October 2004 posts
Who is the sexiest vampire in all the seasons
their in not just one(can only be in one episode)? -- Drusilla,
07:15:43 10/01/04 Fri
In my eyes Spike is definately the sexiest vampire in all of Buffy
and Angel because of that great body, that quirky attitude, and
that bad-ass look! He could Bite Me any day!
- Drusilla(When with Spike and not liking Angel)
Replies:
[> Harmony! :-) -- Ames, 07:59:14 10/01/04 Fri
[> Willow -- Duell, 08:23:45 10/01/04 Fri
[> Darla? -- Vickie, 09:22:35 10/01/04 Fri
If not Spike, or if you prefer the females, definitely Darla.
[> Re: Who is the sexiest vampire in all the seasons their
in not just one(can only be in one episode)? -- Loki, 09:29:08
10/01/04 Fri
Evil Angel. Hello, Leather Pants!
[> Dracula ... he even seduced Buffy ... -- frisby,
10:07:13 10/01/04 Fri
Dracula (5.1) won over even Buffy, at least for a day or so ...
... of course both Angel and Spike are in the same league!
[> Angelus (yes I *liked* his hair!) -- Masq, 10:15:19
10/01/04 Fri
Sunday in "The Freshman" was pretty hot, too.
Although my heart belongs to VampWillow.
[> Tector Gorch, because inteligence is sexy! -- Dlgood,
10:16:26 10/01/04 Fri
[> Sandy, who was almost Riley's first... -- CW, 10:44:07
10/01/04 Fri
[> Darla, baby! -- Vegeta, 11:21:37 10/01/04 Fri
[> [> Sunday! Loves me them sexy smartass sophomores,
-- shambleau, 14:28:29 10/01/04 Fri
[> Spike -- Lace, 17:10:54 10/01/04 Fri
[> But who has the sexiest vamp face? -- Ames, 09:15:04
10/02/04 Sat
I notice nobody mentioned vampire Buffy from Nightmares, who only
appeared in vamp face.
I vote puppet Angel!
[> Sexiest vamp face? Drusilla. -- cjl, 09:59:40
10/04/04 Mon
This is just me, but I found VampFace!Dru sexier than just plain-faced
Dru. (Sick, I know.)
Sexiest vampire (female): Harmony. No brains, but what a body.
(Shallow, I know.)
Sexiest vampire (male): Spike. 'Cause the Spike/Faith scenes in
Who Are You and Dirty Girls just don't lie.
The Vampire a Girl Could Take Home to Mother: Holden Webster.
Martial arts skills, psychology degree, boyish charm--your parents
would love him. The "tied to a primal, all-consuming evil"
thing? If he's a doctor, Mom could overlook that.
Lamest vampire ever: Tom Lenk as Cyrus. Made Harm look like a
blooming genius.
Dusted too soon: Sunday. Holden. Dalton.
Her Majesty: Darla.
[> [> Re: Sexiest vamp face? Drusilla. -- auroramama,
08:59:28 10/06/04 Wed
This is just me, but I found VampFace!Dru sexier than just
plain-faced Dru. (Sick, I know.)
The script for "School Hard" says Dru's vamp face is
supposed to be eerily beautiful as well as horrible, so at least
it was intentional. Sexier than human-face Dru? I can almost see
it. I'll agree that Dru is sexy when she's dangerous, not when
she's pathetic, but doesn't she entrance Kendra in human face?
She was pretty hot then.
The "tied to a primal, all-consuming evil" thing?
If he's a doctor, Mom could overlook that.
I fear you are right. Fun to talk to, also. Sigh.
Misprinted Ballot (OT, but
still important!) -- Loki,
08:50:24 10/01/04 Fri
I received a misprinted ballot for the upcoming election. Sort
of a serious issue, and I'm trying to let people know what's going
on.
Here's a copy of the e-mail I've been sending out; included is
a link to a partial scan of the misprinted ballot. Feel free to
circulate widely.
Start e-mail:
Please circulate widely, Election Issue
http://www.umich.edu/~mlafler/ballot.jpg
This is the absentee ballot I received. Look closely at the Presidential
section. I am registered to vote in Alma MI, in Gratiot Co.
I feel this is a matter of the utmost importance, as voting is
one of the
most important civic duties, Michigan promises to be a battleground
state
with a very close election, the last election had ballot issues,
and this
election in general promises to be a close election.
I did not scan the entire ballot because of an (irrational) paranoia
about people using
it to commit voter fraud; however, I feel that people should also
see the
glaring error that has been mailed out.
I have contacted the company, who assures me that it was just
a "computer
hiccup" and that they will reprint them and mail out new
ballots. This
could still lead to confusion, though, as some people may still
vote on
the wrong ballot, not realizing the subtle difference. If you
would like
to contact the company that printed the ballots, here is their
contact
information:
Miller Consultations & Elections, Inc., 231-869-4349
Please help to ensure that this election does not have a repeat
of
Florida's fiasco, and notify anyone who might be interested in
this.
Sincerely,
Marissa Lafler
mlafler@gmail.com
Replies:
[> Thanks, Fwd'ed to MoveOn.org -- long time lurker
:), 11:06:58 10/01/04 Fri
[> [> Re: Thanks, Fwd'ed to MoveOn.org -- Corwin
of Amber, 19:33:33 10/02/04 Sat
I'd suggest you also forward it to the FEC.
Interesting discussion over
at whedonesque.com -- Pony, 17:40:51 10/01/04 Fri
There's a bit of controversy about some pictures of SMG in the
very latest issue of Entertainment Weekly. The pictures depict
her in some stereotypical horror/slasher movie scenes - and cast
very much as the victim.
It's led to some really interesting posts both pro and con at
Whedonesque that I thought the board might be interested in. The
discussion and link to the photos is here: http://whedonesque.com/?comments=4981
As for myself I clicked over to check the photos before I read
any of the response and found myself quite unexpectedly disturbed.
Too mainstream to be art and too creepy to be innocuous, it's
like a Cindy Sherman photo without any layers beyond surface...
well you decide. But here's a copy of the letter I emailed to
EW:
It's great to see Sarah Michelle Gellar on the cover of your
magazine, unfortunately the content of the images inside leaves
a lot to be desired. I realize you're going for the "homage
to the slasher movie" angle with the photos but I think you've
stepped over the edge into glamourous snuff film. It's an extra
little smack in the face for "Buffy" fans - a show that
was created to provide a feminist response to the woman as victim
role in horror. A case could be made that using Ms. Gellar in
such away is an ironic comment on the stereotype - but you've
still got her passive and scantily clad while being menaced by
a male figure in a violent and sexual way. Not the most empowering
moment for your magazine, or unfortunately for Ms. Gellar.
Replies:
[> On the other hand... -- Rob, 19:55:06 10/01/04
Fri
If these pictures were non-descript horror movie cliche exploitation
pictures, I would agree with you completely, but I think that
the fact that each shot is a direct homage to a specific film,
each of which is noted on each page, does improve the case that
they are intended to be viewed ironically. I don't particularly
enjoy these pictures. Some, in fact, I agree, are quite disturbing,
but I think that that aspect should be taken into consideration.
Rob
[> [> Re: On the other hand... -- Pony, 23:26:12
10/01/04 Fri
It's only the two with the male assailants that bother me, the
rest I'd agree with your assessment. And I gotta ask, in what
way does a dead doll-like SMG being grabbed from behind in front
of shattered and bloody glass relate to Rosemary's Baby?
Unless it's a stunningly tasteless Sharon Tate reference...
[> [> [> Re: On the other hand... -- Rob, 23:38:56
10/01/04 Fri
And I gotta ask, in what way does a dead doll-like SMG being
grabbed from behind in front of shattered and bloody glass relate
to Rosemary's Baby? Unless it's a stunningly tasteless Sharon
Tate reference...
I haven't seen Rosemary's Baby, so I just assumed it was
a scene from the film. All of the other shots were definitely
referencing the movies they were from. But, yeah, if that was
a Sharon Tate reference, because Roman Polanski directed the film,
describing it as tasteless would be going easy on it.
Rob
[> Here's my view on the "beautiful woman in danger"
images and movies -- Finn Mac Cool, 08:42:55 10/02/04 Sat
Speaking as a guy, it's easier to be frightened/disturbed by an
image or movie if the victim is an attractive woman. Why you might
ask? Well, the woman is very beautiful, so we're attracted to
them, and attraction leads to liking. Now, men don't always like
women who are attractive, but the liking comes much more quickly
and easily. Note how men will sometimes go out of their way to
do something for a beautiful woman even if they have no real expectation
of dating or having sex with her. Now, as I was saying, being
attracted to the victim makes it easier to like her, and once
we like someone we tend to sympathize with them. Sympathizing
with the victim is fairly crucial to actually being frightened
by what's going on. I know that several of those pictures wouldn't
seem quite as creepy to me if it were a man instead of a woman
in SMG's position.
[> [> Hmm -- Pony, 15:28:42 10/02/04 Sat
Ah but now you see we're getting into the whole issue of male
gaze in cinema. Is the viewer of the image then intended to be
male? And by having the victim in such a vulnerable position is
the viewer made to feel more powerful as a result? Since the images
with the man in them have a strong sexual component are we then
meant to associate her vulnerability with sexual availability?
The wacky world of political film analysis - good times.
I agree that we would all rather see beautiful people doing anything,
be it doing laundry or leaving a good-looking corpse. I also know
the long tradition of attractive women being killed in horror
movies, I'm just not sure what those two particular photos in
EW are trying to say. The camp or irony simply isn't coming through
- and in the context of such a mainstream publication I'm not
sure if the viewer is intended to consider anything beyond the
surface. The result is pretty but empty, and as a result associates
beauty and sex with violence. I'm not asking for censorship or
anything more than a discussion of what the pictures convey, but
I get the feeling that's more than what EW put into them. My 2
cents.
[> [> [> Well.... -- Sophist, 16:58:44 10/02/04
Sat
Is the viewer of the image then intended to be male?
Maybe. Depends on the target audience these days, doesn't it?
More seriously, our reaction to a scene of threat depends on how
genuine the threat appears. I doubt anyone would seriously contend
that an unarmed woman appearing to attack a man would raise in
any viewer quite the same immediate reaction as the vice versa
would. The former situation would appear threateninng only if
the woman were armed, preferably with a gun. In that case, though,
we'd be drifting away from horror and slouching towards thriller.
IMHO, the genre requires certain stereotypes precisely because
only those reliably generate the desired audience response.
[> [> [> [> Re: Well.... -- Pony, 17:34:44
10/02/04 Sat
The question for me I guess is what is the reaction the photos
are trying to elicit in the viewer - is it sympathetic horror,
vicarious fear? Or is it titillation?
IMHO, the genre requires certain stereotypes precisely because
only those reliably generate the desired audience response.
I wonder if that's a bit of a self-fulfilling loop. Does the audience
expect such conventions in horror because those are the only ones
presented?
[> [> [> [> [> Re: Well.... -- Sophist,
18:39:28 10/02/04 Sat
what is the reaction the photos are trying to elicit in the
viewer - is it sympathetic horror, vicarious fear? Or is it titillation?
You mean you are bound by authorial intent? :)
How do YOU interpret them? And what does that tell us about you?
Heh.
I wonder if that's a bit of a self-fulfilling loop. Does the
audience expect such conventions in horror because those are the
only ones presented?
I think the conventions are more fundamental than that. The damsel
in distress long predates horror films.
[> [> [> [> [> [> Cigar just a cigar?
-- Pony, 20:20:53 10/02/04 Sat
I think the conventions are more fundamental than that. The
damsel in distress long predates horror films.
Primordial misogyny then?
;)
[> [> [> [> [> [> [> Quite the contrary
my dear Watson.... -- Sophist, 20:43:07 10/02/04 Sat
Take the effect on me of such photos. I feel sympathy for the
damsel and a desire to rescue her. Picture me as Spike in Help.
That must mean such photos are ennobling.
[> [> [> [> [> [> [> [> I leave you
to your noble mag- pursuits then... -- Pony, 08:53:30 10/03/04
Sun
[> [> [> [> [> [> [> [> ROTFLMAO!!!!!!!!!!!!!!!!!!
-- Rufus, 19:24:48 10/03/04 Sun
Sophist, now forever known as Spike just trying to Help.
I saw the pics and article. The photos didn't bug me at all. They
are an homage to horror films not a Buffy shoot. SMG is an actress,
not just the character from her series. I can see why an actor
fears being typecast...people begin to only want to see them in
one character. SMG is smart to try to show she has more range
as an actor by not sticking to only one image of herself.
