July 2001 posts

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August 2001


Vampires, Mora demon blood, and gypsy curses. -- Earl Allison, 03:31:39 07/23/01 Mon

Apologies if this has been addressed ad nauseum before ...

Isn't it a very dangerous precident for there to be what is in essence a "cure" to vampirism? That "all" one needs (a lot, but doable) to restore someone from undeath is to introduce Mora (sp?) demon blood into their system and possibly before that restore their soul via the gypsy curse spell?

Doesn't that diminish the threat of being turned somewhat?

I ask because it's something I've thought of a lot, especially with vampires I like in the series, like Harmony.

Cordelia was pretty hopeful that VampHarmony could change during "Disharmony." Why not simply GIVE her a soul once Angel said that her nature was to turn on everyone?

Even if no one in the main cast could handle the spell, it seems likely that SOMEONE in LA could be contacted to perform the ritual.

Of course, given Harmony's bedroom tendencies, the "moment of true happiness" might be more problematic, but still ...

And Angel surely remembers that the demon blood would restore a vampire to life. I grant you, it's not something he'd want everyone to know -- especially since Buffy would likely pound him into the ground like a tent peg when she realized he could be human at any time, regardless of prophecy. Again, risky, but doable. He couldn't manage this for Harmony (or Drusilla, or Darla) and find a way to explain that it was a one-shot special item?

In fact, now that I think about it, could Mora demon blood have restored Darla, have cured her ailing heart?

So, am I off the wall, or is any of this making sense?

Take it and run.

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[> Love your tent-peg imagery -- Cactus Watcher, 06:47:18 07/23/01 Mon

Angel's internal sense of right and wrong seems to defy comprehension at times. But, he does obviously have principles he won't go against, ever. That's the best I can do to explain it.

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[> [> Agreed - that line cracked me up! ;-) -- Solitude1056, 07:42:25 07/23/01 Mon

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[> Bringing a vampire back to life...is it morally right? -- Kerri, 13:57:07 07/23/01 Mon

So if you are faced with killing a vampire or turning him/her human which do you chose?

Now it might seem that it would be kind to give the person another chance at life. However, on the other hand, if we consider that after a vampire "dies"-that is changes from its human form to the vampire form-its soul moves on to the next life, just as it would have done had the person died, would it really be fair to bring the soul back? This seems to me to be a bit like ressurection spells. Instead to really be kind to the person would be to stake the vampire thus allowing the rest of the person to move on to the afterlife along with the soul. Since we are not certain what happens to the soul after a person is vamped in the Buffyverse let's look at another option. Suppose it is something like in Dracula: the only was for the person to move on to the next life was for the vampire to be killed. So once again it seems that the "kindest" thing to do is to allow natural death to occur and to allow that person to move on to their afterlife peacefully.

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[> [> Depends on what you think the soul is...... -- Rufus, 14:53:13 07/23/01 Mon

Joss has said that the soul is the star by which the souled or soulless naturally are attracted to. So if that is what that means then I have no problem with a vampire being brought back to life. Angel made it clear that when his soul was returned he was then able to care about all the murders he had done. The return of the soul didn't bring back from the other side Liam but restored Angel/Liam's ability to care about what he had done as a vampire. The Gypsies didn't do this to make life easy for Liam but to torment the demon. Angel got the eternal torment he had forced upon Drusilla. The Gypsies wanted revenge, not to let Angel actually enjoy a life. If it is the most humane thing to do, kill the vampire to let them fully move on to the afterlife then that means Angel should top the list. My opinion is that the vampire is who they once were now with a demon inside, the loss of the soul was the loss of the conscience, not who the person was. I remember Gunns line "Don't we kill them anymore?", good question, if killing the vampire frees the mortal to go to his reward then why doesn't Buffy or Angel kill them all?

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[> [> [> "Don't we kill them anymore?" -- Humanitas, 20:25:08 07/23/01 Mon

Now that you mention it, there's never been mention (that I can racall - please correct me if I'm wrong) of killing the vampire to release the victim. Vampires are killed in defense of the rest of humanity, because they will inevitably kill again.

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[> [> [> [> Re: "Don't we kill them anymore?" -- Malandanza, 07:56:36 07/24/01 Tue

"Now that you mention it, there's never been mention (that I can recall - please correct me if I'm wrong) of killing the vampire to release the victim. Vampires are killed in defense of the rest of humanity, because they will inevitably kill again."

When Darla is revamped, Angel tells the others he can stil save her -- if he stakes her before she rises.

ANGEL: I can save her. WESLEY: Save whom? ANGEL: Darla. WESLEY: Angel -- if what you've been saying is so -- there is no saving Darla. Not now. ANGEL:It's not too late

If all Angel was worried about was making sure that vampire Darla died. there would not have been the sense of urgency in this scene. I think that Angel believes that the souls is in some way corrupted/trapped/lost when the vampire rises. He alludes to this impression when he tells Darla that she damned him by changing him into a vampire.

Wesley, an erudite ex-watcher, does not share Angel's view -- Angel may merely be operating under the influence of superstition or Wesley may be misinformed.

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[> Why don't they restore all the souls? -- Marie, 03:57:29 07/24/01 Tue

Actually, that has puzzled me on and off ever since they re-restored Angel's soul. Although I understand that this is very strong magic, and should perhaps be used sparingly, I don't really see why they can't use Jenny Calendar's spell to return souls to certain vamps - I'm thinking Spike here, of course!

(I know why the writers don't do it for story-interest purposes, of course, also that the spell takes time and they couldn't do it for every vamp they meet in street, I'm just wondering why no-one's ever suggested trying it).

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[> [> Re: Why don't they restore all the souls? -- d'Herblay, 12:59:02 07/24/01 Tue

I would imagine -- at least before the crush set in -- that Spike would be perfectly happy just sitting around with a Guiness watching Premier League football on cable. "Uh-oh, Willow. David Beckham just got a hat trick. Time to do the curse again."

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1st Anniversary Fun: Funniest BtVS/AtS Episode -- rowan, 12:40:30 07/20/01 Fri

A "simple" question -- which episode do you think is the funniest & why? Please make sure you describe it in detail (including excerpted quotes if you can) so that we can enjoy the laugh with you.

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[> Re: 1st Anniversary Fun: Funniest BtVS/AtS Episode -- d'Herblay, 13:19:10 07/20/01 Fri

Too many to name them all. I'm partial to "Bewitched, Bothered and Bewildered," "Homecoming" and, over on Angel, "Disharmony," but then I'm a Cordelia fan. Milk shooting out my nostrils funny was the opening of "In the Dark," with Spike providing Angel's voiceover:

"'How can I thank you, you mysterious black-clad hunk of a night thing?' "No need, little lady. Your tears of gratitude are enough for me. You see, I was once a bad-ass vampire, but love -- and a pesky curse -- defanged me. And now I'm just a big, fluffy puppy with bad teeth. [The woman below goes to touch Angel. Angel shrinks back.] No! Not the hair! Never the hair.' 'But there must be some way I can show my appreciation.' 'No! Helping those in need's my job. Working up a load of sexual tension and prancing away like a magnificent poof is truly thanks enough.' 'I understand. I have a nephew who's gay, so--' 'Say no more! Danger is afoot, and I'm almost out of that nancy-boy hair gel I like so much. Quickly! To the Angelmobile! Away!'"

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[> Re: 1st Anniversary Fun: Funniest BtVS/AtS Episode -- Cactus watcher, 14:22:09 07/20/01 Fri

My favorite is "The Wish."

Lots of great moments including...

The gang has recently 'captured' Spike who is chained up in Giles' bathtub. It's Buffy's turn to take care of him. Spike is forced to sip his blood from a straw from a cup in Buffy's hand. The cup reads 'Kiss the Librarian!' Spike gripes about this. Buffy's taunts enrage him. Spike threatens to break his chains and... Buffy calls out in a falsetto "Giles, help! He's gonna scold me!"

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[> [> Stupid me -- Cactus Watcher, 19:12:47 07/20/01 Fri

I was looking in the wrong spot in the book. The correct title of my choice "Something Blue."

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[> Re: 1st Anniversary Fun: Funniest BtVS/AtS Episode -- Sam Gamgee, 15:03:53 07/20/01 Fri

Whenever "funniest" BtVS episode (or AtS) is brought up, my mind automatically leaps to The Zeppo. Now, I know this episode may not have had the most laughs per minute, but it certainly gets me laughing every time I even think about it. Plus, it is probably my favorite Xander episode ever.

There are so many moments to pick from, but I will hit the ones that pop to mind right away for me: the music, especially the scene between Angel and Buffy that Xander interrupts and how it surges back up when he leaves, and the cheesy porn-music (not that I would know anything about that) when Xander and Faith get up with people; Dead Bob wanting to know if Jack has been taping Walker, Texas Ranger; Xander interrogating Parker before being interrupted by a mailbox (okay, maybe I'm the only one who found that funny).

JACK: Are you scared? XANDER: Would that make you happy?

XANDER: Shoulda learned by now. If you're gonna play with fire you gotta expect that sooner or later I wasn't finished! Note to self: less talk.

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[> [> Re: The Zeppo -- mundusmundi, 13:14:26 07/21/01 Sat

Great ep. Ya gotta love a show that lifts an idea from Rosencrantz & Gildenstern Are Dead -- Tom Stoppard's satirical play about the two supporting characters from Hamlet bemoaning their insignificance while the main plot happens off stage.

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[> Re: 1st Anniversary Fun: Funniest BtVS/AtS Episode -- Wisewoman, 17:50:25 07/20/01 Fri

For me, it's gotta be Something Blue and the whole Buffy/Spike engagement scenario...they snipe at each other even when they're supposedly madly in love!

Buffy: There's so much to decide. Ceremony, guests, reception..

Spike: Well, first thing I'd say, we're not having a church wedding.

Buffy: How 'bout a daytime ceremony. In the park.

Spike: Fabulous. Enjoy your honeymoon with the big pile of dust.

Buffy: Under the trees. Indirect sunlight, only.

Spike: Warm breeze tosses the leaves aside, and again - you're registering as Mr and Mrs Big-Pile-of-Dust.

Buffy: Stop it! This is our wedding and you're treating it like a big joke!

Spike: Oh, pouty! Look at that lip.. gonna get it.. gonna get it..

..and...

Spike: He's [Giles] gonna have to take a bit of time to get used to it, pet.

Buffy: They all will. (She turns back to Giles) But you guys weren't crazy about Angel at first, either.

(Spike gets upset)

Spike: You wern't gonna say that name.

Buffy: Sorry. Why don't we talk about where we're going to register.

Spike: Well, where would Angel like to register? And can we have the photographer Angel would've wanted? And, flowers Angel would have liked?

Buffy: (Stands) Hey! You think I don't live with the shadow of Drusilla over my head? That I'm not wondering if you're going to be thinking of her on our honeymoon when you're making.. sweet love to me..?

..and...

Buffy: Honey, we need to talk about the invitations. Now, do you wanna be William the Bloody, or just Spike? 'Cause, either way, it's gonna look majorly weird.

Spike: Where as the name Buffy gives it that touch of classic elegance.

Buffy: What's wrong with Buffy?

Giles: Huh.. such a good question.

Spike: (Ignoring Giles) Well, it's a terrible name.

Buffy: My mother gave me that name.

Spike: Your mother, yeah, she's a genius.

Buffy: Don't you start in on my mother.

Yup, they were well on the way to a normal, healthy, co-dependent, dysfunctional relationship!

;o)

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[> [> Can't help but agree with your choice. -- Avatar 2001, 19:38:56 07/20/01 Fri

It's nearly impossible to choose the funniest episode of BtVS but at the end I must agree with you. I just crack up whenever I remember that episode. You only laugh once but when you start you just can't stop.

Buffy: Giles! You'll never believe what's happened! (Buffy holds up her now ringed ring finger.)

(...)

Giles: Willow, it's-it's me. Something's happened. I need your help. I can't see very well. Everything's blurred. (He grabs the scotch) I'm certain it's a spell of some kind, because.... well...it seems something else is going wrong...

(Buffy bring Spike a mug of blood. She sits on his lap.)

Buffy: Here you go ... 98.6. (They kiss) Giles:... horribly wrong.

(...)

Buffy: Giles, did you see my ring? Giles: Thankfully, not very well.

(...)

Buffy: From now on, we're a family. Giles: That's alright. I have more scotch.

(...)

Riley: What's his name? Buffy: Who? Riley: The groom. Buffy: Spike! Riley: That's a name? Buffy: Don't be mad. Riley: I'm not mad! Buffy: No, you are mad! Riley: No, I am! Er... I really... Wow. Who is this guy? Does he go here? Buffy: Spike? (Laughs) Oh, no... He's totally old. Riley: Old. Buffy: Well, not as old as my last boyfriend was. Riley: (Befuddled) Okay.... It's late.... and I'm, I'm very tired now. So, I'm just gonna go far away and be... away.

(...)

Spike: This is the crack team that foils my every plan? I am deeply shamed.

(...)

Buffy: (Excitedly) Spike and I are getting married! Xander: (Baffled) How? What? How? Giles: Three excellent questions. Spike: (To Buffy) What are you lookin' at? Buffy: The man I love. (They kiss. A lot. Anya and Xander look a bit disgusted) Xander: Can I be blind, too?

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[> [> [> Giles did get most of the best lines in that ep! ;o) -- Wisewoman, 22:33:55 07/20/01 Fri

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[> [> [> [> Funniest: The Initiative -- Simplicity, 07:20:54 07/21/01 Sat

This is one of my favorite episodes. I love it when Spike is agitated or provoked about something.

Spike and another vamp are trapped in sterile white cells. . .

Other Vamp (O.V)

They're gonna kill us, you know.

Spike: And how are "they" going to do that?

O.V.: They starve you. And when you're ready to bite your own arm, they shoot out one of those packets. You drink, and the next thing you know - you're gone. That's when they do the experiments.

Spike: And "they" are .... the government? Nazis? A major cosmetics company?

O.V. Who cares? All I know is, one minute I'm running from the Slayer, and the next thing, I'm here.....

Spike (ticked off): The Slayer. I knew it I KNEW IT!

O.V.: She took apart my crew and drove me straight to these guys.

Spike: She set me up, too! I always worried what would happen if the bitch got some funding. She wised up a bit. Fine. I'll take her apart - I don't care how brilliant she is.

Cut to a scene of Buffy with ink all over her hands and papers from an exploded ink pen, she looks perplexed.

I LOVE Xander and Harmony arguing. There just. . .cute!

Xander(in a Western, high noon shoot out tone): Harmony

Harmony: Xander

Xander (whipping out a stake): That's close enough.



Xander: I'm warning you. I'm highly trained to put this through your heart. No mercy, no warning.

Harmony: I can kill you where you stand.

Xander (shades of UPN's Smackdown!): Bring it on, then.



Xander (shocked): OW!



Harmony: Sissy kicker!



Xander Ow - ooh - quit - cut it out ... !

Harmony: I'm just - just - just - so gonna bite you ... ow!



Xander: Okay, stop. Stop. We both just stop. Okay?

Harmony:

I will if you will.

Xander: On three, okay? Ready, one, two ..

Three. Right. Okay. Harmony. Great catching up, really. I'll just pick up the last tattered shreds of my dignity and go home now.

I'll be honest, I love W/S interactions. She's so kind to him, even though he has tried to kill her and her friends numerous times. The impotence insinuation is hysterical!

Willow is lying on the bed, looking confused and afraid. Spike is sitting on the side of it, looking much the same way. Willow: Maybe you were nervous.

Spike: I felt alright when we started. Let's try again. Damn it!

Willow: You're probably just trying too hard. Doesn't this happen to every vampire?

Spike: Not to me, it doesn't!

Willow:

It's me isn't it?

Spike : What are you talking about?

Willow: You came looking for Buffy, then settled. You didn't want to bite me, I just happened to be around.

Spike: Don't be ridiculous. Why, I'd bite you in a heartbeat.

Willow: Really?

Spike: Thought about it.

Willow: When?

Spike: Remember last year? You had on that fuzzy pink number with the lilac underneath... (nods, little bit of a leer)

Willow: I never would have guessed. You play the blood-lust kind of cool.

Spike: I hate being obvious. All fang-y and *grrr.*

Takes the mystery out.

Willow: But if you could, you'd ...

Spike IF. .I could. . . yeah.

Willow (trying to make him feel better): You know, this doesn't make you any less terrifying. ***only Willow would try to help a vamp who just tried to eat her!

Spike: Don't patronize me!

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[> [> [> [> [> Re: Funniest: The Initiative -- Rattletrap, 12:01:17 07/21/01 Sat

The scene w/ Willow and Spike was hilarious, but offset by coming after one of the most disturbing scenes the show has ever aired. Spike's attempt to bite Willow was hauntingly similar to a rape scenario that happens a dozen times a year on college campuses across the country. Only Joss could shift gears like that and make it work.

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[> Re: 1st Anniversary Fun: Funniest BtVS/AtS Episode -- Rattletrap, 06:54:04 07/21/01 Sat

From this season, gotta go with "Intervention," I laughed until it hurt.

XANDER: Buffy's gone insane. (Anya nods) WILLOW: What? What'd she do? XANDER: Brace yourself. You're not gonna believe it. TARA: Everyone, before we jump all over her, people do strange things when someone they love dies. When I lost my mother, I-I did some pretty dumb stuff, like lying to my family and staying out all night. ANYA: Buffy's boinking Spike. Xander nods. Willow and Tara look surprised. WILLOW: (pause) Oh ... well, Ta-Tara's right. Grief can be powerful, and we shouldn't judge- TARA: What are you, kidding? She's nuts!

. .

BUFFYBOT: I don't know where Xander is. I haven't seen him. And when I came out of the tunnel, Spike was gone. I need to find him. WILLOW: (winces) Um ... Buffy, this thing with Spike, i-i-it isn't true, is it? You didn't, you know, sleep with Spike? BUFFYBOT: No. Willow smiles with relief. BUFFYBOT: I had sex with Spike. (Willow winces again) I'm sorry if it bothers you. You're my best friend. WILLOW: I-I am. And I, I always will be, no matter what you do. I, I'm just trying to figure out why this happened, and I, I think with ... your mom and everything ... everyone was being all sympathetic, and, and making you feel weak. A-and Spike wasn't like that. So, just this one time, you just ... did something kinda ... crazy. BUFFYBOT: (shakes head) It wasn't one time. It was lots of times. And lots of different ways. I could make sketches. WILLOW: (disgusted) No! Buffy, there is something seriously wrong here! I ... (the bot looks confused) Okay, yeah, you've been with a vampire before, but Angel had a soul. BUFFYBOT: Angel's lame. His hair grows straight up, and he's bloody stupid. WILLOW: (confused) Okay ... look, I just wanna help you. Let me help you. BUFFYBOT: You're my best friend. WILLOW: Yeah. Again, I ... really am, but... BUFFYBOT: You're recently gay.

. .

XANDER: Buffy, we need to talk. BUFFY: (alarmed) What's wrong? Is Dawn okay? WILLOW: Dawn's fine. XANDER: Buffy, we care about you, and we're worried about you. The way you're acting, the things you're doing- ANYA: It's wrong. WILLOW: Wait. This shouldn't be about blame. BUFFY: Blame? There's blame now? WILLOW: No, there's only love. And ... some fear. ANYA: Which is kind of thrown by the you having sex with Spike. BUFFY: The ... who whating how with huh? ANYA: Okay, that's denial. That usually comes before anger. BUFFY: (angrily) I am not having sex with Spike! ANYA: Anger. XANDER: No one is judging you. It's understandable. Spike is strong and mysterious and sort of compact but well-muscled. BUFFY: (firmly) I am not having sex with Spike! But I'm starting to think that you might be. XANDER: (scoffs) Buffy, I saw you. Anya too. (Anya nods) We saw you and Spike ... (gestures vaguely) with the straddling.

The Buffy Bot enters, looking offended.

BUFFYBOT: Spike's mine. Who's straddling Spike?

She strides up next to Buffy, who stares at her in amazement.

BUFFY: Oh my god. XANDER: (amazed) And so say all of us. BUFFYBOT: Say, look at you. You look just like me! We're very pretty. WILLOW: Two of them! XANDER: Hey, I know this! They're both Buffy! BUFFY: (annoyed at him) No, *she*'s a robot. She acts just like that girlfriend-bot that Warren guy made. You guys couldn't tell me apart from a robot? BUFFYBOT: Oh, I don't think I'm a robot. ANYA: She's very well done.

. .

BUFFY: (shrugs) It's all we got. GILES: (staring at the bot) Quite extraordinary really. BUFFYBOT: Thank you. But I really think we should be listening to the other Buffy, Giles. (She pronounces it with a hard G like "guy") She's very smart and she's gonna help us save Spike. GILES: Guy-les? (turns to address the real Buffy) Spike didn't even bother to program my name properly. BUFFY: Listen, skirt girl, we are not going to save him. We're going to kill him. He knows who the key is, and there's no way he's not telling Glory. BUFFYBOT: You're right. He's evil. (smiles) But you should see him naked. I mean really. Buffy grimaces in disgust. BUFFY: Okay, guys, split up and spread out. Check the priciest-looking places first. Xander, you come with me. Willow, Anya, stick together, and Guy-les ... Giles- (Giles looks annoyed) you can watch ... it. Giles sighs, turns back to the bot. She gives him a huge grin.

. .

SPIKE: It's that guy... on TV ... what's his name? GLORY: (frowns) On the television? SPIKE: That show ... the prize show ... where they guess what stuff cost? MURK: The Price Is Right? JINX: Oh, Bob Barker! MURK: We will bring you Bob Barker! We will bring you the limp and beaten body of Bob Bark-

also, honorable mention to "Triangle" for some of Olaf's lines:

"Ha!, puny receptacle" "You fight well, although you are a tiny man" " . . . they will never last, he is ludicrous and far too breakable."

among others

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[> Re: 1st Anniversary Fun: Funniest BtVS/AtS Episode -- Malandanza, 07:23:51 07/21/01 Sat

My choice is Superstar because of this scene:

BUFFY: I remember something. Giles, do you have a Jonathan Swimsuit Calendar?

GILES: No.(a beat)Yes.

He opens a drawer, pulls out the Jonathan Swimsuit Calendar.

GILES: It was a gift.

Of course Something Blue was also very funny -- my favorite scene from it is:

GILES: Yes, to have her will done. Whatever she says is coming true.

BUFFY: And both you guys were affected. I probably only escaped it because I'm the Slayer. Some kind of natural immunity.

XANDER: Yeah. Right. You're marrying Spike because you're so right for each other.

BUFFY: Xander...

SPIKE: That's it. You're off the usher list.

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[> Re: 1st Anniversary Fun: Funniest BtVS/AtS Episode -- voyageofbeagle, 07:45:39 07/21/01 Sat

Funniest overall episode- have to agree and go with the masses and go with "Something Blue".

But- funniest scene ever is Giles' "presentation" about the Gentleman in "Hush". Hilarious from start to finish. - Giles with his dramatic music and finger waving - Xander misunderstanding Willow's pantomiming of "heart" and mouthing "boobies?" with a confused lok on his face -Everyone misunderstanding Buffy's energetic hand motions that are suposed to be her staking -and Buffy's lok of annoyance and horror when she she sees the picture that Giles has drawn of her has big hips!

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[> [> Re: 1st Anniversary Fun: Funniest BtVS/AtS Episode -- Nina, 09:33:38 07/21/01 Sat

Hush was frightening and hilarious at the same time. My favorite scene takes place in Giles' apartment. It starts with Giles and Spike bumping into each other. Spike then serves himselves some blood, turns in game face. The big misunderstanding that happens then makes me laugh everytime. Xander comes in the apartment and believes Spike bit Anya. Xander punches Spike in the face until Anya wakes up. They finally leave to get some sweet loving. The whole scene shot as a movie from the silent era, with dramatic music in the background, is just superb!

Something blue and Intervention are probably the episodes in wich I laughed the more per minute. Giles In "SB" and the BuffyBot in "Intervention" were just hilarious. Have to agree with those who mentioned those episodes before me.

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[> [> Re: 1st Anniversary Fun: Funniest BtVS/AtS Episode -- anom, 22:12:59 07/21/01 Sat

But the funniest touch was Anya eating popcorn & enjoying the whole show.

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[> Re: 1st Anniversary Fun: Funniest BtVS/AtS Episode -- mundusmundi, 12:53:45 07/21/01 Sat

Funniest episode: Bewitched, Bothered and Bewildered. There isn't one single scene or line of dialogue that makes it great (though Joyce coming on to Xander, and Xander's exasperation, gets me in stitches every time). The whole thing just has great comic momentum, each scene building laughs into the next.

Funniest scene: I'm picking the one below from Crush, the conversation between Spike and Buffy following their "stakeout":

SPIKE Well, that was... sad.

Buffy looks around the "vamp campsite."

SPIKE I'm embarrassed for our kind. (then) So, should we chase 'em then? Can't have gone far.

BUFFY Those vamps have been here a while. They've nested.

SPIKE So, you're saying they're a couple of poofters.

BUFFY No. I'm saying they had nothing to do with last night's murders.

SPIKE How do you figure?

BUFFY Whoever did it only just arrived in town last night.

She turns and moves to the exit.

BUFFY Looks like you just wasted my time.

Spike gets to the door first and holds it open for her. Buffy stops in her tracks and jumps back, wigged.

BUFFY What are you--

Spike, confused at first, suddenly realizes what he's done and lets go of the door.

SPIKE I... It was... I wasn't thinking...

Buffy, shaken, moves away from him.

BUFFY What is this, Spike?

SPIKE Don't get your knickers twisted, I was just-

BUFFY No. I mean, what is this? The late night stake out, the bogus suspects, the flask... Is this a date?

SPIKE (stammering) A - ? Please... A date. You're completely off your bird. I mean... (quickly/hopeful) Do you want it to be?

That's it. That's what Buffy needed to hear to confirm all of her worst fears.

BUFFY Oh no. No... Are you out of your mind?

SPIKE It's not so unusual. Two people. In the workplace... Feelings develop...

BUFFY No! Feelings do not develop. No feelings!

Spike starts to move toward her, but she backs away.

SPIKE You can't deny it. There's something between us.

BUFFY Loathing. Disgust-

SPIKE Heat. Desire-

BUFFY Please. You're a vampire, Spike!

SPIKE Angel was a vampire.

BUFFY Angel had a soul. He was good.

SPIKE And I can be too. I've changed Buffy.

BUFFY You mean the chip? That's not change. That's just holding you back. You're like a serial killer in prison-

SPIKE Women marry them all the time!

An otherwise unsettling episode, as everyone knows, but this convo, namely Spike's line about "Two people, in the workplace," cracks me up just thinking about it.

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[> aaahhh, comedy... -- JBone, 19:48:35 07/21/01 Sat

Since one of the reasons I love Buffy, is the sharp comedy, I have to weigh in here. You see, I have no choice. I absolutely must post or risk recriminations. I see most of the obvious episodes have been mentioned. Like the Xander-centric episodes like "Bewitched, Bothered, and Bewildered", "Go Fish" (has it been mentioned? The whole idea of Xander going undercover on the swim team or as Buffy said 'not under much' is just hilarity ensuing), "The Zeppo", and "Triangle" (probably more Anya and Willow than Xander, but still quite funny).

In the last season and a half or so, the best funny lines have gone to either Spike or Anya. But the funniest line are too numerous to list. I would like to point out Cordelia episodes because they were quite substantial. Like "Invisible Girl" (not all that funny except for a couple lines), "Reptile Boy", "Go Fish" (again a solid belly scratcher), and "Homecoming" (Buffy taking on Queen C in the be-all of popularity contests was fun to watch).

The only other character to get comedy episodes centered on them is Giles. While I don't think this was a wise idea for more than an episode or two, some of them have been decent. Starting in "Bad Girls" in season 3, this marked a shift for Giles to be more comic relief than authoritative character. "Earshot" was an excellent episode that really didn't center around Giles, but the 'you slept with my mother' line out of Buffy watching Giles walking into a tree was too good. "A New Man", well kinda sucked, while I enjoyed "Buffy vs Dracula". The Dracubabes with Giles rocked.

The rest of the really funny episodes were ensemble based. Starting early on in "The Puppet Show". Others are "Some Assembly Required" (the chemistry between NB, AH, and even CC really come out with this one along with Robia LaMorte as Jenny Calender), "Halloween" (a great twist on Halloween episodes), "Bad Eggs" (the first appearance of Lyle Gorch), "Faith, Hope, and Trick" (Mr. Trick's and Faith's first appearance, I'll always remember Trick yanking the guy out of the drive thru window and eating the pizza delivery guy, and Xander being fascinated by Faith's tales of naked slaying), "Band Candy" (Giles as a teenager, enough said), "Dopplegangland" (Willow's standout comedic performance), "Beer Bad" (Xander bartending, Buffy going neanderthal, Willow shooting down Parker, and funny hair), "Something Blue" (Giles had the funniest lines), "Superstar" (from the start, through the opening credits, rewrote Buffy for the funnier), "The Yoko Factor" (Spike playing everyone), and "I Was Made To Love You" (Xander and Willow checking out babes together).

I realize that I listed a whole lot of episodes, but I find a ton of humor in the show. I believe the show really took off once it tapped into Nicholas Brendons natural upbeat energy, and Charisma Carpenters ability to put out those hilarious lines with ascerbic wit. Turning Giles into a little more than a comedy player has hurt, but the addition of James Marsters as Spike and Emma Caulfield as Anya have added much needed life after the departure of CC. This is probably the biggest thing holding AtS back. I remember watching "Disharmony" thinking, 'I miss Cordelia's laugh.' She should laugh more. I have probably blubbered way too much by now, so I'll post and laugh at the replies rolling in.

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[> [> Re: aaahhh, comedy... -- Rattletrap, 05:45:03 07/22/01 Sun

Ah, you do jog my memory though

The interaction between Giles and Wesley in "Bad Girls" was great . . .

Wesley: Of course, training procedures have been updated quite a bit since your day. Much greater emphasis on field work. Giles: (very bored) Really? Wesley: Oh, yes. (walks around to another box) Not all books and theory nowadays. (reaches in for some books) I have, in fact, faced two vampires myself. Under controlled circumstances, of course. Giles: (uncrosses his arms) Well, no danger of finding those here. Wesley: (looks up) Vampires? Giles: Controlled circumstances. (sees Buffy enter) Hello, Buffy. Wesley overhears, looks at her and smiles condescendingly. Wesley: Well... (steps to the head of the table) Hello. (smiles smugly) Buffy gives him a quick look up and down. Buffy: (to Giles) New Watcher? Giles: New Watcher. Wesley takes a step toward her and holds out his hand in greeting. Wesley: Wesley Wyndam-Pryce. Buffy makes no move to return the gesture, but continues to eye him critically. A moment later he steps back again. Wesley: It's very nice to meet you. Buffy steps over to Giles, never removing her eyes from Wesley. Buffy: Is he evil? Wesley: (perplexed) Evil? Buffy: The last one was evil. Wesley: (thoughtfully) Oh, yes. Gwendolyn Post. We all heard. No. Mr. Giles has checked my credentials rather thoroughly and phoned the Council, but I'm glad to see you're on the ball as well. (takes a secretive step toward her) A good Slayer is a cautious Slayer. (steps back) Buffy: (to Giles) Is he evil? Giles: Not in the strictest sense.

or:

Wesley: (flips through Giles' diary) Oh, yes! Here's your first entry. 'Slayer is willful and insolent.' (smirks) That would be our girl, wouldn't it? Giles: (continues pacing, takes off his glasses) Well, you have to get to know her. Wesley: Mm. (reads) 'Her abuse of the English language is such that I understand only every other sentence.' (looks up) Oh, this is going to make fascinating reading.

plus, the entire torture scene that is a little long to reproduce here, the original draft was even better, but they toned it down some by the final version.

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[> I can't believe nobody has mentioned Triangle yet. -- Anthony8, 20:06:40 07/21/01 Sat

With the exception of Dawn and Joyce, everyone has some hilarious dialogue. Had me laughing from opening to closing credits. For example:

Xander sits between Anya and Willow looking uncomfortable. XANDER: (to Buffy) So, how goes the slaying? BUFFY: I killed something in a convent last night. XANDER: In any other room, a frightening declaration. Here, a welcome distraction. (Anya and Willow both look at him) Tell us all about the killing, Buff. BUFFY: Pretty standard. Vampire staking. Ooh! But I met a nun, and she let me try on her wimple. XANDER: Okay, now we're back to frightening.

....

Cut to: Spike holding a box of chocolates. He talks to someone we can't see. SPIKE: (softly) Um ... there's something I got to tell you. About showing you Riley in that place. (deep breath) I didn't mean to ... (long pause) Anyway, I know you're feeling all betrayed - by him, not me. (The camera pans around and we see he is talking to a mannequin, which has no legs but wears a blue blouse and a blonde wig. It's set up on a block of stone so that it is about Buffy's height.) I was trying to help, you know. Not like I made him be there, after all. Actually trying to help you. Best intentions. He gets a little agitated, paces a few steps away. SPIKE: I mean, you know, pretty state you'd be in, thinking things are all right (moves back toward the mannequin) while he's toddling halfway round the bend. (Stares at the mannequin, gets madder) Oh, I'll insult him if I want to! I'm the one who's on your side! Me! Doing you a favor! (very angry) And you, being dead petty about it - me, getting nothing but your hatred and your venom and - you ungrateful bitch! He loses control of himself, smashes the box of chocolates over the mannequin's head. SPIKE: Bitch!

......

Anya comes out from behind the counter and walks over to them. ANYA: (annoyed) Hey. What are you two doing? WILLOW: Oh, we're gonna try out a few spells. TARA: There's this thing you can do where you create light, and we thought, what if you could make, like, simulated sunlight? WILLOW: Yeah, so then, you know, there Buffy is, middle of the night, and she finds this whole nest of vamps, a-and then she just goes, "Presto!" TARA: Only it won't be "presto" exactly. WILLOW: And, and voom! There's a, a floating ball of sunlight. Vamps get dusty. TARA: You don't wanna look right at it, though. ANYA: That's swell, but you can't use this stuff. Giles has only been gone two days and you're already causing trouble. You shouldn't do things while he's gone. WILLOW: (smiling) You're the fish! ANYA: What? Tara grins. WILLOW: The, the fish in the bowl, in The Cat in the Hat. He was always saying that the cat shouldn't be there while the mother was out. ANYA: What are you talking about? TARA: It's a book. This cat does all this mischief. WILLOW: It's so cute. He balances a bunch of stuff, including that fish in the bowl! A-and, but don't try it for real when you're six, because then you're not allowed to have fish for five years. ANYA: (upset) You're referencing literature I have no way to be familiar with. You're trying to make me feel left out, and you're stealing! WILLOW: I'm not stealing. I-I'm just taking things without paying for th... (pauses) In what twisted dictionary is that stealing?

.....

