago.

I'm thinking the conversation around the Gellar-Prinze home was like, "Aiiii!" [FPJ ducks flying vase] "I could use a big ad like that!" [sounds of more shrieking and stomping dried cattails to dust] "Why don't they love me? I DIED TWICE!"

[> [> I saw that, and I think you may have hit it dead- on. -- Solitude1056, 06:59:47 04/22/03 Tue

I didn't get the impression that Freddie - although obviously a little challenged in the diplomacy area - meant that this was the sole reason SMG had left, but that it galled her to not be thanked. By whom? I mean, she's the star. Wouldn't she get thanked regularly?

No, I think you're right - I think the ad's appearance triggered a great deal of hurt for her (and I don't blame her for that in the least) and was probably still on his mind therefore triggering the comments.

[> [> [> Re: I saw that, and I think you may have hit it dead- on. -- Rina, 10:42:48 04/22/03 Tue

Are you saying that SMG is jealous of a particular fellow cast member? Do you know this for a fact? And besides, fans of that particular cast member were the ones who placed that ad, not ME.

You know what I can imagine? Freddie and SMG reading this discussion board and wondering what the hell were we thinking.

[> That explains it -- Arsonist, 03:07:21 04/22/03 Tue

No wonder Sarah had such a problem with season 6, sounds to me like it was hitting to close to home. I can see it now.

Freddie: They don't appreciate you there, you don't belong in the brightness of tv, you belong in the darkened movie theatres with me. You, me and a talking dog we'll be Movie Stars!

[> Re: Interview of Freddie Prinze - SMG is POed over something - any ideas? -- maddog, 12:03:55 04/22/03 Tue

I think those are more Freddie's views than hers...or at least she was professional enough to keep her views to herself and just gut it out knowing what a great thing she had going. If I were her I'd be PO'd at Freddie right now for blabbing. He's got no right to talk for her, married or not. I lost some respect for him with that interview...he's always seemed like a decent guy.

[> [> Re: Interview of Freddie Prinze - SMG is POed over something - any ideas? -- amber, 23:28:43 04/22/03 Tue

Agreed! I just have to add that it's kind of sad that the only way the guy can get media attention is by talking about his wife's career. He's supposed to be an actor in his own right. If a reporter is paying attention to him why doesn't he talk about himself and his own acting endevours? By doing this he's just fueling the gossip hounds at his wife's expense.

[> He might have been referring to my waning appreciation for her efforts. -- WickedBuffy (so SMG reads these posts, eh?), 21:26:09 04/22/03 Tue


[> Re: Interview of Freddie Prinze - SMG is POed over something - any ideas? -- Miss Edith, 05:37:50 04/23/03 Wed

I'm personally shocked that Freddie would say Sarah always puts in 100%, and when she doesn't you can't tell because she's "badass". Many Buffy boards are accusing Sarah of lackluster performances, I'm sure she did not appreciate her husband making that particular comment.

As for Sarah I have never seen her as a diva, but many people like to simply because she is the lead of a television series. Funny how David Borenez isn't constantly called a bitch as Sarah is by people who don't even know here. From what I have heard she is very professional and if she doesn't get along with the cast big deal. Sarah is by all acounts a perfectionist which can rub people the wrong way. Anyway a lot of us might not get along with the people we work with.

I lost respect for Freddie (well not that I ever had any *cough*) for spilling the dirt, just as I did for Joss when he made his own tactless comments which caused fans to read through the lines. Is tact nonexistent in todays world? If Sarah does have a problem with Joss I cannot blame her. He did seem to lose interest in the show after season 5, whilst she was publicly held to her contract by Joss. I can see how that might have created resentment. Particularly after he said "God, I hope so" at the prospect of Buffy ending, whilst comparing the cast of Firefly favourably with his other shows. If it wasn't for Buffy Joss wouldn't have had the opportunity to create shows like Firefly in the first place, he has a lot to be grateful to Sarah for. And really it's nobody elses business. I hope Sarah told Freddie that after his comments.

[> [> Re: Interview of Freddie Prinze - SMG is POed over something - any ideas? -- Miss Edith, 05:41:40 04/23/03 Wed

Regarding my comments about David Borenez not being held to such sucrutiny, I was not slamming Sarah. I was making a comment on the bitch rumours that seem to plague any forthright woman who speaks up for herself. It was not intended as a slam on Sarah, and after re-reading my post I just wanted to be sure it wasn't taken the wrong way.

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