[> [> [> [> [> [> [> [> [> With
me around, you'll never have to worry about that creep from Full
House. -- Sophist, 20:27:53 10/03/04 Sun
[> [> [> [> [> [> [> [> [> [> Who???
<G> -- Rufus, 01:45:03 10/04/04 Mon
[> [> [> [> [> [> [> [> [> [> Don't
you mean "that creep from Home Improvement"? --
Doug, 10:36:31 10/04/04 Mon
The villain of "Help" played Brad on Home Improvement.
[> [> [> [> [> [> [> [> [> [> [>
Er, uh, yeah. Him. -- Sophist, 13:41:35 10/04/04 Mon
[> [> [> Re: Male Gaze ? -- Rich, 08:20:56
10/03/04 Sun
The Damsel in distress has been a theme in fiction of all kinds
forever. Maybe it's just me, but aren't "Woman in Danger"
movies a staple on the Lifetime channel, which is specifically
targeted at women ? For whatever reason, this theme seems to appeal
to women as well as to men - although probably not for the same
reasons.
(I almost typed "me" instead of "men" in that
last sentence, but that's another issue).
[> [> [> [> It was ever thus? Bleah - give me subversion
any day -- Pony, 08:46:46 10/03/04 Sun
[> [> [> [> [> Re: It was ever thus? Bleah -
give me subversion any day -- Rich, 11:14:11 10/03/04 Sun
Not disagreeing here - after all, I watch Buffy, a show which
stands the damsel in distress theme on its' head. All I am saying
is that it isn't just men who respond to it.
[> [> [> the other way around is worse, if you ask
me -- anom, 08:57:39 10/11/04 Mon
"The result is pretty but empty, and as a result associates
beauty and sex with violence."
I first moved to NYC in 1980 & soon found (from reading over people's
shoulders in the subway) that in the New York tabloids, any halfway-decent-looking
woman could be a beauty. All she had to do was get murdered. As
long as they could find a fairly nice photo to publish, there'd
be a headline over it like "BEAUTY SLAIN IN STAIRCASE!"
It was disgusting, amounting to an attempt to apply the stereotype
from fiction to real life, & to fit real women who had been
murdered into the menaced-beauty image, as if it were
something glamorous. I haven't seen anything so blatant since
the 1st few years I was here (maybe it's just that I quit reading
tabloids over people's shoulders--nah, it really has been toned
down), but I don't think that way of thinking has died out, & it's
only perpetuated by the promotion of such images in fiction.
Let's hope subversion in fiction can undermine that way of thinking
in real life too. And that discussing it like this can lead to
its being questioned more. Thanks for bringing this up, Pony.
[> [> [> [> Thanks anom! -- Pony, 13:12:09
10/11/04 Mon
[> The pics are cool. SMG just went up a peg in my eyes
for having the courage to say yes to this -NT -- ZachsMind,
17:51:58 10/02/04 Sat
notext
[> Just what I need for my wall! -- Briar Rose, 15:24:57
10/07/04 Thu
I can't agree with the arguement that these are in any way typical
of the WIJ category and thererfore demeaning of women or SMG in
general.
As a homage to some of my favorite horror movies, I see them as
brilliant examples of artistic value that shows the sensuality
and sexuality in most good horror media.
Set aside the feminist agenda for a moment and they show the inherent
beauty of all Gothic romance/horror: The power of sexuality taken
from the facade of the innocent female, when inside she craves
the release. No good horror tale leaves that out.
Don't forget that the entire vampire genre is based on exactly
this theorum! Regardless of the Buffy-verse's spin on the "just
a girl" powerful enough to take on the deamons and other
nasties, Buffy Summers regularly gave into the romance of the
deamon lover. First with Angel, a small (but powerful) encounter
with Dracula, then with Spike and, at last sighting, with The
Immortal. She was drawn to the passion and freedom that the latent
sexual energy of the deamon possessed and that freed her to accept
her own sexual power.
If you have ever seen the original Cat People, you will know that
the scene portrayed in this photo shoot is about the feminine
power unleashed and used to lure an unsuspecting man to his own
doom. >^..^<
The only one I think they dropped the ball on was the "Crash"
send up. They really could have went with something more evocative
of that one.
If I really wanted to open up a can of worms, I'd bring up one
of Freud's other theories. . . . One of which he was most correct
and that women all over the world loathe him so much for, even
though it's such a common fantasy that it makes the basis of most
romance novels gel.*LOL
[> [> Pfft -- Pony, 13:09:07 10/11/04 Mon
If you're talking about rape fantasies in your Freud reference
I suggest you go a bit deeper. There is nothing wrong or unhealthy
about such fantasies, however you have to realize what they're
really about, which is not having to take responsibility for one's
desires. Some would suggest that if women felt more comfortable
with their sexuality, and unashamed about expressing it, such
fantasies wouldn't have much prevalence. It seems to me BtVS'
message was more about integrating darker impulses rather than
surrendering all agency to them. But hey, control/power/desire
and certainly sex/death are rich territories to mine and they're
certainly what gives the horror genre its power. However my problem
with the two photos that feature an attacker (as I've said I have
no problem with the other pictures) is that in a mainstream publication
like EW we aren't being encouraged to think about such things
- it's not an art magazine or even really a film magazine, it
exists to sell product and provide information - so when these
images appear without context it's like they're becoming normalized
and unremarkable. They lose some of the jolt - and everybody loses,
horror fan and feminist alike.
why did jasmine kiss angel?was
she trying to send him to hell, or was it a spur of the moment
thing? -- ghady, 08:03:49 10/02/04 Sat
Replies:
[> Re: spur of the moment thing? -- DorianQ, 15:54:04
10/05/04 Tue
Pretty much a spur of the moment thing. From what I've heard,
it was rewritten to accommodate Charisma Carpenter's absence (is
that the right spelling?) because of her continued maternity leave.
Originally, I think she was supposed to wake up after Jasmine's
spell was broken and kill her herself. Connor showing up there
was the only part of Peace Out that felt awkward to me.
"I have no breath"
- sudden thought on an old issue -- KdS, 02:59:52 10/03/04
Sun
I'm talking about Angel's alleged mystical inability to resuscitate
Buffy in Prophecy Girl. Nobody has been able to come up
with a convincing explanation of this (if your lungs work enough
to talk, they work enough to do CPR) apart from some waffle about
the possibly toxic/disease-carrying properties of vampire breath.
Most people put it down to a very cool piece of symbolism with
no real practical justification and leave it at that.
But this morning I suddenly thought that there may be a very simple
explanation. We know that S1-2 Angel lies to people to make them
think better of him, whether it's by omission (failing to say
he's a vampire, agreeing with Buffy that vampires killed his family
when in fact he was the vampire in question, failing to mention
his connections to Darla, Spike and Dru until forced to) or directly
(the infamous claim never to have tasted human blood since his
cursing). Could it be that he simply didn't know CPR, but made
up a mystical-sounding waffle to stop Xander from blaming him?
Replies:
[> Re: "I have no breath" - sudden thought on
an old issue -- LadyStarlight, 07:52:56 10/03/04 Sun
That's about the best explanation I've heard for the whole debate
thing. Makes complete and total sense to me.
[> [> Re: "I have no breath" - sudden thought
on an old issue -- Alistair, 12:01:29 10/03/04 Sun
Well, it has been shown that vampires do not breathe. They can
be strangled, suffocated, placed in a box under the sea and travel
to dimensions where there is no oxygen. Their bodies create the
act of breathing, the diaphragm moves up and down, but there is
no breath, no oxygen binding to hemoglobin. However CPR works,
angel was unable to do it, because one must be alive in order
to give life (except in the case of Darla's pregnancy.
[> [> [> Re: "I have no breath" - sudden
thought on an old issue -- Jane, 17:20:30 10/03/04 Sun
I think that the issue is that since Angel does not actually breathe
i.e. exchange oxygen and carbon dioxide in his lungs, any air
that he blew into Buffy's lungs would pretty much be useless.
The whole point of mouth to mouth is to keep the O2 levels in
the victim's blood stream up sufficiently to maintain cell life,
until the person starts to breathe spontaneously. CPR=cardiopulmonaryresuscitation;
compress the heart to push the blood around, breathe in enough
oxygen rich air to keep the oxygen level up in the blood. Without
one, the other would not work to resuscitate the person.
[> [> [> [> Um -- KdS, 01:53:22 10/04/04
Mon
Surely air that has been rebreathed contains less oxygen than
the atmosphere? Air that hasn't been metabolised should be more
effective than rebreathed air for CPR.
[> [> [> [> [> Re: Um -- skpe, 07:01:12
10/04/04 Mon
I don t think you can apply the standard laws of physics to vampires.
They can be seen but don t show a reflection in a mirror. They
can be stabbed in the hart with a sword with no effect but 'die'
if stabbed wit a pencil. And when they die (redie?) they instantly
turn to dust. Sunlight causes them to burst into flame but regular
lighting (same wavelengths) has no effect
[> [> [> [> [> [> Explanations not difficult
-- Ames, 12:05:33 10/04/04 Mon
It's not difficult to make up plausible-sounding explanations
for any of these things. For example:
Q: Why does sunlight kill a vampire, but not other types of light?
A: The cell membranes of vampires are held together by demonic
energy bonds. There are two inter-connected types of bonds at
two different energy levels. They can be broken by damage like
absorbing UV light, but reform almost instantly - as long as both
types of bonds are not broken simultaneously. Fortunately only
natural sunlight contains the right balance of two different frequencies
of UV light to break both bonds simultaneously. When the bonds
break, they liberate enough energy to cause spontaneous combustion,
and the chain reaction spreads quickly, dusting the vamp.
Q: Why don't vamps have a reflection?
A: Light bouncing off vampires is altered to an "odd"
quantum spin state ("odd" being a new term for a quantum
property like "strange"). It can interact with normal
matter, for example to be absorbed by the receptors in your eye
and produce an image. But if it is reflected by normal matter
(i.e., aborbed and re-emitted) the odd spin state is inverted
to one which cannot interact with normal matter, and is therefore
effectively invisible. It is a little-known fact that, by this
type of reflection, large numbers of vampires are responsible
for the "dark energy" that keeps the universe expanding.
:-)
Hey, I should write a book someday, "The Physics of Vampires".
[> But vampires don't talk in the usual way -- Finn
Mac Cool, 13:26:07 10/03/04 Sun
In "Conviction", when Spanky tries cutting off the flow
of oxygen through his windpipe, Angel replies, "Guess what
I'm doing now? Not using my windpipe." This strongly implies
that, while vampires use their mouths to speak and we here it
as normal speech, they don't need to pump oxygen out of their
body to do it, since Angel could speak while his windpipe was
closed. How they actually manage it (whether it's psychic, air
being brought in and out of the mouth rather than lungs, or whatever)
I don't know, but it seems pretty clear they don't use (or at
least need) oxygen in order to speak.
[> [> Re: But vampires don't talk in the usual way
-- corcastus, 12:27:02 10/04/04 Mon
I'm going to have to agree with this one. If their hearts don't
work, digestive system doesn't work (Buffy not telling Angel how
good peanut butter and chocolate are together), why would their
lungs work?
Spike smoked. To use a common phrase: "I didn't inhale."
One can suck on a cigarette which wouldn't require the lungs to
function.
Communication has to take place some other way.
[> Here's my noprize solutions to this inconsistency..
-- ZachsMind,
07:13:03 10/04/04 Mon
1. Although technically vampires are able to inhale and exhale,
they don't intake oxygen and exhale carbon dioxide. Since they
are undead, any air they take in for purposes of communication
or to pretend to be alive, because the vampire body is effectively
dead tissue fueled by evil magicks, the breath that is exhaled
has nothing of benefit to a living being. In fact one could theorize
that a vampire's breath could make a living person sick if directly
breathed into their lungs. So tongue kissing a vampire is especially
risky, and Angel probably pops a couple Listerine breath mints
just before kissing the ladies. I mean on top of everything else,
he drinks pig's blood. Angel's morning breath must be positively
death-inducing.
2. Angel lied. He told Xander he couldn't breathe life into Buffy
because he wanted Xander to do it. He wanted Xander to know what
it was like to be a hero. He also didn't wanna press his lips
to Buffy with Xander watching cuz that woulda been creepy cringeworthy.
3. Angel THOUGHT that for a century or two, and lived under this
blatant wrong assumption, but it's not until some time later (off
camera) that it's explained to him if he can talk he can breathe.
Let's face it, God love'm but Angel's really not all that bright.
4. It's just a blatant inconsistency because this is TV and the
writers screwed up.