WILLOW: Anya, Giles would be totally fine with this. Come on, it'll be fun. (Gets an idea) We could show you how to do some stuff! You could be floatin' pencils by the end of the day. ANYA: Sometimes I miss having powers. (Willow grins. Anya realizes something) Oh. Oh! I know what this is! (shaking her finger at them) This is peer pressure! Any second now you're gonna make me smoke tobacco and, and have drugs. WILLOW: Look how easy. They all look at the table. A small stick of dried sage and a vial rise off the table and float in the air. ANYA: Hey! Don't float the merchandise! (grabs the items and puts them back on the table) Willow turns. A few items on the counter rise into the air. ANYA: Stop that! Xander appears, walking past the floating stuff without noticing.

......

WILLOW: (walks back behind the counter, holding a mortar and pestle) Xander, what I'm doing, it's a good thing. And if it doesn't work, Giles never even needs to know about it. She puts the mortar and pestle on the counter, takes a pinch of something out of the bowl, and sprinkles it on the cash register. The register disappears in a puff of pink smoke. WILLOW: Oops. Anya rushes over. The others come over as well. ANYA: The cash register! What did you do with the cash register? Dear god! WILLOW: I'll fix it, I'll fix it! Recursat. (latin translation: revert/return) Another pink puff, and the register reappears, now with the receipt paper hanging out of it in long curls. Smoke rises out of it. WILLOW: There, all back. Good as new. ANYA: Money. Did you hurt the money? (Opens the cash register and coughs as more smoke (not pink) comes out) Money good? (takes out some money and shakes it at Xander) She endangered the money! (Xander shrugs) WILLOW: Of course, that's what she cares about. (imitates Anya) "I like money better than people. People can so rarely be exchanged for goods and/or services." ANYA: (horrified) Xander, she's pretending to be me! .......

We see a lamppost lying on the ground, broken in two. WILLOW: I'm trying. Put the top up, the pages are all blowy! ANYA: Well, I don't know how to put the top up, I only just figured out what the left pedal does. (turns to smile at Willow) It makes us stop! Anya slams on the brake and they slow down with a screech. Willow grabs the side of the car for balance. Anya resumes driving. WILLOW: You don't know how to drive? Why didn't you say you don't know how to drive? ANYA: Well, I couldn't know if I could until I tried, could I? They exchange an angry look. WILLOW: This is very, very bad. There, there's an ogre on the loose- ANYA: Troll. WILLOW: What? ANYA: Troll on the loose. Now hold on, I'm gonna press the right pedal harder. (smiling) I expect us to accelerate. She presses on the gas pedal and they both lean back in their seats as the car speeds up. Willow looks very angry. WILLOW: (yelling over the engine noise) There's a troll on the loose, and you're gonna crash Giles' car! ANYA: (agreeing) It's likely. We're going very fast. You should have listened to me and not done the spell. Giles put me in charge. WILLOW: Giles can be an idiot. The smart kind, but still. ANYA: Xander agreed. WILLOW: Oh, right. Xander doesn't step out of line. ANYA: (turns to look at her) Well, what do you mean by that? WILLOW: Nothing. Willow looks ahead, points at something. Anya looks, twists the wheel quickly. The car screeches around another corner, narrowly misses hitting another parked car, which has its roof bashed in. Some of the papers fly out of Willow's hands and are gone with the wind behind the car. Willow watches them go. ANYA: Find that spell quickly! WILLOW: Whoa, that's gone. ......

XANDER: I'm gonna run and get Buffy. (Pats Spike on the shoulder) Or maybe you could fight him. SPIKE: Yeah, I could do that, but I'm paralyzed with not caring very much. OLAF: (pointing at Spike) You there! (walks up to Spike and Xander) Do you know where there are babies? SPIKE: (to Xander) What do you think, the hospital? XANDER: What? Shut up! (to Olaf) Um ... listen... OLAF: I find myself very hungry. And when I'm hungry I grow short of patience. XANDER: Well, we can take care of the hungry, so how's about you just sit down in one of the ... sturdier chairs, and we can ... have a calm talk and something to eat. OLAF: Can it be babies? XANDER: Well, not so much. OLAF: (disappointed) Oh. XANDER: But maybe ... some roast pigs, and ... stags, and ... much hearty grog. (grins nervously) SPIKE: They've got this onion thing... OLAF: You cannot appease me! Do not try! (turns away) More ale!

......

Anya and Willow look over at where Olaf is draining the second keg. WILLOW: I wish Buffy was here. The door opens again and Buffy runs in, followed by Tara. BUFFY: I'm here. Willow looks surprised. WILLOW: I wish I had a million dollars. (The others look at her) Just checking. BUFFY: (looks at Olaf) What's going on? Where did he come from?

......

OLAF: You ... told the witch to do that, Anyanka. (Anya looks alarmed) You seem determined to put an end to all my fun. Just like you always did when we were dating! Buffy, Tara, and Willow stare at Anya. Spike stares at Anya. Xander frowns. ANYA: Uh, um... XANDER: You dated him? BUFFY: You dated a troll? WILLOW: And we're what, surprised by this? ANYA: Well, he wasn't a troll then! You know, he was just a big dumb guy, and ... well, you know, he cheated on me and I made him into a troll, which by the way is... (embarrassed) how I got the ... job as a vengeance demon.

......

We see Spike crouching next to another injured woman. She has blood on her face. Spike puts something under her head for support. Buffy sees him and approaches. BUFFY: What are you doing? SPIKE: Making this woman more comfortable. (looks up at Buffy) I'm not sampling, I'll have you know. (looks around) Just look at all these lovely blood-covered people. I could, but not a taste for Spike, not a lick. Know you wouldn't like it. BUFFY: (amazed) You want credit for not feeding on bleeding disaster victims? SPIKE: Well, yeah. BUFFY: You're disgusting. (Walks away) Spike looks after her in disbelief. SPIKE: (to himself) What's it take? (sighs, continues helping the injured woman)

......

ANYA: Oh, and you don't want anyone else to have him. I know what broke up him and Cordelia, you know. It was you! And your lips! WILLOW: No it was not! Well, yes it was so, but ... that was a long time ago. Do you think I'd do that again? ANYA: Why not? WILLOW: Well, hello, gay now.

......

ANYA: How can I help? WILLOW: Uh, distract him from Buffy, (shot of Buffy and Olaf grappling over the hammer again) uh, piss him off. ANYA: I don't know how. WILLOW: Anya, I have faith in you. There is no one you cannot piss off. Anya smiles proudly, rushes out from behind the counter. Shot of Buffy and Olaf exchanging blows. ANYA: Hey Olaf! You're as inadequate a troll as you were a boyfriend! Olaf looks over at her with an angry grunt. Buffy lands another blow. Anya looks back at Willow, who gives her the thumbs-up. Anya looks back at Olaf. ANYA: Uh, y-you're hairy, and unattractive, and even women trolls are put off by your various odors. WILLOW: (muttering) Instrumentum ultionis, telum fabuloso, surge, surge, terram pro voca. (translation: "Instrument of revenge, fabled weapon, arise, arise," ??) Olaf's hammer glows green for a moment. He lifts Buffy by the throat. ANYA: Your menacing stance is merely alarming! Olaf hits Buffy in the upper arm with his hammer and flings her aside to land against a wall. ANYA: And your roar is less than full-throated! OLAF: Desist! (stomps toward Anya) My god, woman, it's been a thousand years, and yet you are as aggravating and emasculating as ever you were. He swings the hammer at Anya. She ducks. WILLOW: Vola cum viribus, dominum tuum nega. Vola! (translation: "I wish with all men, that god will deny you.") Olaf's hammer glows green again and flies out of his hand as he tries to swing it at Anya. It lands on the floor and stops glowing. Olaf stares at his hands. Buffy gets up. Anya goes over to Willow. ANYA: Hey, good job. WILLOW: You too, very irritating.

.......

Olaf dissolves into nothing and disappears. Willow smiles hugely. Shot of Tara watching. BUFFY: (OS) Where did you send him? ANYA: (OS) The land of the trolls. We see them all standing around in the magic shop. ANYA: He'll like it there. Full of trolls. WILLOW: It's hard to be precise, though. Alternate universes don't stay put. Trying to send him to a specific place is sort of like ... like ... trying to hit a ... puppy, by throwing a live bee at it. (They all look at her) Which is a weird image, and you should all just forget it. ANYA: It's possible that he's in the land of perpetual Wednesday ... or the crazy melty land ... or, you know, the world without shrimp. TARA: There's a world without shrimp? (Willow looks at her) I'm allergic. WILLOW: He, he's probably in troll land. BUFFY: I only care that he's not here, and I got this nifty souvenir. She turns and puts Olaf's hammer on the countertop. After a moment, the glass breaks and the hammer, plus everything else on the counter, falls into the display case below with a loud crashing noise. BUFFY: Oops. XANDER: The place is trashed enough anyway.

.......

Cut to: Buffy and Giles sitting at the table in the Summers dining room. GILES: I cringe to think what the place would have looked like if I'd been away for longer than three days. BUFFY: Well, maybe we would have had time to clean it up. You know, if Willow used some magicks to help. GILES: Yes, 'cause nothing could possibly go wrong with that.

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[> Re: 1st Anniversary Fun: Funniest BtVS/AtS Episode -- manzanita, 21:41:41 07/21/01 Sat

What about Band Candy? Snyder trying to do Kung Fu, Buffy driving, Giles and Joyce, studying for the SATs while on patrole . . . Buffy's look when Joyce offers her manacles to restrain Ethan: "Never tell me!"

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[> well, one of the funniest moments, anyway... -- anom, 13:07:34 07/22/01 Sun

..if not the funniest show overall, was at the very end of Fear, Itself. The gang is back at Giles' place after it's all over...apparently. But then, over ominous music, Giles says:

I should have translated the Gaelic inscription under the illustration of Gachnar.

Buffy: What's it say?

Giles: "Actual size."

Buffy's dismissive smile, shrug, & tilt of the head are perfect.

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[> It's just a visual... -- Solitude1056, 21:35:35 07/22/01 Sun

The single highpoint for Giles in S4, IMO, was when he & Spike were rushing to catch Ethan. Suddenly, Giles spies Maggie Walsh walking down the street. He commands Spike to stop the car, at which point he jumps out & chases Maggie down the street. She screams like, well, a girl, and runs off. Giles returns, a very satisfied smirk upon his demony face. Truly an image that had me laughing so hard I fell off the sofa. I kid you not - it was a long time coming for poor Giles, who was so beset & left-behind that season.

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[> [> Yup, one of my favorite moments in the show........ -- Rufus, 23:17:00 07/22/01 Sun

I also enjoyed the fact that he chased that "fishwife" then got back into the car like he had dropped off some drycleaning.....:):):)

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[> Anya & Spike -- Solitude1056, 07:58:44 07/23/01 Mon

Been trying to find it, and finally did... Where the Wild Things Are. Anya's out alone after an argument with Xander, when all of a sudden...

A FIGURE leaps out from the shadows, GROWLING. Anya SCREAMS. It's SPIKE, in full VAMP-FACE. Mid-snarl, he recognizes Anya and slumps, disappointed.

SPIKE Oh. It's you.

He MORPHS OUT OF VAMP-FACE.

ANYA Spike. What are you doing? You made me yell really high.

SPIKE (encouraged) Hey, yeah. I did. I scared you. Give me money.

ANYA I'm not paying you for scaring me.

SPIKE You're not "paying" me. I'm robbing you.

ANYA Oh. Well that's just ludicrous. You can't hurt me because you've got a chip in your brain. Also, I like my money the way it is when it's mine.

She moves to push past him but he blocks her, GROWLING.

ANYA (cont'd) Now come on. You're not even bumpy anymore.

Spike feels his face.

SPIKE Oh. I was, just a minute ago. Hang on, get me mad again.

Anya glares at him.

ANYA Does that really work? Scaring people into giving you their money?

SPIKE Yeah, it works! Keeps me in blood and beers. Plus, you know, funny. Watching the little humans quail.

ANYA I'm beginning to understand why you're so friendless.

SPIKE Look who's talking! I don't see droopy-boy on yer arm. Did he have better things to do?


A friendly contest involving S6 speculation.... -- voyageofbeagle, 19:31:26 07/23/01 Mon

Speculation about Season 6 is kicking in hard, spoilers are popping up, there's no new episodes for a good 2.5 months, and it's hot as hell here in the heartland. Anyone interested in a friendly contest involving S6?

Here's what I propose. Everyone who is interested could name, say, 5 things that they think are going to happen next season. For instance, your list could be:

Xander develops a "super power" Giles gets a love interest Buffy remains single throughout the season Tara & Willow break up Dawn indulges in delinquent behavior

And so on.

Against the rules would be picking things that have already happened (Anya refers to her & Xander's sex life, Giles nervously sputters, Spike is in love with Buffy, Buffy kills a demon, Tara and Willow cuddle and act cute).

We could post them the Ex. Scoobies site, and at the end of Season 6, bow down and praise those with the most correct calls.

Anyone interested?

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[> My answers (speculation & a bit of spoilerish info- read at your own risk if you're spoiler-free.) -- Wiccagrrl, 20:19:47 07/23/01 Mon

Humm...ok, here goes...

Buffy will realize she does have some feelings for Xander, causing some "my best friends wedding"- like issues with regards to the X/A wedding.

Amy will be deratted and will team up with Willow in the "darkest magicks" department.

Tension/fight/possible *short-term* breakup between W/T. (Probably regarding Wills use of magic) But, we'll get very clearly implied (if not an actual bedroom scene) make-up sex when they do patch things up.

Custody fight over Dawn with either Child Protective Services or Hank.

Giles will still be an active pressence in the Scooby Gang. He'll be going back to England (at least for a while) but he'll return to Sunnydale when needed and to keep tabs on the gang. Also, if-and-when X/A get married, I'm guessing Giles gives the bride away and Willow for best man.

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[> My speculations -- spoiler free -- d'Herblay, 21:23:56 07/23/01 Mon

Here fortune seems to favor the timid. So I offer two sets:

A)Plausible predictions 1. Xander gets cold feet 2. Anya replaces Willow as go-to gal on the computer 3. Dawn commandeers Spike's coat, looks cute as a bug 4. Ethan Rayne returns 5. Dawn has her first kiss -- and no one turns evil!

B)Wild speculation 1. Tara shows up for her first day of Victorian Literature only to meet Professor Spike! 2. Riley, infected with an evil brain fungus, returns to take revenge on the one who took Buffy from him -- Dawn! 3. Spike trades information on Angel to Wolfram & Hart in exchange for legal documentation proving he is the first cousin of the Summers girls, thus enabling him to become Dawn's legal guardian! 4. Someone of Hispanic descent moves to Sunnydale! 5. Joss writes and directs an episode that's nothing but Kabuki!

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[> [> Professor Spike!! Hee-hee-hee! -- Marie, 03:36:38 07/24/01 Tue

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[> [> Re: My speculations -- spoiler free -- OnM, 08:17:52 07/24/01 Tue

To my knowledge, Spike has never told anyone, even Buffy, that the coat is a trophy from a Slayer that he killed. I wonder about his reaction if he found Dawn wearing it?

My guess is that he would be appalled, and after pulling the coat off of her, he would finally confess as to what it represents. (Dawn is shocked, but now understands why he is so upset that she was wearing it).

The question then is, does he destroy the coat, put it away but not wear it, or continue to wear it?

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[> Re: A friendly contest involving S6 speculation.... -- Liquidram, 23:35:26 07/23/01 Mon

1. After healing/drinking/feeling so sorry for himself (can't be bad; unsuccessful at being good) Spike gets a good talking-to from Willow or Tara, recovers and takes over patrolling with the occasional Scoobie.

2. Giles/Whomever is given temporary guardianship of Dawn allowing her to stay in her house with Xander & Anya moving in (and possibly Spike) while the search for Hank is on. Spike also begans to train her in self-defense. Giles eventually moves back to Sunnydale fulltime when his series is cancelled.

3. The X/A wedding never happens, but not because of Xander. Anya finds herself attracted physically to another male (regular character (God NO) or someone new... maybe Magic Box customer) and begins to question whether she wants to settle down in the only relationship she has ever had since becoming human. She goes bye-bye to find herself and Xander is so broken up, he goes ...

4. Commando, patrolling with Spike and killing with a vengence until ...

5. Willow starts to spend more time with him comforting him as very close friends do which causes some jealousy rifts in her and Tara's relationship. Rifts which may not be healed in time to keep Willow on the lighter side of magic. Tara may disappear from the scene. Hopefully not.

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[> Re: A friendly contest involving S6 speculation.... -- Marie, 03:50:07 07/24/01 Tue

1. Agree, Amy finally gets de-ratted, gets mad after being arrested for public indecency and sues Willow for Wiccan Malpractice.

2. Anya and Xander's wedding does go ahead, but only after some serious disagreements caused by Willow's re-surfacing jealousy, which in turn causes a rift with Tara, who shows she does have a temper after all with some serious mojo of her own.

3. Spike moves into the Summers' basement, and is the first to see the returned Buffy.

4. Buffy and Spike share some serious kisses, but she is reluctant to take it further because of her doubts about him, causing rows and disturbances among all the Gang.

5. Dawn still has a crush on Spike, and is peeved that Buffy rejects him. She meets a 'bad boy' in school and starts cutting classes and staying out late, but Spike sorts her out with some straight Spike-talk.

6. Giles meets an old flame in Britain, and decides, reluctantly, that he wants to stay there and start a family.

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[> [> Wiccan Malpractice! ROFL! -- Solitude1056, 08:00:55 07/24/01 Tue

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[> [> Re: A friendly contest involving S6 speculation.... -- OnM, 08:23:16 07/24/01 Tue

I like #3, esp. if Buffy does return 'spontaneously' rather than being 'conjured' in some manner.

For some reason it just makes sense to me that Spike would move into the Summer's basement, dunno why. Interesting...

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[> [> [> Hmm... do the Summers get cable? -- Solitude1056, 08:54:26 07/24/01 Tue

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[> [> [> Re: Spike in Buffy's basement -- mundusmundi, 13:08:49 07/24/01 Tue

Then he really would be beneath her! (Though it would be a step up from the doghouse.)

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[> Re: A friendly contest involving S6 speculation.... -- Malandanza, 07:42:38 07/24/01 Tue

1. Amy's return results in Willow spending quality time with her old friend engaging in magical pursuits of dubious morality. Tara becomes jealous and worried, while Willow belittles her concerns and stresses that Amy is just an old friend -- strife builds between the couple and reaches a crisis point toward the end of the season with a break-up followed by attempted suicide by Tara.

2. A minor spell is involved in keeping Dawn with the Scoobies -- clouding the minds of the Child Protective Services social workers. I do not think that the Buffybot would be able to retain custody -- remember that Dawn's councillor/principal told Buffy that she would lose custody if Dawn missed any more school -- just before the ill-fated road trip.

3. The X/A wedding almost ends disastrously (interfering friends, Anya's concerns about the cost, etc.)-- then a sudden reconciliation results in an elopement and marriage at a Justice of the Peace without any of their friends present (especially not Willow -- who is not happy with the wedding).

4. With Buffy dead, the Watchers Council reneges on its agreements with Giles -- he will not receive any back pay (and has not yet received any due to red tape), he is kicked off the Council again and forced to return to England.

5. Spike finds a Buffy look-a-like to console himself and (as usual) treats her very badly. When Buffy returns, she is more spiritual and less emotional -- she is able to see Spike's sick obsession for her as what it is. There will be no Spike/Buffy romance. Instead, Buffy begins dating Jonathan.

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[> [> Re: A friendly contest involving S6 speculation.... -- OnM, 08:07:22 07/24/01 Tue

I really like #1-- this is the best reasoning I've heard yet about how friction could grow between Willow and Tara. I don't agree with the suicide though, it strikes me as out of character for someone who would have the bones in her hand pulverized and subsequently be brain-sucked to protect her friends. A person with that kind of inner strength and resilence is unlikely to commit suicide, no matter how emotionally damaged.

The others are interesting. I disagree with #5, although I don't see a B/S ship either. I think the relationship they established in 'The Gift' is exactly the way it will stay-- she grants him a certain measure of respect and comradeship, he accepts that she doesn't love him:

"I know that I'm a monster. I know that you don't love me. But you treat me like a man..."

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[> [> [> Re: A friendly contest involving S6 speculation.... -- Wiccagrrl, 08:53:37 07/24/01 Tue

I agree- a suicide attempt by Tara seems way out of character. The girl's been through a lot in her life, and made it through more or less intact. She's a survivor.

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[> [> [> [> Re: A friendly contest involving S6 speculation.... -- Malandanza, 09:52:18 07/24/01 Tue

"I agree- a suicide attempt by Tara seems way out of character. The girl's been through a lot in her life, and made it through more or less intact. She's a survivor."

I think you are underestimating the depth of Tara's emotional attachment to Willow. Although Tara is a woman of few words, she has had some of the most powerful, if understated, lines regarding her devotion to Willow. Tara's world is entirely Willow-centric. What happens after a break-up? Remember in "Lovers Walk" that Willow and Xander got custody of their mutual friends -- Oz and Cordelia got left out. Oz had his musician friends to fall back on and Cordelia had her inner bitca to pull her through, but does Tara even know anyone outside of the Scoobies? Here's a scene from "Family" where her brother comments on Tara's socializing skills (from the shooting script):

DONNY: What, alla you hang out? (to Tara, playfully) That's more people than you MET in high school. (to the others) Tara wasn't too social back when. I don't think she spoke till she was eight --

Tara doesn't have anyone in her life but Willow -- she has burned some bridges with her family (to be with Willow). Would she even have a place to stay? Can you imagine her getting a job as a waitress (like Buffy did in "Anne") to support herself? What about lingering effects from the Glory induced insanity?

I also do not see Tara as a particularly stong character. Her relationships with her family, with Willow and with her friends have been unequal at best. She is meek and accpeting. She is easily bullied (her father, the Wiccans, Faith as Buffy, Willow). In "Family," It is Buffy who lends Tara the strength to stay in Sunnydale -- in most other cases, Tara draws her strength from Willow (even her magic is stronger when they are together).

I see Tara's willingness to die by Glory's hand as one part resignation and three parts sacrifice for Willow's sake (i.e., not to save Dawn for Dawn or Buffy's sake, but to save Dawn because Willow would want that). I have no trouble imagining that a woman willing to face annihilation for Willow's sake would not want to live without her. Any break-up will leave Tara alone, bereft of any human comforts. In the face of such emotional devastation, I do not think suicide is beyond question.

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[> [> [> [> [> Re: A friendly contest involving S6 speculation.... -- Wiccagrrl, 18:38:55 07/24/01 Tue

Well, I get what you're saying, but, as much as I happen to be a W/T shipper, I still don't see Tara attempting suicide. I don't underestimate Tara's devotion to Willow, but I do think she has a strong moral compass/inner strength that is there regardless of Willow. Also, depending on how things went down with whatever a potential fight/breakup would be, it actually isn't out of the question that Willow could find herself isolated and that the Scoobs wouldn't necessarilly turn their backs on Tara. A lot would depend on the circumstances, but a suicidal Tara just doesn't fit for me.

I also disagree that standing up to Glory was completely, or even mostly, Willow-centric. I think she genuinely cares for Dawn, and more importantly knew that Glory getting Dawn could spell the end of the world. She was doing what she felt was right- it happened to be in line with what Willow would want, so there wasn't that conflict. I guess we'll see what Tara's really made of when/if what she feels is right/necessary comes into direct conflict with what Willow wants/needs. (Which I think will be a much bigger internal conflict for her in some ways than her own well being.)

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[> [> Re: A friendly contest involving S6 speculation.... -- Cynthia, 16:21:13 07/24/01 Tue

1. Xander and Willow spend a passionate night together out of their grief for Buffy, Xander feel guilt, Willow gets pregant (or at least has a scare).

2. After Buffy comes back, Buffy no longer sees Spike as a "monster" and Spike no longer (as least for a while)acts like one. Buffy sees more of the "William" side of Spike. Spike gets to see more of Buffy's "softer" side. Exposing the sides of themselves that they have kept from each other (getting "out of the box") they are becoming more and more attracted to each other when...

3. Somewhere along the line, Spike finds out that Buffy's in terrible danger (actually, when is she not? LOL) from an evil from which there is no escape. To rescue her, he commits a dangerous, almost lethal act that is seen by all others as a betrayal. And Spike is not able to explain his actions until the danger has passed. By then, no one believes him (well at least until season 7).

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[> [> [> You're psychic... -- rowan, 18:35:24 07/24/01 Tue

Cynthia:

I totally agree with you about #3. There will be something that seems like Spike betrayal, but is really Spike trying to protect Buffy or someone in the SG. Dawn may be the only one to believe Spike. He will sacrifice his improved reputation for the SG in order to do the "right thing" and protect whoever it is.

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[> Re: A friendly contest involving S6 speculation.... -- dream of the consortium, 08:50:51 07/24/01 Tue

A. gets pregnant, and consequently gets most of the funniest lines next season. Joss gets to take on yet another of the great "series-killing" cliches and deal with the classic scenario of the high school group of friends who follow very different paths, some onto college and some immediately into family life. Xander and Anya have to grow up fast. Xander decides to resign from the frontlines of the demon battles. The demons of course have other ideas.

Willow is approached by a Council of Witches or something like that - the one she should have registered with? They come requesting her leadership, full of prophecies about a great witch. Tara is not invited to join and is mightily peeved by Willow's "more-powerful-than-thou" attitude. The prophecies convince her she is supposed to raise Buffy from the dead, and she does so, only to find that this was part of some elaborate plot that was NOT for the benefit of the good. (Prophecies and Councils are tricky things.)

Giles starts spending more time in England as the results of a wild romance kindled while on a demon research trip to someplace exotic and hot. He takes the trip to help with the grieving process and falls in love madly with someone gorgeous and brilliant, who worships him. Giles deserves this.

Dawn tries to be Buffy, learning martial arts, trying to patrol, etc. She puts herself and her friends in danger a little too often as a result. Ultimately, she learns that the Key has a different destiny. (Okay, so that's a cheat, because I haven't even a guess what that destiny is.)

Spike and Amy, de-ratted and fairly powerful (after all, she was powerful enough to begin with, and she's been watching Willow for a long time) take over patrolling, as Buffy in her new, post-rebirth state has bigger things to do than nightly vamp clean-up. What those bigger things are, again, I don't know, but will set the stage for a final, eternal closure of the hell-mouth in season seven.

If even one of these actually happens, I expect a Californian snowfall during a total solar eclipse at the next graduation I attend.

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[> Re: A friendly contest involving S6 speculation.... -- MPN, 08:57:00 07/24/01 Tue

'kay, here goes nothing:

1)A powerful demon bent on making Anya pay for her past crimes as a vengeance demon reveals her sordid past to Xander, forcing him to reconsider his relationship with her.

2)Ethan returns for revenge by casting a powerful spell that turns Buffy, Xander, Willow, and Anya into children. Spike is forced to play babysitter as Giles and Tara try to find a spell to undo it. Hilarity ensues.

3) Dawn finds Spike's cigarettes lying around and is caught smoking one. Spike and Buffy argue over how to punish her, leading Buffy to realize just how much Spike cares about her sister and bringing the two of them closer together.

4) The season's big bad acts under the pretense of being a good guy so as to earn Buffy and the Scoobies' trust before betraying them.

5) Dawn remains terrified of the destructive power within her and tries to find a spell that will separate her human form from the power of the key forever.

-Thanks

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[> [> Re: A friendly contest involving S6 speculation.... -- Nina, 09:40:09 07/24/01 Tue

1- I think that during the summer we will learn that Willow has been trying to derat Amy (because she feels guilty about Buffy and wants to save someone else). There will be a parallel between Amy and Buffy's return and the two will bond.

2- Dawn will continue to steal little obects until she is caught. Buffy will ask Spike to back off a little from his relationship with Dawn because she thinks he is responsible for her behavior.

3- Witches will come to town (they may be the big bad too) and magic in general will become even more important (maybe more than slaying).

4- Spike around the end of February sweeps will be able to bite again and the chip will go bye-bye!

5- Buffy will work full time and will be paid for it.

Not very original... but I believe some of them are very possible!

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[> Re: These are great! -- voyageofbeagle, 10:19:50 07/24/01 Tue

I'm keeping track of everyone's guesses. Time to add my own to the mix:

-A love interest for Giles (who we will meet on the show) will be one his main reasons for a return to England

- Tara & Willow will break up over Willow's mis-use of power, but will get back together

- The Big Bad will be a human who can control an army of demons

- Dawn will have a mini-arc as a juvenile delinquent

- Finally (this is the biggest stretch) it will be revealed that Spike (unknowingly) was also used in the creation of the Key, and is, technically Dawn's father (clearing the way for some grumbling on his part that he has a kid with Buffy and didn't get to do any of the "fun stuff"!

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[> Re: A friendly contest involving S6 speculation.... -- vampire hunter D, 10:24:00 07/24/01 Tue

1)Dawn's rebellious streak continues 2) Spike watches over Dawn, maybe even coming to her rescue after some rebellious act puts her in serious danger 3)more fights between Tara and Willow. A break up is a possability, but hopefully won't last long. 4)Chaos ensues at Xander's bachelor party. (hey, wouldn't it be funny to see Willow and/or Tara show up, but just to watch the stripper.) Maybe the stripper turns out to be a demon or something. 5)Anya gets pregnant. But don't expect an ex-demon to have a normal pregnancy. 6)More on the origins and history of both the Slayers and the Key.

I've also had some ideas of stuff to happen, but that probably only exist in my head (I know it's probably too late, but Joss, if you're reading this, feel free to use these): A)Dawn's the first gang memebr to see Buffy after her return, but unfortunately Buffy's enrty interupts Dawn's first kiss (Buffy:"I'm sorry. Did I interupt samething?) B)More on Tara's past. Like maybe a visit by an exgirlfriend or something.

BTW, for this contest, specualtion on Amy's deratting should be disqualified since Joss has said it definitly will happen. Also, I noticed MPN's response, and #4 looks like an idea I posted a while back, if anyone remembers.

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[> [> Re: A friendly contest involving S6 speculation.... -- John Burwood, 11:57:14 07/24/01 Tue

My spec for S6 is that Buffy Mark 2 will fit the announced theme of S6 & be much more adult. Joss said a season or two back that his characters were getting more & more like the actors - eg Cordelia nicer, Willow sexier,and Giles cooller. SMG has influenced her character from day one by making TV Buffy much smarter than the movie Buffy. If Buffy gets much more like SMG, adult, organized, & workaholic - it would make sense of being Buffy but different. And give new options. A more adult Buffy would not need Giles much, a highly organized Buffy might provoke Dawn into rebellion, a workaholic Buffy might have less time for her friends who remain less adult causing rifts. Odds on I am wrong, but IMO it has possibilities. Anyone agree or disagree?

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[> [> I give up!!!! (spoilers) -- Nina, 13:40:50 07/24/01 Tue

"BTW, for this contest, specualtion on Amy's deratting should be disqualified since Joss has said it definitly will happen."

Sigh!!!!!! I thought a speculation thread wouldn't be a threat to staying unspoiled... but I give up! I guess I was playing with the fire here! I'll stick to the 1st anniversary thread!

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[> [> [> Oh, I'm sorry! -- vampire hunter D, 14:02:31 07/24/01 Tue

Sorry, I wasn't thinking. I'll try nor to do it again.

btw, EC's gonna spend time as Anyanka the vengence demon.

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[> [> [> Re: I give up!!!! (spoilers) -- Wiccagrrl, 18:47:55 07/24/01 Tue

Sorry you got spoiled. To be fair, though, for those of us who are spoiler hos, when asked to speculate on what's gonna happen, it's tough not to deal with some of the tidbits we've heard. I did label mine, though ;)

Also, someone mentioned that spoilerish tidbits perhaps should be disqualified. Well, if you only deal with the spoiler then that's true. But if you speculate on the hows or what that event may lead to, then I think it's legit.

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[> spex 'n' stuff -- mundusmundi, 13:49:10 07/24/01 Tue

1. The season premiere will be titled Remembrance (vy? vy not?) and will have 2-3 flashbacks interspersed throughout the episode, a la Becoming Part I, that will show the events of the SG shortly after Buffy's plunge in The Gift. Should any of this Buffybot stuff actually prove true, this will hopefully lend some clarity to the Scoobs' decisions following the tragedy (e.g., what to do with the body, etc.)

2. Xander and Anya's wedding will occur offscreen, so that Joss can subvert yet another staple TV cliche. The hijinks will follow afterward, when their reception is crashed by her angry demon ex-lovers.

3. Dawn will get a real boyfriend, somebody close to her age and who has a pulse.

4. Tara will stake her first vamp (she hasn't yet, has she?). This will be Harmony, who attacks Willow after Wil concocts a spell that makes her temporarily lose her witchy powers.

5. The Buffybot will find the Blue Fairy, make a wish, and become a real girl.

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[> [> Re: spex 'n' stuff -- anom, 18:57:36 07/24/01 Tue

"Xander and Anya's wedding will occur offscreen, so that Joss can subvert yet another staple TV cliche. The hijinks will follow afterward, when their reception is crashed by her angry demon ex-lovers."

I was about to say "and what about *his* angry demon ex-lovers?"--after all, not for nothing did Willow say he was a demon magnet--but then I realized they're all dead. So between his demon ex-lovers & his ex-demon lover, now mortal, I guess that means all the demons he's been involved with are...Shanshu!

PS: would Cordelia come back to town for the wedding? would they invite her?

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[> [> [> None of them have met the new, improved Cordy... -- Wisewoman, 19:55:32 07/24/01 Tue

She and Xander had a pretty painful break-up, and even though he paid off her prom dress, I don't think she's likely to be invited to the wedding...to say nothing of the "no crossover" state of affairs.

And, if Cordy was invited to Xander's wedding, I don't think she'd go...

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[> Here are my crazy guesses -- rowan, 18:31:56 07/24/01 Tue

Okay, here are my 13 points of speculation for S6:

1. Xander and Anya do marry, but not on the originally planned date.

2. Buffy and Spike share a "real" (i.e. sexual) kiss.

3. Hank Summers does not appear and does not become Dawn's guardian.

4. Spike's chip stops functioning. He and Dawn hide the truth for a period of time from the other Scoobies.

5. Willow and Tara do not break up.

6. The BuffyBot does not reappear.

7. Amy is not de-ratted.

8. Willow's magick harms someone innocent.

9. Spike finally does "something heroic" and saves Dawn from physical harm.

10. Buffy & Spike do not have sex.

11. Dawn begins to manifest slayer traits (strength, agility, accelerated healing).

12. Spike backslides and feeds from someone, although he does not kill anyone.

13. Buffy is not resurrected by Willow; although it may initially appear this way.

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[> [> Okay, now if I could only follow rules (here is my final cut of 5) -- rowan, 18:41:56 07/24/01 Tue

Okay, if I'm limited to five, here they are (cross-referenced to post above):

1. Hank Summers does not appear and does not become Dawn's guardian (#3).

2. Spike's chip stops functioning. He and Dawn hide the truth for a period of time from the other Scoobies (#4).

3. Dawn begins to manifest slayer traits (strength, agility, accelerated healing) (#11).

4. Buffy is not resurrected by Willow; although it may initially appear this way (#13).

5. Willow's magick harms someone innocent (#8).

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1st Anniversary Character Posting Party Update -- rowan, 16:40:31 07/23/01 Mon

There is still more fun to come!