[> Re: "I have no breath" - sudden thought on
an old issue -- Ann, 08:10:15 10/04/04 Mon
I like what this explanation does to the Xander-Angel relationship
also.
Angel wants to be thought of as the "man" in Buffy's
life. But he knows Xander was there first. In addition to Xander
not blaming him, it gives a better and fuller reason for Angel's
dislike of Xander in later episodes. Angel feels guilty for not
knowing how to do CPR, for not saving Buffy as her "man"
and, and embarrassed for all of the above. Angel does not want
to be beholden to a kid. He does not want Xander to know this
and realize all of what he feels. He doesn't want a kid knowing
any of his secrets including those he is embarrassed by. And certainly
not any weakness Angel might have.
Question on Fray --
Masq, 04:28:31 10/04/04 Mon
I'm just starting to read the Fray comic books, and I don't know,
maybe it's the format, but I'm having a bit of difficulty figuring
out what happened. According to the mythos, at some point in the
21st century, and demons and magics were killed/banned from the
Earth by the Slayer (or Slayers) and her (their) allies.
What, in particular, happened to vampires? Were they all killed,
were some of them also banned from the Earth? If they were banned,
how could they survive without humans or mortal animals to prey
on/make more vampires from? How did they come to re-emerge as
a species in Fray's day and time?
Replies:
[> Re: Question on Fray -- Ann, 04:49:28 10/04/04
Mon
In Chapter 3 Ready Steady, we are told. It is vague. They were
banned also but in Chapter 5 The Worst of It a little more is
told, also vague. My guess is it is tied to the insane watchers.
But we never really are told. Whedon keeps us guessing throughout.
We are given info as Melaka learns it.
I am trying to keep this from being spoilery :-)
[> [> Don't worry about spoilers -- Masq, 04:59:49
10/04/04 Mon
I'm in the middle of reading it, and I want to do issue reviews,
so I'm just trying to understand what's going on.
But, you know, mark your spoilers in the subject line for other
people. ; )
[> [> [> Spoilers -- Finn Mac Cool, 08:17:03
10/04/04 Mon
We don't really know for sure because none of the characters know
for sure. Urkonn's knowledge of the battle that banished demons
from Earth is sketchy at best, and the vampires themselves don't
seem clear who it was that started them up again (in fact most
of them don't even realize vampires used to exist hundreds of
years ago). All in all, there aren't a lot of details to go on.
[> [> [> [> Re: Spoilers -- many for Fray --
Ann, 08:22:57 10/04/04 Mon
I just wrote this elsewhere but I love multiple conversations.
My guess on the return had to do with the insane watchers that
are made reference to immediately before the comment that the
demons came back. Chosen slayers have something in their blood.
There have been references/speculation that the watchers did too.
I think maybe, that when the watchers had no one to watch after
the demons were banned, they went kinda nuts. Their need to watch
was as strong as Buffy's need to slay. So I think one of the crazy
ones brought back the demons. Opened the hellmouth and let them
out. They needed a purpose.
[> [> [> [> Re: Spoilers -- Peter M, 08:50:52
10/04/04 Mon
I thought it might be possible that the new vampires were all
sired by the ones who weren't banished like the vampires with
souls.
[> [> [> [> [> I donno... -- Masq, 09:34:38
10/04/04 Mon
It sounds like all demons, vampires, and magicks were banished.
And presumably Angel either died in the alley in Not Fade Away
or shanshued and is no longer a vampire by that time. Or Spike.
Giving it some thought, I realized they knew what vampires were
in Pylea. They called them "vantals", so presumably
vampires do exist in other dimensions (or proto-vampires, like
the Turok-Han), and could find their way back to Earth through
portals where they can make more conventional Earth-type vampires.
[> [> [> [> [> [> I think that's it -- you
got it! -- frisby, 10:29:54 10/04/04 Mon
I think you got it. Buffy somehow becomes the last slayer in the
21st century (maybe not buffy?) and all demons and vampires and
magic itself disappear, maybe banished to another dimension, and
the world we seem to inhabit comes to be, such that we look back
and think the legends of demons and vampires and magic and slayers
are merely myth -- but somehow, mysteriously, in Fray's time,
things return.
Where 'does' Joss comes up with such interesting stories?
[> [> [> [> [> [> [> I donno, but I was
riveted -- Masq, 10:51:15 10/04/04 Mon
Woke up too early this morning, was bored, read all eight issues
in one sitting before it was time to get ready for work.
Good story-telling. ; )
[> [> [> [> [> [> [> Maybe you have spec
on this question... -- Masq, 10:52:38 10/04/04 Mon
Why the legend of Meleka's time has it that there was only one
Slayer in the final battle in the 21st century, given that there
were many of them after "Chosen".
And why the Slayer lineage went back to be "Only One"
by Meleka's day?
[> [> [> [> [> [> [> [> Re: Maybe you
have spec on this question... -- Ann, 11:08:17 10/04/04
Mon
Maybe the chosen finale choice Buffy made was a one time gift.
Maybe the slayer line still only was one girl, from Faith, and
after all of these girls died off, only one slayer remained by
way of Faith from which came Melaka. After Buffy died those numerous
times, other than the first, no slayers came from those. So maybe
none came after Buffy made them all slayers.
Or because Buffy did this, and she wasn't in the slayer line anymore,
the result didn't go forward like it would maybe if Faith (the
real slayer line) had done it.
[> [> [> [> [> [> [> [> [> Re: Maybe
you have spec on this question... -- Vickie, 11:41:46 10/04/04
Mon
A few things confuse me (only a few? you say) about Chosen, and
Ann's post highlights them.
What was the "choice" the potentials made? It wasn't
about whether to be activated. We saw girls all over the world
(who Giles and the coven overlooked, presumably) being activated
when Willow did her mojo thing. Nobody allowed those girls a choice.
Was the choice about whether to stay and fight? Only thing I've
come up with so far.
How does the slayer line work after Chosen? Are potentials
"actuated" at birth? At puberty? In the womb? (I sure
hope not.)
Does the activation of this many slayers dilute the power available?
Drain it from the line, so that eventually there will be only
one again? (Or none?)
I think Ann has a great idea--the activation was a one-time deal.
After all our Chosen slayers ended their days, the only
new one was called by Faith's death. Simple, clean.
Kind of weakens Chosen; I'm not fond of that.
I don't know why Buffy's involvement would weaken the spell, Willow
did the spell. Buffy didn't do the activation any more
or less than Faith did. They were both involved and consenting,
but Willow made the change to the slayer lineage.
Fun to think about.
[> [> [> [> [> [> [> [> [> [> Maybe
it was the remaining Watchers -- Masq, 12:07:16 10/04/04
Mon
Perhaps Buffy's gift was meant to be for all time, anyone who
could be a Slayer would be.
But perhaps the Watchers who survived Season 7 didn't like that.
They wanted their power back. And since their forebearers were
the ones who created the Slayer to begin with, they had access
to the mojos to reinstate the only-one thing.
This is plausible by the fact that, by Meleka Fray's time, the
Watchers were still around, and pretty much fanatical and insane.
[> [> [> [> [> [> [> [> [> [> Maybe
the banishing affected it -- Finn Mac Cool, 12:10:03 10/04/04
Mon
Something happened that caused all (or at least most) magical/demonic
entities to be banished from our world. However, Urkonn says that
even after this happened there were still girls with powers, but,
since there was nothing for them to fight, they were never informed
about their heritage or approached by the Watchers. So, maybe
the big mystical battle that removed most magic from the world
was designed to spare the Slayer, but it could only spare the
traditional "one in every generation" rather than having
all potentials all over the world activated.
[> [> [> [> [> [> [> [> [> [> The
Potentials' choice -- auroramama, 13:26:31 10/04/04 Mon
What was the "choice" the potentials made? It wasn't
about whether to be activated. We saw girls all over the world
(who Giles and the coven overlooked, presumably) being activated
when Willow did her mojo thing. Nobody allowed those girls a choice.
If I understood correctly, it was a nonverbal offer which was
nonverbally accepted or rejected. A tentative translation might
be: "Here is power. You can take it into your own hands,
or not. Do you want it?" We didn't see anyone who rejected
the power, but there must have been some; after all, Buffy would
have when she was called.
This is not at all the perfect way to offer someone a life-altering
choice, and the results weren't perfect. No way to spell out the
terms, no details in fine print or even bold print. But I think
the girls we saw were meant to show us the joyful seizing of power,
whether to defend oneself or simply to whack a ball really far.
It has consequences, not all good ones. But not having power has
consequences too.
[> [> [> [> [> [> [> [> [> [> [>
Dana in "Damage" was a consequence -- Masq, 14:14:01
10/04/04 Mon
Which means Mutant Enemy did see the difficulties with what Buffy
did and tried to acknowledge them in that episode, whether successfully
or unsuccessfully.
[> [> [> [> [> [> [> [> [> [> [>
[> Re: Dana in "Damage" was a consequence
-- auroramama, 10:45:04 10/05/04 Tue
Exactly. This works both in literal and metaphorical terms. Literally,
Dana was given supernatural power and became a danger to the innocent.
But this wasn't Willow-level supernatural acting-out, requiring
unimaginable powers and threatening apocalypse. If Spike hadn't
been a vampire, Dana wouldn't have needed to be a Slayer to capture
and maim him. All Dana needed, to have the power to harm ordinary
people, was to be *stronger than they were*, like the guy who
tortured her was stronger than she was. All of us probably have
this power over someone in our lives.
Showing us Dana *and* the woman in Chosen who got the power to
fight her attacker suggests awareness of both points: giving people
power is dangerous, but there are people out there right now with
the power to hurt other people, and a few of them -- us -- are
using it. We don't have a level playing field before the Slayers
are created, and we don't have one afterward. I'd personally feel
a bit safer with Slayers around, especially if supernatural baddies
also existed, but I know I could also be the victim of the next
Dana. I'm willing to take that chance, because I'm already taking
the chance of being the victim of any of the other people who
could hurt me.
[> [> [> [> [> [> [> [> [> [> Re:
Maybe you have spec on this question... -- Ann, 14:13:05
10/04/04 Mon
Thanks.
Was the choice about whether to stay and fight? Only thing
I've come up with so far.
I think what the activation did was just give the girls another
weapon. The philosophical question remained the same. Choose to
fight or not, to raise the sword or not. But because of the new
weapon, they were able, if they wanted, to make the stay and fight
choice. Anne's choice, in the end of Angel, using the weapons
she had, was to stay and fight. The weapons are just different.
I think my one time idea of the activation, would fit with what
we know. If JW wants to make it some other reason, that is ok
with me ;-)
I am not sure this weakens Chosen because the whole point was
to fight with what you have. Whether one is stronger or not, isn't
the point I don't think, although stronger weapons do help. What
value should we place on each contribution?
Good point about Willow as she was the one who changed the slayer
line when she brought Buffy back. That is what irrevocably changed
it right? So this new variant may have done who knows what to
it, resulting in what we see in Fray.
Much fun to think about!
[> [> [> [> [> [> [> [> Re: Maybe you
have spec on this question... (spoiler alert) -- Dochawk,
13:25:27 10/04/04 Mon
At Comicon in 2003, Joss addressed this question. he said he knew
that "Chosen" presented difficulties with Fray which
he hoped to resolve by the time he wrote the next Fray series
(anyone have any idea when that will happen??) Fray was written
before the idea for Chosen crystallized in his head.
As to where the vamps reappeared from, if you have finished all
8 episodes (issues) I think its clearer that (Fray Spoiler ahead)......
they were brought in from the outside by a different force.
[> [> [> [> [> [> [> [> [> Re: Maybe
you have spec on this question... (spoiler alert) -- Masq,
13:45:40 10/04/04 Mon
they were brought in from the outside by a different force.
And by that you DON'T mean those demons who are trying to control
the portal, the ones who Urkonn works for. You mean some other
force. Because the demons Urkonn works for wanted Fray to kill
the vampires, and why bring the vampires over just to ask the
Slayer to kill them? Seems inefficient, from a time-management
stand point.
[> [> [> [> [> [> [> [> [> [> Re:
Maybe you have spec on this question... (spoiler alert) --
Dochawk, 14:25:39 10/04/04 Mon
Yup thats who I mean. I think there is a much larger purpose behind
them, they need the Slayer, but they need her controlled and trained.
What better way than providing her with an enemy she should defeat
who will make her stronger and train her. Perhaps she would have
never even realized her power if there were no lurks to fight?
[> [> [> [> [> [> [> [> [> [> Re:
Maybe you have spec on this question... (spoiler alert) --
Ann, 14:26:44 10/04/04 Mon
Seems inefficient, from a time-management stand point.