Schedule:

07/26/01 Faith Brian

08/02/01 Dawn mundusmundi

08/09/01 Buffy Nina

08/16/01 Anya Wisewoman

08/23/01 Cordelia Solitude1056 08/23/01 Wesley Sam Gamgee

08/30/01 Xander Lurker Becoming Restless

09/06/01 Oz Sssaaammm

09/13/01 Darla Slayrunt 09/13/01 Lindsay Liquidram

09/20/01 The Host verdantheart

09/27/01 Joyce Shawn 09/27/01 The Mayor d'Herblay

10/04/01 Doyle Liquidram



Still Not Spoken For:

Gunn Kate Villains (The Master, The Annointed One, Adam, etc.) Minor or recurring characters (Jonathan, Amy, etc.)



Guidelines:

1. One thread per character please, so that we can keep our great thoughts in one place and reduce board traffic.

2. rowan is the coordinator of the event.

3. Originators of a character thread are selected based on who volunteers first by e-mail or post to rowan (with all attempts to resolve conflicts peaceably).

4. A thread can address any aspect of the character that you find informative, illustrative, illuminating, invigorating, and/or irritating. Analysis based on sound research into eps and shooting scripts preferred.

5. One character thread will be posted per week, to stretch the chewy philosophical goodness as far as possible. rowan will publish a schedule periodically so we all know what's going on.

6. The naming convention for posts is: Character Name: 1st Anniversary Character Posting Party.

7. Masq will immortalize your posts on the website for posterity's enjoyment.

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[> Last Posts: Spike in Archive 1, Drusilla in Archive 2 -- rowan, 16:41:35 07/23/01 Mon

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[> Next up: Faith by Brian on 7/26 -- rowan, 16:43:58 07/23/01 Mon

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[> Counting Down From 66.6 -- Thanks! -- d'Herblay, 17:22:27 07/23/01 Mon

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[> Re: 1st Anniversary Character Posting Party Update -- Nina, 19:09:45 07/23/01 Mon

Rowan, I just wanted to let you know that I seem to have a lot of trouble with my Word program. I can't type my Buffy thread without causing my computer to freeze. So if I find out that I am still unable to use the program in a week I'll ask a delay until I can fix the problem. All right with you? :)

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[> [> Re: 1st Anniversary Character Posting Party Update -- Wisewoman, 19:44:09 07/23/01 Mon

I'm pretty sure I'll be done with Anya by then. I don't mind moving up a week if Nina's got computer trouble. Just let me know.

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[> [> [> Re: 1st Anniversary Character Posting Party Update -- rowan, 20:19:43 07/23/01 Mon

That would be great!

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[> [> Re: 1st Anniversary Character Posting Party Update -- rowan, 20:18:22 07/23/01 Mon

No problem. Although we may send some of the Existential Scoobies into some sort of fit if they have to wait for Buffy (only kidding!). Do you think the Powers that Be are at work here?

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[> [> [> Hey, if we can wait until OCTOBER for new eps, we can wait another week for the Buffy Post! :) -- Humanitas, 20:30:26 07/23/01 Mon

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[> [> [> [> Re: Hey, if we can wait until OCTOBER for new eps, we can wait another week for the Buffy Post! :) -- Nina, 09:16:18 07/24/01 Tue

That little problem I have really bugs me! Thanks Wisewoman if it's okay for you to switch. :) I'll keep you inform!

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[> [> [> [> [> Too true! -- rowan, 18:11:24 07/24/01 Tue

Isn't it amazing that the reason there was a late start last year (for network programming; not BtVS) was because of the Olympics (which were being held in Australia and therefore occurring during the Northern Hemisphere's fall) and the networks desire to avoid putting new programming up against the coverage. Now, what's the excuse for this year? Or have we automatically now moved to October for the start of each new season of programming?



The moral/ethical dilemma of the Buffybot (*S6 spoiler/spec*) -- OnM, 07:46:34 07/24/01 Tue

The idea for this question originally came from a post that The Godfather made over at the Cross & Stake last week. I thought it was a wonderful question, and asked Shawn to consider posting it over here at ATPo for us to chew on.

Either my response was missed, or the GF was busy on other projects, or whatever, but I'd like to post this topic.

In the movie A.I., we have seen yet another take on the questions of whether or not to treat an artificial lifeform in such a way that renders it certain basic 'human' rights. How would you think this would apply to the Buffybot, if the 'bot exhibited characteristics that suggested sentience? You will recall that Buffy treated April in a human-like manner, so Joss is obviously aware of this conundrum, and through Buffy, perhaps already commented on it.

A respondent to GF's original post stated that it all comes down to sentience-- i.e., self-awareness in the organism in question-- and I agree.

Let's assume for the moment that Joss does elect to bring the Buffybot into the story in the early parts of S6. Do you think the A.I. theme will become an issue? If so, how? If the 'bot begins to exhibit signs of sentience, do the Scoobies thereafter have any right to terminate it's existence? ------------------------------------------------------------------------

[> clarifications on the bots -- Solitude1056, 07:57:15 07/24/01 Tue

April seemed to be aware that she wasn't entirely human, and that there was something different about her. I don't know if it was ever stated outright, but I got the impression she was aware she was created specifically for Warren and only Warren, and her sole purpose was to love him. The Buffybot, on the other hand, was unconvinced when Buffy called her a robot. "Oh, I don't think I'm a robot," I believe she said - and here I was thinking SMG couldn't get more perky. Yikes. But my point is that the two bots we've seen so far don't seem to be the best comparison, because their creators had different purposes. Warren didn't care if April knew she existed only for certain things, since he wasn't trying to duplicate a "real" person. Spike, on the other hand...

And I put "terminating a bot's existence" in the same category with "killing a vampire" - because first you have to peel off the 15 feet of emotional turmoil and trauma that results from seeing a loved one's face after that person has died. Whether they're faked as a bot, or faked by a demon, it's the same: the person is dead, but the attachment to the original can be a strong motivation for not getting rid of the replacement. So first, ya gotta get rid of the baggage around bot-issues. That was a lot easier to do while Buffy was still alive & the bot wasn't the only chance anyone was gonna get to hear her voice again. ------------------------------------------------------------------------

[> [> Re: clarifications on the bots -- anom, 12:05:58 07/24/01 Tue

"The Buffybot, on the other hand, was unconvinced when Buffy called her a robot. "Oh, I don't think I'm a robot," I believe she said...."

Yeah, she did, but it seemed jarring to me--didn't jibe w/her asking Spike earlier if he wanted her to "start this program over." Which itself was a little strange, since I wouldn't have expected her to ask that unless something was going wrong w/the, ahem, "scenario." Anyway, there seems to be evidence on both sides. ------------------------------------------------------------------------

[> [> [> Re: clarifications on the bots -- verdantheart, 06:46:12 07/25/01 Wed

That assumes that the Buffybot is aware the the "start the program over" bit is not natural for humans. My impression is that the Buffybot, while having AI, has limited awareness. ------------------------------------------------------------------------

[> [> [> [> Re: clarifications on the bots -- Solitude1056, 08:30:14 07/25/01 Wed

Actually, I took that as the bot version (IOW, the awkward stitled version) of saying, "hey, wanna do that again?" Which is a very human thing to ask, when teasing a lover after tussling. It's simply that the Bot wasn't completely programmed given her ability to "learn," so telling her beforehand the precise phrasing isn't likely. Instead, I figured she was programmed to ask whether a lover wanted to do whatever, again, just as much as she was given the basic information about each friend but not too many details about how to work this information into a conversation, if at all. "You're my friend. And you're recently gay."

(But I'll always love the Bot saying to Anya, "Anya! How is your money?" It was the first time I think anything remotely resembling Buffy really connected with Anya. A bit sad that it took the bot to do it.) ------------------------------------------------------------------------

[> Another Buffybot issue -- Kerri, 08:41:35 07/24/01 Tue

There has been spoilers about the buffybot being kept in sunnydale after Buffy's death. Now even if she could be programmed to have Buffy's characteristics is it right to keep her around? I think in a way it dishonors Buffy's memory. I also don't know how Dawn could stand to live with a replica of her dead sister. I just hope that we saw the last of the Buffybot when Glory kicked off her head in the Gift. ------------------------------------------------------------------------

[> Two points I've been pondering... (Spoilery) -- Wisewoman, 09:32:21 07/24/01 Tue

1. If the bot is still around in Season 6, there's the possibility that it will "develop" some sort of sentience. I'm reminded of the episode of ST:TNG, fairly early in the series, when Data had to defend his existence before a military tribunal that (I think) wanted to deactivate him. Picard was able to prove to them that, as a sentient being, Data had the right to "life."

2. Lotta talk on the 'net these days (sites like Principial Cybernetica) on the concept of uploading, or virtual immortality, that would allow humans to upload their memories, personalities, thought processes, etc., into a computer and, in effect, become immortal. If Buffy's soul/spirit/id/whatever is trapped in the interdimensional portal, then there's at least a chance that it could be salvaged and placed inside the Buffybot, thereby fulfilling all the various hints Joss has given us: SMG will be back; Buffy is dead; Buffy is rotting in her grave; Buffy will be back, but different. However, in this case there'd have to be some re-engineering to get the bot up to Slayer standard--she obviously wasn't as strong as the real thing in the fight with Glory. ------------------------------------------------------------------------

[> [> uploading Buffy? (spoilery) -- mundusmundi, 10:32:02 07/24/01 Tue

2. Lotta talk on the 'net these days (sites like Principial Cybernetica) on the concept of uploading, or virtual immortality, that would allow humans to upload their memories, personalities, thought processes, etc., into a computer and, in effect, become immortal. If Buffy's soul/spirit/id/whatever is trapped in the interdimensional portal, then there's at least a chance that it could be salvaged and placed inside the Buffybot, thereby fulfilling all the various hints Joss has given us: SMG will be back; Buffy is dead; Buffy is rotting in her grave; Buffy will be back, but different. However, in this case there'd have to be some re-engineering to get the bot up to Slayer standard--she obviously wasn't as strong as the real thing in the fight with Glory.

At AICN somebody claiming to be "in the know" in Hollywood dissed the posted spoilers and hinted how Buffy will supposedly come back..."Think Buffy v.2.0" he wrote. Didn't think much of it until Joss's comment in a recent interview that Willow would get back into computers this season. Hmmmm.... ------------------------------------------------------------------------

[> [> [> Re: uploading Buffy? (spoilery) -- vampire hunter D, 13:14:22 07/24/01 Tue

wouldn't surprise me if this turned out to be the the theory that is used. I thought the Buffybot was just a one-time gag for an episode until they brought it back. So it's probable that they already intended a greater purpose to the robot than we've already seen. It would also explain why all the red herring spoilers we've seen involve the robot. ------------------------------------------------------------------------

[> [> [> Re: uploading Buffy? (spoilery) -- Cynthia, 16:01:46 07/24/01 Tue

I don't like this idea.

One: We have seen how easily it was to damage the robot, how restricted its energy resources are. What would be the point in restoring Buffy's soul to something that was in it's own way so fragile?

Two: Buffy would detest it. Just the idea of a bot in her image upset her. Imagine if she was stuck in it?

Three: What about the powers of a slayer. Would they continue with a non-human form?

I think TPTB are going to somehow take the key out of Dawn and use it to create a new body for Buffy's soul, essence (whatever). Whether or not they key remains in the new body, well it could go either way. One would get rid of the responsibility and dangers that having the key brings. The other gives a slayer new and unique abilities that would make her a "first of her kind".

Oh, Dawn would still exist, since she would have a soul and has the right to exist and/or it's a reward to Dawn and Buffy for what they had done. She just would no longer have the key inside her. ------------------------------------------------------------------------

[> [> [> [> Buffy becomes the key, hmmmm... -- Mike, 01:17:14 07/25/01 Wed

I like that. i have been pondering the long term future of the show, and everything seems (apparently, therefore not definitely!) to point to Dawn as the power of the key, being used to rid the world of vampires for the next few hundred years.

If Buffy is made the key in the way you suggested, it would be much more fitting for the central character of the show to BE the power which ends the series once and for all... know what I mean?

but i doubt it will happen, is just a nice thought is all! ------------------------------------------------------------------------

[> Puny Receptacle (Spoilage) -- Lurker Becoming Restless, 09:36:14 07/24/01 Tue

I think it could be an issue if they use the buffybot as a new body for Buffy's soul (sorry, getting into reincarnation territory here - if you don't want to go over this again, just ignore me). This sounds crazy at first...unless you consider the symbolism involved in Buffy's death and the robot.

When the buffybot first appeared, one of its functions (in a symbolic, doppleganger kind of a way - not in a prurient, sex-toy kind of a way) was to show that Buffy had become very cold and distant to her friends since Joyce died - they couldn't tell the difference between her and a robot. Later on, Buffy clearly got even worse (catatonic in WOTW).

Now, it's often said that when somebody close to you dies, part of you dies as well: maybe Buffy's death was symbolic of this - it was an aspect of her that died (just don't ask me which one) or something like that, anyway. Perhaps Buffy will begin to haunt the Scoobies and they will realise that her soul is not at rest as it should be - her journey (that some people have mentioned below) isn't over. They will restore her but her body will be rotting underground so they will put her soul into the buffybot. God knows how things would progress from there.

Anyway, that is one way they could bring in the theme you were referring to - not that I think for a minute that it will actually happen.

On second thoughts, that sounds pretty stupid. Oh, well, we can but try... ------------------------------------------------------------------------

[> [> I think we were busy posting similar thoughts at the same time! ;o) -- Wisewoman, 09:45:24 07/24/01 Tue

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[> [> [> Yeah - hey, good idea! -- Lurker Becoming Restless, 09:49:22 07/24/01 Tue

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[> Robots, a reflection of man? -- Rufus, 13:47:16 07/24/01 Tue

The Buffybot sure brought up much strife when it was first introduced as an idea. I took the tone of IWMTLY as a hint of what was to come in Intervention. April was made to love, unconditionally, make Warren happy. As she was rather predictable Warren didn't destroy her, he deserted her. When Buffy first considered the bot she was afraid it could hurt someone. She then became more angry at Warren for leaving April alone to "die". That emotion from Buffy was facinating. We know the bot wasn't "real" it only looked like a reflection of man, but Buffy treated April in a kind way. They may have fought but the bot only fought to protect what was hers. When Buffy and Warren were searching for April, he mentioned that if he called her name it caused a feedback, or like Buffy called it, pain. Who was the monster in the situation, the man who created a life sized toy out of lonliness, or April who was only created to love only to be cast off for not being real. The Buffybot was created to love Spike. All the special skills and history were his to have programed in. He never got the chance to reject the Buffybot but he appeared to treat her better than Warren did April. The Buffybot wasn't aware she wasn't real, she was only created to love. One thing, with her skills she was able to leave the crypt and go to slay vampires. She was capable of going beyond programing and do the job of the Slayer. She wasn't real but I didn't see any of the SG treat her in a cruel way. She looked too close to the real thing. Just as Buffy sat with April to wait for her to "die", the Buffybot was treated in a kind way. What had my attention was the fact of Spike treating the reflection of Buffy in a tender way, never having done that sort of thing for over a hundred years. Was it better than the real thing, no, but Spike still treated the Buffybot in a kind fashion. Both bots are not real but they are a reflection of someones hopes for love, how they were treated was a reflection of humanity. ------------------------------------------------------------------------

[> [> Yeah, sentience, that's the ticket.... -- rowan, 19:51:52 07/24/01 Tue

I would just chime in here to add that I agree that when we cross the sentience line, we start dealing with an entity that must be treated not as an object, but as an organism. It appeared to me that both April and BuffyBot were capable of sense perception. To treat April as Warren did (like a bicycle to be discarded when he was tiring of riding) was in sharp, unfavorable contrast to Buffy's compassion as she held her "death vigil" with April. If the SG continues to utilize the BuffyBot (and really, I hope they do not), there comes a point where I think the argument should be made that she be treated like a sentient being and not like a programmable robot/doll.

I'm very reminded of my reaction to AI. I distinctly remember leaving the theatre thinking: 'Gigolo Joe and David are more real than the humans in this movie.' I certainly felt April had more value as a 'person' than Warren did, truth be told.
Remorse -- Kerri, 08:52:48 07/24/01 Tue

In looking at whether Spike is truly good one thing that makes me lean towards no is the fact that he shows no remorse for all the people he has killed. Angel doesn't just feel sorry, he is constantly plagued by his actions when he didn't have his soul. Spike doesn't have this. It is almost as though he lacks a conscience. He is able to do good for the people he cares about; he even risks his life for them. But is he truly good? To me a conscience is more or less essential in being a good person. Spike does not seem to care that he murdered so many people, and is still proud of killing the slayers. I'm not certain whether Spike could have this kind of remorse without a soul, but if he could then and only then would I really believe he is good.

On the topic of remorse another character comes to mind: Anya. Now I know she hasn't killed people the same way Spike and Angel have, but she did hurt and maybe killed many men when she was a demon. Eventhough Anya possesses a soul she seems to not even care how many lives she ruined. ------------------------------------------------------------------------

[> Re: Remorse -- Earl Allison, 09:30:10 07/24/01 Tue

I suppose it depends on your definition of "good." I agree with you, though, that Spike is a far cry from Angel, or from anyone who has shown remorse, like Faith during her stint in AtS. Spike may not be able to kill TODAY, but I see very little that indicates that he wouldn't kill TOMORROW should the opportunity present itself.

Personally, should Spike's chip ever fail, I wouldn't want to be anywhere near him. The chip may prevent him from taking the action of biting, but that's ALL it does -- in essence removing his ability to do harm without impacting the inner desire. Angel CAN bite and maim and kill, he simply chooses NOT to, and that is the major difference between them. Spike can't act on his impulses to do evil, wheras Angel can and makes a conscious decision NOT to. He certainly drank from the girl at the Bronze that Dru killed for him, and has yet to be remorseful over her, either. Until I see Spike have the opportunity to kill or bite, to really WANT TO, and choose not to, I can't see him as redeemed, or even starting on that road.

Spike was more than willing to bite Willow soon after he was chipped, despite talking to her -- indeed, he was even attempting to try again.

Even so, his friendship with Buffy and the Scoobies doesn't really prove anything. Vampires aren't mindless, ravenous beasts, we've seen them work with and form allegiances with others. Dru and Darla worked with Wolfram and Hart before turning on them and Mr. Trick worked for the Mayor while he was still human. Spike has merely accepted Buffy, Dawn and the others as friends and comrades. There's still no indication he wouldn't bite someone he didn't know if the opportunity arose, at least, not yet.

I think Spike KNOWS right from wrong, but unless it affects him or those he cares about, he doesn't care. Like I said, even with the chip deactivated, he might not bite Buffy or the Scoobies, but I don't see him giving up human blood. The merest kernel of a conscience might be there, but unless he develops it, shows some remorse, he won't really change too much.

Anya is a more interesting case -- she seems sometimes to be so far removed from humanity that she's almost incapable of remorse only because she doesn't really understand what she did -- or that she justifies it as fulfilling the wishes of others. She enjoyed it, yes, but she was the proverbial bullet in the gun, and the women who summoned her pulled the trigger.

Take it and run. ------------------------------------------------------------------------

[> Re: Remorse -- Humanitas, 09:33:59 07/24/01 Tue

This is a tricky one, that's for darn sure. Spike is a cynic of the first water. From "Pangs:"

Spike : You won. All right? You came in and you killed them and you took their land. That's what conquering nations do. It's what Caesar did, and he's not going around saying, "I came, I conquered, I felt really bad about it." The history of the world isn't people making friends. You had better weapons, and you massacred them. End of story.

Not much room for remorse there. It's not so much that he thinks it's morally right for the strong to prey on the weak. He takes no moral stance on the subject at all. His point is that it's inevitable, and there's no point in being appologetic about it. It's the old saw about not getting upset at a snake for being a snake. Similarly, you don't get mad at a vampire for just doing what vampires do (eating people). You might well stake him, but it's not a hatred situation.

Now, Angelus' behavior is another story. Spike was never impressed by the elaborate 'art killings' that Angelus was into. To Spike, there was no point. You kill because it's your nature to kill, not in the service of some twisted aesthietic. If you want vampy fame and glory, you kill something tougher, like a Slayer.

What's interesting about the chip is that it has changed Spike's nature, allowing the more romantic side to be expressed in such a way that humans can relate to it (hmm, a cynical romantic. No wonder I like this guy). Because he cannot kill, he is slowly coming 'round to a point where he no longer wants to kill, at least not in the way he once did. Opperant conditioning is a lot more powerful than we like to believe. Whether or not that conditioning holds up once the chip is out remains to be seen.

So is Spike truly good? No. Not in the same way that Buffy is. He has very little choice in his behavior. I think the best we can say is that Spike is good now. He was evil in the past. Who can say what he will be in the future? But it's pretty clear that he is good now. ------------------------------------------------------------------------

[> [> As always on this particular subject, I quite agree with you. -- Liquidram, 10:55:39 07/24/01 Tue

As I have said before, if Spike wants to take someone out, he does not allow the chip to stop him. He has proven he is willing to endure the pain of the chip if it is the result of a greater good. A few of the most common examples:

* punching Tara in the nose to prove her humanity. (An unorthodox method, but he did it to protect his friends and at times I've even wondered if he faked the pain to get her off the hook.)

* punching the KoB in "Spiral" to protect Buffy from harm.

* and in a bizarre, yet strangely warm bonding moment between the two further cementing their tenuous moves toward accepting each other, Spike whacking Xander upside the head. "This is gonna be worth it." ------------------------------------------------------------------------

[> [> [> Re: As always on this particular subject, I quite agree with you. -- voyageofbeagle, 11:22:45 07/24/01 Tue

Good points. We also saw in "Crush" that Spike can kind of measure the pain and decide if it's worth it ("It'll hurt for about 2 hours, but she'll be dead a lot longer than that")

What's interesting is that the chip's direct result- physical discomfort- has caused, or at least given the space for, emotional discomfort- his moment of conflict before feeding with Dru at the Bronze is an example.

With humans, this tends to work the other way. Ever been so upset you've gotten a headache? Or felt so badly about something your stomach hurt? The emotional distress causing the physical distress, in these cases.

Hopefully this season we get to see if, once the physical pain is removed, the emotional pain is still generated. ------------------------------------------------------------------------

[> [> [> [> Re: As always on this particular subject, I quite agree with you. -- Humanitas, 11:35:25 07/24/01 Tue

"With humans, this tends to work the other way. Ever been so upset you've gotten a headache? Or felt so badly about something your stomach hurt? The emotional distress causing the physical distress, in these cases."

I'd definitely say it works both ways in humans. I know when I'm hungry or for some reason pysically uncomfortable, I can get pretty cranky, much to the distress of thosae around me, alas. I think the key here is to recognize that the physical and the emotional are not as separate as we tend to imagine. They feed into one another quite a bit. ------------------------------------------------------------------------

[> [> Re: Remorse -- Cynthia, 15:41:02 07/24/01 Tue

Spike : You won. All right? You came in and you killed them and you took their land. That's what conquering nations do. It's what Caesar did, and he's not going around saying, "I came, I conquered, I felt really bad about it." The history of the world isn't people making friends. You had better weapons, and you massacred them. End of story.

If anything studing history has taught me one thing: one people's worst enemy is another's hero.

I find it hard to judge Angel's 100+ years of remorsing to Spike's year of change. They are certainly at different places and times. Also, since the curse is to make Angel suffer, remorse would fit right in. So is it the soul itself that causes the remorse? Or is remorse another aspect of the curse? Can you gain (recover?) your humanity without regret or remorse being part of it? ------------------------------------------------------------------------

[> [> Re: Remorse -- Wisewoman, 18:09:23 07/24/01 Tue

"It's the old saw about not getting upset at a snake for being a snake. Similarly, you don't get mad at a vampire for just doing what vampires do (eating people)."

This is exactly the way I look at Spike's behaviour. He didn't murder anybody, he fed off human beings because that's what vampires hunt and eat. It's like saying the meat industry murders cows (and I do know there are plenty of people who feel that way) when there are still thousands upon thousands of people eating hamburgers.

Sharks who attack and devour swimmers aren't murderers, and neither are vampires. They're a different, non-human species. We define them as "bad" because we happen to be their food source. We demonize sharks, and sometimes tigers and bears and other animals, the same way. If they maim or kill us for food, then they are, ipso facto, evil. Pretty anthrocentric (is that a word?) if you ask me.

;o) ------------------------------------------------------------------------

[> [> [> only 'cause you asked... -- anom, 18:39:35 07/24/01 Tue

"Pretty anthrocentric (is that a word?) if you ask me."

Well, no, but close. It's anthropocentric. ------------------------------------------------------------------------

[> [> [> [> Thanks! (close, but again, no cigar...) ;o) -- Wisewoman, 19:28:19 07/24/01 Tue

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[> [> [> [> [> Re: I think that's supposed to be anthropomorphic. -- Deeva, 22:48:08 07/24/01 Tue

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[> [> [> [> [> [> not exactly--wisewoman got it right -- anom, 22:07:06 07/25/01 Wed

Anthropomorphic means attributing human characteristics/motivations to nonhumans; anthropocentric means taking a human-centered point of view. In a way, these can be opposites--if you're being anthropomorphic, you think sharks attack us because they're evil (not 'cause they're hungry), & if you're being anthropocentric, you think sharks are evil because they attack us. ------------------------------------------------------------------------

[> [> [> The Food Chain -- Humanitas, 18:46:33 07/24/01 Tue

Reminds me of that other classic of non-pc pulp, Tarzan. Most folks remember the phrase "the Law of the Jungle," but they forget what that law is.

Everybody is somebody's lunch. ------------------------------------------------------------------------

[> [> [> Re: Remorse -- Kerri, 18:53:33 07/24/01 Tue

"Pretty anthrocentric (is that a word?) if you ask me."

I definately see your point. It is in a vampire's nature to kill. They are a large part animal. The thing is this animal nature can be fought, as Angel does. For Spike not to be, as he says "a monster", he needs to fight his animal impulses and embrace his humanity.

If you want to look at vampires as not doing anything wrong because its in their nature then they could be regarded as superior beings. Looking at it this way it is simply like they are at the top of the food chain and should be allowed to kill humans.

But as Buffy realizes in the Gift humans are good and need to be saved. Ofcourse you may disagree with me-I'm one of those people who think eating a hamburger is murder. ------------------------------------------------------------------------

[> [> [> [> Re: Remorse -- Rufus, 20:54:43 07/24/01 Tue

Vampires choose to kill humans and consume their blood. They do this because of the influence of the demon. The last demon to leave our reality bit a human and the vampire was born. I see it as a typical vengeance gig that the human host has never figured out. We got the old ones place on this reality and they wanted to leave us a parting gift of chaos. A demon that kills what it once was, not because it has to but because the soul of the last demon compells it to.

Another thing that has my attention in The Harvest the vampire is "waiting for the animals to die out, and the old ones to return".....now, if I were a very smart demon I wouldn't be too interested in wanting the return of the old ones being that I would resemble the "animal" that caused them to lose their purchase on this reality. I'd be thinking that there would be a bit of an ethnic cleansing that removed the stain of humanity. I'd be wanting things to stay just the way they are.....speaking as someone who would be one paranoid vampire. Of course due to demon integration into human society I think the wait for the old ones has been largely abandoned by those who like ESPN ect. ------------------------------------------------------------------------

[> [> [> [> [> is it really a choice? -- anom, 11:39:25 07/25/01 Wed

"Vampires choose to kill humans and consume their blood. They do this because of the influence of the demon."

I'm not sure they have a choice. All their instincts are telling them to do exactly that. And without blood...well, Spike told us in Pangs what happened to a vampire who couldn't feed. Like a walking skeleton. (OK, so I don't have time to look up the exact words. But he did tell us.) And according to Harmony in Disharmony, nonhuman blood tastes funny. Before blood banks, there was no way to get human blood except directly from a human.

OK, it's possible animal blood tastes funny because they're used to human blood, not because it's "unnatural" for them to drink it. But it probably doesn't occur to most vampires that they have any other choice, until they can't do what's "normal" for them. ------------------------------------------------------------------------

[> [> [> [> [> [> Re: is it really a choice? -- Rufus, 13:07:35 07/25/01 Wed

I can go for instinct for a certain amount of what a vampire does, but how do they generally learn how to kill and who or what to kill? They are socialized by other vampires and learn the killing ropes from them. They are encouraged to kill what they once were, human. I remember Dru mentioning lions blood in an ep and thought that vampires must be used to making do if there is no human prey. There could be a taste preference due to that being the blood they are started on when they are turned. But the kicker for me is the fact that as sentient beings they understand what they are doing and do it for pleasure as much as for food. They have a choice, maybe less of one due to some instincts, but as man evolved to become less violent and live by rules set up to benefit society, the vampire remembers those rules and decides to live by a new set of demon rules. The first rule would be to remember that what you once were is now an it, an animal, to kill one is the simple act of getting dinner. But in Disharmony you can see than some vampires just have a harder time adjusting to demon reality. Just like some people need life coaches, it appears that for some vampires unlife coaches , or evil mentors are needed for them to toss the rest of their empathy for humanity. Once you relate to someone as a thing or an it, killing them it so much easier, but it's still at some level a choice. ------------------------------------------------------------------------

[> [> [> [> [> [> [> Re: is it really a choice? -- anom, 19:17:38 07/25/01 Wed

"Once you relate to someone as a thing or an it, killing them it so much easier, but it's still at some level a choice."

Gee, same as w/humans...yet more evidence that vamps still have some human in 'em. ------------------------------------------------------------------------

[> [> [> Re: Remorse -- Millan, 00:14:43 07/25/01 Wed

"This is exactly the way I look at Spike's behaviour. He didn't murder anybody, he fed off human beings because that's what vampires hunt and eat."

Actually, we've seen at least one murder done by Spike's own hand. In School Hard he states that the man he's captured is to old to eat - snap - but not to old to kill.

Now, I'll be the first one to come rushing to his defence and remind everyone of the difference between Angelus and Spike. Spike seems to be less evil than Angelus, he isn't very interested in torture and ... wait, how was it he got his name? Oh, yeah, torturing people with railroad spikes!!

I think that Spike as we meet him in the second season is less cruel than he once was but he's still a vicious killer that doesn't care about anything than himself and the only person he loves. He doesn' seem to care much about elaborate torture, instead he prefers a good fight. He probably enjoys a good opponent better than a scared victim - it would make him feel more "manly". :)

I think that Spike in the fourth season is not any different than in the second, but I believe that he IS changing in the fifth. How much remains to be seen.

So, that's my religion and I'm sticking by it. :)

/Millan

'What can I say? I couldn't wait.' - Spike, School Hard ------------------------------------------------------------------------

[> but does she? -- anom, 11:20:17 07/24/01 Tue

..possess a soul, that is.

"Eventhough Anya possesses a soul she seems to not even care how many lives she ruined."

She got stuck in human form when her talisman was smashed, but does that mean she has a soul? None of the methods (or is there only 1?) we've seen to return a soul to its body was used on her. Come to think of it, what happened to her human soul when she was changed into a demon? Did it hang around, suppressed? Did it go where a vamped human soul goes? Anya is learning to be human, & it's a fascinating process, but I don't think it's clear whether she has a soul or not.

Maybe she does, but it's just rusty? ------------------------------------------------------------------------

[> [> Re: but does she? -- Deeva, 12:19:32 07/24/01 Tue

Anya the human, that she is now, would really depend on the type of person that she was 1100 years ago. As Olaf, her ex, said she's just as annoying now as she was all those years ago. So, maybe that's a clue that a part of her, or maybe she is, just a very unforgiving person. Don't get me wrong, she has her moments of clarity, where she is right on. But being a demon for that many years, you've got to cut her some slack in the relearning dept. You've probably met people like this to some degree where they just can't move past a certain event that happened.

Demon "souls" are another question. I'm not sure that it would be the same type of make up that vamps have. I think that it is suppressed to a point of non-existance. Which makes demons unable to empathize with humans and their past human self, if in fact they were ever human.

Which brings to mind another question. Judging from the Mayor's ascension into being a full blooded (humongous!) demon. Does that mean that all the demons that we see are only half-breeds? I seem to remember from AtS that there were full demons there but what made them different? ------------------------------------------------------------------------

[> [> [> Re: but does she? -- anom, 15:39:26 07/24/01 Tue

"But being a demon for that many years, you've got to cut her some slack in the relearning dept."

Oh, absolutely! I didn't mean to imply I wouldn't cut her some slack. After all, she was a demon for about 50 times as long as she'd been human the 1st time. You can see how she could forget a lot about human-ness.

But the question of her soul, I think, is still open. She only got involved w/the gang because of her attraction to Xander, & is slowly learning the value of being one of the good guys for its own sake. She still doesn't seem all that motivated from within as much as by "what's in it for me?" Kerri makes some good points on Anya & Darla, who were both brought back as human, so maybe they didn't need a ritual to bring back their souls like Angel, who remained a vampire, did.

Speaking of Anya & Xander, I'd say it's pretty clear at this point that she loves him, but I can't remember: has she ever actually said so? ------------------------------------------------------------------------

[> Can Remorse be relearned? -- Rufus, 13:57:19 07/24/01 Tue

Both Anya and Spike have been or are demons. They have both killed for pleasure. Both have been reduced to living around what they formerly tormented and killed. Both parties at one time had been human, remembered what it was like to have family and friends and to love and be rejected. They both became demons after a rejection they couldn't live with. Now Anya is human and Spike can no longer kill humans. Can either ever feel remorse? I think that just as they forgot how to relate to the humanity they used to be part of they can re-learn how to again care for who they once were. It will be easier for Anya as she is now mortal. Spike is a bigger question, can he ever truly be trusted around humans? Look to the one thing that seems to motivate both characters at this time, they both love someone. Anya is going to marry Xander, her love has been returned and she seems to be on the way to becoming a real girl, but there still isn't much remorse in what she says about her past life. Spike is in love with Buffy, he has done some stupid things to attempt to get her attention, her love, to own her. It was all wrong. He also was offended that Xander called him a monster. In The Gift he told Buffy he knew he was a monster, is that the start to understanding what he had done all those years? I think so, but I don't think that Spike will show remorse the way that Angel did. Angel got flooded with the ability to care about what he had done. Both Anya and Spike are being gradually introduced to the emotions of being able to care. We can only wait and see if both take the final steps to understanding then feeling remorse for what they did. I think the both can do it, but they will have to choose to. ------------------------------------------------------------------------

[> [> Anya, Darla, and becoming human again -- Kerri, 15:08:46 07/24/01 Tue

The thing about Anya is that as anom said before we're really not sure if she has a soul. When Darla became human again she had a soul, so let's assume for the moment that Anya does too. When Darla became human, eventhough she pretended to be uneffected by what she had done she was clearly disturbed by her actions. Darla was discusted at what she'd done, which is shown by the fact that she smashed all of the mirrors in her apartment. If Anya is in this same situation the she is unremorsefully due to who she is as a person. ------------------------------------------------------------------------

[> [> [> Re: Anya, Darla, and becoming human again -- Slayrunt, 17:08:46 07/24/01 Tue

When Darla became human, eventhough she pretended to be uneffected by what she had done she was clearly disturbed by her actions. Darla was discusted at what she'd done, which is shown by the fact that she smashed all of the mirrors in her apartment.