That just made me think of Illyria. Maybe one of her kind is in
on this. Time passing was not an issue for any of them, so ??
Or
Maybe the vampires had to be brought back to reactive the slayer
line. When they were banned, gone, maybe that had something to
do with the slayers not being called. No enemy, no calling. So
the calling had to be renewed, for the demons to be allowed back
in. Maybe that is why the twins Melaka and Harth each split the
powers and attributes of a slayer. The recipe, so to speak, had
been screwed up, so when the two eggs got zapped to be chosen(my
theory only), each of them shared the powers. Harth was vamped
on purpose, not by accident, they wanted to vamp them both, to
alter the line completely. By retaking and vamping this now double
slayer line, demons would rule forever. But it didn't work out
that way. It is starting to sound very Jasmine like in planning.
Maybe somehow the twins were placed much like Connor was. Weirder
things have happened. I will have to think about this more.
[> [> [> [> [> [> [> [> here's a terrible
answer -- frisby, 15:10:17 10/04/04 Mon
I suspect that the Fray position simply came before the plot of
Chosen was decided. I know that's a terrible answer but I think
it might possibly be the real reason why.
But, surely we can come up with other possibilities? Something
for "Buffy: the Movie" to address?
[> [> [> [> [> [> [> [> [> i should
have read ahead -- many possibilities above -- frisby, 15:13:56
10/04/04 Mon
There's several possibilities listed above as a result of so many
thinking together on the problem.
wow
[> [> [> [> [> [> [> [> If I were chosen
to wank the arc... -- OnM, 19:45:22 10/04/04 Mon
(not to be confused with pairs of animals and a deluge or anything)
... I would probably do a reverse of Chosen, and have the
Slayers collectively give up their power in order to banish
the demons et al.
In my theory as to how Willow performed the enabling spell in
Chosen, every time a Slayer passed on, the Slayer portion
of her spirit or energy was stored in the Scythe. Over the millenia,
that's a lot of stored Slayer power-- which Willow released and
distributed, enabling the mass calling of new Slayers. (A deleted
line in Whedon's original script for B7.22 pretty much asserts
this idea also.)
In some future time, things have gotten really bad with the demons
and vamps etc., and a Slayer (Buffy? Faith? {It's Faith in my
version, because it's her turn to be brilliant and come up with
this idea.}) realizes that the spell could be reversed,
the power re-concentrated back into the Scythe, and then used
as the metaphysical catalyst to banish the demons from our plane
of existence.
Faith, and all of the other Slayers die, but the demons are gone.
The Watchers remain, of course.
As does the Scythe, which still contains the Slayer essence.
In Melaka's time, someone-- probably a Watcher-- uses it to restart
the Slayer line after some vampires return to this dimension (by
whatever means).
Sound plausible?
[> [> [> [> [> [> [> [> [> Re: If
I were chosen to wank the arc... -- Jane, 22:26:23 10/04/04
Mon
I like this interpretation, OnM. It certainly sounds plausible,
and would explain why the Scythe was only able to be "King
Arthured" out of the stone by a Slayer. Reversing the spell
to repower the Scythe and use it to expell all the demons is a
brilliant idea. I'd buy that theory.
[> [> [> [> [> [> [> [> [> [> Re:
If I were chosen to wank the arc... -- Alistair, 07:26:00
10/05/04 Tue
I think that if the series does not continue in movie form, perhaps
we can assume that sometime in the future (to be consistent with
Fray), Buffy and the gang find some way to rid the Earth of all
demons, just like the Old Ones were banished before. Except this
time, all demonic life is sent to other dimensions and the hellmouth
closes. Eventually, cracks form (like they did in Quortoth when
Connor was there) and some are able to return, because the laws
of metaphysics must not be able to lock a dimension from any reality
rips or portals entirely. The Old Ones then create a plan to return
to Earth, but they are not ready yet during the time of Fray.
If it is true that the next season of Angel was going to deal
with the apocalypse- post apocalyptic LA, then it would make sense
that with the rise of demonic activity, the slayers find a way
to exile all demons back again.
[> [> [> [> Yeah, that was my impression, too.
Very little back history -- Masq, 09:27:16 10/04/04 Mon
The demon guy did say that the final battle involved A Slayer
(singular) and her allies. Which sort of implies that at the time
the battle took place, there was only one Slayer, which doesn't
jive with what happened in "Chosen".
Perhaps there was more than one Slayer at the final battle and
that knowledge has been lost.
At any rate, after the battle, it seems that the old rule about
"Only One" goes back into effect, because that rule
is certainly in effect in Meleka's day.
[> [> [> [> [> I was thinking that... --
Rob, 00:16:15 10/05/04 Tue
...perhaps Buffy does indeed end up banishing all of the demons
from this dimension in her lifetime, and so no new Slayers are
called after that point, and over the years, the multitudes of
Slayers' names, identities, etc. were lost to history, due to
an oversaturation of Slayers, if you will. Since she is the one
who leads the final battle and is the last single, identifable
Slayer, she is given the credit for the accomplishment, and after
that is done, no new Slayers are called. If Buffy's generation
of Slayers was the last, it's possible that by the time of Fray,
no knowledge exists that there were any other Slayers. Maybe "history"
wouldn't remember them as being true Slayers, in the sense that
they weren't lone warriors. Remembering a succession of girls,
one at a time is one thing, but when there are hundreds at a time,
it may have been impossible to document each as a separate person.
Perhaps they were just considered Buffy's army.
Rob
[> [> [> [> [> [> Re: I was thinking that...
-- Rufus, 01:46:34 10/05/04 Tue
I kinda thought that it was a sort of reset thing with the watchers.
How to fit the multitude of Slayers in would be for a sacrifice
of a sort when the demons are bannished from this reality. Look
at that one frame where it appears that the Slayer and the demons
are ejected from this reality. How about if that meant Slayers
instead of one. Then when the vampires somehow find their way
back, the Watchers have a part in starting the "chosen one"
stuff all over again cause that's the only way they know. That
means that possibly only old history is found and the Buffy effect
is unknown to what's left of the Watchers, or in their collective
insanity the idea strikes them as crazy...;)
[> [> [> [> [> [> They definitely say that--
-- Masq, 09:45:20 10/05/04 Tue
Slayers were there in each generation between the 21st century
and Fray, or at least potentials were, but none of them were "called"
because there were no demons.
That fact is in the comic.
[> [> [> [> [> [> [> Here's what I think
-- BrianWilly, 11:56:20 10/06/04 Wed
And this is what I'm going to implement in my upcoming fanfic
(self-props ahoy!)
After the biga$$ 21st Centurty battle in which Buffy and the rest
of the Chosen fought in, there were no demons anymore, so they
decide that there's no need for more Slayers, and that in fact
so many superpowered women with nowhere to channel this strength
would in fact be more harmful than good.
So Willow reverses the spell that she cast, making it so
that the Slayer line is only carried through one girl again. Why
not abolish the line altogether? Because they needed a backup
plan: they know that someday the demons may return, and that Slayers
would be needed again. My guess is that the current Slayer line
of which Melaka is a part of is the contingency plan: as long
as there is always at least one Slayer out there, there exists
the Potential for the rest of them to be called again. Another
awakening as in season 7. You might say that line of Slayers following
the 21st century are carrying with them the Slayer gene, and that
at some point it will be the catalyst for the Slayer power to
be released again everywhere, when it is needed. It might not
even be needed in Melaka's time. But it will.
We see in the Fray chapter of Tales of the Slayers, which is written
by Joss, that there are vestiges of the Slayer legacy still
around which were not left by the now-insane Watcher's Council.
Melaka finds a hidden library, with the image of the Scythe
etched into its floor, filled with information on the Slayers
leading right up to Buffy. As the original council was destroyed,
the only people who could have left this for the Slayers-to-come
would of course be the Scooby Gang. The Scythe motif on the floor
is perfect indication of this: the Scythe is obviously not associated
with the original oppressive Shadowmen Watcher's Council, but
with the new-and-improved-Scooby-led-feminine-YAY Watcher's Council.
My theory is that along with the Watcher's Diaries, Willow left
information amongst these stacks of information on how to cast
the awakening spell once it was needed again. Urkonn tells Melaka
that magicks were gone from the earth...and yet, based on what
we know of magic, how can something that is a part of the earth
be stripped from it? And more importantly, we see Harth
performing a spell to raise the big crawly snakebeast that Melaka
fought in the Fray season finale...uh, I mean, in the final chapters.
If magic was ever gone, it's certainly back now. Something that
is a fabric of this reality can't be taken from it. It's probably
more correct to say that people eventually forgot how to use it
as the civilization grew more technological.
I also think that Urkonn's information probably isn't as trustworthy
as we're led to believe. His superiors obviously think little
of him and less of Melaka, and would not be above divulging false
information to them for the purpose of controlling them.
Wouldn't that anti-magic book
used in Two to go count as a benevolent text? -- megaslayer,
10:26:04 10/04/04 Mon
The spell used to protect jonathan and andrew would count as white
magic. So any spell that protects or contains information on earth/energy/gaia
and how everything connects together is white/benevolent magic.
Replies:
[> Magic is usually neutral -- Majin Gojira, 04:52:21
10/05/04 Tue
And this is a perfect example of such a spell. It has benevolent
purposes, and could be considered "White" magic, but
like most spells, it really doesn't have a moral alignment. Black
Magic usually refers to inately amoral deads done with magic.
Causing direct harm or raising an undead army.
[> [> Not so sure about that -- shambleau, 19:14:14
10/06/04 Wed
Catherine Madison's eyes turned black when she used magic, as
did Willow's when she used the spells in "Darkest Magicks"
to attack Glory, absorbed the magic spells from the Magic Shop
and visited Rack's pad. I take that as indicating something demonic
is inherent in the use of that type of spell. Giles commented
on the coven's magic coming from a different space than Dark Willow's.
There seemed to be a spectrum, with benign, malign and neutral
forms all existing, but with a tendency for even the neutral to
either corrupt the user or lean toward chaos (see Ethan Rayne
or Amy as examples).
If your intentions had to be pure to do a love spell, according
to Amy, then almost no love spell could cause anything but evil,
since most people would be self-interested when casting them.
So are love-spells really "neutral"? Same with bringing
back the dead, or curing illness. there's a built-in tendency
for things to go wrong under an infinite variety of scenarios,
that can't be predicted in advance. Dangerous as hell under the
best circumstances doesn't translate as neutral in my book, and
an awful lot of magic seems to fall in that category.
[> [> [> Re: Not so sure about that -- skeeve,
07:38:50 10/08/04 Fri
I'm not sure what black eyes or black hair indicates.
We will probably never have a definate answer.
Willow's roots get dark whenever she does magic lately.
That probably doesn't mean that all Willow's magic is now evil.
What is clear is that magic, like driving,
should be done carefully.
Magic, like drugs and cars, can have side-effects.
Willow used magic to attack.
Her eyes turned black.
That the spells came from "Darkest Magick" might or
might not have mattered.
An interesting experiment would have been to take a spell from
"Darkest Magick" designed for the leveling of towns
and use for for something like unplugging a river.
As Xander noted to Amy, his motives were pure.
When Last We Left Our Heroes...
-- ZachsMind,
14:38:47 10/04/04 Mon
Thought I'd put this here. Been working on it on my own off and
on but would like other people's input. Please if you have thoughts
or notes not mentioned here, feel free to add them, or correct
me where I may be wrong. Please minimize any speculation or non
canon ideas in this thread. The intent here is to specify where
our players were last according to Mutant Enemy. From a concrete
base we can then speculate and postulate more realistically.
Here we go, in no particular order.
WHEN LAST WE LEFT OUR HEROES..!
BUFFY: According to Angel 5.20 "The Girl In Question"
Buffy Summers was last seen dating someone named "The Immortal"
while in Italy. In 5.11 "Damage" Andrew explained Buffy
was in Rome, Italy. She had been rounding up slayers in Europe
and "decided she liked it there I guess."
DAWN: According to Angel 5.20 "The Girl In Question"
Dawn Summers was last living with Buffy and Andrew in an Italy
hotel. In 5.11 "Damage" Andrew explained Dawn was in
school in Rome, Italy.
GILES: According to Angel 5.11 "Damage" Andrew explained
that "Mister Giles and a few key alum have been tracking
down the recently Chosen" slayers which were byproducts of
events from the Buffy series finale. The intent was to find them,
guide them, train them, "Giving them the full X-Men minus
the crappy third act." We get the indication that Giles is
based in Europe - probably England. That's not canon though.
XANDER: Andrew mentions in 5.11 "Damage" that Xander
was in Africa long enough to send Andrew "an mbuna fish."
We're to assume he is one of the "few key alum" helping
Giles track down new Slayers.
WILLOW & KENNEDY: Andrew mentions in 5.11 "Damage" that
Willow & Kennedy were in Brazil, based in Sao Paulo, but every
time he spoke with them they were in Rio. We're to assume they
are two of the "few key alum" helping Giles track down
new Slayers.
DANA: The mentally disturbed slayer in "Damage" was
last seen being taken back by Andrew and twelve other slayers
to Giles & the "Sunnydale alum" to be indoctrinated.
ANDREW: According to Angel 5.20 "The Girl In Question"
Andrew was last seen with two attractive ladies in an Italy hotel.
He's now a Watcher.
LORNE: According to Angel 5.22 "Not Fade Away" Lorne
was last seen alive and walking away sane and well, after having
unceremoniously killed Lindsey in cold blood.
WESLEY: According to Angel 5.22 "Not Fade Away" Wesley
received a mortal wound and died in Illyria's hands. However,
she thought he was dead and left his body behind to join in the
final battle, so he may have been 'only mostly dead.'
GUNN: According to Angel 5.22 "Not Fade Away" Gunn was
sporting a mortal wound, facing thousands of nasty bad minions
in a Los Angeles alley. Illyria theorized he had ten minutes to
live. Gunn's intent was to make his last minutes memorable by
taking the thirty thousand on the left.
ILLYRIA: According to Angel 5.22 "Not Fade Away" Illyria
was facing thousands of nasty bad minions in a Los Angeles alley.
SPIKE: According to Angel 5.22 "Not Fade Away" Spike
was facing thousands of nasty bad minions in a Los Angeles alley.
ANGEL: According to Angel 5.22 "Not Fade Away" After
having killed Hamilton, Angel was facing thousands of nasty bad
minions in a Los Angeles alley. His goal was to slay the dragon.
ANYA: Died just before Sunnydale cratered in the Buffy series
Finale. Her body is assumed to be somewhere in the Sunnydale crater.
TARA: Died in the season six finale of Buffy. Her grave was shown
in the second episode of season seven. It's assumed her coffin
was either destroyed or further buried during the cratering of
Sunnydale.
RILEY: Left in season six with a newlywed wife and was still fully
instated with the Initiative hunting demons. Could literally be
anywhere.
OZ: Left in season four after having spent time in Tibet and elsewhere
honing his skills and controlling his lycanthropy. Could literally
be anywhere by now.
..okay so who'd I forget and where are they?
Replies:
[> Riley wasn't with the Initiative -- Finn Mac Cool,
15:23:19 10/04/04 Mon
He joined the segment of the military that specialized in fighting
demons. However, while the Initiative employed soldiers from this
branch, they were a specific organization devoted to containing,
studying, and determining how to manipulate demons. That program
was closed down, though the military component still remains.
[> [> Re: Riley wasn't with the Initiative -- ZachsMind,
20:00:59 10/04/04 Mon
Ooh. You're right FinnMacCool. I forgot that. In "The Killer
In Me" they went back to the Initiative's headquarters but
it wasn't the Initiative that showed up to play cavalry. The soldier
who was following agent Finn's orders didn't go into detail what
his firm was called. We are led to assume it's a military operation.
When Riley left in season six we were led to assume that as well.
This indicates that maybe there is an extension of the American
military - a respectable branch of the marines perhaps that Riley's
scruples will tolerate - which could make an interesting organization
for fanfiction. However, we got no specifics so it'd be speculation.
If anyone knows more about the particulars I'd appreciate it.
The soldier in "TKIM" still referred to Spike as "Hostile
17" so it can be surmised some of the clerical work of The
Initiative carried over into the new organization.
[> Re: When Last We Left Our Heroes... -- Vickie, 15:35:46
10/04/04 Mon
Not exactly "heroes", but...
Amy could also be, literally, anywhere. We last saw her boasting
to Kennedy about how she had cursed Willow with Willow's own guilt
and judgement. Since then, she might have caught wind of The First
and left town with most of the rest of the population. She could
turn up anywhere.
Drusilla was last seen, I think, in Crush. (Is that right? Have
all her later appearances been flashbacks?) That's way back in
BtVS season five, and she could be anywhere or she could be dust.
I prefer dustless.
Harmony was last seen betraying Angel to Hamilton. She could still
be working for whatever is left of Wolfram and Hart, or she could
be in the wind.
Clem left Sunnyhell in his VW, could be anywhere. I hope he didn't
head for LA.
That's all I can think of right now.
[> [> Re: When Last We Left Our Heroes... -- Zach,
20:27:24 10/04/04 Mon
All very good additions, Vickie. For all we know Amy was hiding
inside the bus. More probable though she just drove out like Clem
did. We never actually see her leaving Sunnydale, but it can be
surmised she had ample time to escape safely, and the right cowardly
mindset to do so in ample time. Actually, Amy's last appearance
is in "The Killer In Me" and Clem's last appearance
is in the episode "Empty Places." He was in his red
VW Beetle, and talked to Buffy briefly as he was leaving Sunnydale.
It's doubtful, but possible, that Amy was hiding in the trunk
of Clem's bug. Again, we have nothing to confirm that so it's
not canon, but if Clem could get out of town in time, there's
no reason to believe Amy was unable to do so.
[> Another hero -- Vickie, 16:00:32 10/04/04 Mon
We last saw Anne (Chanterelle, Lily) packing a truck. She reminds
me of the Buddhist saying "before enlightenment, cut wood,
carry water. After enlightenment, cut wood, carry water."
I'm sure I have a weak understanding of this saying, but to me
it says that you keep plugging at the day-to-day tasks. Doing
these mundane things also "saves the world."
[> [> Re: Another hero -- abracapocus,
13:33:08 10/06/04 Wed
Thanks, Vickie, for your words about Anne. Especially the great
Zen quote.
Gunn's scene with Anne was one of my favorite moments for all
of Angel S5. A beautiful reminder of what our supposed heroes
(ahem) were *supposed* to be about, and what the fight is really
for. I hope the writers of the "Angel-No Limits" virtual
season 6 (which is rockin' so far: ats-nolimits.com)
will include her in their story of Angel & Co.'s ongoing struggle
to pick up the pieces while the cosmos continues its efforts to
fall to pieces around them.
Thanks!
Ab
[> [> [> Re: Angel virtual seasons 6 -- abracapocus, 13:44:12
10/06/04 Wed
Oops--hope I wasn't tacky to plug ats-nolimits when Masq et al
are working on their own virtual season 6. Sadly, I've been trained
not to pay attention to things that look like banner ad images,
and I didn't realize my mistake 'til I read the new thread begging
for the first episode!
The more the merrier, I say! So long as such smart people are
writing them, anyhoo. Thanks to Masq and co-writer (sorry, bad
memory for names!!!) for all the hard work.
Ab
[> Not a hero, but what about Ethan Rayne? -- Cheryl,
20:07:14 10/04/04 Mon
Locked up in some military prison somewhere . . .or perhaps he
escaped? Or is being used by the military for nefarious purposes?
;-)
[> [> Oh yeah... -- Zach, 20:35:27 10/04/04 Mon
It's been what? Since season four. "A New Man" was the
last episode, where Ethan turned Giles into a demon, and Riley
had Rayne carted off by military thugs. It's all speculation beyond
that. We can assume he's stuck in prison, but a snarky and resourceful
guy like that couldn't be held in any prison for long. Another
probable outcome was that he bartered and begged his way into
a comfy prison. Or maybe he had a Wolfram & Hart lawyer - that'd
be ironic.
Chances are highest though that a guy with his talents was 'recruited'
or 'drafted' into working for the military. In any case I doubt
he's being imprisoned in the literal sense. He's powerful enough
to be dangerous, but not powerful enough to be a risk. Again.
All speculation beyond season four. Strange they never brought
him back. I always thought he was a great nemesis for Giles.
[> [> [> Re: Oh yeah... -- Wizard,
23:22:19 10/04/04 Mon
I'd always hoped that we'd see him again. There is no way that
he wouldn't have a connection or two at W&H. If anybody can
take on the military and win, it's them. Then again, he worships
chaos, and as Mesketet said way back in S3 of AtS "We adore
trouble, but we despise chaos."
S7 would have been a perfect time for him to return, to revel
in the chaos of the First's activities.
[> [> Re: Not a hero, but what about Ethan Rayne?
-- skeeve, 07:30:32 10/05/04 Tue
The military used him for nefarious activities.
They wished they hadn't.
[> [> [> Oooh! I smell a fan fic! -- Vickie, 10:51:32
10/05/04 Tue
[> [> [> [> but not mine -- skeeve, 07:48:07
10/13/04 Wed
[> [> [> [> Re: Oooh! I smell a fan fic! --
botitas, 13:53:07
10/16/04 Sat
How about this. Ethan casts a spell and the USA invades a Middle
Eastern country. Initially the invasion is a success but the situation
soon turns into a CHAOTIC mess which pleases Ethan since he whorships
CHAOS.....Nah nobody would believe it.
[> Ooh. I forgot about Faith & Wood... -- Zach, 20:41:59
10/04/04 Mon
Faith & Wood were last seen in the bus in "Chosen."
Wood looked like he might have had a mortal wound, but he coulda
also been faking for sympathy. Most fans assume that Faith & Wood
are still together, either as friends or as lovers, with Faith
sorta being a Slayer and Wood sorta being her Watcher, and they're
off riding motorcycles on the open road, seeking out potentials
and staking out vampires at their leisure, when they're not spending
nights in seedy hotels staking one another. Hence the basis for
the ever elusive "FAITH the Series." But canonically
we don't know what happened to either of them beyond the Buffy
series finale.
Also in the school bus were Vi and Rona. Rona appeared to have
a mortal wound with but moments left to live, and Vi was screaming
at her and shoving her against the bus seat, trying to be Rona's
pep rally to keep her going but was probably doing more harm to
Rona's internal injuries than good. We saw Vi had aquired Slayer
powers, but I saw no indication that Rona had. Their fates are
also left up in the air beyond "Chosen."
Man this is getting complicated. I wish I knew how to make decent
flow charts..
[> [> I'm pretty sure Rona wielded the "scythe"
-- Vickie, 21:27:41 10/04/04 Mon
(Call it what they like, that's no scythe.) Anyway, without going
back and rewatching 7.22 to be certain, Rona's use of the weapon
would indicate she was actuated along with the rest.
In the "no hero, but..." category, Olivia was last seen
at the end of Hush, presumably heading back to England.
[> [> [> I recall she held it but I don't recall her
being very successful at it. -NT -- Zach, 13:53:08 10/05/04
Tue
[> [> [> [> She was quite effective. -- Sophist,
10:42:03 10/06/04 Wed
From Chosen:
Rona catches the scythe and picks up where Faith left off,
swinging the gleaming blade in a deadly arc. ... Rona slashes
the neck of a Turok-han with the scythe, then tosses it back to
Buffy
[> [> [> [> [> Rona was so effective she got
a big gaping hole in her stomach. -NT -- Zach, 12:43:39
10/06/04 Wed
[> [> [> [> [> [> Are you saying she stabbed
herself with the scythe? -- Sophist, 13:42:05 10/06/04
Wed
I don't get your points. You first said Rona may not have received
slayer power. It was pointed out in response that she did use
the scythe. You then said she didn't use it well. The transcript
refutes this.
Your assertion now that she was injured after using the scythe
(the transcript says nothing about a hole in the stomach) doesn't
seem to have much to do with your original point about her having
slayer power or the incorrect assertion that she didn't use the
scythe well.
[> [> [> [> [> [> [> When did I say she
didn't use the scythe? -- Zach, 14:53:15 10/06/04 Wed
I don't recall mentioning the scythe. I'm questioning whether
or not she received slayer powers, but she did hold the scythe
at one point. Holding the scythe had no bearing on whether or
not a woman had slayer power. I mean there were Potentials all
over the planet getting switched on simultaneously. They didn't
all wield the scythe.
Rona received the scythe from Buffy if memory serves and gave
it to Faith, but took damage in the process. I took this to be
a metaphorical tribute to the character of Kendra. When Rona held
the scythe, she didn't seem to be very good at it and when she
took damage her slayer healing abilities didn't kick in like they
did for Buffy and others, which indicates to me Rona had no slayer
healing abilities cuz she wasn't really a slayer.