I disagree, she was not disgusted at what she'd done as a vampire, she was disgusted at being a weak human again. ------------------------------------------------------------------------

[> [> [> [> Re: Anya, Darla, and becoming human again -- Kerri, 18:57:32 07/24/01 Tue

"I disagree, she was not disgusted at what she'd done as a vampire, she was disgusted at being a weak human again."

I think that she tried to pretend that she was just frustrated at being a weak human, but she really was discusted at herself. Darla wanted to be a vampire again not only because she feared death but so the pain and guilt could go away. She smashed all the mirrors because she couldn't stand to look at herself. ------------------------------------------------------------------------

[> [> [> [> [> Re: Anya, Darla, and becoming human again -- Rufus, 20:42:38 07/24/01 Tue

I also saw that Darla has a large amount of self hate. As a human she was a prostitute who was used then discarded before she was turned by the master. She had power as a vampire she didn't in her life as a prostitute. The ability to see herself wouldn't just bring back feelings as a human but a powerless human. Her reflection would only remind her of what she once was and she didn't much like that person. She only seemed to get humanity just before she got turned by Drusilla. ------------------------------------------------------------------------

[> [> [> [> [> [> Why a person chooses to become a vampire.... -- Kerri, 09:45:27 07/25/01 Wed

"I also saw that Darla has a large amount of self hate. "

Now this is just my oppion but to me a person chooses to become a vampire for several reasons. One reason is that the person is unhappy with who they have become and with their life. This is somewhat reminisant of the slayer's death wish. It is much like what we see in Faith-she is discusted at what she has become and where her life is leading. The person who choses to become a vampire, however, is to fearful of death and instead chooses to "kill" themselves by becoming immortal. As an immortal this same person-minus their soul-goes about punishing what they used to be by killing people and compensating for what they hated about their mortal self. ------------------------------------------------------------------------

[> [> [> [> [> [> [> I agree.... -- Rufus, 13:15:37 07/25/01 Wed

If you noticed that each of the best known vampires were given a choice to be turned. Darla was given a choice by the Master, her contempt for God sticks with me. Liam was given the promise of a new life where he would have control. William was given the choice to leave his mediocre life. The only one who didn't get much of a choice was Dru who had her mind destroyed then turned to forever cause her torment. One question being is if Angelus wanted eternal torment, who was this torment for....humanity because Dru would not only be a demon but an insane one, or is there a small part of the philosophical ghost that would remember the loving person she once was? Being able to from somewhere inside of Drusilla watch in horror, as she kills what she once held as precious? ------------------------------------------------------------------------

[> [> [> [> [> [> [> [> Re: I agree.... -- Kerri, 14:50:23 07/25/01 Wed

"One question being is if Angelus wanted eternal torment, who was this torment for"

I think the torment was an outward expression of Angel's self hatred, much like when Faith tortures Wesley. He kills goodness and humanity because in his mortal life they caused him pain. ------------------------------------------------------------------------

[> [> [> [> [> [> [> [> On the subject of choosing to be vamped... -- Juliette, 19:03:36 07/25/01 Wed

I'm not sure that any of them knew exactly what a vampire was when they were turned, not in the same way that Billy Fordham did when he demanded that Spike turn him in 'Lie To Me'. I agree that Darla, with her "let the Devil take me if he'll have me," wanted to turn to evil immortality, and that Liam wanted a new, dark, dangerous 'life,' and would probably have wanted to be a vampire. I think that Drusilla may have known and feared vampires when she was sane, but ultimately couldn't escape Angelus - I would imagine that she struggled against being turned - Angel stated in 'The Trial' that a human who has been caught doesn't have much choice in whether or not they get turned. And I don't think William had a clue what was going on - he just wanted someone to love/have sex with. ------------------------------------------------------------------------

[> [> [> [> [> [> [> [> [> Re: On the subject of choosing to be vamped... -- d'Herblay, 20:26:16 07/25/01 Wed

So when Spike, in "The Initiative," offers Willow the choice of coming back as a vampire or not, he's just being polite? Chippy goodness sure works fast!

I think that becoming a vampire is an act not so much of choice but of surrender. There comes a point in the feeding where the victim just can't fight anymore, and gives in to fate. Darla, William, having less to live for, just surrendered themselves to fate earlier in the process. ------------------------------------------------------------------------

[> [> [> [> [> [> [> [> [> [> Who is the vamp trying to kid......... -- Rufus, 22:48:07 07/25/01 Wed

Sure the vampires that made Angelus and Spike gave choice, I never said it was informed choice. I have to wonder why the vampire would need to even attempt to give a choice to become undead to the people they turn, knowing full well it is more on their own whim that they make another. It's like when Giles talked about the seduction number that Dracula goes through, in the end you still end up dead. What the Master, Darla, and Dru promised was a life better than the victims thought they had, with power at a point in their lives they felt they had none. I don't remember any mention, of "oh, by the way you will become a murderer, and will never interact with the living world in a meaningful way again". Willow would have been able to make a more informed choice because she understood what vampires were, but not because she was told the truth by a vampire. ------------------------------------------------------------------------

[> [> [> [> [> [> [> [> [> [> Re: On the subject of choosing to be vamped... -- Kerri, 09:18:40 07/26/01 Thu

"There comes a point in the feeding where the victim just can't fight anymore, and gives in to fate. "

I think at this point they have a choice of dying or being "reborn"-the choice of whether or not to drink is the victum's. Darla, Angel, and Spike not knowing what being a vampire really is and fearing death choose to become immortal. ------------------------------------------------------------------------

[> [> [> [> [> [> [> [> [> [> [> Re: On the subject of choosing to be vamped... -- Juliette, 12:04:59 07/26/01 Thu

I think Angel said in 'The Trial' (or was it 'Reunion'? Might have been 'Reunion') that when you're that close to dying and someone puts liquid in your mouth, you don't have a choice - you swallow automatically, as your body tries desperately to survive. So when Darla was turned for the second time, even though she had chosen not to become a vampire, she was powerless against Drusilla - she would have had to fight incredibly strong natural urges as she was dying in order to prevent herself from being vamped. Similarly, if Spike had been unchipped and took a fancy to Willow in 'The Initiative,' no matter how hard she tried, she would probably have been turned against her will - which is presumably how VampWillow and VampXander were created in Bizarro World, where everyone seemed to know what vampires were and lived in fear of them. ------------------------------------------------------------------------

[> [> [> [> [> [> [> [> [> [> [> [> It would be like gasping for air when you are drowning......:):) -- Rufus, 16:07:29 07/26/01 Thu

Pretty much a reflex action. ------------------------------------------------------------------------

[> [> [> [> [> [> [> [> Darla and being vamped -- Slayrunt, 02:43:28 07/26/01 Thu

If you noticed that each of the best known vampires were given a choice to be turned. Darla was given a choice by the Master, her contempt for God sticks with me.

I don't think Darla had much choice. She was on her deathbed, weak and sick. Fear of death as Kerri suggests may have played a part, but the Master was going to vamp her regardless.

Now, once Darla became a vampire, she no longer felt powerless, no longer a usee. She became the powerful, the user. I think it was you, Rufus, who pointed out the Darla killed the prostitute along with the petty nobleman in "Amends"(?) because she reminded Darla of her powerless human life. ------------------------------------------------------------------------

[> [> [> Re: Anya and becoming human again -- Deeva, 21:31:20 07/24/01 Tue

"If Anya is in this same situation the she is unremorsefully due to who she is as a person."

Exactly. Since we have no idea what she was like a thousand years ago, all we can think is that maybe this is a part of her character. I think that Anya has also learned to distance herself from her doings as a demon and her current state of mortality. She might be able to say to herself that that was then and this is now. She was only a "weapon" called upon by others to do their bidding not her's. From "Triangle" she makes a very telling statement that reveals her thinking in the matter of remorse.

"Humans make the same mistakes over and over. I saw it when I was a vengeance demon. Some guy dumps a girl, she calls me... I exact vengeance, blah blah, then the next year, same girl, different guy. After you smite a few of them, you start going, my goodness, young lady, maybe you're doing something wrong here too."

She doesn't regret the doing. I think the only thing that she truly regretted was not being immortal anymore. She despaired over that for a long time. Especially in "The Body". ------------------------------------------------------------------------

[> He's not good, but he's okay -- mundusmundi, 15:05:49 07/24/01 Tue

I see Spike as a work in progress. And, it could honestly go either way. In Spiral, he was still perfectly willing to sacrifice the lives of any of the SG save for Buffy and Dawn (e.g., his comment to Dawn that he should have nabbed a smaller car, with only room for the three of them; and his remark to Xander that they should make a break for it past the Knights). However, I'm not sure if at this point he's any longer the same Spike who bragged about his kills in Fool for Love and Crush. The B6 premiere should give us a good inkling of where Spike stands, but it wouldn't surprise me if at some point this season he gets an offer from some Big Evil to remove the chip...and refuses. ------------------------------------------------------------------------

[> Re: Remorse -- verdantheart, 06:42:27 07/25/01 Wed

My only point here is that while we have not seen much remorse from Spike (and certainly none over his victims), we have seen some remorse. He has begun to feel remorse at the way he treated Buffy. We've seen his shame over the Buffybot at the end of "Intervention" and in "Tough Love" he had a hard time looking Dawn in the eye, let alone Buffy. But even further back, after the events of "Into the Woods," he practices apologizing to Buffy with his bruised box of chocolates. It can be argued that he wanted to make up with Buffy in his self interest, but I believe that part of his motive was his guilt over seeing the pain that he caused Buffy.

That said, this thimbleful of remorse can hardly be said to equal the ocean of sins he has committed as a vampire. But Spike's "humanization" has only begun. It started with his loving Buffy, or the realization that he loves Buffy. Whether his adoption of Buffy's viewpoint grows to the point that he begins to regret what are the natural acts of a vampire remains to be seen. I'm looking forward to finding out. ------------------------------------------------------------------------

[> Vampires, Murder, and Sin -- Wisewoman, 09:28:11 07/25/01 Wed

Just to reiterate, what I'm saying about Spike is that he is not human, therefore the terms "murder" and "sin" do not apply to him, any more than they would apply to an animal that took a human life.

Perhaps it's harder to recognize this about vampires because they appear quite human. And, as someone mentioned above, using humans as prey does put vampires at the top of the food chain, and therefore they may be in a position eventually to take over from humans, but that does not make them evil, either. We don't consider it evil to fumigate a home to kill off any pests that reside there, and this is the same situation. We just have to think outside the human box...

;o) ------------------------------------------------------------------------

[> [> Vampires ARE part human -- Kerri, 09:53:30 07/25/01 Wed

"Perhaps it's harder to recognize this about vampires because they appear quite human"

When Angel was in Pylea we saw what the beast in him was-a mindless killed that gave him the lust for blood. However, it was the human who was truly evil. It was the human who enjoyed the torture and the pain.

We can't, however, expect that a vampire has an idea of right and wrong because they are with out a soul-their conscience. ------------------------------------------------------------------------

[> [> [> Vampires....human, demon hybrid...... -- Rufus, 13:19:57 07/25/01 Wed

Considers lower to other demons due to their human content. ------------------------------------------------------------------------

[> [> Re: Vampires, Murder, and Sin -- Dariel, 20:30:51 07/25/01 Wed

"Just to reiterate, what I'm saying about Spike is that he is not human, therefore the terms "murder" and "sin" do not apply to him, any more than they would apply to an animal that took a human life."

Although I'm rooting for Spike (that identification thing again), I don't think I'd let him off so easy. Can we really say "how sweet" every time he does something human, and then write off the bad things as part of his vampire nature? Unlike animals, vampires understand and often enjoy the pain they inflict on humans. ------------------------------------------------------------------------

[> [> No, no, no, no, no.... -- Talking Drum, 19:48:03 07/26/01 Thu

Just because vampires aren't human does not endow them with the innocence of animals. When we say animals kill from instinct, we do not mean that senseless killing is in their nature. It is only in the rarest circumstances (curiously seen mostly in species whose intelligence is close to our own--i.e., whales, chimpanzees) that we can observe animals killing for the sheer enjoyment of it rather than to serve a true instinctual need such as hunger or teaching young how to hunt.

Vampires are consciously aware of the evil they commit and, in fact, delight in it. Moreover, they have memories of their past human lives and fully understand the meaning of human morals and laws. Animals, even those that engage in plesure killing, do not. Repeatedly, throughout the Jossverse, it has been pointed out that vampires are an infection, so they can't be treated as a lifeform entitled to the same consideration as animals or humans. They are more like rabies or AIDS. The fact that the shell they possess sometimes exhibit attributes that serve to confuse their true nature does not lessen the evil that they choose to perpetrate or have committed. Of course, if you consider rabies entitled to the same right to exist as other life forms then I suppose all bets are off. But then again, vampires like Spike really aren't alive in the first place anyway are they?

TD ------------------------------------------------------------------------

[> [> [> It's not about innocence... -- Wisewoman, 22:23:04 07/26/01 Thu

I am defining murder as the taking of a human life by another human being (under specific circumstances, of course).

And sin is, also by definition, a human concept. I'm not defending vampires as being mindless animals, I'm simply saying that they don't belong to the species that is, by definition, capable of murder and sin, and so those terms do not apply to their acts. ------------------------------------------------------------------------

[> [> [> [> Point taken. -- Talking Drum, 00:06:22 07/27/01 Fri
Faith- 1st Anniversary Character Posting -- Brian, 02:27:24 07/26/01 Thu

THE BALLARD OF WANT, TAKE, HAVE

Girl, she's on the run
Everyone's next one
Until she gets the call to Slayerhood
She's bad even when she's good

Kristos, he's one old, bad vamp
Forces Faith to decamp
To California, she's again on the run
Finds Buffy in the land of laidback sun

Together they're one bad ass team
But little Faith, she's got a dream
To be number one is her scheme.
Men are puppets to be used
Her sexual skills make men confused.

But Angel he won't play the game
Along with Buffy he thinks she's insane.
The joy of Slaying is one fine gig
Until she sticks a human like a pig

No where to turn
When the Watcher Council's learn
Try to take her back
Faith won't take that petty flack

Joins the Mayor's team,
she's no hack
Finds a father figure in
one so black

She joins the dark side
from the light
Now she will have to
Buffy fight

In a long coma she
finally awakes
Payback time, she wants
to take.

Becomes Buffy, what a life!
But finds goodness is too much strife.
When life's too high a price to pay
She's off to run another day

In LA she makes her suicide run
Taunts Angel with the game, it's so much fun
But Angel he still won't play that game
Makes her see all her shame

Using violence she tries to pay the cost
But all Angel sees is little girl lost
He holds her in his protecting arm
She finally sees all her harm

Confession is so good for the soul
Faith plays her final role
In prison she finally sits and smiles
She's happy, at least, for awhile.


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[> Very clever, Brian! -- Marie, 03:03:42 07/26/01 Thu

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[> kudos! truly original way of tackling it! :-) -- Solitude1056, 05:41:56 07/26/01 Thu

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[> Small gripe -- Cactus Watcher, 06:42:28 07/26/01 Thu

It's hard to remember the names of all the villians, but Kristos was not a good substitute for Taquitos ...er... Kakistos. Kakistos is pretty close to meaning "Bad Guy" in Greek. Kristos is painfully close to the way most folks around the world pronounce the Greek name Xristos, a rather different sort of fellow, I've been told.

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[> Faith and Buffy's fight in GD -- Kerri, 09:08:12 07/26/01 Thu

"Now she will have to Buffy fight"

I'm not sure this is a matter of has to fight as much as wants to fight. Like Spike told Buffy in FFL slayers want to die. Faith is disgusted with what she has become: a killer.

Faith wants to destroy herself and in doing so wants to bring Buffy down with her. Faith wants to corrupt Buffy the same way she has been corrupted.

In Enemies when Buffy and Faith have a knife at each other's throat Faith tells Buffy, "What are you gonna do, B, kill me? You become me. You're not ready for that, yet."

Xander realizes this as well in GD1: Buffy: Someone should take over for Giles after a while. Watch Angel. Xander: I don't mean to play devil's advocate here, but are you sure you're up to this? Buffy: It's time. Xander: We're talking to the death. Buffy: I can't play kid games anymore. This is how she wants it. Xander: I just don't want to lose you. Buffy: I won't get hurt. (reaches into a weapons cabinet) Xander: That's not what I mean. Buffy: Just get me an address. They stare at each other for a moment, then Xander leaves. Buffy is holding Faith's fancy knife.

Killing has a dark and seductive power that Faith both loves and hates. She wants Buffy to kill her so that she doesn't have to live with what that power has done to her and so that it can seduce Buffy.

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[> Re: Faith- 1st Anniversary Character Posting -- Wisewoman, 09:34:49 07/26/01 Thu

Faith has always been my least-favorite character. I just don't get what the attraction is. Hey, I know she's a sexy chick, but talk about your evil, psychotic murderer--she could teach the vamps a thing or two!

And I don't buy the, "hey I was messed up as a kid and now I hate myself and do bad things" defense. Lot's of messed up kids turn out just fine. For my money, Faith is right where she belongs, in jail, and I hope she stays there.

Okay, tirade, rant, whathaveyou, over!

;o)

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[> [> Re: Faith- 1st Anniversary Character Posting -- Kerri, 10:01:39 07/26/01 Thu

If you watch the Wish and see how Buffy turns out without her "ties to the world" it is interesting to compare to Faith. This Buffy is cut off, only relies on herself, trusts no one, thinks the worls sucks, and believes the only reason she is alive is to bring death. This is all very reminisant of Faith. However, Buffy is not a murderer.

In Doppledangland Willow and Buffy are discussing Faith and have the following conversation: Buffy: (ruefully) I know Faith's not gonna be on the cover of Sanity Fair, but... she had it rough. Different circumstances, that could be me. Willow: (shakes her head) No way. Some people just don't have that in them.

Now I know that line was used to show that Willow DID have it in her-but the only way for it to come out was for her to lose her soul. I don't think that Buffy has it in her to become a kmurderer. She is not enticed the same way Faith is by killing, she's a more moral person.

However, I really liked Faith as a character. She was interesting and brought up issues for Buffy regarding what being the slayer meant and how it affects her. I'd really like to see Faith as a character on AtS; she fits it really well with the redemption theme. Too bad ED's making movies.

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[> [> Re: Faith- 1st Anniversary Character Posting -- darrenK, 11:41:45 07/26/01 Thu

I think the problem was that Faith was doing this whole--tough-to-follow acrobatic act between good and evil that seemed to go on for too long and became hard to follow.

It's because Joss and the Powers That Write wanted her to be both flexible and redeemable, fulfilling many plot functions like they're now doing with the Buffybot.

The problem is that not every character can hold the story the same way Buffy can.

In other words, they burned out. dK

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[> [> Re: Giving Faith a little slack -- Brian, 14:05:08 07/26/01 Thu

Wisewoman - Here's my take on Faith's early days. I believe that either her father or some adult, authoritative family member physically and sexually abused Faith as a child. Her mother failed Faith as a maternal, protective figure, probably due to alcoholism or metal illness/weakness. Faith quickly learned that she could not protect herself from the stronger abuser in her life, and she developed her skills at running and hiding to protect herself. Her emotional walls went up very early, and although they cracked a few times, didn't fall until the Angel episode 5 by 5. Being the child of abuse her self-image, her self-worth were very bad, and she probably grew up alone, distancing herself from the others in her life who either hurt or betrayed her at every step. She dropped out of school at the first opportunity. And them, Kendra died, and suddenly Faith had power, real power to avenge her wrongs. But the Watcher's Council found her and whisked her away before she could confront, or even understand how to confront those who had abused her.

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[> [> [> Re: Giving Faith a little slack -- Rufus, 16:04:27 07/26/01 Thu

Boy, that sure sounds a lot like what happens when a vampire is created, they use their power to destroy what hurt them in life.

Buffy can learn much from Faith. We can clearly see what happens to someone who has had no nurturing as they develop into adults. Buffy envied Faith the attention she got as the new slayer on the block. She actually started to think some of Faiths methods "want, take, have" were pretty good, then the consequences of being a loose cannon came home to both girls. Faith killed a human the first time by accident, the subsequent murder she did like a pro. It gave us an idea of just how dangerous a rougue slayer could become. Buffy also got to appreciate what she had with her mother and Scoobies. They are her ties to this world, something Faith never had. I may not like Faith much, but I can see she doesn't like herself much either.

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[> [> [> [> Re: Giving Faith a little slack -- LadyStarlight, 05:24:40 07/27/01 Fri

Haven't seen the ep where Faith kills for the first time yet (relying on the Watcher's Guide), but didn't Giles say something like "It happens sometimes, it's regretful and sad, but it happens" to Buffy? This implies (to me anyway) that the Council has had to 'cover up' accidental homicides before.

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[> [> [> [> [> Re: Giving Faith a little slack -- DEN, 21:54:11 07/28/01 Sat

Faith's first killing of a human clearly falls in the category of "friendly fire" in war; regrettable but inevitable given the close-quarter fighting against odds that is a norm for slayers. Dealing with the contingency does not necessarily mean "covering up," but more likely an investigation of the circumstances and --usually--a conclusion that "s--- happens."

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[> [> [> Defending Faith -- Masq, 16:38:48 07/26/01 Thu

Well, I was going to post a long treatise on why I love Faith, then I thought, "why do I love Faith since so many people seem to dislike her in this thread?" It could be Eliza's powerful on-screen presence. But that's not all. I think she plays the bad girl in a t.v. show full of good girls.

Buffy, Willow, Anya, Tara, and Dawn may have their flaws, Joss knows, but Faith was always desperate, tortured, lonely, disconnected, and never certain about anything she did no matter how unhesitantly performed.

One can see why Angel identifies with her in a way he can't with "soul-mate" Buffy.

Faith was the less priviledged of the other women characters, and gave the others a different perspective on life--it's easy to be good when you have family, friends, and a comfortable life. That's not an excuse, she needed jail, but not just for redemption, but for the peace of getting her act together. Prison's no bed of roses, but it's better than anything she had before, especially considering she's the strongest woman in the yard and can survive what they throw at her.

I think Faith's always been the devil's advocate character--making the good guys ask why they do what they do besides knee-jerk "goodness". No non-souled character could play that role. She's easy to spit at and detest for killing, siding with the Mayor, and using her strength to gain power over other people, but to tell the truth, except for the killing of the professor and a couple of other deeds she's currently being punished for, everytime she mouthed off at Buffy or appeared on screen for that matter, I was "you go!" 'cause she always had a point hidden in that bitterness.

It's that Eliza energy again.

End treatise

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[> [> [> [> Re: Defending Faith -- Nina, 18:02:27 07/26/01 Thu

Thanks Brian and Masquerade! I was pretty indifferent to Faith, but I see through your eyes what you see in her and it makes me reconsider my previous views on her. I always knew she was acting that way due to severe abuse in her childhood, but somehow I never could like her anyway. Not judging Faith and take her as she is is maybe the better way to like her. She's been a great asset to show darkness in the slayer lineage. She's had a great influence on Buffy. And if she hadn't been there something would be missing. Definitively!

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[> [> [> [> [> Re: Defending Faith -- JBone, 19:48:05 07/27/01 Fri

I've been lurking since "Faith" was originally posted, biding my time, until I thought I had something worthwhile to contribute. Too bad, I didn't wait long enough. So consider this fair warning for some superficial ramblings.

I dig Faith, probably more for her leather pantaloons and cut-off tops, but I believe that is as valid as a choice as any Spike fan hot for the blood-sucker for his platinum hair and leather coat. So I won't feel guilty over that.

I like the whole dichotomy of the slayers between Buffy and Faith. A whole Civil War, brother vs. brother thing. Someone is wrong, someone is right, but they are brothers (sisters, duh, I have eyes). As far as I'm concerned, Faith's flame never burned brighter than the scene on the Bronze dance floor with Buffy in the episode "Bad Girls." I would have loved to have been the choreographer on that set to say, "no, bump and grind more like this."

Okay, I need to back off that line of thinking. As far as Faith's upbringing, I can't identify with the urban street part that I perceive of her. But I can I can definitely identify with growing up dirt poor. I just happened to do it on a farm in the heartland of America. So as I watched the rich farm kids (who never worked on their parents farm while I worked like a slave on my parents,) drive around in their brand new trucks while I had to make do with any used mopar piece of shit my parents saw fit enough to break down and get me, I can understand the evolution of "want, take, have." Luckily my parental influence was much stronger than Faith's appears to be, so such a philosophy lived out would leave me a incredible guilt complex. Thanks Mom. I'm 30 years old feeling guilty over stuff I never did. Just stop asking me why I'm not married yet.

Anyhow, I see the Faith storyline as unended and more substantial as any for any other villain on BtVS other than evil Angel. I've seen it before in this thread that she is Buffy. She is.

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[> [> [> [> [> [> And right now she is The Slayer -- Masq, 23:05:57 07/27/01 Fri

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[> [> [> [> [> [> [> Actually, I have written out a treatment for our next fictionary involving Faith... -- Talking Drum, 23:20:56 07/27/01 Fri

..filling the Slayer gap between Buffy's death and resurrection. That is so long as I don't get myself crucified over another misunderstood post.;)

TD

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[> [> Re: Faith- 1st Anniversary Character Posting -- anom, 14:46:00 07/26/01 Thu

"And I don't buy the, "hey I was messed up as a kid and now I hate myself and do bad things" defense. Lot's of messed up kids turn out just fine."

True, but usually they had someone in their lives to give them support--not even so much a positive role model, but positive reinforcement of themselves as people who are not worthless like the people raising them keep telling them, who are strong & have choices other than being either a victim or, once they grow up some & have some power of their own, a victimizer. I think Faith didn't have someone like that until her 1st Watcher, & when she couldn't protect her Watcher from being killed by Kakistos, this sole source of support was pulled out from under her. Being a Slayer may have also been (or at least looked like) her 1st chance to be good, & she may have felt there was no way to be good short of being a superhero. So when she thought she'd failed at that, it wasn't worth trying some other way, & she defined herself as evil. And acted accordingly.

When this sequence of eps was airing, I remember thinking it might have helped to suggest to Faith that staying on the good guys' side could be a way to honor her Watcher's memory, rather than being something that she had to live up to or that was her duty as a Slayer. That might have had a better chance of reaching her. But part of what makes Buffy a great series is that the characters are human & don't always think of the best things to do or say.

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[> [> Remember...Faith is Buffy -- Talking Drum, 16:47:26 07/26/01 Thu

Hey watch it that's Buffy you're dissing here! No really, I'm not kidding. According to the VHS writers' interviews, Faith was Joss' way of having Buffy's evil twin without resorting to the trite soap opera device of actually having Buffy's evil twin. Faith IS (once again, according to those who created her)what Buffy could be without the right amount of love and support. That is in no way to excuse Faith's actions. Instead, the whole exercise was to demonstrate how fine a line there is between choosing between good and evil given each individual's circumstances and personality.

In fact, I would argue that Faith is closer to the original purpose and spirit of the "pure" Slayer (as defined by the First Slayer: "No friends! Just to kill!") than Buffy. Perhaps if it weren't for the corrupting influence of the Watcher's Council on the institution of the Slayer (they appeared to have glommed onto this force not unlike some modern corrupt religious/political institutions have done with respect to other pure spiritual forces)combined with the loathesome behavior of the people who influenced her earlier upbringing, Faith could have been a better Slayer than Buffy. Of course, Buffy, depending on how she is incarnated when she returns, may represent the next evolutionary step in slayerdom--we don't really know that yet, though.

Also for those of us that keep track of these things, one of the fundamental constructs of all mythologies, Jossverse included, is the existence of corresponding pairs of opposites. Ordinarily, the opposite exists in each individual. Within every Wisewoman there is a corresponding polar opposite Unwisewoman ;). If we each play our cards right, nobody ever sees our darker side. With the creation of a second Slayer (even Kendra was an opposite in a different way than Faith, of course, but opposite nonetheless), we were given the opportunity to see our Hero's true dark side without having her too tainted in the process.

Personally, Faith is one of my favorite characters and I hope they get the opportunity to explore where she ends up now that she has appeared to turn the corner. In many ways, she is more interesting than Buffy because she has been to a place Buffy has never been. Yes, she has been an evil, psychotic murderer. She certainly hasn't committed the severity and quantity of offenses as Angel and Spike who, I might add, have an alarmingly large fan base on this board. By all rights, though bad from a plot perspective, both of them should have been dispatched to dust long ago based solely on their potential and propensities to commit unspeakable harm (regardless of the fact that they each have turned over a new leaf). In fact, it is a tribute to the writing staff that they have been able to manipulate some of us (myself not included)into a such a compelling of sympathy for these despicable characters that many revel readily in their ongoing antics (especially those antics that refer to their past misdeeds) despite their evil nature and past crimes. Anthony Burgess did a similar thing with Alex in A Clockwork Orange. It does give me a little better understanding now as to why Ted Bundy and Richard "The Nightstalker" Ramirez were so successful among the ladies, though. And it makes me to shudder how easily people can be manipulated to forgive an evil boy's trespasses for a little taste of the dark side, as well.

TD

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[> [> [> Little sister -- Kerri, 18:00:43 07/26/01 Thu

"Faith was Joss' way of having Buffy's evil twin "

In the past Buffy has had two sisters:Faith and Dawn.

Faith was Buffy's "slayer sister." A concentration of the slayer part of Buffy. Buffy learns about her slayer self through Faith. She learns that eventhough she may want to give it up the slayer is a part of her.

Dawn is Buffy's "human sister." The concentration of the other aspect of Buffy. Dawn, like Faith, helps Buffy learn about that part of herself. Buffy embraces the humanity she though she was losing through Dawn.

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[> [> [> In response...(umm, somewhat longish) ;o) -- Wisewoman, 18:19:56 07/26/01 Thu

I have to say that I agree with Brian, and others, that Faith probably did have an abysmal childhood and early adulthood. I understand the self-loathing that that can engender. However...

My personal breaking point is the one that Masq mentions, the murder of the professor in Graduation Day Part I:

INT. LESTER WORTH'S APARTMENT - NIGHT

He's a rumpled, professional type, hurrying to the door as the bell rings.

There's a bit of introductory chit-chat, then Faith cuts to the chase...

FAITH We alone here, Lester?

He stops. Odd question.

LESTER Well, yes... life long bachelor. Like my space.

FAITH I hear that. You wanna turn and face the wall, Lester.

Still the same conversational voice. The knife coming out from the back of her waistband.

LESTER What are -- what are you doing?

FAITH I'll make it quick.

LESTER Put that away. (she doesn't) I'll scream...

FAITH Who wouldn't

He backs against the wall, terrified.

LESTER Please...

FAITH Sorry, friend. Boss wants you dead.

She crosses in a blur and grabs him by the throat. He manages to wheeze out:

LESTER Why...?

FAITH You know, I never thought to ask.

And as she goes to work on him, the camera pushes past them to the wall, to a print of a volcano. We continue to push slowly in at the volcano, Lester's dying gasps (and possibly a shadow) all we get of his demise.

BLACK OUT

This scene is one of the most chilling there's ever been on BtVS, and there's not much in the writing to cast any sympathy on Faith whatsoever. She is simply a heartless, cold-blooded killer.

If, as TD has said, Faith is the writer's attempt to show us Buffy's dark side without corrupting their hero, then it's a cop out. I do not believe that Buffy would be capable of the act described in the foregoing scene, no matter how different her early life may have been. I'm not saying she's incapable of murder, (under the right circumstances I think we're all capable of it) I'm saying that she's not capable of it under these circumstances. I believe the writers have created Buffy as a three-dimensional character in her own right, with her own very present and accounted for dark side, of which we've been shown several hints. The persona that cold-bloodedly murders Professor Lester Worth (Less Worth?) is no part of the Buffy Summers I've watched for the last five years.

Is it easier to consider Faith on the path to redemption because the person she murdered was someone we only saw for two minutes, and had no time to identify or empathize with? Would you be as willing to let bygones be bygones, forgive and forget, if it'd been Willow or Xander she disposed of so dispassionately?

I can forgive her first, accidental killing of a human being. I can forgive even the torment she but Buffy and her friends through, and the torture of Wesley...but I can't find it in me to forgive her for Lester Worth... :o(

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[> [> [> [> Re: In response...(umm, somewhat longish) ;o) -- Talking Drum, 19:02:22 07/26/01 Thu

I agree with you that, with respect to that murder in particular, Faith is "simply a heartless cold-blooded killer." But then again, I reassert my point that the writers' intent was to show you Buffy's dark side without getting any dirt on Buffy. After all, they could have chosen to have Buffy accidentally kill the Mayor's assistant, but they didn't. And for a very calculated reason which Joss has explained in one of his interview's on the commercially released VHS tapes. He stated that he didn't want people to think of Buffy as a killer because it would be too hard for the audience to accept a teenage girl (who is supposedly the Hero) killing people with such a flippant attitude on a weekly basis. This is one of the reasons that vamps burst into dust the way they do on BtVS. And this is the reason that Faith doesn't die--it conveniently absolves Buffy from any wrongdoing. Faith isn't killed so Buffy's record of having not taken a human life goes unblemished (attempted murder is seldom treated with the same contempt as the successful completion of the task--the hardy constitution of the victim always rewards the assailant).

They created Faith to portray the classic evil twin, once more to explore Buffy's dark side without tainting her with the sin of murder. I'm not making this up--that was the writers' intent. Yes Faith is an actual character (not a ghost or an image in a dream sequence) in the story. But her reason for existing in the first place was to allow the writers to explore Buffy's (not just the Slayer in general) dark side. They make Faith cross the line because if they made Buffy do it, it might so repulse the viewer that it would be impossible or very difficult to see her in that Hero light again.

That having been said, they do have Buffy flirt with that line when they have her attempt to murder Faith. We're okay with this because of how bad Faith has been, but if you take Buffy's actions on their own, they should send a chill up our spines. Why? Well, first of all Buffy's attempt on Faith's life is almost entirely unrelated to any moral cause or Slayer duty. It is an act of pure selfishness (Buffy needs Faith's blood to cure her ex-serial killer vampire boyfriend's illness) and it is an act of revenge (in many mythologies, killing for revenge is the ultimate no-no, since it makes the Hero's act a personal one, thereby negating its value as a boon for society). The fact that Buffy's success would have resulted in a benefit to society (eliminating an agent of evil) is entirely undone by her personal motivation for going after Faith--100% payback. The writers neatly address this by not rewarding Buffy for her selfish action--she is unable to obtain Angel's cure from Faith. Otherwise, the series' mission statement would have been corrupted to "ends justify the means" which would readily allow us to question the nobility of any of Buffy's subsequent actions (for example her sacrifice in 'The Gift'). So kudos again to the writers. I stand by my argument and add, to paraphrase the immortal words of Jessica Rabbit that Faith is not bad, "she was just drawn that way."

TD

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[> [> [> [> [> Re: In response...(umm, somewhat longish) ;o) -- anom, 21:42:17 07/26/01 Thu

"We're okay with this because of how bad Faith has been, but if you take Buffy's actions on their own, they should send a chill up our spines. Why? Well, first of all Buffy's attempt on Faith's life is almost entirely unrelated to any moral cause or Slayer duty. It is an act of pure selfishness...."

But even w/the same motivation, Buffy would never have made this kind of attempt on an innocent. Maybe that's another reason Faith's murder of the professor came before that--in addition to selfishness & revenge, there was a valid reason Faith had to be stopped (for something she'd actually done not before the fact for what she & the mayor were planning), & the justice system wasn't really capable of dealing w/her. Not that I think that justifies killing her either.

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[> [> [> [> [> Re: In response...(umm, somewhat longish) ;o) -- DEN, 22:06:26 07/28/01 Sat

Buffy's attempt to murder Faith for essentially personal reasons also can be interpreted as part of a Joss continuum. In "Becoming," Buffy dispatches a resouled Angel to save the world. By "The Gift," she is willing to see the world destroyed rather than have harm come to Dawn. The encounter with Faith can be interpreted as a midpoint in a moral arc in which Buffy acts more and more for personal reasons--whether one sees that development positively or negatively.

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[> [> [> [> [> [> Re: In response...(umm, somewhat longish) ;o) -- Sean, 23:40:09 07/30/01 Mon

I don't see saving Dawn as selfish.

Saving the one is as Noble as saving the many. Perhaps even more so.

I never loved Buffy more than the moment she told Giles that Dawn wasn't to be touched under any circumstance. It was one of the most beautiful moments on Television.

GILES Buffy, if the ritual starts, every living creature in this and every other dimension imaginable will suffer unbearable torment and Death. Including Dawn.

BUFFY Then the last thing she'll see is me protecting her.

GILES You'll fail. You'll die. We all will.

BUFFY I'm sorry. I love you all, but I'm sorry.

If I was in that room at that moment, I would have told Buffy that I understood. That this was the most noble, selfless thing I have ever heard. And that I accepted her decision, and loved her all the more for it. I would rather die, I would rather have all the universe fall into the absyss than to kill such love.

I learned so much from that episode. Life isn't a numbers game. Buffy made the right decision.

BUFFY I'm sorry. I love you all, but I'm sorry.

Don't be sorry Buffy. You taught us all to love. You should us all what it means to be human in it's highest, most noble sense. You showed us the power within our own heart, and through your decision you reaffirmed the importance of life. How ONE life can truly be worth the entire world.

There are some things you don't do, for any reason, no matter what. Killing your innocent kid sister certain comes close to topping that list.

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[> [> [> [> [> [> [> Re: In response...(umm, somewhat longish) ;o) -- Malandanza, 17:07:09 07/31/01 Tue

GILES Buffy, if the ritual starts, every living creature in this and every other dimension imaginable will suffer unbearable torment and Death. Including Dawn.

"If I was in that room at that moment, I would have told Buffy that I understood. That this was the most noble, selfless thing I have ever heard. And that I accepted her decision, and loved her all the more for it. I would rather die, I would rather have all the universe fall into the absyss than to kill such love."

I think Giles was being overly melodramatic in an attempt to get Buffy to follow a more utilitarian approach. Or maybe it's just faulty logic -- as soon as Dawn dies, the threat ends. Buffy and Dawn were standing on top of a rickety framework as close to the gateway as possible -- they would almost certainly have been among the first to die had Buffy carried out her threat to stand by Dawn until the end. "Every living creature" would not have suffered -- Dawn would have died before then. More people would have died (including Dawn and some of Buffy's friends) if Buffy had not sacrificed herself, but this was not a world-ending apocalypse.

So why would Buffy fight to save Dawn when she had to know that the battle would be hopeless? Probably for the same reason that Angel decided to return to the side of righteousness. The effort is important, not necessarily the ends. As in "The myth of Sisyphus" (a rewritng of the Greek myth by Camus), doomed or not, the struggle is what is important.

Giles' insistence that Dawn be killed is chilling. He must not ever have viewed her as a real person -- just a product of a spell to be disposed of as needed. In other instances (Buffy's birthday, Willow's kidnapping by Faith) he has not been quite so hard-line. I would not like to see Giles gain custody of Dawn (and I wonder what Dawn would think if she knew that her murder was being discussed by Giles as a means to thwart Glory...)

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[> [> [> [> [> [> [> [> Re: In response...(umm, somewhat longish) ;o) -- Rufus, 21:13:01 07/31/01 Tue

Remember when Giles said that Dawn wasn't Buffy's sister? The fact that every cell of Buffy's body felt Dawn is her sister is important. Buffy felt Dawn was part of her not just a fancy spell. Giles had shut down part of himself to do an unthinkable job, be it on Dawn or in the end Ben.

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[> [> [> [> Faith, Hope and Charity -- AK-UK, 20:28:59 07/26/01 Thu

Ok, I'll lay my cards on the table. I LOVED Faith. I loved her because of here no-nonsense attitude, because she was quick witted, sarcastic, and energetic.......because she was a young woman who seemed to revel in her youth. She smoked, she drank alcohol and she DANCED! She had fun! I was at University when Faith came on the scene and it was cool to see a young person acting like that. I recognised it.

And she was a sexually aggressive woman! She enjoyed casual sex! Can I just point out how refreshing I (and a number of my female friends) found that? What a contrast to the other characters on the show......what a breath of fresh air in a show that could sometimes be a little bit.......preachy.

Also....*gulp* Eliza Dushka is beautiful. Yes, if you lot get to drool other JM, I should be allowed one paragraph in which I can indulge my hormones. Tight leather trousers and a tight black T-shirt never looked so good.

So, I'm kind of suprised to see that other pople don't seem to love her as much as I do. Even stranger still, some of these people are ones who have expressed positive feelings towards the character of Spike.

Bizarre.

I can cut Faith a heck of a lot of slack, and not just because I fancy her (hey I'm a 26 yr old male, sue me :). The poor girl seems to have had a lousy family life. She than gets the incredible task of being THE CHOSEN ONE dumped on her, without any of the support group that Buffy has to help her cope with the strain. Then her Watcher, the one person who could be expected to lend her support, is killed before her eyes. So the poor kid loses the one person in all the world who cared for her and supported her, the only person Faith could possibly call a friend. Then she comes to Sunnydale and gets a new Watcher....and guess what? The new Watcher, Mrs Post, couldn't care less about her. She pretends to care, manipulating Faith into trusting her, succesfully reinforcing Faith's feeling of seperation and loneliness. than, when she gets the Glove of Myhnegon, Mrs Post tries to kill Faith.

Is it possible to overstate the importance of those two events? Faith finds herself powerless to save her first Watcher's life, and is brutally betrayed by her second. As a result she feels alone in this world. She is powerful, and yet powerless. She can't let other people into her life. Why? Because people are treacherous. Because people are liars who pretend to care just so they can get what they want. Or, if they really do care about you, they die, and the pain of seeing that happen again is just too much for Faith's battered heart to bear.

So is it any suprise that she falls in with Mayor Willkins? He's an authority figure, just like the watchers. But, unlike Faith's first Watcher, he's invulnerable! She can afford to love him because he isn't going to break her heart by dying on her. She isn't going to have to stand, paralysed by fear, watching helplessly whilst some vampires tear him to pieces. And, just as importantly, he isn't going to betray her (unlike her second Watcher) because he doesn't lie to her. Yeah, he's evil, but he's upfront about it. No lies, no faked friendships, no sudden kidnaps and re-education attempts here. Just trust, understanding and love.

So when the Mayor, Faith's de-facto Watcher, tells her that there is a Professor who could be jepordise his Ascension, Faith kills him. Wisewoman, remember that Faith is a Slayer. She is used to killing enemies that have a human face. If you spend enough time sticking stakes into things that look, walk and talk like humans you're probably gonna find it easier to kill the real thing. She can't allow herself to feel anything for the professor; he's the enemy! She has been given a task by the one person in the world who cares about her; she isn't going to betray him. The Boss wants him dead, so he's dead.

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[> [> [> [> [> Re: Faith, Hope and Charity (part II) -- AK-UK, 21:06:55 07/26/01 Thu

Faith killed the professor because she was evil, because she told herself she was evil, and this is what evil people do. She did it because slayers kill, she did it because the only person in the world she cared about needed her to do it. She did it because it made her feel powerful, made her feel useful, made her feel loved. She did it because the small voice in her head which told her she was wrong wouldn't SHUT UP and had to be shouted down if she was going to get any peace. She killed him and all the others because she was a screwed up kid without a good friend in the world, filled with self loathing, pain, and guilt, stuck in hell with no hope of respite.

I can forgive her. I could have forgiven her if she'd killed Xander or Willow or Giles. I can forgive the teenage girl in the pouring rain, beating her fists against the chest of a vampire, tearfully pleading with him to fight her, to kill her, because she's bad.

Yeah, I can give her some charity.

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[> [> [> [> [> [> Well said, AK... -- Wisewoman, 21:23:25 07/26/01 Thu

..doesn't change my mind about her, but I certainly see where you and other Faith-fans are coming from.

;o)

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[> [> [> [> Re: In response...(umm, somewhat longish) ;o) -- Malandanza, 22:08:38 07/26/01 Thu

"Is it easier to consider Faith on the path to redemption because the person she murdered was someone we only saw for two minutes, and had no time to identify or empathize with? Would you be as willing to let bygones be bygones, forgive and forget, if it'd been Willow or Xander she disposed of so dispassionately?"

Remember Spike trying to kill Willow in "The Initiative?" How about those Lawyers Angel let die? Or the Pylean rebels Wesley sent to their deaths? Ben and Giles?

There is plenty of sympathy to go around for these murderers (notice, I do not include Angel's murder of Ms. Calendar or Buffy's self-defense killings of the KoB).

There has always been a double standard for Faith -- she alone is expected to be punished for her crimes (not that she doesn't deserve to be punished...) I do think that she should have received preferential treatment considering her background -- however, that is not the way justice works in real life. The people with the best excuses for transgressing are the ones that pay the highest price -- the elite get away with murder with little more than a slap on the wrist.

And as far as empathizing with Faith goes -- even if Faith had murdered Xander, Willow and Giles, it would be difficult not to empathize after her breakdown with Angel. Personally, I believe if Angel deserves Shansu for anything he has done, it is his work saving Faith's soul.

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[> [> [> [> [> Maybe Faith was the Slayer Angel was really supposed to help to "become someone." -- Talking Drum, 23:01:48 07/26/01 Thu

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[> [> [> [> [> Faith, a lily that festered? -- Vickie, 11:52:15 07/30/01 Mon

de-lurking here briefly.

It's been said here before somewhere, but we seem to hold Faith to a higher standard than other flawed characters. It reminds me of this Shakespeare sonnet:

XCIV

They that have power to hurt, and will do none, That do not do the thing they most do show, Who, moving others, are themselves as stone, Unmoved, cold, and to temptation slow; They rightly do inherit heaven's graces, And husband nature's riches from expense; They are the lords and owners of their faces, Others, but stewards of their excellence. The summer's flower is to the summer sweet, Though to itself, it only live and die, But if that flower with base infection meet, The basest weed outbraves his dignity: For sweetest things turn sourest by their deeds; Lilies that fester, smell far worse than weeds.

It's a common theme in philosophy that those who have the greatest potential/capacity for good commit the greatest sin/harm when they do evil. Who has a greater capacity than Faith (who has all the power, strength, and ability, at least in theory, that Buffy has)?

Certainly not Liam, nor William the Bloody Awful Poet. At least, not IMHO.

Thus, it's harder for us to "forgive" Faith. We have an idea of how much good she could do. And (so far) she hasn't.

Just my $.20 (inflation you know).

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[> [> [> [> [> [> Wonderful sonnet. Printing it out as we speak. -- mundusmundi, 14:44:45 07/30/01 Mon

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[> [> [> [> [> [> Re: Faith, a lily that festered? -- Rahael, 16:05:14 07/30/01 Mon

Vickie,

Loved the sonnet, my favourite Shakespeare verse. But in my opinion, isn't Faith the weed, Buffy and the Scoobies the lilies? That's the thing that makes us root for her. For me, the poem always meant that those who could be strong, those who inherited all the best that nature gave, who were the 'masters' of their faces, sometimes, their humanity could cross the line to cold, self rightous inhumanity. I.e not interested in helping Faith, not forgiving her, not understanding what she needed.

Last week, I suggested on this board that Willow could be a lily that festered. That despite her sweetness and her emotionalism, this was the very thing that made her not understanding of Faith, and sometimes Buffy.

At the end of the day, wasn't Faith's problem too much openess, too much of a need to be loved and appreciated? First Buffy and the Scoobies, Gwendolyn Post, Angel, the Mayor. It is Giles, Willow, Xander and Buffy who could be seen as exhibiting the cold, emotionless decision making which the poem terms excellence.

Buffy stabbing Faith anyone? Giles murdering Ben? Xander's lie to Buffy?

Of course, such a great poem is so full of ambiguity, that we can all take so much from it.

Can I offer another great poem for faith?

Flying Crooked

The butterfly, a cabbage-white, (His honest idiocy of flight) Will never now, it is too late, Master the art of flying straight, Yet has - who knows so well as I? - A just sense of how not to fly: He lurches here and here by guess And God and hope and hopelessness. Even the aerobatic swift Has not his flying-crooked gift.

Robert Graves

Anyways, thanks for letting me indulging in my poetry addiction!! Whether we agree or disagree about content seems almost beside the point.

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[> [> [> [> Fascinating! -- verdantheart, 06:46:28 07/27/01 Fri

Now I'm going to have to go back and research Faith! The range of responses she inspires is truly fascinating. What a great character!

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[> [> [> [> Why? -- Sean, 23:20:55 07/30/01 Mon

I could have forgiven every thing Faith did before, and everything after this one act, but cold-blooded murder is hard to excuse Faith for.

I know it is easy to overlook this act. I really want to forget it when I think about Faith, but there it is.

That one act makes Faith unredemnable as a slayer. Perhaps they put that in there to make Buffy slaying Faith seemed more justifiable. But I really wish they wouldn't have had Faith do that. As I think it makes it all the more difficult to sympathize with Faith's fall.

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[> [> [> Re: Remember...Faith is Buffy -- Rattletrap, 06:50:14 07/31/01 Tue

Y'know, it seems like the writers did something similar with the Buffy/Kendra dynamic, except that Buffy was the evil twin. "Evil" may be too strong a word, but Kendra was clearly the dutiful daughter who did everything that was expected of her without question. Buffy was the one that questioned orders and played by her own rules. Perhaps, then, this is why Buffy has always been the effective one, she finds the happy medium between Kendra's "good" and Faith's "evil."

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[> Cool - love the format :) (NT) -- VampRiley, 12:33:46 07/26/01 Thu

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[> Re: Faith- 1st Anniversary Character Posting -- Rendyl, 14:02:39 07/26/01 Thu

Don't have time to comment much but I did want to say I love the format you chose Brian. (your poem is great!) Seeing how each poster presents the character they have chosen is almost as much fun as the threads themselves.

Ren -off to finish packing

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[> My previous tirades fail to mention how much I enjoyed your poem...sorry, Brian! ;o) -- Wisewoman, 18:47:14 07/26/01 Thu

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[> OK, this poem is now up at ATPoBtVS -- Masq, 12:55:08 07/27/01 Fri

Go to:

http://home.4w.com/pages/btvs/faith.html

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[> [> Re: Marq, Thanks for making the poem look so cool! -- Brian, 13:10:34 07/27/01 Fri

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[> Faith and Buffy--Two Sides of the same coin -- Anthony8, 22:42:33 07/28/01 Sat

I've always thought of Faith as Buffy's "shadow", the moon to her sun. In a way, Buffy is Faith's sire since Buffy's death initiates Faith's calling. But before Faith the Vampire Slayer is allowed to fully form, Mummy is back from the dead. Faith can never equal Buffy since Buffy will be the "First Among Equals" as long as she lives. Buffy is older, more experienced, more gregarious and enjoys her own little worship circle. While they both derive their power from the same source, Faith's title is diluted by Buffy's continued existence. And yet both together represent the duality of temporal existence.

Like the moon, at best, Faith can only reflect Buffy's light. It is only as a shadow that the moon ever eclipses the sun, and then only for a very brief period. The sun represents the creative light of eternity while the moon is tied to all things earthly and temporal. The sun is essential for the origination of life, but the moon is necessary to regulate the tides, the floods that nourish the soil, and the female cycle that maintains reproductive fertility (things that have come to be characterized as evil in western mythology). The evil reflects the good.

To quote Joss Whedon in the Slayer Chronicle interviews: "Bad Girls and Consequences were our attempt to start exploring the idea of being a Slayer in terms of the power of it and how much fun it could be, and how intoxicating it could be, and how dangerous it could be, and we used Faith as a vessel." Douglas Petrie (Bad Girls writer) adds: "She is in many ways Buffy's evil twin. She gets to do all the things that Buffy would like to do but can't." And Joss again: "She was everything that Buffy would never let herself be." With these comments and keeping in mind the moon/shadow motif proposed above, Faith is very much Buffy's mirror image. I looked back over the tapes and noticed that, at least prior to her reawakening in TYG, Faith never strikes Buffy first. This may have been intentional on the writers' part or just pure synchronicity, but a shadow or a mirror reflection can never strike first. Stand in front of a mirror and try it. In fact, Faith never makes an attempt on Buffy's life. Not only that but Faith saves Buffy's life on at least two occasions (from Trick and by giving her the heads up on the Mayor's weakness in their shared coma dream). Buffy does try to kill Faith though and nearly succeeds (Buffy trying to eliminate her own evil self?). To twist things even further, Faith as Buffy in Buffy's body tries to kill herself (that is the Faith body) in WAY.

Some particular telling scenes of the Buffy/Faith duality:

From Enemies:

[Buffy and Faith end in a standoff, each holding a knife to the other's throat.] Faith: What are you gonna do, B, kill me? You become me. You're not ready for that, yet. Faith grabs Buffy's neck and kisses her on the forehead. Faith runs away.

And from GD1:

[In Faith's apartment. She reads a comic book while music blares.] [Cut to show Buffy behind her, across the room. Buffy turns off the stereo.] Buffy: Thought I'd stop by. Faith: Is he dead yet? Buffy: He's not gonna die. It was a good try, though. Your plan? Faith: Uh-huh. The Mayor got me the poison. Said it was wicked painful. Buffy: There's a cure. Faith: Damn. What is it? Buffy: Your blood. As justice goes, it's not un-poetic, don't you think? Faith: Come to get me? You gonna feed me to Angel? You know you're not going to take me alive. Buffy: Not a problem. Faith: Well, look at you. All dressed up in big sister's clothes. Buffy: You told me I was just like you. That I was holding it in. They approach until they're standing face to face. Faith: Ready to cut loose? Buffy: Try me. Faith: Okay then. Give us a kiss. Buffy punches her in the jaw.

And from Consequences:

Faith: (grins evilly) Scares you, doesn't it? She climbs over the railing and hops down to the dock. Buffy: Yeah, it scares me. Faith, you're hurting people. You're hurting yourself. Faith: (approaches Buffy) But that's not it. That's not what bothers you so much. What bugs you is you know I'm right. You know in your gut we don't need the law. We *are* the law. Buffy: No. She turns her back and walks away. Faith follows right behind. Faith: Yes. You know exactly what I'm about 'cause you have it in you, too. Buffy: No, Faith, you're sick. Faith: I've seen it, B. You've got the lust. And I'm not just talking about screwing vampires. Buffy stops in her tracks. Buffy: Don't you *dare* bring him into this. Faith: (taunting her) It was good, wasn't it? The sex? The danger? Bet a part of you even dug him when he went psycho. Buffy: No! (continues walking) Faith: (follows) See, you need me to toe the line because you're afraid you'll go over it, aren't you, B? You can't handle watching me living my own way, having a blast, because it tempts you! You know it could be you! Buffy has had enough. She stops, faces her and backhand punches her in the jaw. Faith comes up smiling wickedly. Faith: There's my girl.

And from Who Are You:

Faith (Actually Buffy in Faith's body): You can't win this. Faith as Buffy: Shut up! Do you think I'm afraid of you? [Buffy grabs Faith and throws her down, then sits on top of her and starts punching her.] You're nothing. [Punch. Punch.] Disgusting. [Punch. Punch.] [Buffy grabs Faith's hair with both hand and bangs her head.] Murderous bitch. [Bang. Bang...] You're nothing. [Bang. Bang...] [Switches back to punches] You're [Buffy is now crying.] disgusting. [Faith grabs Buffy's hand to stop a punch and their hands glow.]

And finally, there is the revealing camera trick at end of the ep where we see Buffy's face and Faith's face superimposed together on the screen as real Buffy fades out and real Faith fades in.

Nice!

IMO Faith really loves Buffy and is ill-equipped because of her hard-knocks past to express her love in anything but a dysfunctional way (temptation, and striking out out of fear of rejection) which ultimately leads her into a spiral of evil. Buffy, on the other hand, is repulsed by Faith because she sees a little too much of her hidden self in her evil twin (dabbling with the dark side through her relationship with Angel, which she knew was wrong and doomed from the start) and refuses to face that fact. So while in the beginning she goes through the motions of appearing to have Faith's best interests at heart, she really wishes to control Faith or have Faith disappear altogether. Furthermore, when Buffy is in the power position to forgive Faith (in Sanctuary), which would be the ultimate heroic act of compassion, She can't bring herself to do it so it falls upon Angel to provide the only hope for Faith's reform and redemption. The tragedy is that Faith and Buffy lose each other because of their inability to accept the other as part of an integrated whole. Imagine the possibilities of two fully empowered Slayers (drawing power from each others strengths) facing the forces of darkness!

I know this is getting long, but the concept of Faith as Buffy's necessary opposite reminded me of some interpretations of Satan's relationship to God. In the Koran, Satan is banished to a place beyond God's love because he refuses to bow before man. Some have suggested that Satan so refuses because his love for God is so great that he can't bring himself to worship the lower human beings. God's reward for Satan's love is to deprive Satan of God's light. From that point on Satan, with God's permission (see the Book of Job) makes a career out of tempting and tormenting God's most beloved creation, humankind. Satan never attacks God directly because he loves him so (even obssessively, perhaps). God never blinks Satan into oblivion because Satan is one of his beloved creations and therefore a part of him. Now keep in mind that Faith (and Angelus II for a time-you know the post Buffy sleepage, pre Willow restorage Angelus) never tries to kill Buffy. She does go after Buffy's most cherished loved ones. Angelus II does the same, despite Spike's protestations to just kill the girl. More synchronicity or just wicked writer's tricks?

And finally, in keeping with my earlier sun/moon references, the snake or serpent are associated with Satan. Mythologically, the snake has always been associated with the moon as well because the snake sheds its skin (like the moon sheds its shadow)and thus represents the duality of death and rebirth or earthly mortality in the field of time. In Faith's dream right before her reawakening in TYG, a snake slithers into the picture while she and the Mayor are out on their picnic. Not so subtle, but very synchronous nonetheless.

Any thoughts?

A8

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[> [> Re: Faith and Buffy--Two Sides of the same coin -- dream of the consortium, 13:14:38 07/30/01 Mon

What a great post! I would agree with the dualist nature of the Faith/Buffy relationship. I think it is significant that Faith showed up when she did - after Buffy had 1) lost her virginity; 2) killed someone (with a soul) she loved and 3) run away from home. Buffy's character was allowed to develop past the super-innocent pretty girl we saw at the beginning of the first season. In many ways, Faith takes Buffy's behavior to extremes. Buffy sleeps with the person she loves; Faith sleeps with Xander as a casual power-trip. Buffy makes a difficult decision to kill someone for the good of the world and constantly suffers as a result. Faith accidentally kills someone, and uses her function as a "good guy" to allow her to ignore any feelings of remorse. Buffy runs away and comes home. Faith has nowhere to go home to. She represents Buffy's fears about herself, and yet is a fully developed character in her own right. I was really impressed with the way the writers set the scene for Faith's arrival, and the ways she has developed since. I definitely would like to see a return, if ED can find the time.

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[> [> Re: Satan -- Malandanza, 19:56:35 07/30/01 Mon

While I do think that her primary function on BtVS was to tempt Buffy away from the path that the watcher's had laid out for her, I have never seen Faith in her pre-mayor days as evil; instead, I would use the word "feral" to describe her. Buffy has never been tempted to forsake good for evil, and I do not believe any such attempt would have a reasonable expectation of success. What Faith offered was a reversion to the primitive, where killing could take place without any of those "pesky little moral ambiguities" that the Host spoke to Angel about. I feel that Faith has more in common with the First Slayer than Buffy does, and that, although Faith was the second born, she is the true heir to the slayer birthright (I'm afraid first born Buffy was a disappointment to the First Slayer). For me, Faith is the real slayer while Buffy is rather domesticated. The closest Buffy got to her roots was when she was hunting, instead of patrolling, at the start of the season.

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[> Closure -- Kerri, 22:19:31 07/30/01 Mon

I know that the Faith character was more or less wrapped up-in jail, on the road to redemption and all so ED could make movies-but there was no resolution between Faith and Buffy. Given how close they are and how much they share I would really like to see some closure between them. I really get the feeling that Faith and Buffy love each other. When they look at each other they see what they could have been. In light of how Buffy felt she was a killer and how she had her epiphany about the role of the slayer and died and everything I'd think she might want to resolve things with Faith and show Faith she forgives her.

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[> [> Re: Closure -- Steve, 23:01:39 07/30/01 Mon

"I really get the feeling that Faith and Buffy love each other."

I am sorry, but as much as I want closure from the Faith/Buffy relationship as well I must disagree with the statement above.

As much as I love Buffy, I really see this as the one big black mark in her life. She might be full of love, but that love never extended to Faith. It is so sad as Faith really needed that love from Buffy whether she realized it or not.

Again, I love Buffy. See her as a character that has so much love to give. And has demonstrated that love time and time again, even to people she hardly knew (Jonathan, Chantarelle/Lilly, Ford, even April the robot). I have met people in my life who are that special, who shows that kind of love to others, who are a joy just to be around but they are still human. And with Buffy somehow Faith was one of the few who that love didn't extend to. She felt threatened by Faith. And that poisoned the relationship from the start.

As Joyce re-fills Faith's soda.

JOYCE I like this girl, Buffy.

BUFFY Yeah, she's personable. Gets along with my friends, my watcher, my mom -- look! Now she's getting along with my fries!

ANGLE: FAITH is in fact reaching over and snagging some of Buffy's fries.

JOYCE Now, Buffy --

BUFFY Plus, in school today, she was making eyes at MY not-boyfriend. It's creepy.

JOYCE Does anybody else think Faith is creepy?

BUFFY No, but I'm the one getting Single White Femaled here.

JOYCE It's probably good you were an only child.

BUFFY Hey, I... Mom, I'm just getting my life back. I'm not looking to go halfsies on it.

The Biggest black mark in Buffy's life (Again I love her, she is human can't expect her to be perfect though she came close) was how she treated Faith. Not to say being Faith's "sister" would have been easy for Faith was full of "issues". But Buffy was unwilling to try. Not from the start.

BUFFY Hey, I... Mom, I'm just getting my life back. I'm not looking to go halfsies on it.

JOYCE It's probably good you were an only child.

When I look back at the statement by Buffy "I'm not looking to go halfsies on it", I just think about Dawn. With Dawn, Buffy didn't only go "halfsies" she had to go all the way.

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[> [> [> Re: Closure -- Kerri, 08:45:16 07/31/01 Tue

I think that the shared dream in GD showed the slayers' love for each other. They are connected, sister. When Buffy wakes up and kisses Faith on the head, she embraces her sister and herself. The way Buffy kissed Faith was much like the way she kissed Dawn in "The Gift."

At first, when I watched Sanctuary, I thought that Buffy was just being jelous and holding her grudge when she didn't forgive Faith. But Faith really took more from Buffy than anyone else. I understand why Buffy wouldn't be willing to forgive Faith right away-and I could even see her never wanting to forgive Faith. But, I think that being as Buffy embraced love in her death she would want to forgive Faith.

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[> [> [> [> Re: Closure -- Sean, 19:10:02 07/31/01 Tue

Again I love Buffy. I think of her in the most highest terms. She is an hero in the most noble sense. And to me she is something more as well. I have actually been fortunate enough to have been able to know a few of her kind in real life. So please don't take this as some kind of attack on Buffy. I really do love her.

But even though I know what she is, and can't help but love her for it, I still must understand that as great and full of love she is, she is also human, and might be near perfect, but has some faults as well.

One of her faults was, until recently, she really felt that she needed a romantic relationship to complete her. That was so wrong for her to think because she was such a complete person. Others knew that, but she didn't.

Anyway. Faith (mostly unintentionally) got in the way of two relationships that Buffy put much importance in. Angel in season 3 and Riley in season 4. That is why Buffy reacted as angry as she did towards Faith

As to the dreams, we were first led to believe that there was some kind of psychic link between Buffy and the comatose Faith. I tend not to believe that. I think it was all Buffy. And while the dream helped Buffy come to terms, it did little for Faith.

I am sorry, but if Buffy has any thought of Faith at all, they are unpleasant ones. Not ones of sisterly love. Faith having sex with Riley and then running into Angel's arms was too much for Buffy to handle.

She doesn't love Faith. And I wonder if she can forgive (I do think she can.)

PRIMITIVE Love. Give. Forgive. Risk the pain. It is your nature. Love will bring you to your gift.

I always wondered about the "Forgive" part of that.

Are all the posting party characters now on a page somewhere? -- Marie, 03:07:32 07/26/01 Thu

I was away when the Spike one was put up - Aquitaine, well done, really enjoyed it, and my boy did too! (Spike, not Davie, Sol).

Marie ------------------------------------------------------------------------

[> Spike is in the archives (try a #2 or #3), everyone else... -- Masquerade, 07:16:04 07/26/01 Thu

All the initial posts are at:

http://home.4w.com/pages/btvs/[character name].html

e.g., so Drusilla is at

http://home.4w.com/pages/btvs/drusilla.html

I also have tara, willow, giles, angel, angelus, and riley

I am working (slowly) on putting up posting board responses posts as well. Just have it for Tara right now. ------------------------------------------------------------------------

[> [> Thanks, I have read them, but I... -- Marie, 09:00:37 07/26/01 Thu

..was looking for the nifty page you did before, with the pictures!

M ------------------------------------------------------------------------

[> [> [> Re: Thanks, I have read them, but I... -- Masq, 09:09:20 07/26/01 Thu

That's what I was refering to with the

http://home.4w.com/pages/btvs/drusilla.html etc.

Original character posts with pictures. ------------------------------------------------------------------------

[> [> [> [> OH! and OOOOOOH! -- Marie, 11:35:28 07/26/01 Thu

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[> O.K., 1st Anniversary posts on Tara-Willow-Giles-Angel(us)-Riley-Dru-Spike -- Masquerade, 23:18:39 07/26/01 Thu

First anniversary posts on all of the above. Board discussion of posts coming soon (except Tara, which is already there)

Tara

Willow

Giles

Angel(us)

Riley

Dru

Spike
question about dead bodies -- nathan (aka: pocky), 18:59:39 07/26/01 Thu

Hopefully this board has a resident Funeral Director.

Here's my question: Aside from draining the corpse of blood, what else do they take from the body? Do they remove their insides as well?

~nathan~ ------------------------------------------------------------------------

[> Morbid much?:) -- Squonk's Tears, 19:22:36 07/26/01 Thu

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[> [> no! lol -- nathan, 19:33:50 07/26/01 Thu

I asked because I was thinking that if the undertaker removes the insides of the corpse before burial--what happens to the blood the vampires drink? and if the insides *were* removed, possibilities of Buffy being brought back from the dead as something other than a zombie would be negated.

I'm really not that morbid--Honest! ^_^'

~nathan~ ------------------------------------------------------------------------

[> [> [> And if she were cremated, then what? Yikes--ashy Buffy! -- Squonk's Tears, 19:51:57 07/26/01 Thu

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[> Re: question about dead bodies -- LadyStarlight, 20:57:50 07/26/01 Thu

AFAIK, after the blood and other liquids have been drained, the body is flooded with formaldehyde (SP?). This acts as a preservative, and prevents the body from decomposing quickly. Unless needed for evidence of some sort, organs are not usually removed before burial.

Really gross sidebar: however, the fully sealed coffins available these days prevents the decomposed body from ah, going anywhere.

(hey, what can I say? I'm an ex-librarian, I know lots of bizarro stuff like this.) ------------------------------------------------------------------------

[> [> formaldehyde, yep, that's right. and... -- anom, 21:31:50 07/26/01 Thu

"Really gross sidebar: however, the fully sealed coffins available these days prevents the decomposed body from ah, going anywhere."

Unless it's opened with...vampiric strength! Does it also slow the decomposition even more, in addition to the formaldehyde? I guess w/all the dirt on top, it doesn't make much difference in air circulation.

"(hey, what can I say? I'm an ex-librarian, I know lots of bizarro stuff like this.)"

Know whatcha mean, I'm an editor. That's why I can answer all the spelling q's. (don't worry, only if you ask). And it's another good way to learn all sorts of interesting & weird stuff. Like aerobic vs. anaerobic decomposition.

(Note to self: Enough of that, this is a philosophy board, not a science board!) ------------------------------------------------------------------------

[> [> Modern burial methods defeat the traditional purpose of burial... -- Anthony8, 23:12:24 07/26/01 Thu

Which was literally to replenish the Earth by planting the body in the ground. Modern preservative methods, however, effectively prevent reabsorption of the corpse into the Earth thus preventing any meaningful fulfillment of "ashes to ashes, dust to dust." It's kind of sad how we've used technology to sterilize our lives to the point that even our funeral rituals are rendered all form and no substance. While I do admit, much of the preservative aspect is for sanitary reasons, much of it is to preserve the aesthetic quality of the body for the benefit of loved ones to view at their own convenience. IMO cremation is more in line with the real purpose of burial in then first place. Sorry--I yield my soapbox.