[> [> [> [> [> [> [> [> I think we
just disagree -- Vickie, 15:52:02 10/06/04 Wed
I'm not fond of Rona, but I think she was most definitely actuated
as a slayer. I offered the point that she used the scythe because
it was the putative "slayer's weapon" that both Faith
and Buffy felt belonged to them. Using it is evidence (to me)
that she was a slayer.
She was injured, though I don't recall it being at all connected
to her use of the scythe (I have to go back and look). I thought
her injury was probably not life-threatening, mostly because if
it were that bad she wouldn't have made it back to the bus IMHO.
I don't believe we have any evidence of whether her healing abilities
had kicked in or not.
As always, your mileage may vary.
[> [> [> [> [> [> [> [> [> Agree
to disagree? Back up a parsec. -- Zach, 06:52:59 10/08/04
Fri
I coulda used the scythe if someone put it in my hand. I'd probably
accidently cut my own head off, but just cuz someone wields the
scythe doesn't mean they were actuated. This isn't a matter of
"mileage." I'm talking about what Whedon put on the
screen. This isn't a subjective thing.
I was very fond of the character Rona. I would like to believe
she survived the episode. I am not saying she failed to actuate
because I had subjective problem with the character. Quite the
contrary. I admired her passive aggressiveness towards Buffy because
I happen to be passive aggressive towards authority figures and
understand where the character was coming from, but what I saw
in the last episode lended no evidence to Roni becoming a slayer.
VI: (to the wounded Rona) Look at me! This is nothing! Stay
awake! This is nothing!
In the final moments of the finale, I remember distinctly Vi was
coaching a wounded Rona, trying to keep her from giving up, but
it didn't look like Rona was responding. Vi wasn't sounding very
convincing, and Rona didn't look like she was paying much attention.
She was a little too busy feeling the life ebbing out of her.
I'm trying not to invent stuff. Admittedly it's easy to let the
mind wander and extrapolate, but I'm hoping we can focus on what
we see in the last episodes of both series. Rona didn't look like
she was going to make it, and it didn't look like she had the
moves of a slayer or her healing abilities. That's what we see
in "Chosen."
[> [> [> [> [> [> [> [> [> [> Now,
I can accept doubt as to whether Rona lived or not -- Finn
Mac Cool, 09:23:11 10/08/04 Fri
Things we can't really know too much about (how much time it would
take to get to a hospital, how high the Scoobies' first aid knowledge
is, exactly how ad Rona's wound was) all factor heavily into whether
she lived or not (although losing consciousness and dying aren't
necessarily one and the same, keep in mind).
I would just like to point out, though, that having a possibly
fatal injury doesn't mean Rona doesn't have Slayer endurance or
healing. We've seen with both Faith and Buffy that Slayers can
be injured enough with one stab or shot that they wouldn't survive
without medical attention, and even then they're out of commission
for a while. Rona suffered a similar wound. Also, it's important
to note that she grabbed the Scythe, killed a few Turok-Han with
it, then threw it a somewhat considerable distance over to Buffy.
I don't see how this indicates her having sub-Slayer abilities.
[> [> [> [> [> [> [> [> [> [> Re:
Agree to disagree? Back up a parsec. -- nibblet, 00:53:07
10/09/04 Sat
Rona didn't look like she was going to make it, and it didn't
look like she had the moves of a slayer or her healing abilities.
What I think is important to remember is that Rona had only just
become a slayer. Remembering back to Becoming part whateveritwas,
and the small flashback scene of Angel's where he sees Buffy take
on a vamp for the first time, she didn't really look very slayer-like
herself. She hadn't had any training before then, granted, but
she had still been given the rudimentary slayer abilities.
Although the ex-Potentials had had a small amount of training
over the last few months, it certainly wasn't a lot and it certainly
wasn't as slayers, but rather as slightly-stronger-than-average
girls. They put up an impressive fight at the end of Chosen (possibly
partly due to adrenaline or the rush they seemed to have experienced
being "chosen"), but my guess is that had it gone on
for much longer they probably wouldn't have been able to keep
up, so, as you say, Rona probably wouldn't have made it.
Thinking of the number of times that we've seen Buffy having to
train, I think it's fair to say that slayer ability is not just
something you're given, but something that you have to cultivate,
that you have to train aswell. Otherwise all that extra training
would be unnecessary, if you suddenly could just do everything
Buffy now can after years of experience.
Perhaps physical ability and healing ability also go hand-in-hand
in slayering, that they grow together.
Anyway, those are just a few thoughts I had.
[> [> [> [> [> [> [> [> She didn't
take damage while she had the Scythe -- Finn Mac Cool, 08:20:17
10/07/04 Thu
She caught it, killed a Turok-Han or two, then passed it to Buffy.
Her wound didn't come until later. If simply being wounded makes
her not qualify as a Slayer in your mind, what about the two Slayers
we saw killed in the battle, or all the times Buffy has been critically
injured?
[> [> [> [> [> [> [> [> [> Buffy
got mortally wounded, and then she stood up. -- Zach, 06:57:08
10/08/04 Fri
In the same battle, Buffy fell. The First was gloating. Buffy
got back up. Rona takes a shot in the gut and her intestines start
falling out on the floor. That's the distinction.
[> [> [> [> [> [> [> [> [> [> It's
not like they got hit in exactly the same spot -- Finn Mac
Cool, 09:16:31 10/08/04 Fri
In "Seeing Red", one tiny little bullet nearly killed
Buffy, so clearly it is possible for a Slayer to suffer a near-mortal
wound and be incapacitated for a while after it. So the question
becomes how were they hit; did the Turok-Han who stabbed Rona
hit any vital organs or other important spot, whereas the one
that stabbed Buffy didn't? Saying Rona was never activated just
because she was severely hurt seems pretty silly, considering
that it's pretty well established that Slayers can be hurt pretty
badly.
Also, what of the two Slayers we can be sure died? Were they never
activated either, by your logic?
[> [> [> [> [> [> [> [> [> [> We
never see Rona receiving her wounds. -- BrianWilly, 13:41:54
10/08/04 Fri
For all we know, she could have been eviscerated and her
intestines were falling out onto the floor.
Buffy got stabbed, once, in a clean thrust. Even so it
was highly debated right here on this board how she could have
gotten up and been dandy right after such an attack; it far exceeds
what we know about Slayer healing. I don't think we can compare
Buffy's wound to Rona's. And Buffy even got stabbed before
Rona got wounded. If we're talking battle incompetence here, Buffy
actually got a head start on Rona.
It just doesn't make sense that Rona would be there in the cave,
punching and kicking and fighting Turok-han along with the rest
of the girls and living more than a few moments if she wasn't
a Slayer. Remember, these are the Ubervamps. A team of half a
dozen trained yet unawakened Potenials were not able to even come
close to harming three of them in "End of Days,"
and here we're talking thousands. If Rona wasn't a Slayer by the
time of the final battle, how is it possible that she landed even
one punch? And yes, she landed several: http://www.buffyworld.com/buffy/season7/vidcaps/chosen/chosen1273.php
http://www.buffyworld.com/buffy/season7/vidcaps/chosen/chosen1446.php
http://www.buffyworld.com/buffy/season7/vidcaps/chosen/chosen1448.php
I'm interested in your thoughts on Chao Ahn and Amanda as well;
they've been brought up a few times in this discussion. We never
see them pulling any fancy moves. They died. Were they
not Slayers? Why or why not?
[> [> [> [> [> [> [> [> [> [> [>
Rona, Chao Ahn, & Amanda -- Rich, 14:00:08 10/11/04
Mon
Buffy said (I think ), "Any girl who can be a Slayer, will
be a Slayer". The spell was designed to "activate"
*ALL* Potentials, everywhere. The choice was whether or not to
accept the job that goes with the power, not the power itself.
My impression was that the choice was made back at the house,
before they went to the school. Any girl who rejected it wouldn't
have been in the Hellmouth - they would have been left behind,
or assigned to help the Scoobies guard the exits. All the girls
with Buffy were Slayers, they just didn't have the training or
experience of Buffy & Faith.
[> [> [> [> [> [> [> [> [> [> Re:
Buffy got mortally wounded, and then she stood up. -- auroramama,
10:44:58 10/11/04 Mon
Why is the First's diagnosis credible? It wanted Buffy to think
she had a mortal wound, certainly, but she didn't believe it,
and in fact she was correct. The evidence that the wound was mortal
is entirely in the First's snarky comment.
Evil is an unreliable narrator. Look what Riley got for believing
Spike about what Buffy needed in a man. Whether it turned out
to be true we'll never really know, because Buffy was still willing
to try again when Riley left, though we may doubt it would have
done any good. Spike fervently wanted it to be true; he also wanted
to inflict pain on his rival; and if Riley believed him and gave
up, even better. But Spike didn't know it to be true, or he wouldn't
have admitted that no, in fact, he didn't think he had a chance
with her. Riley believed Spike because of his own doubts about
the relationship and his own insecurities. Buffy's doubts and
insecurities are sufficient to cow her for, what, a couple of
seconds, and then she gets up.
[> [> [> [> [> [> [> [> [> [> [>
Buffy's survival -- Rich, 13:38:37 10/11/04 Mon
Rona was in her first fight as a Slayer, suffering her first major
wound ( that we know of, at least ). The psychological shock might
be as debilitating as the wound itself.
Buffy, OTH, has years of training & experience, has died twice,
& been wounded or injured many times. She has a well-developed
ability to "play with pain" - if anything, it seems
to make her stronger. A wound that would incapacitate Rona would
just piss Buffy off - which it did.
[> [> [> [> [> [> [> [> [> [> [>
[> Re: Buffy's survival -- auroramama, 08:38:29 10/12/04
Tue
I agree. And I like the way this suggests that the First was lying
with the truth. It *was* a mortal wound -- just not for Buffy.
Cute.
[> [> [> [> [> [> [> [> You never said
that. Nor did I say you said that. -- Sophist, 08:41:34
10/07/04 Thu
[> [> What about Nina? And, of course, Connor --
Cheryl, 21:54:18 10/04/04 Mon
I forget where Angel sent Nina and her family. And Connor would
still be fighting the good fight where he can, I would think.
[> [> [> Re: What about Nina? And, of course, Connor
-- Wizard,
23:27:21 10/04/04 Mon
I like to think that Connor is definitely doing the champion,
and balancing it with college. Oh, and the pursuit of (much) older
women. I guess we'll have to wait for AtS S6 to know for sure.
[> [> [> [> Re: What about Nina? And, of course,
Connor -- Zach, 07:56:52 10/05/04 Tue
Last time we saw Connor, Angel told him to leave W&H and continue
living, so even if Angel didn't survive the night, in a sense
he'd live forever through his son. Everything beyond that is speculation.
It's possible he's part of the cavalry that runs into the L.A.
alley ten seconds after the cameras stopped rolling, so he shared
Angel's fate whatever that might be. We don't know that, but even
after his memory got played with, I don't see Connor turning away
from an opportunity to bash heads. Provided he survived that,
yeah I think Connor's living a rewrite of Buffy season four, with
him in the lead role, at some California college. Angel would
still be a distant but amicable part of his life. The further
away Angel is the better, but Connor doesn't particularly hate
him anymore.
I remember Angel telling Nina to leave the city, but I don't remember
any specifics as to where she was to go. So her whereabouts are
presently unknown.
[> [> [> [> [> Connor's attending Stanford University
-- Vickie, 09:40:18 10/05/04 Tue
And keeping the SF Bay Area safe from the monsters!
[> [> [> [> [> [> If, like Angel, you assume
-- KdS, 14:33:35 10/06/04 Wed
That W&H would leave Connor happy in his new life after the events
of S5. Especially if they ever find out that he took part in the
murder of Hamilton...
[> [> [> [> [> [> [> Re: If, like Angel,
you assume -- Wizard,
15:19:33 10/06/04 Wed
You have a point. Angel was being optimistic. He could be right-
why would W&H go after Connor when they have much bigger problems
to worry about? Still, it's entirely possible that in a few years,
Connor could have some major problems, both natural and supernatural,
all courtesy of W&H.
[> [> [> [> [> [> [> [> That's assuming
Angel and the gang don't utterly annihilate W&H -- BrianWilly,
19:23:40 10/08/04 Fri
You know, the two vampires, one egotistical ex-godking, and one
ex-lawyer with a foot in death's door already, taking on the armies
of doom and destroying every foundation of power that the Senior
Partners have ever built.
It could happen.
Really.
....
....
Connor's screwed.