A8 ------------------------------------------------------------------------

[> [> [> No problem; that's why I'm going to be cremated .. -- verdantheart, 05:58:42 07/27/01 Fri
Wrong impression -- Rendyl, 21:22:43 07/26/01 Thu

Having loaded the jeep and headed for bed I stopped to skim the messages. The following is from the 'Faith' thread and I have only started a new post because I am very far off topic..

Quoting Talking Drum -

***She certainly hasn't committed the severity and quantity of offenses as Angel and Spike who, I might add, have an alarmingly large fan base on this board.***

Alarmingly large fan base? Angel and Spike are very well written characters portrayed by good (and in JM's case very good) actors. Why is it alarming that they have fans? They are not real. Neither of them live in the house down the road. Neither of them is going to be waiting around when I come out of the store or restaurant to snack on me. We (or at least I) are fans of compelling characters. Why shouldn't we be?

***In fact, it is a tribute to the writing staff that they have been able to manipulate some of us (myself not included)into a such a compelling of sympathy for these despicable characters that many revel readily in their ongoing antics (especially those antics that refer to their past misdeeds) despite their evil nature and past crimes.***

There is nothing wrong in disagreeing about a character on any given movie or tv program. I do think it is a little narrow-minded to assume everyone but yourself has been manipulated into feeling a certain way.

***It does give me a little better understanding now as to why Ted Bundy and Richard "The Nightstalker" Ramirez were so successful among the ladies, though.***

Uh, those men were real. Real men, real victims. Men, not vampires. Beings who should have had a soul, a morality, a guide...something to stop them from committing monstrous acts. Real people died there. No witty dialogue, no artfully arrainged death scenes, and rotting corpses to be dealt with. Real death. It is just not the same. Spike is an imaginary character and maybe you get nice insights on serial killers from him but I get none. Spike can never come close to being the monster those men were. HE IS NOT REAL and he is not human.

***And it makes me to shudder how easily people can be manipulated to forgive an evil boy's trespasses for a little taste of the dark side, as well.***

Spike and Angel are not boys. They are not even men. They are Vampires. A completely different creature. If it makes you feel better to believe some of us are so gullible and stupid we can easily be made to believe anything that is your prerogative. (you are wrong-grin-but it is your right to hold an opinion)

Perhaps you did not intend to be insulting but your above remarks are much more at home on one of the boards where the posts consist of "Spike is soooo kewl" and "Angelus looks sexy when he tortures people". (actual quotes from messages) Most of the discussions here address all aspects of the characters, not just whether they are cute or not. However you may see it we are not discussing -real- monsters here. We are (or at least I am) enjoying a make believe storyline/world.

Ren - who is really going to bed this time ------------------------------------------------------------------------

[> Round of applause for Rendyl -- AK-UK, 21:54:02 07/26/01 Thu

I'm not a lady, but TD's comments got my back up too. It's 5:30am in Britain and I'm knackered, so I was just gonna to type IT'S NOT REAL 50 times, but your well thought out post is much more effective :) ------------------------------------------------------------------------

[> definite kudos! *very* well said. -- Solitude1056, 22:29:07 07/26/01 Thu

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[> I wasn't gonna go there, but I'm glad you did! ;o) -- Wisewoman, 22:41:00 07/26/01 Thu

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[> [> While I'm at it nothing personal intended towards you either... -- Talking Drum, 01:16:33 07/27/01 Fri

I just couldn't think of anything opposite Talking Drum any more clever than murD gniklaT. ------------------------------------------------------------------------

[> [> [> All is forgiven...as far as I'm concerned ;o) -- Wisewoman, 11:08:40 07/27/01 Fri

My gripe was with the serial killer reference...I have no problem with Unwisewoman! She often makes an appearance here.

I totally understand the situation you found yourself in...it happened to me on other boards when I first started posting, and ended up in days of back-and-forth point-counterpoint and recriminations. I'm confident that won't happen here, because, believe me, this board is different.

You are obviously a thoughtful, articulate person and it's really a comment on the posting board as a medium of communication...we all gotta be careful how we express ourselves now and then. And yes, emoticons seemed juvenile and silly to me at first, but they sure help!

;o)

Wisewoman ------------------------------------------------------------------------

[> Is this for real? -- Rufus, 23:16:28 07/26/01 Thu

I'll go through a quote Rendyl used from Talking Drum, who has hit a nerve or two, or has he/she?

She certainly hasn't committed the severity and quantity of offences as Angel and Spike who, I might add, have an alarmingly large fan base on this board.

The first bit was fair enough, how do you compare apples and oranges, most of the main parties involved in BVS has been a killer. So how do you judge them fairly? Spike and Angelus/Angel are demons who are doing what their demon society norm encourages, they kill humans. They are the villians that the slayers battle to protect the earth. The change with both characters happened when they for whatever reason (chip, soul) have begun to act against their societal norm and sided with humanity. While they both continue to act for instead of against humanity I don't think we should be killing them as they can be valuble allies in a war not many are aware is even going on.

The Slayer is the hero, the one we expect to act as a protector, not become one of the villians. Faith is now in jail because she broke human rules and murdered a man and was caught. Buffy slays demons which aren't accounted for in our judicial system(can't prosecute what you don't think exists). Buffy did finally kill humans in Spiral still the hero as she was protecting unarmed civillians. But the fact remains BtVs is a fictional situation using myth and legend to tell a story. There is a big difference between the unreality of a fictional show and the very real serial killers mentioned by Talking Drum. They simply can't be compared to Spike and Angel as the real murderers wouldn't ever be able to show any empathy for their former victims. So TD is using situations that can't logically be compared as one is real one is not. The fans on this board like the actor and the struggle between good and evil, they don't take their tv experience and project it onto actual murderers.

The original idea of why do we come down hard on Faith and then cut Angel and Spike slack is fair enough. But TD changed the subject and hinted that fans of Angel or Spike are immoral. At that point he/she lost me as there is no debate possible with someone who has decided that they are the voice of morality and anyone else is a serial killer loving fool. ------------------------------------------------------------------------

[> [> Sorry already! I didn't know what emoticon to use for "tongue in cheek." Sheez! -- Talking Drum, 23:58:19 07/26/01 Thu

I have contributed quite a few, admittedly more subtle, posts to this board as well as portions of our "Relations" fanfic, so I certainly had no intent to disparage the morals of fellow posters here. Maybe I should have signed on with another name. "Devils Advocate" perhaps? Anyhow, we quite often discuss these characters as they relate to our view of real life and the real world. As AK-UK pointed out and my post was intended to illustrate, some posters have a double standard when it comes to Faith versus Spike and/or Angel. This double standard may just be my own perception. However, I drove the point home with a sledgehammer when a nudge would have worked just as well (attribute it to late afternoon caffeine).

In my defense, let's not take ourselves too seriously here. This is an open-minded discussion board. Even extreme viewpoints should be encouraged for the sake of debate at least. The hint that my post would be more at home on one of those boards (this is the only board I've frequented, so I wouldn't know about any others) where people post such gigglies as "Spike is kewl" is a bit elitist in light of the fact that I've seen quite a number of entries by regular, respected posters here that have addressed such thought provoking topics as "keep your hands off my Spike" and "spankings for all." So let's not get too full of ourselves here. Okay?:) If anything, the defensive tenor of some the responses to my original post are just as ad hominem towards me (and obviously so intended) as my "controversial" comments were perceived (not at all intended) by those who reacted negatively. Oh well.

TD (sheepishly) ------------------------------------------------------------------------

[> [> [> Re: Sorry already! I didn't know what emoticon to use for "tongue in cheek." Sheez! -- Rufus, 00:54:10 07/27/01 Fri

Hmmmmmm....I bet you felt manipulated....like I took you the wrong way....now you know what Rendyl felt like. You had a valid point about the difference in attitudes between the characters Faith and Spike and Angel, but you brought in a comparable (real life serial killers) that didn't belong in the situation. You used an extreme example and got an extreme reaction.

And remember when you talk about me it's "hands off my chocolate!" ...:):):) ------------------------------------------------------------------------

[> [> [> [> Actually, not manipulated at all since... -- Talking Drum, 01:07:16 07/27/01 Fri

..my post here was supposed to be a response to Rendyl's and ended up under yours. Like I said somewhere else in this tangle of responses, this is the first and only board I've ever frequented. Never been to a chat room or employed any other interactive forum on the Net other than e-mail. So I'm still a little new to all this.

TD ------------------------------------------------------------------------

[> [> [> [> [> Wasn't just speaking about my own post............. -- Rufus, 01:15:51 07/27/01 Fri

I totally understand about writing on the net being new as I started about last November. I'm no writer so I feel like I'm speaking like a kindergarten student. If people get upset with you or misunderstand you they will say something, if they think you are only a troll they will eventually ignore you. Never worry you will get used to the boards. Masquerade said it best when she told us how abrupt the conversations on the net can be, we can't see a face and we don't know if the person is being sarcastic ect., emoticons are great to get your point across.

Your point about Faith is valid. I feel that my reaction to her is because as a hero I expected more of her. As I got to understand the character more I could see that she was lost. I think prison is a good place for her at this time because she needs to be saved from herself(and with a movie career she could end up doing life:):)). ------------------------------------------------------------------------

[> [> [> Hey. Monty Python is a very thought-provoking topic. Really. (Isn't it?) -- Solitude1056, 05:32:28 07/27/01 Fri

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[> [> [> [> I always thought so -- verdantheart, 06:10:15 07/27/01 Fri

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[> [> [> [> Of course, all things Python are good in my book. -- Talking Drum, 10:05:46 07/27/01 Fri

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[> A different point of view -- Liquidram, 00:37:55 07/27/01 Fri

When I began reading this thread, my first thought was that a new troll had reared their silly little head. Finding out that the point in question was written by Talking Drum threw me. I have found TD's posts to be well thought out, informative and superbly written. I went back to the offending post with a new insight and quite frankly was still not in the least bit offended by it as I did not take the words as an attack on me personally, but as a compliment towards the writers and actors.

Since I am seldom as literary gifted as a great number of posters on this board, sometimes what I am trying to say and what actually is perceived become separated in my ill attempt to put it into words.

I have become substantially closer to alot of people here because of the amount of work we are doing on the website and with "Relations". We communicate daily, several times in fact and TD is a part of our team. We joke, we argue plot points and we get both frustrated when things get overwhelming, which they most certainly do, and excited when it comes together.

It has been said time and time again that the main pride of this board is that we respect each other's opinions whether or not we agree (which means that I also respect the opinions expressed above me on this thread.)

My purpose in this post is to explain that my interpretation was different, which describes, yet again the reason why this is the board I frequent and no others.

We are very lucky with this board in the respect that we have come very close to a friendship. We may never meet face-to-face, but we'll be able to continue adding up the tidbits that we share with each other until we have portraits of people we care about.

I'll step off my soapbox now! ------------------------------------------------------------------------

[> [> Thanks--I guess you got what I was trying to say. -- Talking Drum, 01:01:10 07/27/01 Fri

I am not a writer, just a dabbler here, so I know there was probably a more accurate way for me to get my point across in my original post. In fact, the apparently "offending passage" was a bit of a throwaway with a little bit of very dark humor tossed in that some took the wrong way. Oops. The fact that it provoked some controversy and discussion(except for the superfluous personal attacks) is a "good," though. I think.

TD ------------------------------------------------------------------------

[> [> [> One of the benefits of regular posting... -- OnM, 07:30:28 07/27/01 Fri

..is that you can gradually get away with a bit more extreme positions, or play a devil's advocate role, without getting dumped on overly much or being designated a troll, who after all are usually hit 'n run types, not regulars.

Maybe it was the late hour, or maybe because I thought you have some valid points, but your original post didn't bother me. One thing for sure is that the fact that it was signed 'Talking Drum', and that I have read other thoughtful posts by you, I automatically tended to assume that no rude intent was present, as you have demonstrated none in prior posts.

This can get scary sometimes when you are new to it, so don't take this too personally. Words can be dangerous, like Faith, that can get to be part of the 'charm'. Intent is everything. People, such as myself, who greatly enjoy the Faith character (and I remember making it clear in one of my past posts to Rufus that if I actually met someone like her in the realverse, common sense would say run like hell!.

So don't go away, we like ya. My writing philosophy here at this board has always been:

1. Be interesting, or try to.

2. Be interesting in an entertaining way.

3. Hope the others like what you're doing.

4. Be careful.

5. Occasionally be a little dangerous.

6. Worship cats.

:) ------------------------------------------------------------------------

[> [> [> [> Acck! Forgot to finish a sentence! -- OnM, 07:39:19 07/27/01 Fri

This was supposed to be:

"People, such as myself, who greatly enjoy the Faith character (and I remember making it clear in one of my past posts to Rufus that if I actually met someone like her in the realverse, common sense would say run like hell!), usually successfully differentiate between fantasy and reality. Some people don't and that can indeed be very, very scary."

(Appy-polly-loggies for da goof!) ------------------------------------------------------------------------

[> [> [> [> While I'm not exactly certain how I would incorporate point 6 into my writing philosophy... -- Talking Drum, 10:17:23 07/27/01 Fri

..I agree with your list and try to do the same. I really wasn't that alarmed by the response, but felt I needed to explain my intent for those who didn't understand. I'm not one to shy away from a good debate. In fact, I do from time to time test the limits just to see how vehemently people will defend their position. Yes, it can be a frustrating tendency. Oh well, I guess that's one of the plusses of poster anonymity.

TD ------------------------------------------------------------------------

[> [> [> [> Things to worship... -- LadyStarlight, 12:50:33 07/27/01 Fri

OnM, you're not going to worship me, I mean us Canadians anymore? *snurfle, sniff* Just CATS!?!

;-) ------------------------------------------------------------------------

[> [> Well said, Liq...that's a soapbox of a different color! ;o) -- Wisewoman, 11:11:34 07/27/01 Fri

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[> Sorry..I didn't mean to touch such a sensitive nerve. -- Talking Drum, 00:53:11 07/27/01 Fri

I have addressed some of your concerns in a post misplaced in response to Rufus' post below. I didn't mean to offend you. Of course these characters are NOT REAL (not shouting here just parroting your response). I believe the operative word here is "DOY!" I do believe, however, that many times the writers do specifically bait and manipulate their audience and kudos to them for it. After all, their job is to entertain and one of the big tools of entertainment, no matter how artful the writer, is manipulation. If they are really good, they manipulate you without you even knowing it. Oftentimes the audience consciously buys into the manipulation for entertainment's sake. In any event, everyone is susceptible--even you. That is not to say that you have been manipulated in this case. I have no idea there.

I do agree with you that Angel and Spike are compelling characters (NOT REAL--sorry had to remind myself) due to the quality of the writing and acting. There have been many evil characters in literature (also NOT REAL) who were very compelling. The actors breathe such life into the BtVS characters that they are fun to watch (probably again because they are NOT REAL). However, our discussions on this board regarding the morality of the characters in this fictional world we enjoy frequenting are informed by our views of the real world either consciously or subconsciously. Joss Whedon, in various interviews, has indicated that the vampires and other nasties of the Buffyverse are metaphors for many things bad encountered in the real world. Metaphors are a tool of evocation. Consequently, our reactions, good or bad to these nasties, one way or the other, are probably informed by our REAL feelings regarding the REAL world truths that underly the metaphors (granted, in the safety of the fictional environment). That was all that I was saying. No intent to insult although your response was clearly intended to insult me (no insult taken--all pachyderm here).

Devil's Advocate (aka TD) ------------------------------------------------------------------------

[> [> OT: manipulation/subversion -- verdantheart, 06:30:42 07/27/01 Fri

Just addressing the "manipulation" issue. Yes, I think Joss knew exactly what he was doing when he drew us into Spike's point of view, even as he was stalking Buffy (then abducting her). In real life stalking is not nearly so romantic as it can appear in fiction ('though it can be every bit as horrific). It's one of the aspects of BtVS I like. Makes me think.

A while back there was a series on Fox called Profit. It was dealt a quick death blow after four episodes, but by that time I was already hooked. A friend of mine called it "evil." Why? Because the "evil" character was sympathetic and all of the "good" characters came off as holier-than-thou snobs. I wanted to see Profit's schemes succeed. It was subversive, and I really, really liked it. ------------------------------------------------------------------------

[> [> [> OT: Profit-Which was a David Greenwalt production. -- Ophelia, 07:03:18 07/27/01 Fri

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[> [> [> [> Re: OT: Profit-Which was a David Greenwalt production. -- verdantheart, 14:38:41 07/27/01 Fri

.. which, oddly, I found out just after having posted that comment! Figures, doesn't it? ------------------------------------------------------------------------

[> [> [> [> [> Re: OT: Profit-Which was a David Greenwalt production. -- Ophelia, 19:01:52 07/27/01 Fri

And I was reminded of it right before I saw your post-talk about a coincidence! ------------------------------------------------------------------------

[> [> [> Re: OT: Profit, me too! I thought I was the only one. -- Deeva, 09:56:38 07/27/01 Fri

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[> [> Re: Sorry..I didn't mean to touch such a sensitive nerve. -- Wiccagrrl, 09:26:48 07/27/01 Fri

I think it's important to look at just what Joss is doing with these characters. I actually tend to think Spike, Angel, Faith, and Anyal all have very different roles in the Buffyverse in terms of examining the ideas evil and redemption/rehabilitation. And, since, as we've all been saying, these are fictional characters (we're all very clear on that, right ;)) it's a good forum for doing that. Many interesting issues have come up because of the attempted rehabilitation/redemption of these characters- questions about motivation vs. behavior, the importance of remorse, do any of these characters deserve a second (and in some of their cases third or fourth) chance. Is Angel a hero? Should Anya have to face some consequences for her past, and why does she seem to get a free pass? And, of course, does it matter that Angel has a soul? (or that Spike doesn't if he's trying to do the right thing)

The Buffyverse tends to do things on a fairly large scale. The crimes of these characters are in some ways almost larger than life, but the issues are very human (even though, in Angel and Spike's case, the characters aren't ;))

I think it's a little unfair to belittle those people who are interested in examining these issues, who don't think Angel or Spike, are lost causes. Can they ever make up for the evil they've done? No, probably not. But Angel is actively trying to make this world a better place, and Spike is more and more aligning himself with people who are fighting the good fight and even helping in that fight. Looking at the four characters I mentioned, I am interested in looking at Joss' answers to the question "Can people (or demons) change?" ------------------------------------------------------------------------

[> [> A quick point on art/literature... -- Javoher, 16:25:26 07/27/01 Fri

I found both Rendyl's and Talking Drum's points well taken. (How's that for middle-of-the-road???) ;) We use unreal characters to explain our real lives. Angel and Spike are conflicted, almost completely (morally) grey characters. That's why they have such broad appeal. Everyone can relate in some way or another, since none of us is perfect.

Indifferent art re-tells a timeless myth or legend; good art explains its own time; great art explains all times. Anyone ever cried upon seeing a Rodin for the first time? How about a Michelangelo? And I don't know where Joss' work fits into this spectrum. That can only be answered, like all art, by time.

Ooops...broke my soapbox. End of pontification... ------------------------------------------------------------------------

[> Chalk me up as dense. -- Solitude1056, 20:13:04 07/27/01 Fri

Yanno, I didn't even pay attention to who was being quoted. I went in search of the causative post & couldn't find it - at least not one with the timbre I was expecting.

Not surprised, since I find that sometimes we do get one or two folks who really don't know the difference between real/fantasy critters/characters. On the other hand, I'm bemused by some of the attraction towards Spike, Angel, Faith, and yes, even my own towards Evil Willow. Other than the physical appreciation since they're all very fine specimens, that is. Personality-wise? Hmph. Would I really want to be in a relationship with someone who'd only be able to socialize outside during night hours? And would I really want to be with someone who's got their own death certificate? No, I don't think so. And, like OnM, I think that Faith's a great character, with just the right mix to really off-set the SG as an "opposite," but I've met folks like her, in person, and yeah... I made tracks in the opposite direction, pronto. As my mother used to say, "that person is bad news."

And to add, I agree that Faith got held to a higher standard - regardless of her ability or capabilities to cope with that expectation - because of her 'calling' as a Hero. Not all Heros make it, and some are just doomed, by circumstance or by the writers who created them. That's where we get the tragedies, and it's another strain of the Hero myth, albeit a dark one. Whoever made the observation that Faith was acting - in her murder of the bookselling demon, and the old professor - on the demands of her pseudo-Watcher/authority figure, was right on. If Buffy were the standard Slayer, she'd be doing the same on demand of her Watcher & the C.o.W., and who's to say which is a worse crime? Killing someone that you know is guilty, or killing someone because it's a war and that's what you have to do? Buffy's a step beyond Faith - and thus IMO carries greater responsibility than Faith - because she calls the shots herself. Faith acted on someone else's demands, regardless of her own justifications, and did so without second thought. She was the tool that someone else wielded, just like the Slayers before her, and in some ways I think that's a crucial reason for making her Buffy's opposite.

Kendra did and said and was what her Watcher wanted, and she's dead. Faith did and said and was what her Watchers wanted, and she barely survived. In one case, it's a matter of ultimate submission to the authority figure; the other case is a matter of ultimate loss-of-direction without an authority figure. Until Faith could find a replacement, she was adrift, and once she found a replacement, she was back at work. Buffy, of the three, is the only one who made the step to declaring herself to be her own authority figure. This changes the tone, IMO, when one considers responsibility for one's actions, such as Buffy's defense against the Knights. Yeah, act of war & all that, but who's to say that there hasn't been a Slayer in the past who's been forced to fight, and possibly kill, a human whose intentions are entirely against the greater good - such as the Mayor pre-demon, or a human who aids and abets vampires, or a sorcerer whose works put humanity in danger?

Ok, tangled questions, but hell... it's friday. ------------------------------------------------------------------------

[> [> Starting to get worried that you're paying too much attention to my deranged notions...;) -- OnM, 22:34:11 07/27/01 Fri

***Kendra did and said and was what her Watcher wanted, and she's dead. Faith did and said and was what her Watchers wanted, and she barely survived. In one case, it's a matter of ultimate submission to the authority figure; the other case is a matter of ultimate loss-of-direction without an authority figure. Until Faith could find a replacement, she was adrift, and once she found a replacement, she was back at work. Buffy, of the three, is the only one who made the step to declaring herself to be her own authority figure.***

You probably didn't think consciously of this when you wrote the above, Sol, but this relates awfully closely to my Riley-post alternate creation theory where I compared Riley and Buffy to Adam and Eve and stated that Eve/Buffy actually passed 'the test' by eating the apple and getting cast out of paradise.

BTW, OT, you had recommended some books to me, a trilogy I think, and I wanted to check them out, but I didn't write the names down. Could you give me the titles again? Might have time to get to the bookstore this weekend.

Thanks! ------------------------------------------------------------------------

[> [> [> Yikes, I'm not channeling Joss... I'm channeling OnM! -- Solitude1056, 22:43:02 07/27/01 Fri

The books were, uh... hmm. Gee.

Oh, right.

The Golden Compass The Subtle Knife The Amber Spyglass

and now I can't remember the author's name - Philip something, I think... Paulson, maybe? ------------------------------------------------------------------------

[> [> [> [> Close...Philip Pullman ;o) -- Wisewoman, 22:53:52 07/27/01 Fri

All three books have recently been published in a single volume titled, "His Dark Materials." ------------------------------------------------------------------------

[> [> Faith as the Moon to Buffy's Sun (very long--sorry) -- Anthony8, 00:49:15 07/28/01 Sat

I've always thought of Faith as Buffy's "shadow", the moon to her sun. In a way, Buffy is Faith's sire since Buffy's death initiates Faith's calling. But before Faith the Vampire Slayer is allowed to fully form, Mummy is back from the dead. Faith can never equal Buffy since Buffy will be the "First Among Equals" as long as she lives. Buffy is older, more experienced, more gregarious and enjoys her own little worship circle. While they both derive their power from the same source, Faith's title is diluted by Buffy's continued existence. And yet both together represent the duality of temporal existence.

Like the moon, at best, Faith can only reflect Buffy's light. It is only as a shadow that the moon ever eclipses the sun, and then only for a very brief period. The sun represents the creative light of eternity while the moon is tied to all things earthly and temporal. The sun is essential for the origination of life, but the moon is necessary to regulate the tides, the floods that nourish the soil, and the female cycle that maintains reproductive fertility (things that have come to be characterized as evil in western mythology). The evil reflects the good.

To quote Joss Whedon in the Slayer Chronicle interviews: "Bad Girls and Consequences were our attempt to start exploring the idea of being a Slayer in terms of the power of it and how much fun it could be, and how intoxicating it could be, and how dangerous it could be, and we used Faith as a vessel." Douglas Petrie (Bad Girls writer) adds: "She is in many ways Buffy's evil twin. She gets to do all the things that Buffy would like to do but can't." And Joss again: "She was everything that Buffy would never let herself be." With these comments and keeping in mind the moon/shadow motif proposed above, Faith is very much Buffy's mirror image. I looked back over the tapes and noticed that, at least prior to her reawakening in TYG, Faith never strikes Buffy first. This may have been intentional on the writers' part or just pure synchronicity, but a shadow or a mirror reflection can never strike first. Stand in front of a mirror and try it. In fact, Faith never makes an attempt on Buffy's life. Not only that but Faith saves Buffy's life on at least two occasions (from Trick and by giving her the heads up on the Mayor's weakness in their shared coma dream). Buffy does try to kill Faith though and nearly succeeds (Buffy trying to eliminate her own evil self?). To twist things even further, Faith as Buffy in Buffy's body tries to kill herself (that is the Faith body) in WAY.

Some particular telling scenes of the Buffy/Faith duality:

From Enemies:

[Buffy and Faith end in a standoff, each holding a knife to the other's throat.] Faith: What are you gonna do, B, kill me? You become me. You're not ready for that, yet. Faith grabs Buffy's neck and kisses her on the forehead. Faith runs away.

And from GD1:

[In Faith's apartment. She reads a comic book while music blares.] [Cut to show Buffy behind her, across the room. Buffy turns off the stereo.]

Buffy: Thought I'd stop by. Faith: Is he dead yet? Buffy: He's not gonna die. It was a good try, though. Your plan? Faith: Uh-huh. The Mayor got me the poison. Said it was wicked painful. Buffy: There's a cure. Faith: Damn. What is it? Buffy: Your blood. As justice goes, it's not un-poetic, don't you think? Faith: Come to get me? You gonna feed me to Angel? You know you're not going to take me alive. Buffy: Not a problem. Faith: Well, look at you. All dressed up in big sister's clothes. Buffy: You told me I was just like you. That I was holding it in. They approach until they're standing face to face. Faith: Ready to cut loose? Buffy: Try me. Faith: Okay then. Give us a kiss. Buffy punches her in the jaw.

And from Consequences:

Faith: (grins evilly) Scares you, doesn't it? She climbs over the railing and hops down to the dock. Buffy: Yeah, it scares me. Faith, you're hurting people. You're hurting yourself. Faith: (approaches Buffy) But that's not it. That's not what bothers you so much. What bugs you is you know I'm right. You know in your gut we don't need the law. We *are* the law. Buffy: No. She turns her back and walks away. Faith follows right behind. Faith: Yes. You know exactly what I'm about 'cause you have it in you, too. Buffy: No, Faith, you're sick. Faith: I've seen it, B. You've got the lust. And I'm not just talking about screwing vampires. Buffy stops in her tracks. Buffy: Don't you *dare* bring him into this. Faith: (taunting her) It was good, wasn't it? The sex? The danger? Bet a part of you even dug him when he went psycho. Buffy: No! (continues walking) Faith: (follows) See, you need me to toe the line because you're afraid you'll go over it, aren't you, B? You can't handle watching me living my own way, having a blast, because it tempts you! You know it could be you! Buffy has had enough. She stops, faces her and backhand punches her in the jaw. Faith comes up smiling wickedly. Faith: There's my girl.

And from Who Are You:

Faith (Actually Buffy in Faith's body): You can't win this. Faith as Buffy: Shut up! Do you think I'm afraid of you? [Buffy grabs Faith and throws her down, then sits on top of her and starts punching her.] You're nothing. [Punch. Punch.] Disgusting. [Punch. Punch.] [Buffy grabs Faith's hair with both hand and bangs her head.] Murderous bitch. [Bang. Bang...] You're nothing. [Bang. Bang...] [Switches back to punches] You're [Buffy is now crying.] disgusting. [Faith grabs Buffy's hand to stop a punch and their hands glow.]

And finally, there is the revealing camera trick at end of the ep where we see Buffy's face and Faith's face superimposed together on the screen as real Buffy fades out and real Faith fades in.

Nice!

IMO Faith really loves Buffy and is ill-equipped because of her hard-knocks past to express her love in anything but a dysfunctional way (temptation, and striking out out of fear of rejection) which ultimately leads her into a spiral of evil. Buffy, on the other hand, is repulsed by Faith because she sees a little too much of her hidden self in her evil twin (dabbling with the dark side through her relationship with Angel, which she knew was wrong and doomed from the start) and refuses to face that fact. So while in the beginning she goes through the motions of appearing to have Faith's best interests at heart, she really wishes to control Faith or have Faith disappear altogether. Furthermore, when Buffy is in the power position to forgive Faith (in Sanctuary), which would be the ultimate heroic act of compassion, She can't bring herself to do it so it falls upon Angel to provide the only hope for Faith's reform and redemption. The tragedy is that Faith and Buffy lose each other because of their inability to accept the other as part of an integrated whole. Imagine the possibilities of two fully empowered Slayers (drawing power from each others strengths) facing the forces of darkness!

I know this is getting long, but the concept of Faith as Buffy's necessary opposite reminded me of some interpretations of Satan's relationship to God. In the Koran, Satan is banished to a place beyond God's love because he refuses to bow before man. Some have suggested that Satan so refuses because his love for God is so great that he can't bring himself to worship the lower human beings. God's reward for Satan's love is to deprive Satan of God's light. From that point on Satan, with God's permission (see the Book of Job) makes a career out of tempting and tormenting God's most beloved creation, humankind. Satan never attacks God directly because he loves him so (even obssessively, perhaps). God never blinks Satan into oblivion because Satan is one of his beloved creations and therefore a part of him. Now keep in mind that Faith (and Angelus II for a time-you know the post Buffy sleepage, pre Willow restorage Angelus) never tries to kill Buffy. She does go after Buffy's most cherished loved ones. Angelus II does the same, despite Spike's protestations to just kill the girl. More synchronicity or just wicked writer's tricks?

And finally, in keeping with my earlier sun/moon references, the snake or serpent are associated with Satan. Mythologically, the snake has always been associated with the moon as well because the snake sheds its skin (like the moon sheds its shadow)and thus represents the duality of death and rebirth or earthly mortality in the field of time. In Faith's dream right before her reawakening in TYG, a snake slithers into the picture while she and the Mayor are out on their picnic. Not so subtle, but very synchronous nonetheless.

Any thoughts?

A8 ------------------------------------------------------------------------

[> [> [> Re: Faith as the Moon to Buffy's Sun (very long--sorry) -- Rufus, 02:47:30 07/28/01 Sat

That's quite the gift the Mayor gave Faith, the ability to become what she most desired, Buffy. She finally had Buffy's life and friends but didn't have the skills to interact with them in a meaningful way, she was still Faith. When she saved that girl in the alley she got something I don't think she ever saw much of...gratitude..and she begun to shed her skin and see herself and her actions through Buffy's eyes. She still tried to screw Buffy by doing her boyfriend....Riley who said something I don't think she ever heard in her life..I love you(and he meant it). Faith finally got the fact that Buffy's life wasn't just a random popularity contest that her blonde locks won for her...she cared about the people she saved and felt an obligation to help others...it became catching because Faith(in Buffy still) came back to help the people in Church (she saw the light perhaps)only to be returned to her own body to leave town defeated. The level of self hate couldn't just have happened overnight, this is a character that placed no value in humanity because she saw no value in herself, through Buffys eyes she got the first taste of what being wanted and needed really is.

Some have suggested that Satan so refuses because his love for God is so great that he can't bring himself to worship lower beings. God's reward for Satan's love is to deprive Satan of God's light. From that point on Satan, With God's permission (see the book of Job) makes a career out of tempting and tormenting God's most beloved creation, humankind.

That reminds me of the dispute between the old ones that used to inhabit the earth before they lost their purchase, and man who took over. The last demon bit a human making the first vampire who has made a career of destroying what it once was, compelled by the demon who is a very sore loser. Seems to be a lot of vengeance and pay back in the Buffyverse.
Exercise in counter-factuals: Where was Dawn? -- d'Herblay, 00:10:18 07/28/01 Sat

In "Superstar," the spell Jonathan cast altered everyone's memories of significant Buffyverse events to be centered around Jonathan; i.e., Jonathan smashed the Master's bones, blew up the Mayor-snake, etc.

The spell the monks cast must have altered significant memories in similar ways, but, to the best of my knowledge, we never hear if or how Dawn's presence affected the events of seasons one through four. (Joss has said that the Buffy cartoon, which will be set back during Buffy's internment at Sunnydale High School, may feature Dawn.)

So, my challenge: If you could rewrite any season 1-4 episode to include Dawn, how would you do so?

For example, in October of 1997, in was not unheard of for pre-teenage girls to idolize the Spice Girls. Dawn dressed for Halloween as Posh. Unfortunately, she bought a feather boa from Ethan's, and became Victoria Addams. Then, while Xander set the defensive perimeter, Cordelia had some words about foundation, and a minor cat-fight ensued.

Of course, maybe Dawn, at eleven, was a little old for the Spice Girls; maybe Ethan's didn't sell feather boas. But, hey! It's my fantasy counter-factual and I'm sticking to it. ------------------------------------------------------------------------

[> Re: Exercise in counter-factuals: Where was Dawn? -- Malandanza, 09:37:46 07/28/01 Sat

Angelus visits Dawn's bedroom instead of Willow's -- and kills Dawn's fish. ------------------------------------------------------------------------

[> Re: Exercise in counter-factuals: Where was Dawn? -- Wiccagrrl, 09:38:16 07/28/01 Sat

This is a great question- one I've been kinda wondering about for a while. Some of the comedies it'd be fun to see how she fit in- Ted, Band Candy. But I also have some questions on the bigger issues- how she woulda reacted to the B/A situation back in season two (and more importantly Buffy running away), how/when she learned about Buffy being a slayer, etc. I also wonder what she thought of Faith. I imagine that she felt maybe a twinge of jealousy at the F/B bond at first. Also, it's been my experience that it's a whole lot harder to keep secrets when you have a kid sister in the house (and Buffy did a whole lot of secret keeping and sneaking out of the house the first couple of years) Sorry, no great answers, just intrigued by the possibilities. ------------------------------------------------------------------------

[> Re: Exercise in counter-factuals: Where was Dawn? -- MPN, 11:28:58 07/28/01 Sat

I would have loved to see Dawn in the classic "Becoming Part 2," not only because it remains one of my favorite episodes to date, but because of how important it was in the Buffy/Joyce relationship. This is of course the episode in which Joyce finally finds out about Buffy being the Slayer, and while she doesn't understand what it means, the point is she now knows. I'm sure Michelle Trachtenberg could have added a great deal to the scene where Buffy and Joyce confront one another, even if not verbally, just with facial expressions showing her horror at the fight they get into. She's one of those actresses that can convey tremendous emotion without even speaking. It also would have been priceless to see her inital reactions to Spike when he first shows up with Buffy, heh. ------------------------------------------------------------------------

[> Re: Exercise in counter-factuals: Where was Dawn?(Superstar) -- Malandanza, 06:53:12 07/29/01 Sun

"In "Superstar," the spell Jonathan cast altered everyone's memories of significant Buffyverse events to be centered around Jonathan; i.e., Jonathan smashed the Master's bones, blew up the Mayor-snake, etc."