[> [> [> the tickets angel gave nina were for acapulco
-- anom, 09:41:53 10/05/04 Tue
[> [> [> [> How close is Acapulco to Rio? -NT
-- Zach, 13:51:47 10/05/04 Tue
[> [> [> [> [> what, i gotta read the map for
you? ok... -- anom, 21:08:26 10/05/04 Tue
...Acapulco is in southern Mexico; Rio de Janeiro is in southwest
Brazil. Nina's not likely to run into Willow & Kennedy, if that's
your point.
[> [> [> [> [> [> it was a rhetorical question.
-NT -- Zach, 21:18:15 10/05/04 Tue
[> [> [> [> [> [> [> so was mine--maybe
we need a "rhetorical question" emoticon around here!
-- anom, 09:29:02 10/11/04 Mon
[> [> Unless I'm completely off my game, -- BrianWilly,
11:23:39 10/06/04 Wed
Rona was SHOWN acquiring her powers along with the others in midst
of Buffy's "make your choice" speech. There is no reason
to believe that she isn't an awakened Slayer.
[> [> [> I'll have to check my videotapes again, but...
-- Zach, 12:50:06 10/06/04 Wed
And this coulda been cuz the actress looked less capable than
the others in terms of stage combat, but my impression was that
Rona was not very confident like the other girls, and received
her wound after they were activated. All season, Rona had been
the one with the most negative attitude. I interpreted this to
mean Joss was saying each girl had an unconscious choice to accept
her Slayerness, and Rona's pessimism kept her from becoming a
slayer, which is why she was dying of a gaping hole in her belly
in the bus at the end with Vi screaming at her.
That's just my observation. I could be wrong.
[> [> [> [> Re: I'll have to check my videotapes
again, but... -- q 3, 21:24:40 10/06/04 Wed
Then why did Amanda and Chao Anh die? Did Giles' scary pictures
dissuade them from "choosing" to become slayers, too?
[> [> [> [> [> Re: I'll have to check my videotapes
again, but... -- BrianWilly, 21:43:00 10/06/04 Wed
Exactly. The Slayer power doesn't work like that. Vi had been
the most frightened girl in the whole army before she became
a Slayer. She only started to kick ass after her powers
came to her. If the Slayerness chose people based on how optimistic
they were, Vi certainly wouldn't have been chosen, and many more
Potentials besides.
Not to mention the Slayers who awoke all over the world...what
would they have been "ready" for? They didn't even know
about Slayers or what was happening.
Here's a link to a picture of Rona's powers awakening thanks to
buffyworld.com: http://www.buffyworld.com/buffy/season7/vidcaps/chosen/chosen1236.php
[> [> [> [> [> [> Slayer Power didn't choose
them.. -- ZachsMind, 21:08:16 10/07/04 Thu
Remember Buffy's speech before the big battle?
"So here s the part where you make a choice. What if you
could have that power now? In every generation one Slayer is born
because a bunch of men who died thousands of years ago made up
that rule. They were powerful men. This woman is more powerful
than all of them combined. So I say we change the rule. I say
my power should be our power. Tomorrow, Willow will use the essence
of the scythe to change our destiny. From now on, every girl in
the world who might be a Slayer, will be a Slayer. Every girl
who could have the power, will have the power. Can stand up, will
stand up. Slayers every one of us. Make your choice. Are you ready
to be strong?"
The bulk of this speech can be interpreted to mean B & W force
the slayer power on the girls, but Buffy then adds this: "Make
your choice. Are you ready to be strong?"
Buffy and Willow were allowing the slayers the option to choose.
That's what this was all about. Rather than being chosen seemingly
randomly by the three old guys like Buffy, Kendra and Faith had
been chosen, Willow's spell through the scythe was inventing a
loophole where all Potential Slayers could unconsciously make
the choice themselves. This put the power and responsibility in
their hands, rather than in the hands of those three old black
dudes at the dawn of time, or in fate, or in The Primitive, or
in God, or in whatever it is you think makes the Slayer Source
function.
Rona may or may not have chosen to accept the power of the Slayer.
That's left open to interpretation, but we can't assume all the
girls automatically became slayers across the board. Some of them
may have just not been ready for it. Rona may not have believed
enough in herself to accept the gift.
Joss Whedon didn't have to show Vi fighting to keep Rona coherent
and alive. He was saying something there. Otherwise the two girls
would have been standing in the background behind Buffy in that
final tableau. Same goes for Faith and Wood. Whedon was making
a statement there. WHAT he was trying to say is difficult to decipher.
At the end of Whedon there were also two people who had major
wounds. We were led to believe Wesley died from his in Illyria's
arms, and Gunn was ten minutes away from death himself according
to Illyria. Of course, maybe she's not good at determining death
pronouncements. Perhaps she was premature in both cases. She's
surely no doctor. Just a fallen god. She's not qualified. Neither
are Faith & Vi. Perhaps Rona wasn't really dying and Vi was overreacting.
Wood seemed in good spirits despite his pain and Faith didn't
seem overly concerned that he was in impending doom. I see something
curious about how in both series finales there were two supporting
characters who may or may not be dying, and their fate is left
so open to our interpretation. What's Whedon trying to say there?
[> [> [> [> [> [> [> Read the speech again.
-- BrianWilly, 01:45:35 10/08/04 Fri
"Every girl who could have the power, will have
the power. Can stand up, will stand up."
The emphases wasn't even added by me; Buffy said it that way in
the episode. It doesn't leave a lot of room for interpretation...every
girl who has the Potential to become a Slayer will actually become
one. In my opinion, when Buffy says to "make your choice"
to be strong, she wasn't referring to the Slayer power...she was
referring to personal empowerment, personal conviction. There's
going to be a battle, and she's asking the Potentials to be strong
for it, to choose strength as opposed to doubt. And metaphorically
Buffy was telling every viewer of the show that anyone could have
the power, and that all one has to do is to make the choice to
be powerful.
I don't see how your theory applies to the Potentials outside
of Sunnydale who weren't a part of the battle, never met Buffy,
never knew what a Slayer was, didn't hear the speech, didn't know
what was going on, and yet still became Slayers. The idea that
these girls' subconsciousness would decide whether or not they
were ready for the power...not only is that a pretty substantial
stretch, it also refutes the whole idea of having a choice
at all in the first place. Your subconscious is, by its very nature,
not subject to your free will. Subconsciously deciding to do something
is a very far cry from consciously making a decision for
yourself. None of the Potentials outside of Sunnydale had the
capacity to consciously decide to become a Slayer. If Willow's
spell was meant to give people a choice, telling their subconscious
to decide for them was probably not the smartest way to go about
it.
I saw Vi fighting to keep Rona alive as Joss showing how much
Vi's confidence and personal power soared after truly becoming
a Slayer. Before, Vi had always been the wallflower, the mouse,
and the one who freaked out in a crisis. Now here she is, kicking
more a$$ than anyone, and fighting to keep her friend alive with
more conviction than she had ever displayed. To me the scene also
adds to the level of tension and urgency as the gang sped away
from a growing crater in a schoolbus. Of course they would be
dressing wounds and treating the casualties at that point.
I don't know for sure about Rona's future, but I'm pretty certain
that Wood made it through. Faith herself says "it's not bad."
Why would Joss go through the trouble of setting up Wood's surprise
of not being dead when it seemed like he was dead...only
to have him die anyway? I don't see that being how Joss's M.O.
at all; If he meant for Wood to die we'd be pretty dang sure that
Wood's bound for croakage. I saw Wood's fake death as Joss' way
to show that Faith really had come care to for him and really
would miss him terribly if he were gone; the look on her face
during the scene says it all. It was an important step for Faith's
character; if she is to someday earn redemption then she has to
learn to respect others just as she has to learn to respect herself,
and Faith had never really respected any (living) man before Wood.
"I see something curious about how in both series finales
there were two supporting characters who may or may not be dying,
and their fate is left so open to our interpretation. What's Whedon
trying to say there?"
Gunn and Wesley were hardly supporting characters in the sense
that Rona and Wood were. And the Angel series finale ended very
differently than Buffy's: EVERYTHING was left open to interpretation.
Well...except for Wesley's death, imo. I'm not sure where exactly
people are getting the idea that Wesley somehow survives Vail's
torture and shishkabobbing. Illyria's not a doctor, but she's
not stupid either...she was able to tell, at a glance, human bodily
changes and functions as subtle as Connor getting the hots for
her. Neither does she make blanket statements...if Illyria says
that someone's going to die in a few minutes, she believes
that someone's going to die in a few minutes.
Not to mention that if Wes' death was meant to be another episode
of Punk'd, the whole emotion behind the idea of Illyria appearing
to him as Fred in his final moments is rendered moot, which is
also not Joss's M.O.
[> [> [> [> [> [> [> [> Empowerment..
-- ZachsMind, 07:13:18 10/08/04 Fri
If this were the case, how is Buffy & Willow forcing the power
of the Slayer on all the little girls of the world any better
than the three old black guys forcing it on one girl at a time?
In fact this is technically worse. Buffy & Willow are thrusting
power on girls without their choice? That throws away the entire
point of empowerment: giving the potential slayer the CHOICE.
Buffy was Chosen against her will. She didn't want to do that
to the other girls. She gave them the choice.
I think we need to find Joss Whedon and ask him to explain the
final moments of "Chosen" so once and for all we know
from the horse's mouth whether or not Rona got actuated and whether
or not she survived the episode. So if you reading this can get
in touch with Joss Whedon, tell him I want to talk to him. Tell
him Zach is expecting his call. Have his people contact my people.
We'll do lunch.
[> [> [> [> [> [> [> [> [> Why do
you consider having the Slayer power a bad thing? -- BrianWilly,
13:25:39 10/08/04 Fri
The only reason Buffy ever considered being a Slayer a curse was
because she had to do it alone. She was the only one who could
save the world and the burden was on her to do it. She had, essentially,
no choice, and being the only Slayer cut her off, made her detached.
Now, there are many Slayers. Not only is the burden of saving
the world from darkness that no one should have to face spread
equally amongst hundreds, there also is the fact that not every
awakened Slayer needs to be out there slaying vampires.
There are enough Slayers now that even a tiny fraction of them
would be enough to hold back the forces of darkness, considering
that only one had been doing it for hundreds of years.
The reason that the Shadowmen's transformation of the First Slayer
was considered a violation, the reason that every Slayer
was a violation, was because they were forced to face evil alone
without any say in the matter. That is not what is happening
to the new awakened Slayers. They are not alone, nor would any
of the Scoobies forcing them into their fight. Buffy didn't curse
them, she gifted them to fulfill their potential. No, they didn't
have a choice in becoming superpowerful and fast and athletic
and quasi-clairvoyant, but there's nothing wrong with being superpowerful
and fast and athletic and quasi-clairvoyant at all.
[> [> [> [> [> [> [> [> [> [> Re:
Why do you consider having the Slayer power a bad thing? --
stoploss, 12:04:56 10/09/04 Sat
The only reason Buffy ever considered being a Slayer a curse
was because she had to do it alone. She was the only one who could
save the world and the burden was on her to do it. She had, essentially,
no choice, and being the only Slayer cut her off, made her detached.
I don't see it that way. The repeated theme was normalcy. Multiple
Slayers would not make Buffy, nor the multiples, normal nor give
her or them the same carefree life as other teens or young people.
The brief appearance of the Slayers on Angel showed they were
no more normal than Buffy had been. And Buffy was not isolated
except by virtue of her extraordinary power. That power remained
unchanged.
She had the Scoobies. What separated her from them and burdened
her was the power of Slayerhood. With power comes responsibility.
It is not clear that that was in any way dissipated by the relatively
small numbers of additional Slayers added to the pool.
[> [> [> [> [> [> [> [> [> [> [>
In "Damage," Wesley revealed that -- BrianWilly,
17:35:51 10/09/04 Sat
there were "hundreds...maybe thousands [of Potential Slayers]
per generation." Even if the First had been going around
offing them over the months, that's hardly a "relatively
small number."
Much notice should be given to Buffy's dialogues with Faith in
the last few episodes.
FAITH
"OK. The point. Me, by myself all the time. I'm looking at
you, everything you have, and, I don't know, jealous. Then there
I am. Everybody's looking to me, trusting me to lead them, and
I've never felt so alone in my entire life."
BUFFY
"Yeah."
FAITH
"And that's you every day, isn't it?"
BUFFY
"I love my friends. I'm very grateful for them. But that's
the price. Being a slayer."
...
"I mean, I... I guess everyone's alone. But being a slayer?
There's a burden we can't share."
And how can you possibly share that kind of pressure, that kind
of burden with your friends? You can say that "Well, we can
save the world together!" but it's still not their responsibility.
Your friends are still just "The ones who help the Chosen
One," not "The Chosen One" themselves. They can
imagine the pressure and pain that you experience, they can bear
witness to it, and they can even help alleviate or lessen it,
but the one thing they cannot do is to experience this for themselves.
And what's the one thing that can change this? Simple: There could
be more Slayers. That's it. Problem solved. Now Buffy isn't the
one with the burden...she's the one sharing the burden with hundreds
of others. She's not normal, but then, normalcy is completely
overrated as the show keeps reminding us. Eight years as the Vampire
Slayer, with all the perks and advantages of the job("Thank
God we're hot chicks with superpowers."), it's actually gotten
to the point where Buffy wouldn't know how to live or function
if she wasn't a Slayer(witness the third season episode "Helpless").
She doesn't hate the power, and she doesn't hate saving people,
what she hates is bearing the sole responsibility and how it cuts
her off from life in general. With more Slayers, she no longer
has the sole responsibility, and is no longer obligated to cut
herself off. Again, problem solved. It doesn't mean that she has
no more responsibility; it means that she shares them. Doing good
is something Buffy truly believes in, something that's been a
part of her for a while now, and it's not something she can easily
ignore. The difference now is that she has the choice.
I'll make a confession: I, too, had thought before Season 7 started
that the fact that Buffy has her friends and family with her all
the time made up for all the loneliness that being a Slayer usually
entails. There's no doubt that Buffy has been such a successful
Slayer because she didn't do it alone. In fact, my first reaction
to all the Season 7 nuances about being detached and alone was
that it all seemed pretty contradictory to the messages of previous
seasons and even negated them somewhat, the messages being "companionship
is good and will help you through life."
But then I remember "Conversations With Dead People,"
and it all makes a little more sense. Yes, Buffy would have lost
it years ago if not for her friends. But that can only go so far.
They are aids, not solutions to her problem.
[> [> [> [> [> [> [> [> [> [> [>
[> Did Wesley know about the First's plan, though --
Finn Mac Cool, 23:29:26 10/09/04 Sat
He said there were hundreds, possibly thousands, of potentials
in the world, but given that he didn't know about things like
Sunnydale being sunk or Slayers being activated, he might not
have known about the First's world wide potential-assassination
scheme. And, even if he did, he certainly wouldn't have any way
to tell how many were dead and how many were alive, at least not
after the Watchers Council's destruction in "Never Leave
Me".
[> [> [> [> [> [> [> [> [> [> [>
[> [> Re: Did Wesley know about the First's plan, though
-- BrianWilly, 00:19:23 10/11/04 Mon
Willow said at the end of Chosen that "I can feel them, Buffy.
All over...Slayers are awakening everywhere." and I just
don't get the impression from this that she's talking about three
or four individuals scattered in remote corners of the globe.
Case in point: the Slayers who appeared in "Damage"
were all completely new Slayers, none of whom we've seen during
Season 7. There might not be the thousands or even hundreds that
there were, but my impression is that there's still a hefty amount.
Even three or four dozen Slayers are relatively tons more than
the one or two that has always existed.
[> [> [> [> [> [> [> [> [> They
all got chosen -- shambleau, 13:28:09 10/08/04 Fri
I'm with Brian on this one. It seemed obvious to me that all Potentials
(not all the little girls of the world) were now Slayers. What
was different from the way the shamans did it was that these girls
had the choice not to act on their gift. They didn't have to train
under a patriarchically devised system which isolated them and
used them until they died. They could reject the whole thing and
have kids or go into business. They could go to art school and
dabble in slaying on the side, or be a Slayer for a few years
and then move on. They could devote their whole lives to the Slayer
sisterhood. Whatever. And that whatever makes all the difference.
As Potentials, they were all already imbued with Slayerness. The
shamans had arranged things magically to make sure that there
was never more than one activated at one time. So Buffy wasn't
forcing something on them that wasn't already in them, she was
liberating it from the control of others. Whether a brave new
world in its ironic or non-ironic sense was born from that is
left to our imaginations in BTVS, but Dana's (I think that's the
crazy Slayer's name, right?) story on Angel shows they were clear-eyed
about the possible ramifications.
[> [> [> [> [> [> [> [> [> Whoops.
Brian beat me to it and said it better. -- shambleau, 13:35:18
10/08/04 Fri
[> [> [> [> [> [> [> [> [> [> Never
hurts to have backup;) -- BrianWilly, 13:45:57 10/08/04
Fri
[> [> [> [> Re: I'll have to check my videotapes
again, but... -- BrianWilly, 21:53:33 10/06/04 Wed
Rona didn't like Buffy very much, and neither did a lot of the
Potentials, but that doesn't mean they didn't want to become Slayers.
I feel that Rona was pessimistic about the situation that she
was in and how it was being handled by those who were supposed
to protect her, not about her destiny. For someone who had no
idea what a Slayer was before that year, she was actually pretty
forthcoming about it all; by the end of "Potential,"
Rona seemed to have become pretty psyched about the whole deal,
joking and enthusing along with the others following a good slay.
Having a shiny happy personality as opposed to a cynical and edgy
one isn't a prerequisite for being a Slayer...after all, look
at Kendra;).
[> Re: When Last We Left Our Heroes... -- ScottS,
08:30:14 10/05/04 Tue
You should mention Cordelia, even though we are 99% sure she is
dead and no longer a factor.
[> [> Death Was Her Gift... -- Zach, 12:30:33
10/05/04 Tue
Agreed Scott. We have to include Cordy. In "You're Welcome"
we're led to believe at the end that some of this was going on
in Angel's head. However, it's also plausible that everything
happened, since the PTB 'owed her a favor' and after Lindsey got
dealt with, some things were reverted as pleased the PTB. Only
Angel seems to recall specifics. The others didn't seem to remember.
Does anyone remember differently?
As with Phoenix in the X-Men, or anyone in television pretty much,
Cordy's only mostly dead.
Her body was last with Wolfram & Hart and we were led to believe
their doctors pronounced her dead, but we never actually saw them
dispose of the body. So either they did bury/burn/whatever her
body and it's gone gone, or they presently have it in a deep freeze
and there's guys still working on it. Maybe her body was shipped
to the W&H Rome office.
Her soul had apparently traversed over. So either she's gone wherever
Joyce went and is living it up in the afterlife, or she's transcended
into some kind of pan dimensional demoness-at-large. Considering
her personality, she could be vying for position with the Powers
That Be. That'd be cool.
Anyway. Thank you, Charisma Carpenter wherever you are. It was
a kind and appreciated gift to all of us fans. Cordy's death was
Carpenter's gift. I love the symmetry to that.
[> [> [> maybe she will replace an oracle -- skeeve,
08:27:33 10/15/04 Fri
[> [> In the Buffyverse, death is often a temporary problem
-- Rich, 18:18:37 10/06/04 Wed
Show Recomendation: "Lost"
on ABC -- Corwin of Amber, 09:09:27 10/05/04 Tue
I watched the two-hour repeat of the premiere of Lost. I have
to say it's caught my interest, and I've realized I'd like it
to continue.
This relates to the Whedonverse, in that David Fury is one of
the writers for the show, along with J.J. Abrams of Alias fame.
So please everyone, give Lost a few eyeballs. 8 pm Wednesday night
on ABC.
Replies:
[> Absolutely, excellent show. -- Rob, 10:38:20 10/05/04
Tue
It is getting great ratings, too, which never happens for shows
I like!
Rob
[> Re: Show Recomendation: "Lost" on ABC --
Evan, 13:10:53 10/05/04 Tue
Yeah, I'm pretty excited about this series. I liked the first
two episodes and I think the characters have a lot of potential.
[> Re: Show Recomendation: "Lost" on ABC --
Wizard, 13:20:43
10/05/04 Tue
Yes, see this show! It is the best non-Joss television that I
have seen in a very long time.
Plus, it has Daniel Dae Kim, and it is our duty to support all
former ME people, actors and writers alike.
[> [> So did you see "First Daughter", "Scooby
Doo 2" and "Euro Trip"? ;) -- Evan, 13:45:52
10/05/04 Tue
[> [> [> Don't knock "Eurotrip." That was
actually a very fun movie. -- Rob, 14:22:31 10/05/04 Tue
[> [> [> Well... -- Wizard,
20:09:05 10/05/04 Tue
I haven't seen EuroTrip, or First Daughter, but I did go see Scooby-Doo
in theatres. Both movies.
I've also seen Psycho Beach Party (Nicholas Brendan) and Valentine
(David Boreanaz). Valentine was okay, but Psycho Beach Party is
hilarious.
[> [> Re: Show Recomendation: "Lost" on ABC
-- Cheryl, 19:29:12 10/05/04 Tue
Plus, it has Daniel Dae Kim, and it is our duty to support
all former ME people, actors and writers alike.
Here, here! But I hope he has more lines (and in English) coming
up. I love how all of the characters are surrounded by mystery.
One of my new favorite shows, along with Desperate Housewives,
Clubhouse, and Veronica Mars. Guess I won't cancel my cable after
all.
And, yes, (to Evan's post), I saw Scooby Doo 2 and First Daughter
(which I thought was very sweet) and plan to see Taxi (Christian
Kane) this weekend. Also have seen the following (some good, some
bad) only because someone from Buffy or Angel was in it:
Summer Catch (egads! I first rented it when I found out Marc Blucas
was in it and then had to rent it AGAIN after I 'discovered' Christian
Kane. Sheesh!)
The Haunted Mansion (Thankfully, Marsters was only in the beginning
and it was on tv so I didn't have to suffer through all of it)
I Capture the Castle (only saw it because of Blucas and fell in
love with it and then the book - one of my favorites).
Second Hand Lions (never mind that Michael Caine and Robert Duvall
were in it - I wasn't interested until I heard CK was in it -
and he only has 1 line - but plenty of action! And it also became
one of my all-time favorites because of the story and the characters).
Life or Something Like It and Just Married (Neither that great,
but CK was in them so . . . are we seeing a pattern here? )
Plenty of other movies and tv shows that I wouldn't have watched
otherwise if it weren't for the ME draw. However, I have no interest
in seeing The Grudge. I try to follow and support as many ME alums
as possible, as long as the story has some sort of interest for
me. But, the Grudge is not my type of movie at all.
[> I'm gonna recommend this too... -- Seven, 05:42:29
10/06/04 Wed
My friends and I caught this last week and we were very intrigued.
I taped the two hour repeat and was very surprised. Let me lay
this down for you non-believers:
The show asks some interesting quesions: Are you shaped by your
surroundings? Would you be the same person if you were in different
circumstances? Would you lie in this situaition? If you were a
criminal in the real world and a hero on the island, which person
is the real you?
The good and the bad:
The show has about 30 people walking around this island. There
is about 12 - 15 "main" characters with about 5 being
highlighted so far. Now this is a good and a bad in my opinion.
It's good because it's smart and COULD lead to better television.
It's bad because it's sort of a cookie-cutter way to create something
good if you don't have the ingenuity or talent to do it without
this. Let me explain.
With so many characters, there are bound to be very interesting
characters and fan favorites and there are bound to be really
boring, non-essential, 1 dimensional characters. The way this
show is set up however, allows the writers to see the results,
find out which characters are worth developing and then have the
excess to be able to kill off meaningless characters and at the
same time add drama to the rest of the show. It's win-win.
Also, the thing in the woods is intersting, but I'm willing to
bet that they 1. won't reveal what it is for a while and 2. once
they reveal it, it will suck and I won't watch the show anymore.
But in the meantime, very ,very interesting and I recommend it
wholehearted...whole-hearted....wholeheartedly......a lot.
set your vcrs! abc at 8! tonight!
7
[> [> Re: I'm gonna recommend this too... -- Rob,
07:22:03 10/06/04 Wed
Also, the thing in the woods is intersting, but I'm willing
to bet that they 1. won't reveal what it is for a while and 2.
once they reveal it, it will suck and I won't watch the show anymore.
From what I've read, they're not going to reveal that for a long,
long time, and it's not going to play much of a part in the series
as a whole.
Rob
[> [> [> Re: I'm gonna recommend this too... --
Wizard, 15:15:22
10/06/04 Wed
Really? Good. There's no way that the reality live up to the expectation.
I'd be just as happy if they only gave vague hints, and threw
some lesser monsters at us. Why should Sawyer be the only castaway
to kick some bear ass?
[> [> [> [> Re: I'm gonna recommend this too...
-- Brian, 16:30:12 10/10/04 Sun
I think there are lots of "things" lurking in the dark.
Since I'm still a big Smallville fan(which is having a great season),
I tape the show and watch it on Sat night.
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