"he spell the monks cast must have altered significant memories in similar ways, but, to the best of my knowledge, we never hear if or how Dawn's presence affected the events of seasons one through four. (Joss has said that the Buffy cartoon, which will be set back during Buffy's internment at Sunnydale High School, may feature Dawn.)"

How about changes to "Superstar"? Let's say Jonathan's spell made Dawn the slayer (and Jonathan's faithful sidekick) for the day while Buffy was merely the normal older sister. Dawn is a little young to be the slayer, but it would be interesting to see the role reversal and see how Buffy would react to sharing Xander's role as a powerless Scooby. ------------------------------------------------------------------------

[> Re: Exercise in counter-factuals: Where was Dawn? -- Cactus Watcher, 09:09:29 07/29/01 Sun

Having Dawn around certainly would make it easier to explain why Joyce never figured out Buffy was sneaking out every night. - "Where's Buffy, Dawn?" - "In her room writing in her diary, AGAIN. How come she's always writing when I want to do something? I've got a dairy. I don't write in it ALL the time." -"Well, Buffy's a teenager and teenagers need their privacy." -"Aw!" - said Dawn in a pretend whine, thinking, 'Mom, you are so dense!'

Seriously, every time I think of "Superstar" it cheapens Dawn's existence for me. Personally, I would be happier with a Buffy universe with Dawn and without the episode "Superstar." ------------------------------------------------------------------------

[> [> Superstar led to Dawn -- Wisewoman, 09:56:11 07/29/01 Sun

I think in many ways we needed to see Superstar and to hear the alternate reality, "World without Shrimp," hypotheses to prepare us for the introduction of Dawn.

I remember feeling exactly the same way in both instances, confused, fascinated, willing to suspend disbelieve and trust in Joss.

I think I understand what you mean about cheapening the concept though. Jonathan was just a normal shmo who changed the whole reality of the Buffyverse, while it took Monks with special knowledge, lots of time, an end-of-the-world-as-we-know-it reason, and the Key (possibly to everything) to alter it in a similar manner the second time. ------------------------------------------------------------------------

[> [> [> Re: Superstar led to Dawn -- Darrick, 10:23:03 07/29/01 Sun

Actually, didn't Jonathan do much more than the monks. I was under the impression that the monks didn't actually alter the course of reality but only manipulate memories. They would have had to alter some records, but otherwise I think Dawn is literally around 1 year old.

So, is Dawn a case of altered reality (i.e. the monks changed history so she would be there for the scooby's adventures), or did they just subtly manipulate memories? Memory manipultion would obviously be easier, you wouldn't even have install complete sets of memories. People would fill in the blanks themselves.

Also, did Jonathan's superhero effect extend beyond Sunnydale? Since Dawn's memory alteration "virus" would almost certainly have to, perhaps the monk's did have the harder job. ------------------------------------------------------------------------

[> [> [> [> Re: Superstar led to Dawn -- John Burwood, 12:19:40 07/29/01 Sun

Actually there is one other distinct difference. The magics of Superstar were 'unstable', & created a countervailing monster of evil. Tne monks' magic was stable & permanent, & created no monster. A much more professional job, & not unravelled easily as was Jonathan's effort. ------------------------------------------------------------------------

[> [> [> [> [> So it would seem, but... -- Cactus Watcher, 12:53:57 07/29/01 Sun

Can you not see that the monks did a rush job? Glory was breaking down the door at the time. It is rash indeed to assume the monks understood all that they were doing. The monks literally ruined Buffy's life. The world was indeed out of balance. As soon as Dawn was created either Buffy or Dawn had to die to put the world right again. When she died, Buffy had no way of knowing whether anything she remembered of her family life was real or not. If Dawn had died instead of Buffy, who's to say all of those false memories wouldn't have been erased? ------------------------------------------------------------------------

[> [> [> Re: Superstar led to Dawn -- Cactus Watcher, 12:01:45 07/29/01 Sun

I really enjoyed "Superstar" when it aired. Maybe I am saying that Joss (who every one insists is a genius) was a serious klutz last year. I think it's time to stop trusting Joss at all levels, and to demand more of him occasionally. There are many ways Dawn could have been introduced with the same ultimate results. I believe each of us could think of one. Instead of thinking something new, Joss picked an old way, one that had been discredited in "Superstar," as unreal and something to be reversed. For you we wouldn't be prepared with out "Superstar." I'm sure a lot of people must agree with you. For me the coming of Dawn was ruined by "Superstar." Like Giles I always felt during the season that Dawn just wasn't real. Now it seems to me Dawn is real, but everything going on around her isn't quite right. It also occured to me today that Buffy has too much in common with April. April was programmed to love Warren. Dawn was created in such a way that Buffy was programmed to love her. I really despise the episode with April because it gives weight to the idea that it's wrong that Buffy cared so much about Dawn. ------------------------------------------------------------------------

[> [> [> [> April & Warren vs Buffy & Dawn -- Wisewoman, 13:38:28 07/29/01 Sun

"It also occured to me today that Buffy has too much in common with April. April was programmed to love Warren. Dawn was created in such a way that Buffy was programmed to love her. I really despise the episode with April because it gives weight to the idea that it's wrong that Buffy cared so much about Dawn."

I don't think the monk's programmed Buffy to love Dawn at all. They just depended on what they believed Buffy would feel upon being presented with the "reality" of a younger sibling--protective affection with occasional doses of exasperation. And that's exactly the relationship between them until Buffy does the "pull back the curtain" (aka "rotate many foodstuffs") spell and realizes that Dawn is not "real." At that point, there's no love programming in evidence; she's pretty pissed and physically threatening to Dawn.

It's only when the dying monk reveals Dawn's true nature that Buffy seems to develop her overwhelming love for her--a combination of implanted natural sibling affection and a recognition of the position this poor "child" has been placed in, through no fault of her own. Buffy loves Dawn as much as she does because she realizes that Dawn, real or not, is an innocent bystander in the whole Hellgod scenario, and one who has no way of knowing (at that point) that's she's anything other than the 14-year-old sister of the Slayer.

I think she can't help but love her, but I don't think she was programmed to love her, as April was Warren.

;o) ------------------------------------------------------------------------

[> [> [> [> [> Re: April & Warren vs Buffy & Dawn -- darrenK, 15:14:41 07/29/01 Sun

Part of Buffy's goodness is her intuitive compassion for others and her willingness to make sacrifices for them.

That's what makes her a hero.

When Buffy thinks that Dawn is just her little sister, she treats her like she's just a little sister.

When she realizes that Dawn isn't her little sister, then her compassion kicks in and her love for Dawn becomes greater and larger like her love for the world.

Warren and April are indeed the other side of the coin. Love both created and thrown away for selfish reasons. First warren creates a loving being simply for sex then he's willing to endanger his community just to throw it away.

He's a metaphor for everything from SUV's and out of control consumerism to polluting corporations and the Bush administration.

As always, Buffy is different. She has already taken on a burden larger then most people could endure: Slayerhood. Now she accepts Dawn, the KEY to a problem that is certainly not hers, but she does more than embrace it. Like the Buddha, she accepts it and Dawn and the fate of Death with equal selfless compassionate sacrifice. More than willing to love and accept oblivion if it means redeeming the world.

dK ------------------------------------------------------------------------

[> [> [> [> [> Re: April & Warren vs Buffy & Dawn -- Cactus Watcher, 16:19:33 07/29/01 Sun

I didn't say they programmed Buffy. We know that the Slayer would have protected the Key in any case if she knew what was at stake. The monks apparently did not or they could have gone to her and asked her, "please, protect this!" Instead (perhaps because they had run out of time) they chose to send the Key to Buffy in a form SHE WOULD LOVE. Remember what Glory said. The monks could have made the key into virtually anything; a doorknob, a puppy, a pile of ooze or a rock on the moon. The monks chose to make the Key in the form of a sister, a human being. The monks made Dawn so that Buffy would love her, and protect her even if they didn't get a chance to tell Buffy what was going on. The topic of Buffy as a sister deserves it's own thread so I won't go into it here. But, you should understand that the monks intended to USE the Slayer, and for better or worse they did. Buffy's love for Dawn is real, but Dawn was built specifically for drawing on her love. I can't help but feel uneasy about that. ------------------------------------------------------------------------

[> [> [> [> Re: Superstar led to Dawn -- Malandanza, 13:50:12 07/29/01 Sun

"I really enjoyed "Superstar" when it aired... There are many ways Dawn could have been introduced with the same ultimate results. I believe each of us could think of one. Instead of thinking something new, Joss picked an old way, one that had been discredited in "Superstar," as unreal and something to be reversed. "For you we wouldn't be prepared without "Superstar." I'm sure a lot of people must agree with you. For me the coming of Dawn was ruined by "Superstar." Like Giles I always felt during the season that Dawn just wasn't real. Now it seems to me Dawn is real, but everything going on around her isn't quite right. "It also occurred to me today that Buffy has too much in common with April. April was programmed to love Warren. Dawn was created in such a way that Buffy was programmed to love her. I really despise the episode with April because it gives weight to the idea that it's wrong that Buffy cared so much about Dawn."

We have seen three different instances of alternate universes/alternate realities: the Wishworld, the Jonathanverse and Dawn. Of these, the Wishworld seems to be the only true alternate universe. Both Adam and Buffy (under the influence of a spell) were able to penetrate the illusions created by Jonathan and the monks. Additionally, Anya has spoken on many occasions about alternate realities, leading one to suppose that the Wishworld was just another such place she visited (plus, in the "Dopplegangland" shooting script -- written by Joss -- the Wishworld is explicitly referred to as an Alternate Universe in the stage direction). Had Dawn followed the pattern of "Wish," merely being alternate reality Dawn, I think the results would have been less than satisfactory.

But the Jonathanverse has much in common with the Wishworld. As John Burwood pointed out, the Jonathanverse was unstable. Ultimately, it would have collapsed on itself, with or without Buffy's help (which is why Adam remained unconcerned). In both "Wish" and "Superstar," Cordelia and Jonathan were granted powerful wishes -- with powerful strings attached (Cordelia ended up dead). It does not alarm me that Jonathan was able to call up such powerful forces -- it seems to be established in the Buffyverse that the most powerful demons cannot act in the Buffyverse except through a human agent. These "unstable magicks" wreak havoc for a time (destroying the person who was supposed to benefit from them) and then fade away, leaving little or no imprint behind.

A big difference between Jonathan's spell and the monks' spell (aside from the lack of negative consequences) is that the monks actually created a new creature, rather than just modifying memories of existing creatures. I do think that much of the last season could be reversed by destroying Dawn (just as breaking Jonathan's spell reversed the course of the past few days). However, I think there would be lasting effects since the monks' spell has endured so long (like Buffy and Glory would still be dead). That Dawn isn't entirely real is emphasized in "There's No Place Like Home", when Buffy performs the Tirer la Couture spell, she sees through the lies and deceptions, just as Adam saw through Jonathan's lies. Furthermore, Buffy knocks Dawn back into the wall when she thinks Dawn is some sort of malign entity -- demonstrating that she had not been programmed to love and protect Dawn. The monks gave her false memories so she would protect Dawn, but they did not place any sort of compulsion upon Buffy. If Buffy had not found out from the monk that night that Dawn was an innocent, it is not clear what Buffy would have done to her little sister. Certainly, I think that the Scoobies would have worked to reverse the spell.

Was it wrong that Buffy "cared so much about Dawn" even when she knew Dawn was a figment of the monks imagination? I think it would have been out of character for Buffy to turn her back on Dawn -- just as it would have been out of character for her to allow Tara to be taken away by her family. The false memories may have made it a little easier for Buffy to love Dawn, but I believe that even if the monks had made Dawn into a homeless waif, we would still have seen Buffy willing to sacrifice herself for Dawn in the end -- no programming necessary.

A real life article and Dawn -- Sue, 10:24:32 07/29/01 Sun

Below is a link to a story about a missing teenager. The only reason I post it here is the following paragragh

http://www.smh.com.au/news/0107/30/national/national6.html

"Before dawn, she dressed in a green gown her mother had bought for her school formal later this year, and walked barefoot to Mona Vale beach, where she had swum for the first time in Australia as a five-month-old baby. She left her neatly folded clothes by steps and vanished."

Reminds me so much of that scene with Dawn. ------------------------------------------------------------------------

[> Re: A real life article and Dawn -- Wisewoman, 10:50:14 07/29/01 Sun

You're right, it is very reminiscent of Dawn in The Gift. It's also interesting that Passy Reyes watched TV before going to bed on Tuesday night and then disappeared on Wednesday morning. When is Buffy shown in Australia? This young woman was obviously under a great deal of pressure and very troubled as well. She may, in fact, have been suffering the early symptoms of schizophrenia or schizo-affective disorder.

The other, much more mildly, freaky thing is reading a news report dated Monday, July 30, when it's still only Sunday morning here on the west coast of North America. Weird!
tara changed? -- gds, 10:50:36 07/29/01 Sun

After her ordeal Tara obviously will not be quite the same as she was before. Major trauma always leaves its scars, but I am wondering if there are not deeper changes. Does she share any of Glory's (or Ben's) memories? Does she now have any of their skills or powers? Did she inherit any of Glory's mental instability? It seems doubtful that the restoration was 100% successful. There were probably pieces of her left in Glory and pieces of Glory left in her.

OT. I haven't been keeping track of the sponsors of my favorite show, but I noticed with some amusement that in the latest showing of THE GIFT that the cotton industry was a sponsor to the destruction of that well known hater of cotton (Glory). Hmm. ------------------------------------------------------------------------

[> Re: tara changed? -- OnM, 11:49:38 07/29/01 Sun

Some interesting points, quite possible the writers will draw on that. While I doubt that Tara will gain any 'powers' as a result of her unwilling bond with Glorificus, the instabilities or memories are a distinct possiblity.

BTW, regarding your cottonific OT, please be sure that when you e-mail Masq with your regular poster's credentials, you fill in '11' in the TTMQ portion. I proudly welcome you to this elite portion of ATPo credibility/insanity!! (Hee-hee-- or is that Bwa-ha-ha? I always get those two confused...)

;-) ------------------------------------------------------------------------

[> [> Re: tara changed? -- gds, 14:49:42 07/29/01 Sun

Actually I had said 9 for the TTMQ , but she who is god on this board has the power to adjust such things. ------------------------------------------------------------------------

[> Re: tara changed? -- Cactus Watcher, 12:30:20 07/29/01 Sun

An interesting idea. What springs to my thoughts is having Tara 's lesbian sanity, mixed up with Glory's half-crazy narcissism (and perhaps Ben's troubled hetero mind as well). ------------------------------------------------------------------------

[> Re: tara changed? -- Liquidram, 14:39:35 07/29/01 Sun

Interesting comments and some that I even made in our "Relations" team discussions of where to take Tara.

It would stand to reason that Willow could not have separated Tara's essence alone from Glory during the spell, which would also mean that Tara had some of the KoB (Dominic's) essence also.... and she would probably on occasion have the urge to deliver mail. :) ------------------------------------------------------------------------

[> [> Re: tara changed? -- gds, 14:56:38 07/29/01 Sun

True, unless all trace of the others had been consumed by Glory. She did refer to EATING a brain so perhaps these traits disappeared after complete digestion -I don't even want to think about what would happen after that.

Also lets not forget Willow was the conduit, so she also probably has pieces of Glory & Tara. ------------------------------------------------------------------------

[> [> tara changed? Maybe, but somewhat off topic -- darrenK, 14:57:10 07/29/01 Sun

I don't know how much time there will be to explore such things. What with Buffy's resurrection/reincarnation/reanimation/cyborgiation/etc.

My own opinion is that the mindsuck was just a foreshadowing of Tara's victimhood. Joss and co. have gone out of their way to make sure that every character of the past 5 years has been complex with traits that are strong, weak, good, evil,etc. Only Tara has been maintained as good, wise and innocent, almost painfully so. And there has been plenty of time to complicate her.

Her only moment of slippage was in thinking she was half-demon, but even that wasn't true.

I like her and Willow's relationship, but I think Willow's growing greed for power and lack of boundaries when it comes to magical knowledge will somehow lead to Tara's death.

I know this is off-topic, I just don't think we're going to see Tara exhibit any schiz tendencies, mainly because I think she will stay good and uncomplicated, then she'll be toast.

Sorry.

dK ------------------------------------------------------------------------

[> [> [> cyborgiation? LOL! -- spotjon, 13:35:53 07/30/01 Mon

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[> Re: tara changed? -- Wisewoman, 19:37:08 07/29/01 Sun

Well, there may be some changes to Tara, but her first words to Willow after the transfer were, "You found me!" and I thought she meant, "In amongst all the dreck that Glory had floating around in what passed for her mind, you managed to find the part that was me and brought me back to myself."

But hey, I've been wrong before... ;o) ------------------------------------------------------------------------

[> [> Re: tara changed? -- Lucifer Sponge, 08:54:55 07/30/01 Mon

*sheepishly* Actually, her first words after the transfer were "Willow? I got so lost." And then Willow said "I found you! I will always find you!" Just to clear that up.

And, interestingly enough, I always thought that Tara was lost inside herself, not in Glory. I think what Glory really stole was Tara's strength and stability. My theory is that when she feeds she consumes a person's connection with reality. Having lost that connection the person's consciousness and personality gets lost in a sea of rampant insanity.

But I'm think I'm the only one who thinks that... ------------------------------------------------------------------------

[> [> [> No you're not. -- Solitude1056, 19:00:40 07/30/01 Mon

My theory has pretty much stayed the same, that Glory stole folk's identity (IOW, what ties them to the common reality, in what they know as their Selves). So the rest of the person's still there, but without an Identity, they have no basis or means to interact with others. No foundation. I'm sure there's a pop-psych way to express that, but got me if I know. ;-) ------------------------------------------------------------------------

[> [> [> Re: tara changed? -- Malandanza, 19:34:55 07/30/01 Mon

"*sheepishly* Actually, her first words after the transfer were "Willow? I got so lost." And then Willow said "I found you! I will always find you!" Just to clear that up."

"And, interestingly enough, I always thought that Tara was lost inside herself, not in Glory. I think what Glory really stole was Tara's strength and stability. My theory is that when she feeds she consumes a person's connection with reality. Having lost that connection the person's consciousness and personality gets lost in a sea of rampant insanity."

When I think of crazy people, I think of Lovecraft. In his stories, the protaganists are driven insane by too much reality. Rather than breaking a person's connection with reality, Glory might have severed their connections with all those parts of the brain that filter reality so it doesn't overwhelm us in a rush of sensation and horror. Contibuting to this impression is that Glory's insane victims could see through the illusions that the monks created to hide the key. Arguing against the notion is Glory's description of the insanity to Tara -- as if the conscious mind is forcibly locked away, leaving the subconscious to react to outside stimulae.

It's hard for me to imagine what Glory removed from each victim's mind, or why Tara's brain was so much different from that of the various others she had destroyed.
The 'Car Talk Puzzler' may be on vacation, but 'CMotW' is not - Also some links... -- OnM, 11:34:32 07/29/01 Sun

. to some interesting articles in today's Philadelphia Inquirer.

Firstly, for those who have just gotten back from vacation and clicked on your PC to go and viddy my most recent Classic Movie column (oh, yeah, that'll happen anytime soon!! ;)-- No, I didn't forget it, or run late, it's just that with the lengthy current main posts and the recently shortened main board page length, I got bumped to The Archives in just a mere day & a half. Ouch!

If you read the column and want to respond, you are welcome to do so here, since according to Masq you can't post responses to archived threads.

With that out of the way, and in the meantime, I read two very interesting articles in today's Philly Inquirer that I think my fellow ATPo boarders may find of interest, so I'll pass them along.

The first is movie & A.I. related and can be accessed at this link:

http://inq.philly.com/content/inquirer/2001/07/29/arts_and_entertainment/HUMAN29.htm

As a teaser, this quote concludes the article (Copyright Philly Enquirer / Carrie Rickey / 2001):

***Communicating via e-mail, Aldiss rejects the idea that these movies redefine what we mean by humanity. For him, they indicate "that we are the only animals on this planet, or possibly any other planet, who concern ourselves with such matters."

In other words, the smarter we get, the more reflective we become.***

The second is a site I haven't had a chance to visit yet, but sounds very intriguing for those of a philosophical or spiritual bent:

http://inq.philly.com/content/inquirer/2001/07/29/local_news/WEB29.htm

Please keep in mind that this is a daily paper, so I have no idea how long the links will stay active. I do know you can search their archives for free for up to a week after original publication.

Well, got some stuff to do at the moment, but, as usual, I'll be back later on. See ya'all!

:) ------------------------------------------------------------------------

[> Thanks! (o/t) -- Wisewoman, 11:57:49 07/29/01 Sun

Checked out killthebuddha.com and it's a fascinating site...most recent article is on the death of Carlo Giuliani in Genoa last week.

Going on to read the article that quotes Aldiss now.

;o) ------------------------------------------------------------------------

[> "Killing the Buddha" is an interesting site . . -- d'Herblay, 19:49:53 07/29/01 Sun

That Arts & Letters Daily sent me to a while back for an article on the spiritual and profane in the life and music of Sam Cooke. The direct link is http://www.killingthebuddha.com/ ------------------------------------------------------------------------

[> Buffy in the 'Car Talk Puzzler' -- d'Herblay, 20:21:30 07/29/01 Sun

Listen or read. (RealPlayer needed to listen.)
Nail polish and the Buffyverse -- Simplicity, 15:07:47 07/30/01 Mon

While watching "Tough Love" the other night, I noticed that Glory's nails were painted with black polish. That in itself suprised me. Is it just me or does it seem like she'd be likely to have long red talons? What does the polish symbolize?

So. . .I started thinking about the meaning of black nail polish.

Two other people have worn it. . .

Spike has been known to wear black nail polish. Have you noticed that it's always "chipped" and peeling? Does this mean that he's not completely evil or the chip prevents him from doing all of the evil deeds himself?

Oz is another character who routinely had black nails. Following my line of thinking, this probably refers to his wolfness.

Other nail polish mentions. . .

Drusilla is yet another. Though, hers tends to be red and chipped. Not sure what this certifies? Red is madness maybe? Glory wore only red and was obviously quite mad.

Last of all, Dawn . In "Fool for Love" she covers for Buffy saying that she was using the alcohol to remove nail polish. And says something to the effect that "some nail polish experiments are doomed to failure. . " Joyce made it sound as if Dawn routinely polished her nails. I'm not sure what this means. But, I wonder what color she would choose?

Any thoughts on this?

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[> Re: Nail polish and the Buffyverse -- Little Stef, 15:50:45 07/30/01 Mon

I think Dawn would wear a really Deep Red colour, because it is the colour of blood, and isn't it Dawns blood that makes her special as it holds the key.

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[> [> Re: Nail polish and the Buffyverse -- Rahael, 16:06:51 07/30/01 Mon

I have seen Buffy wear natural nail polish and also green. Wonder what that means........?

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[> [> [> Buffy used to wear silver a lot, too. -- Cactus Watcher, 19:04:23 07/30/01 Mon

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[> Okay, you all rate TTMQ 11:5! ;o) -- Wisewoman, 21:07:00 07/30/01 Mon

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[> [> Just you wait until... -- OnM, 21:46:42 07/30/01 Mon

..someone does their doctoral thesis on 'Asynchronous Digital Chromatic Character Deconstruction in Post-Modern Heroic Folklore'.

I have no idea what the hell that means, but it sure sounds good!!!

Color me outa here for tonight!

;-)

Character theme tunes -- Little Stef, 16:06:17 07/30/01 Mon

Angel: Creep/Karma police both by Radiohead Willow: The Witch by The Cult Tara: Army Dreamers by kate Bush Xander: Heroes by David Bowie Buffy; Love will tear us apart by Joy Division Spike: I wanna be your dog by The Stooges Giles: The Fragile By Nine Inch Nails (how he feels towards Buffy) i cant think of anymore...what do ya think guys ------------------------------------------------------------------------

[> Re: Character theme tunes -- lagomorph, 17:21:33 07/30/01 Mon

How about:

BuffyBot: "Electric Barbarella" by Duran Duran

I had that song stuck in my head for days after "Intervention"! ------------------------------------------------------------------------

[> Re: Character theme tunes -- Simplicity, 17:30:14 07/30/01 Mon

Good choices! Especially Xander's song. I think that suits him perfectly.

Let me try. . .

Buffy: "Bitch" by Meredith Brooks * Don't get me wrong, I like Buffy and the song too, I think it sums up the softer as well as the harder side of her personality.

Spike: "Every Breath You Take" by The Police or "Addicted to Love" by Robert Palmer

Willow: "Hey Pretty" by Poe Think this captures both her darker side (which I hope we get to see this year!!!) and her lighter side. Speaks of secrets and I think Willow has a lot of them.

Giles: "Riders on the Storm" by the Doors This captures more the Ripper side "There's a killer on the road. .. his brain is squirming like a toad"

Angel: "Loser" by Beck. Okay, so just during brood sessions. .but come on "I'm a loser baby, so why don't you kill me?" "All the Man that I Need" by Whitney Houstan rounds him out, maybe from Buffy's perspective. ------------------------------------------------------------------------

[> [> Re: Could Glory's be "Let's go Crazy" by Prince? -- Soulkiller, 17:31:50 07/30/01 Mon

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[> [> [> Or Petula Clark's song about going shopping downtown... -- Solitude1056, 18:54:32 07/30/01 Mon

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[> Even More Character Tunes -- Squonk's Tears, 18:19:33 07/30/01 Mon

Okay, I'll bite.

Angel: Temptation Waits by Garbage

Spike: Vicious by Lou Reed, or Eaten By The Monster Of Love by Sparks

Faith: Not Angry Anymore by Ani Di Franco

Riley: Running Up That Hill by Kate Bush

Tara: Voodoo by The Neville Brothers

Willow: Day for Night by Bryan Ferry

Xander: Save Me by Aimee Mann

Anya: The Girl Can't Help It by Little Richard

Oz: The Stranger Within by Ultravox

Jonathan: Gravity's Angel by Laurie Anderson

Darla: Bad Reputation by Joan Jett

Drusilla: Shine On You Crazy Diamond by Pink Floyd

Giles: The Mayor of Simpleton by XTC

Dawn: Little Bird by Annie Lennox

Buffy: Just a Girl by No Doubt, The Ghost In You by The Psychedelic Furs
OK, campers, here's one for ya to check out. I suspect there will be opinions forthcoming! -- OnM, 21:33:36 07/30/01 Mon

Got to this link originally via Buffy News Wire. Seems some folks out there don't cotton to our l'il Buffy and her sexy, foul-mouthed, violence-prone friends.

While you're there, don't forget to click back to the home page and check out the call to action on a recent South Park episode. It's either hilarious or tragic, depending of course on which side of the fence you're on.

The link to the BtVS/Angel relevant stuff is:

http://www.parentstv.org/2001BestWorst/2001toptenworst.html

Now, my first question is, did The National Review suddenly go all liberal, 'cos I seem to remember just a very short while ago they declared BtVS ...one of the most moral shows on television.

Hummm, must be one of those dichotomy things I keep hearing about...

I'm confused... please help.

;)

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[> *cough*cough*cough* -- Solitude1056, 22:05:54 07/30/01 Mon

So I check the top ten, and it's Touched by an Angel, along with 7th Heaven - yes, campers, it's your favorite whitebread show - and several other shows that all revolve around good Christian values such as miracles, angels, and whatever. Hmmm. Maybe I should check out a few more of their ten worst shows - there's two in there that I already like so much! ;)

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[> Wow! Two shows in the Top Ten! -- Cactus Watcher, 22:11:53 07/30/01 Mon

It's good to know there are still websites out there for the mentally challenged. Seriously, Buffy/Angel isn't for younger teens, and doesn't pretend to be. On the other hand, it's too bad there is so little on of any quality for younger kids.

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[> National Review likes Buffy, New Republic doesn't -- d'Herblay, 22:14:34 07/30/01 Mon

The New Republic criticizes The National Organization for Women's "Feminist Primetime Report Update" for praising, among others, Buffy. Amanda Fazzone writes, "[M]any of the characters NOW praises don't break out of the sex object role at all; they bask in it."

More quotes: "Take 'Buffy, the Vampire Slayer,' among the shows 'NOW Recommends.' Starring blond bombshell Sarah Michelle Gellar as a vampire-slaying college coed, 'Buffy' receives feminist kudos for depicting a take-charge woman who kicks butts of both genders. But the constant barrage of 'Buffy' promo photos featuring the cleavage of a braless and tumescent Gellar makes it difficult to divorce the ass-kicking from the tits and ass."

"Moreover, it's clear that these female leads are being marketed outside their time slots not for their smarts and self-confidence but for their sex appeal. That's why Gellar is selling makeup for Maybelline--that is, when she's not playing silver-screen temptresses in Cruel Intentions, I Know What You Did Last Summer, and Simply Irresistible."

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[> [> Jeez, I didn't know women could *be* "tumescent!" LOL!! -- Wisewoman, 22:20:22 07/30/01 Mon

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[> [> [> I thought "effulgent" was wierd! -- Cactus Watcher, 22:23:41 07/30/01 Mon

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[> [> [> How can I put this? -- d'Herblay, 22:27:14 07/30/01 Mon

Wisewoman writes: Jeez, I didn't know women could *be* "tumescent!"

Nipples.

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[> [> [> [> Gotcha! Ooooh, how evil can SMG get? LOL again! -- Wisewoman, 22:31:07 07/30/01 Mon

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[> [> Looks like New Republic didn't bother watching the show ... -- verdantheart, 05:45:48 07/31/01 Tue

.. relying on ads and promo material instead. Besides, don't you have to be a tad more voluptuous to be considered a "bombshell"? Their comments are pretty funny.

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[> [> Re: National Review likes Buffy, New Republic doesn't -- dream of the consortium, 09:26:16 07/31/01 Tue

I read that article. Did you notice no indication was given that the writer had actually watched the show? She writes about the marketing and the promo material and what else Sarah Michelle Gellar does with her time, but makes no mention of other facts about the show that might be of interest to people concerned with the depiction of women on television - like, oh, say, the presence of a positive and complex lesbian relationship that involves one of the central characters? Or the depiction of a strong, competent, sexual, intelligent single mother who is devoted to her child? Critics seemed to have forgotten that marketing is not the same thing as content.

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[> [> [> Re: National Review likes Buffy, New Republic doesn't -- mundusmundi, 12:22:05 07/31/01 Tue

Critics seemed to have forgotten that marketing is not the same thing as content.

Roger Ebert, who at least hasn't forgotten, likes to say, "A movie is not what it is about, it is how it is about it."

Replace "movie" with "TV series," and it's a nice reminder for how to view shows like Buffy.

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[> Good grief! Wonder what they'd think of UK TV! -- Marie, 04:25:49 07/31/01 Tue

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[> They could at least learn to spell Drusilla... -- Lurker Becoming Restless, 05:47:38 07/31/01 Tue

Oh, no. That would mean actually investigating the program.

I get the impression that the people who compiled this list just browsed through a TV guide and picked any shows they felt they could whine about - no context, no understanding, no wish to engage with the ideas presented...it's just so last millenium.

Yuck!

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[> Re: OK, campers, here's one for ya to check out. I suspect there will be opinions forthcoming! -- anom, 07:11:59 07/31/01 Tue

"Now, my first question is, did The National Review suddenly go all liberal, 'cos I seem to remember just a very short while ago they declared BtVS ...one of the most moral shows on television."

They did? Don't s'pose you have the link to *that* one....

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[> [> Re: Anom-- Couldn't find the link, but I will look further. Here is the text. -- OnM, 09:07:09 07/31/01 Tue

The following is copyright 2001 The National Review Please do not redistribute w/o noting as such. I always make every attempt to give credit were credit is due! The original link to this was one that I found on Buffy News Wire, if I recall correctly. I will check into it in the event the original article is still posted.

*******

Morality Tale...From the Crypt Buffy the Vampire Slayer is one of TV's most morally serious shows.

By Chandler Rosenberger, assistant to the president of Boston University May 26-28, 2001

At the end of the season finale of Buffy the Vampire Slayer, there was only the tombstone.

BUFFY ANNE SUMMERS 1981-2001

BELOVED SISTER DEVOTED FRIEND

SHE SAVED THE WORLD A LOT

In the show's final episode, Buffy faced a cruel dilemma - save the life of her sister Dawn, or save the world? The Vampire Slayer had tried all her trademark weapons - the battle plans, the pointed quips, the martial-arts kicks. But in the end she had to hurl herself into oblivion to save both her friends and her kin.

Buffy - dead? After five years, was the show finally over? The chat room on the official Buffy website went berserk. Was the show ever going to appear again, or had UPN backed out of its deal to take it over from the WB?

Joss Whedon, Buffy creator and impresario, logged in to reassure the show's fans. "BUFFY WILL BE BACK NEXT SEASON," Whedon wrote. "How will we bring her back? With great difficulty, of course. And pain and confusion. Will it be cheesy? I don't think so."

Great difficulty, pain, confusion, but no cheese - that has been Buffy's life thus far. For five years, Whedon has subjected his heroine to nightmarish boyfriends, demon resurrections, petty jealousies, and six or so narrowly averted apocalypses. Buffy has faced it all, all the while offering up color commentary in her crisp, Valley-girl lingo.

But as entertaining as Buffy has been, the show also deserves respect for being one of the most morally serious on television. (Italics mine-- OnM) Loyal fans have watched as Buffy has struggled to be good in a world that, for all its supernatural foes, is still riddled with the anguish and difficult choices that teenagers across America face every day.

Buffy began her career battling the demons of Sunnydale High School, not all of them supernatural. There were, of course, plenty of horrors. The sexy substitute teacher who turned into a giant praying mantis. The swim coach who turned his team into championship-winning monsters. The hyenas that possessed kids on a class trip to the zoo. Sunnydale, it turned out, had been built on a gateway to Hell and as such attracted all manner of beasts.

But some of Buffy's worst opponents were all too human. Snyder, the school principal, seemed determined to expel her, while Cordelia, the hallway's queen bee, was frighteningly adept at dispatching self-esteem. "Nice dress!" Cordelia once remarked to a cowering classmate. "Good to know you've seen the softer side of Sears."

Buffy was the strange new kid, one who shunned the cool clique to hang out with the school's untouchables. She made friends with Willow, the geeky computer whiz, Xander, the class clown, and Rupert Giles, the school librarian and Slayer mentor. Slowly, the outsiders bonded together to battle high school's dangers, both mortal and moral. And one of the biggest challenges, they discovered, was tending to one's soul.

Since the very beginning, Buffy has always been more than a battle between the living and the living dead. Vampires can take life, but that's not really why they are dangerous. Vampires are dangerous because they steal the soul, the moral compass that gives life its direction and worth.

This is a threat that Buffy takes very seriously. One of the show's most powerful themes is that the vampires often seem to have the better deal. An eternity of leather, sex, and will-to-power, after all, can seem very attractive to your average high school kid. Vampires are not hobbled by conscience, and seem to be masters of adult indulgences. One minute, a high-school guy is nervously babbling as he tries to ask Cordelia out; the next he's confident, sexy, mysterious. You just don't see him much during the day.

But again and again, Buffy shows that this rock-star life is empty and brutal compared to the more difficult and more rewarding business of becoming a responsible adult, soul intact.

In the search for a worthy, mature life, the actual adults on Buffy haven't been much help. Buffy's father abandoned her. Her late mother, while loving and supportive, tended to turn on the psychobabble whenever Buffy had a real battle on her hands. Mayor Wilkins, villain of the show's third season, was a hilarious caricature of the clean living Pharisee. As he plucked Handi-wipes from a cabinet full of skulls, Wilkins would insist on good etiquette from his vampire lackeys.

"Remember," Wilkins once said as he ordered a massacre, "fast and brutal. And boys? Watch the swearing."

With its finger on the pulse of contemporary America, Buffy has cut frighteningly close to the anomie rampant in its high schools, where no adult seems interested in an honest discussion of right and wrong. In one episode, Buffy became clairvoyant, and discovered that students' minds were lost in a swamp of worries, fears and resentment. "This time tomorrow," she heard one mind think, "I'll kill you all."

The episode was ready to air in late April 1999, but was yanked in the wake of the Columbine High School shootings, which happened just a week before it was scheduled to appear.

With no adults to guide her, Buffy has had to learn her lessons the hard way. Her first serious boyfriend, Angel, was the show's only "good vampire" - one whose conscience had been restored. But he was cursed to lose his soul again after his first moment of "true happiness." When Buffy and Angel slept together for the first time, Angel's demon side took over. The "bad" Angel mocked a stunned Buffy for surrendering to him so easily, then abandoned her to go on a killing spree.

Naturally, Buffy had to have "the talk" with her mother, but the story of Buffy's troubles with Angel explored more than just propriety and hygiene. Sex, it turns out, is a risky not only because it has physical consequences, but - more importantly - because it unleashes such powerful passions. Where is the sex-ed class that teaches that?

Of course, it's possible to lose one's soul while remaining human. There was, for instance, the brilliant, charismatic character Faith, whose troubled childhood had given her a lust for mindless gratification. Faith seemed to be "girl-power" on wheels, driven to have men as she pleased. "It's strictly get some, get gone," she told Buffy. "You can't trust guys."

But for all her willfulness, Faith was shown to be wretched, living without real trust or love. In one of the show's most poignant episodes, Faith swapped bodies with Buffy, intending to escape in her new disguise and keep living as she pleased. Instead she discovered that she yearned to live out the moral life that Buffy had made for herself.

Buffy is sharp commentary, but it has not stooped to the snide American Beauty-style satire of suburban life. Even as a college student, Buffy has stuck close to home, and seems to want nothing more than freedom from schemes to overthrow her world. Her chief villains, on the other hand, are power-mad professors and velvet-clad, decadent, aristocrats waxing ponderously about schemes that will make the "very stars hide."

Buffy may be just an ordinary middle-class kid, but she knows how to put such vaunting ambition in its place. When Dracula himself appeared early this season, she wasn't sure whether to take him seriously.

"You're sure this isn't just some fan-boy thing?" Buffy asked the Prince of Darkness. "'Cause I've fought more than a couple pimply, overweight vamps that called themselves Lestat."

It's enough to make you wish that college students could treat Foucault with that kind of disdain. And another good reason, among many, to look forward to Buffy's rise from the dead.

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[> [> [> Got 'em-- here are the original links I followed... -- OnM, 09:31:06 07/31/01 Tue

The first one is the National Review article.

http://www.nationalreview.com/weekend/television/television-rosenberger052601.shtml

This one is the one from Buffy News Wire that leads to the above.

http://groups.yahoo.com/group/BuffyNewsWire/message/247

Don't know if the NR link is still active, but this is just so you have some proof I didn't make this up!

:)

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[> [> [> Thanks, OnM -- Masq, 10:10:55 07/31/01 Tue

Love this quote. Vampires as the Neitzschean Superman:

"One of the show's most powerful themes is that the vampires often seem to have the better deal. An eternity of leather, sex, and will-to-power, after all, can seem very attractive to your average high school kid. "

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[> [> [> Awwwww...for me? @>) -- anom, 21:20:19 07/31/01 Tue

Thanks! New Republic, huh? Aside from calling Xander the class clown, I'd say they got it right. One of the best things about the show is that it shows people as human, with flaws, making mistakes and having to deal with the consequences, complex (my best example is Willow crying in the bathroom after she found out Xander had had sex with Faith--even though she had a boyfriend she was very much in love with). And I agree w/others about the "10 Worst" list. They talk about the Buffybot as though the show had treated it as just fine, ignoring the fact that Buffy herself called it "gross and obscene."

BTW, that's my mutant cyclops smily in the subject line. I got sick of happy faces in the '70s.

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[> Re: OK, campers, here's one for ya to check out. I suspect there will be opinions forthcoming! -- Rendyl, 08:13:08 07/31/01 Tue

I think the gist of the site was a list of shows they do not feel are appropriate for children to view. The main objection seems to be that many of these shows are broadcast in what used to be the traditional 'family hours' for television. The error is not that they listed BtVS and Angel as unsuitable for children but that they did not acknowlege the disclaimer WB runs before each show stating it deals with mature themes. There are no surprises with Buffy and Angel. You know before viewing it will not be something for small kids.

(they also failed to mention that the sex and violence on Buffy/Angel do have repercussions and costs for the characters which is much better than pretending those things just do not exist at all)

I have a six year old. She occasionally watches a Buffy episode if I have seen it first. We do not let her watch Angel or South Park. (they are not kids shows)

I understand what the site is trying to do but even I have to disagree with their statements on turning the channel as losing. Not everyone has kids, but everyone does have a choice to change the channel or turn the thing off. When they advocate campaigns to remove shows they find offensive they are overstepping.

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[> my thoughts -- spotjon, 19:43:22 07/31/01 Tue

I've been thinking a bit lately about what should be considered appropriate or inappropriate for television broadcast, and I think that these people have missed the mark with their "top ten" list. My thought is this: it's not so much what is portrayed on the screen that is bad, but rather what is promoted as acceptable behavior that can be bad. I have no problem with a show that has violence, murder, mayhem, swearing (to a certain extent), and sex (though extended sexual scenes with lots of skin showing is unnecessary, IMO). The problem I have is when a TV show or movie promotes these things as good, or as something that would be fun to do. Shows like Ally McBeal or Friends rub me the wrong way because they not only contain, but promote with great intensity, immature and dangerous behavior. I appreciate the harsh reality of the pain that sex can bring in the early seasons of Buffy, and for showing how perverted something like the Buffybot is (a point which these reviewers apparently missed). I don't think that "graphic, bloody violence" is bad, so long as it isn't played for "fun," like it is in a lot of movies these days. These two shows are definitely not for kids (I probably wouldn't let any of my hypothetical children watch it until high school), but I don't think they need to be watching it, anyway. Parents indeed should not let their kids watch these shows, but that doesn't mean the shows are as decadent as Temptation Island. I appreciate what PTC is trying to do, but I think that they're going about it the wrong way.

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[> [> Re: my thoughts-- Very nicely put, spotjon -- OnM, 08:26:05 08/01/01 Wed

That really is the point, isn't it? What flips me out is how these folks mean well, but end up having the people they are trying to influence disregard their intent because of the often obvious cluelessness that they go about their task with. They seem to concern themselves with surface issues, rather than what those surface issues actually cover. They see only the most obvious of outer appearances, and judge the whole on that basis.

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[> [> The thing is... -- Kerri, 09:53:45 08/01/01 Wed

I have no problem with them saying the show isn't appropriate for young children (which I don't disagree with-it's an adult show. You could say the same about most movies that win an oscar), but it's just that they call it offensive.

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[> [> [> Offensiveness is relative -- spotjon, 11:00:02 08/01/01 Wed

The question shouldn't be whether or not a TV show is offensive. Everybody gets offended by something, but that doesn't necessarily mean that it's a bad thing. What we should be asking is whether or not such things are objectively bad to portray on screen. Nudity (at least in a sexual context) is bad to portray on screen, simply because sex should be private. Watching people have sex onscreen is close to being the equivalent of a peep show, the only difference being that the actors are simulating having sex. I don't care whether or not two characters having sex is important to the plot, they still don't need to show them getting it on. Just show them going into a bedroom and coming out again the next morning. In our sex-saturated culture, I think it's important not to go too far.

Keep in mind that I'm not speaking against this simply because I find such depictions to deeply offend me or because they make me uncomfortable, though they probably should offend me much more than they do. It's a little scary just how much I can watch without being offended. I think that our sense of propriety has been severely damaged by the popular culture that sensualizes everything from PETA to herbal shampoo. I think that it is a great wrong and disservice to publicize what should be private.

I generally appreciate the way that Buffy and Angel have handled sex, though I feel they have gone too far in showing more than they need to at times.

Just my 2¢, for what it's worth. :-)

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[> [> [> [> Re: Offensiveness is relative -- OnM, 12:43:32 08/01/01 Wed

You know, this strikes me as a perfect argument in favor of all television being 'Pay TV', in that you have to buy what you want, and only what you want. Commercial television is driven by advertising, and advertisers support whatever sells. Like lawyers, who espouse the (theoretical) neutrality of the law, it isn't a morality issue to most of them, it's a business decision. If people didn't want it, they wouldn't support the shows, and the advertisers wouldn't advertise. The people at the PTC site understand this, which is why they target the advertisers when they are unhappy.

It interests me that on the one hand, many congresspersons decry the 'low morality' of broadcast TV, but when it comes time to support PBS, (which for all practical purposes is now a viewer supported PPV service), they are only too happy to keep slashing the tiny remaining funding for it.

Also, the PTC folks are unhappy that the TV rating system seems to be having little effect on who views what. Whose fault is that? I remember watching 'The Matrix' a couple years ago and found myself appalled that, just a few rows back from me, some moron actually took his 5 or 6 year old along with him to see it. What good are ratings if adults stupidly ignore them, and expose their children to adult material?

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[> [> [> [> [> Nope. -- Solitude1056, 13:27:13 08/01/01 Wed

The PPV theory won't work if there's too many folks like me, who'd say (and possibly have said): I don't want to pay Mister Monopoly Cable Company that $17 a month, $25 a month, $35 a month whatever, when fer cryin' out loud, I'm only watching TV for two hours each week - one for Buffy, one for Angel. You break it down, I could get away with only paying at most a dollar or two a month, right? So no, I don't see anyone with any business sense ever going for the PPV route. Just too easy to make money when you can force someone to take, and pay for, a variety of options just so you get the extra cash.

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[> [> [> [> [> [> This won't happen just yet, but the technology will soon begin to support it. -- OnM, 21:09:03 08/01/01 Wed

What you need most of all to pull this off would be lots of bandwidth, maybe a nice fat fiber optic pipe into your local neighborhood (copper is fine from that point on, you really wouldn't need fiber into your home).

Look at what the Net has done for buying and selling books, videos, etc. What will happen when you can download a movie or TV show in a few minutes and watch it when you want?

The industry will change, that's what. I make no guesses at this point as to what the final form will look like, but when it has happened, you pretty much might be able to just buy two hours a week. Of course, you'll pay your pipeline provider, just like you do now.

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[> This says it all..."This season her younger sister, Dawn, who is also a slayer, will join Buffy." -- Kerri, 21:56:56 07/31/01 Tue

I found the qoute when I clicked on the link to the show's main page. I'm sorry but shouldn't someone at least watch the show before saying how wrong it is?

"Another episode featured Spike and Drucilla[could at least spell it right], another vampire, being sexually aroused by targeting a couple, breaking their necks, and sucking their blood in a public place." They talk about it as if the show presents killing in a positive light and shows sex without consequences.

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[> [> And also... -- Kerri, 22:01:52 07/31/01 Tue

The show is criticized for depicting a gay realtionship. Honestly, how closed minded can people get?

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[> [> [> Close-mindedness. -- Solitude1056, 06:33:40 08/01/01 Wed

I honestly never would've thought that I'd be on a board, discussing a TV show. Beyond that, I never thought I'd be on a board discussing a TV show that actually has a set of characters in a gay relationship. Let alone a TV show that's showed KISSING between a set of characters in a gay relationship! TV's come a long way, even if it's still got far to go. I recall long bitter arguments over the TV world's conservatism back in the 80's, when AIDS was first hitting the radar. And I know it's been a long haul, but it's still amazing - and wonderful - that we've got a wide variety of ages, backgrounds, and perspectives... and in writing the fanfic it's been pretty much unanimous that no one wants to include even the remotest note that there's tension between Tara & Willow. "No, don't set the stage for them to break up," I get emailed.

At first I thought, oh, that's sweet, and then it dawned on me: this is a lesbian relationship we're talking about, the kind of thing that even recently seemed to hit folks' buttons. (Reminds me of an old friends joke: "I don't mind heterosexuals as long as they act gay in public.") And yet, the fans of this show don't classify the relationship as anything other than "this is someone Willow loves," much the same way the Scooby Gang did, themselves.

Hell, we had the precursor in Larry, a character that I liked once he got over his whole macho-hetero thing. Recognizing himself, and being happy and content with that, was reflected in the way Joss wrote his character as well as the way other people treated him. That's way cooler than the Very Special Episode crap where a normally straight character is "oooh, going to kiss so-and-so" - or the Very Special Episode where the audience gets to find out that the character they've been certain is gay, all this time, actually IS gay, and they're gonna say so. Gasp! Horrors!

So ranting mode flitting on & off... I guess there's a lot of people that still have to do a lot of work on themselves. But I really appreciate not only that the Jossian view is to accept relationships and people for themselves, independent of society's expectations, but more importantly that he doesn't make a big deal of the fact that he does so. That's the best part - he treats things that make most TV folks jump hoops or have heart attacks - as just "one more part of living," and that has a great deal more power than the ol' "token gay (or black, or female)" routine.

Then again, it's this contented nonchalance with such things that really steams the socially conservative. And that's why I guess I've enjoyed working on a story where Tara/Willow figure in so large - it's a great dynamic, complex relationship, and it's a fun, sweet one. And better, none of the writers (anymore than Joss') seem to care that it's a hot political issue.

Well... that, and I suspect that after Tough Love/the Gift, every fan is at least a little bit in love with Tara. ;-)

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[> [> [> [> Re: Close-mindedness. -- Malandanza, 19:38:58 08/01/01 Wed

You mentioned Larry -- suppose instead of Tara/Willow Joss had done a Larry/Xander romance -- do you think BtVS would still be on the air?

Personally, I doubt it.

Lesbians are far more accepted in our society than homosexual males -- probably because they often figure into male sex fantasies. I don't see acceptance of lesbians as a sign of an enlightened civilization, but rather as a sign that prejudices are still in effect. Willow and Tara may have a "great dynamic, complex relationship, and it's a fun, sweet one" (although I see Willow as a domineering, control freak and Tara as the long-suffering partner), but there will always be people who tune in to watch two girls kissing. Sort of reverse prejudice, but still prejudice.

As far as the articles go -- one saying BtVS is moral and the other commenting on its immorality -- I just see that as the natural ambiguities of our language. The Moral article was commenting on Good vs Evil, with uncompromising Buffy as a moral leader. She does try to do the right thing -- and feels very guilty if she strays -- even refusing to condone a morally bankrupt utilitarianism in "The Gift." So it is a moral show in that sense of the word.

But sexually moral? Sure, pre-season four sex was typically shown with all its potential for ugliness (Angelus' treatment of Buffy, in particular). But the sexathon between Riley and Buffy in season four is enough to justify the comments about Buffy's morality -- too graphic -- we did not need to see that much skin (I didn't, anyway -- I have a good imagination :). The Angel/Buffy reunion in IWRY similarly seemed more an excuse to get Angel and Buffy virtually naked on national TV than vital for the plot (and cheapened Buffy's character by having her cheat on Riley). Even the first episode of Buffy had a scene eerily remisniscent of a rape at the end of the first episode, with Luke(?) hopping into the coffin directly about a battered Buffy. Not for children. This season: the sexbots, roleplaying between Harmony and Spike, stalking (and some bondage) with Spike/Buffy/Dru, Tara & Willow -- a host of sexual activity deviating from the norm.

I don't have a problem with National Review's comments.

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[> [> [> [> [> Re: Close-mindedness. (Warning: Somewhat TV-14ish post) -- OnM, 21:28:46 08/01/01 Wed

1 . *** Lesbians are far more accepted in our society than homosexual males -- probably because they often figure into male sex fantasies.***

2. *** (although I see Willow as a domineering, control freak and Tara as the long-suffering partner)***

3. *** but there will always be people who tune in to watch two girls kissing. ***

Regarding your comments that I've excerpted above, and because for whatever reason I feel like being the Evil Clone at the moment, I would like to comment/query:

1. True. You have to start somewhere. Judging from the fanfic sites I've scanned over in the last year from time to time, there doesn't seem to be a great shortage of 'ships of all types and gender configurations. Joss can only push the limits so far, so you take what you can get.

2. My question for the good ATPo posters to consider-- do you see Willow/Tara in any kind of a D/S relationship, even if subliminally, and if you do, which character is the dominant partner and which is the submissive one? Do you think this is consensual or is Malandanza correct and is it exploitative of either Willow or Tara?

3. Also true. That's a bonus for most heterosexual males, of which I am one, quite admittedly. But it's not enough by itself. (If T&A were sufficient, I would be watching Baywatch, which I don't). BTW, anyone read the Playboy 20-questions (actually 12) article with Aly Hannigan?

E.C.

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[> [> [> [> [> [> I read it, & Aly is NOTHING like Willow. Woo, and hoo! -- Solitude1056, 21:32:03 08/01/01 Wed

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[> [> [> [> [> [> Re: Question 2 -- Cactus Watcher, 22:07:04 08/01/01 Wed

It looked to me during the blow up between Willow and Tara, that the fight was really about Tara coming out of her shell. I was shocked at 'sweet Willow' griping that Tara wouldn't listen to what she had to say. We are talking about Tara, who's barely able to say anything in public. Maybe Will was just having a bad day, but it sounded like, "Listen sister, if I'm not the boss, I'm outta here!" The relationship won't necessarily proceed down that road. But being accepted by the other Scoobies means Tara is going to get more confidence (just like Willow did in high school). If Willow does try to be 'the' dominant one, I don't see them staying together.

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[> [> [> [> [> [> Sorry, don't read Playboy............... -- Rufus, 23:15:33 08/01/01 Wed

So is there a copy of the article that I can read to see what got Sol woo and hooing??????? Sol, does that mean Ally is closer to being like "Evil Willow"???

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[> [> [> [> [> [> [> If I post a link will you respect me in the morning? -- d'Herblay, 23:59:51 08/01/01 Wed

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[> [> [> [> [> [> [> [> As a night owl I'm hooting myself in laughter................:):):) -- Rufus, 00:03:58 08/02/01 Thu

Of course I will respect you....I take it there are no naughty pictures involved......:):):)And thankyou in advance.

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[> [> [> [> [> [> [> [> [> Here you go . . . -- d'Herblay, 00:09:43 08/02/01 Thu

no naughty pictures . . . somewhat naughty talk. Call it a soft R rating. Here's the link.

And here it is spelled out if you're text only. http://www.playboy.com/sex/feature/dirtydozen/alysonhannigan/

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[> [> [> [> [> [> [> [> [> [> Thanks....I'll never look at a chain link fence the same way again....... -- Rufus, 00:24:58 08/02/01 Thu

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[> [> [> [> [> [> [> [> [> [> All I can say is that Alexis Denisof is one very, VERY fortunate guy! -- Squonk's Tears, 11:21:43 08/02/01 Thu

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[> [> [> [> [> [> [> Evil Willow is taking notes right now... ;-) -- OnM, 06:35:52 08/02/01 Thu

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[> [> [> [> [> When it comes to sex, though... -- Solitude1056, 21:30:10 08/01/01 Wed

I might agree with the whole chicks-kissing argument if Joss were as in-our-faces with it as he was with Riley & Buffy plotlines. But he wasn't, for various reasons, and I think that worked well, since it meant you couldn't deal with them as a sexual pair but simply as a pair. Yeah, I get the point about homosexual relationships, and I don't know. I don't think TV/society is there yet - I was just remarking that the fans have proven to be open-minded on a variety of levels, and easily able to adapt to not only the moral ambiguities but also sexual/relationship ones, too.

As for sex, I had more than enough o' Buffy/Riley kissage and nakedage. I mean, come on, people, it verged on soft-core porn at times. Perhaps Joss was making a point that their relationship was grounding down to simply physical while others were moving to emotional, but I dunno.

As for Willow's issues and Tara's issues, I've no counterargument, because in many ways I agree with you there. It's not a perfect relationship, but it's sure easier to relate to than the Xander/Anya shindig, what with Anya being such a difficult character for me to grok. We don't see a lot of X/A being all sweaty and nekkid, but they're both real clear that the sweatiness is one reason they're together - and honestly, I'm usually left thinking, "gee, guys, that's not always enough." Tara and Willow, on the other hand, seem to relate intellectually as well as the implied physicality, is all.

Ah, but it's late, and I ramble...

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[> [> [> [> [> [> Okay, Anya is a difficult character to grok??? -- Rufus, 23:17:39 08/01/01 Wed

Before I assume you are talking dirty...what the hell is grok?

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[> [> [> [> [> [> [> No, no talking dirty, talking Heinlein. -- Solitude1056, 06:24:47 08/02/01 Thu

"Grok" is a verb created by Heinlein in his book, Stranger in a Strange Land. In it, the protagonist, Valentine Michael Smith ("Mike"), is the child of two astronauts who'd crashed on Mars many years earlier. A later Earth mission to find their remains discovers, instead, the now-grown child who was rescued and raised by the inhabitants of Mars.

- from the Jargon Dictionary:

grok /grok/, var. /grohk/ vt. [from the novel "Stranger in a Strange Land", by Robert A. Heinlein, where it is a Martian word meaning literally `to drink' and metaphorically `to be one with'] The emphatic form is 'grok in fullness'. 1. To understand, usually in a global sense. Connotes intimate and exhaustive knowledge. Contrast zen, which is similar supernal understanding experienced as a single brief flash.

And to understand why "grok" is such a powerful word, you have to sort of understand where it originated, and why that book was (and continues to be) earth-shattering for so many people. (Caveat: each person has their own "earth-shattering" book, usually read between 6th and 8th grade, when a person is perhaps most ripe. SinSL was not mine - I didn't read it til my mid-20's, but it's still powerful.)

From an *excellent* essay on Heinlein's novels, by Elizabeth Jordan:

Mike, having never been exposed to religion on Earth, knows only the Martian concept of philosophy. Life after death is a certainty, anyone on Mars can speak with the "Old Ones" who have died, or as Martians say, discorporated. (Stranger 15-95) God is also a given, something Martians grok as a concrete fact while still in the nest. To grok literally means "to drink," and is reminiscent of the water ceremony, but it also means to understand something so fully that you are a part of it. (Stranger, 266) Mike says "... there is only one religion - and that one is not a faith, it's a certainty." (Heinlein, Stranger, 381) God is something inside each person, inside each living thing. It is bizarre to him to see all the major world religions squabble over the nature of God when this information was a given to him while he was on Mars.

Heinlein seems to speak through Mike at many points in the novel about the nature of organized religion and how utterly senseless it is. As Mike finishes studying a pile of religious books, he says to Jill, his water brother, "Bits and pieces grok true, but never a pattern - or if there is a pattern, every time, without fail, they ask you to take the hard part on faith. What a dirty Anglo-Saxon monosyllable." (Heinlein, Stranger, 382) Heinlein also seems to lament through his character about the inability of most people to understand simple concepts. Mike says, "Thou art God and I am God and all that groks is God." (Stranger, 509) The message "Thou art God," means to Mike, "...not a message of cheer and hope [but one of] defiance - and an unafraid, unabashed assumption of personal responsibility. No matter what I said, [my followers] insisted on thinking of God as something outside themselves. Something that yearns to take every indolent moron to His breast and comfort him. The notion that the effort has to be their own... and that all the trouble they are in is of their own doing... is one that they can't or won't entertain." (Heinlein, Stranger, 510)

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[> [> [> [> [> [> [> [> Is there a difference? -- d'Herblay, 07:02:38 08/02/01 Thu

Sol warns: Caveat: each person has their own "earth-shattering" book, usually read between 6th and 8th grade, when a person is perhaps most ripe.

6th and 8th grade. Hm. That would make my earth-shattering book . . The Moon is a Harsh Mistress.

Damnit! I absorbed the wrong Heinlein!

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[> [> [> [> [> [> [> [> [> Re: Is there a difference? -- Solitude1056, 07:45:33 08/02/01 Thu

Gee, my earth-shattering book for 4th & 5th grade was Tolkein - by the time I got to 8th grade, it was J.J. Bronowski's The Ascent of Man.

Yeah, I was warped.

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[> [> [> [> [> [> [> [> [> [> Re: Is there a difference? -- d'Herblay, 08:21:40 08/02/01 Thu

Grades 4 and 5? Hitchhikers' Guide to the Galaxy.

The Dinosaur Heresies kicked me into non-fiction about tenth grade. Then I went to college and books stopped changing my life and started being my life.

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[> [> [> I beg to differ -- spotjon, 07:19:12 08/01/01 Wed

The PTC review doesn't say anything about Buffy depicting a lesbian relationship. It did say that the show had "bloody violence and perverse sexual situations with greater frequency and intensity this season," but I'm pretty sure that's referring to the Buffybot, not Willow and Tara's relationship.

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[> [> [> [> Re: I beg to differ -- OnM, 08:39:06 08/01/01 Wed

You could be right, spotjon, but I have to admit that when I read a phrase like 'perverse sexual relations' on an obviously conservative site like this, the first thing that springs to my mind is that they are referring to homosexuality. I tend to believe they think of the other (e.g. Buffybot/Spike) 'perversity' as just a logical extension of anything that deviates from 'normal' heterosexual relations. It's the old 'you smoke marijuana, next thing it's crack and heroin' concept. Of course sometimes that's true, and sometimes it's not.

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[> [> [> [> [> maybe, maybe not -- spotjon, 09:02:16 08/01/01 Wed

I wouldn't be terribly surprised if that comment was referring to the lesbian relationship in the show (though I doubt they've watched the show enough to even notice it), but I just don't think we need to jump to that conclusion when they haven't stated what they mean by it. It seems to me that if the lesbian thing was foremost on their mind, they would have explicitly mentioned it alongside of the Buffybot.

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[> [> [> [> It was when you click on the link to the show's main page -- Kerri, 09:48:36 08/01/01 Wed

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[> [> [> [> [> thanks -- spotjon, 11:32:11 08/01/01 Wed

I hadn't noticed that link before. I still think that the "perverse sexual situations" comment refers to the Buffybot, though. They don't seem to rate W&T's relationship as particularly worse than all the heterosexual encounters, so I don't think you can label them as homophobes. It's just another notch on their list.

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[> [> Please do not post spoilery things in subject lines -- Masquerade, 07:01:23 08/01/01 Wed

No matter how truthful or silly they are.

Thanks!

Masq

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[> [> [> Sorry....it was referring to last season so I thought it was ok -- Kerri, 09:49:54 08/01/01 Wed

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[> [> [> [> Since I don't read spoiler threads, no way for me to tell : ) -- Masq, 14:57:56 08/01/01 Wed

Could Faith ever become a Scoobie -- Brian, 09:37:35 07/31/01 Tue

Rewatching the opening episode of Angel's second season made me realize just how much had happened in one season, and how much forshadowing there was in that first episode. The epilogue with Angel visiting Faith got me thinking. Faith seems to now identify with Angel.

FAITH The road to redemption is a rocky path.

ANGEL (smiles a bit) That it is.

FAITH Think we might make it?

ANGEL We might.

A beat, as they garner strength from each other.

So, if Faith feels that she eventually has redeemed herself, could she go back and face the Scoobies,and try to be part of them? Or would her past encounters with them, prevent that from ever happening? Could the Scoobies forgive her? And if they forgave her, could they move on with their work. Could they ever really trust her?

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[> Re: Could Faith ever become a Scoobie -- Wisewoman, 11:36:08 07/31/01 Tue

"So, if Faith feels that she eventually has redeemed herself, could she go back and face the Scoobies,and try to be part of them? Or would her past encounters with them, prevent that from ever happening? Could the Scoobies forgive her? And if they forgave her, could they move on with their work. Could they ever really trust her?"

While it may sound as if I'm arguing the other side of the coin here, I think that Faith definitely could become a Scoobie. (Just because I can't forgive her for Lester Worth, doesn't mean the Scoobies can't!)

As AK-UK pointed out during the recent discussion, there are very good reasons for identifying with Faith and giving her a shot at redemption. It all comes down to what you do, if Spike is any indication. He could say whatever he wanted to Buffy about turning over a new leaf and being good, but it wasn't until he actually put the words into action, resisting Glory's torture, that Buffy acknowledged his actions as "real." I think Faith would be in the same boat. There'd be a lot of anger, distrust, and tension, but if she managed to prove herself by her actions they'd eventually come to trust her.

I think, for Faith, the biggest challenge would be in admitting that she actually wanted to be a Scooby, after having been so dismissive of them and their moral high ground in the past. Just that admission might be enough to make the Gang take a second look at her.

;o)

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[> [> I see a reformed Faith still as a loner, but good points! -- Cactus Watcher, 12:03:52 07/31/01 Tue

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[> Re: Could Faith ever become a Scoobie -- Deeva, 12:33:02 07/31/01 Tue

For Faith, I feel that there is nothing in Sunnydale that could draw her back. Unless, with the death of Buffy, she feels some sense of duty. But, since we know that Buffy (in some form) will be back, back to square one.

Could she go back and face the gang? Eventually, but her sense of gulit is huge. She felt incredibly guilty about the death of her own Watcher, she thought that she was at fault for not being able to stop Kakistos.

From "Faith, Hope & Trick"

Faith glances out the window herself, badly shaken.

BUFFY: What happened?

FAITH: I... (starts to cry)

BUFFY: It's okay.

FAITH: I was there when he killed my watcher. I saw what he did to her, what he was going to do to me... I tried to stop him, but I couldn't... I ran...

BUFFY: Faith, listen to me. First rule of slaying: don't die. You did the right thing, you didn't die. Now do the math: one of him, two of us...

I just can't see Faith trying to be a part of the Scoobies, after all that's happened. Don't know how to explain it, it's just how I feel. As for forgiveness, the gang probably won't come around for a while on Faith. Xander might be the first one to give her a chance but Willow, Anya and so on will take a whole lot longer, if at all.

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[> Re: Could Faith ever become a Scoobie -- vampire hunter D, 12:58:43 07/31/01 Tue

I don't think Faith will become one of the Scoobies. I think that she could perhaps someday if she wanted to, but I doubt she would. I agree with Deeva that there is no real reason for Faith to ever go back to Sunnydale (she may return once to try to reconcile with Buffy, but that would be it). Faith never really trusted the gang, and they never really acepted her. So with Buffy dead (and assuming noone tells Faith when she returns), then as far as she knows, the only person in Sunnydale she would want to see is gone. And even if Faith did go back, she probably wouldn't stay long. If you ask me, when Faith gets out of jail, she'll probably stay in LA with Angel. I say this because not only does she not only have nowhere else to go, but also the only person she really trusts (Angel) is in LA.

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[> Is asking Faith to become a Slayer again like asking an alcoholic if they'd like a Scotch? -- OnM, 14:52:46 07/31/01 Tue

I personally doubt that Faith would want to be a Scoobie, even if they were willing to cut her some slack and allow her to join them. I agree with her probably staying in L.A., at least initially, because of her need to have Angel help her in dealing with her death addiction.

My real thoughts on this issue are spelled out up there in the subject line-- if she is even willing to resume her Slayer duties, should she? Is the alcohol analogy valid?

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[> [> Analogy not great -- Cactus Watcher, 16:07:09 07/31/01 Tue

Most alcoholics I've known told me they hated whatever they were drinking. The scotch, wine or whatever was just a means of getting wasted. The sooner they were drunk the sooner they didn't notice what it tasted like and the happier they were. Faith, on the other hand, loves killing. As you suggest that is not particularly a healthy thing.

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[> [> [> I think I misread your title, but what I said still holds. -- Cactus Watcher, 16:12:16 07/31/01 Tue


Death -- Kerri, 13:11:02 07/31/01 Tue

Now I'm not sure exactly what the right word here is: conquer? accept? embrace? In "The Gift" Buffy in a way accepts death as hers. Now-bear with me please 'cause despite my trouble communicating I do have a point coming.

Buffy doesn't defeat death. She doesn't fight it. She can't. She can fight something that brings death but not actually death itself. Death isn't a thing-its more a part of each person. It may not be within someone's control how or when they die-but it is in their control how they face it. Buffy uses her death-she makes it her own. Death doesn't have power over her like it used to-PG. Death itself isn't inately evil.

Buffy doesn't fear death or try to fight it- she embraces it as an expression of her love for Dawn. And becasue of this, as Buffy says, she's "okay." Not happy(like she would be if she had a death-wish), but okay. I'm sorry but I'm going to have to quote Harry Potter(yeah, yeah I know its a kid's book but I really love it), Dumbledore(for those who don't know the characters-he acts as Harry's mentor on his journey) tells Harry, "to the well organized mind death is just the next great adventure." Death is a part of life.

This seems to be a bit of a Buddhist philosophy. And its previously been noted on this board that there have been several Buddhist images in the show. But, anyway, death is a part of life. It's a part of the cycle. It's a part of the journey. As Giles says in Restless, "It's all about the journey, isn't it?" Back to the hero's journey and death being a part of that.

So, I'm sorry that got a bit rambly, but I'm getting to my point now.

Contrast the way Buffy faced death with the way vamps face death. You might say that a vampire "overcomes" death. It is an obstacle. They can defeat it. But there is a cost. They lose their soul. They lose who they are. So really death defeats them. The vampire is lost in death. They don't complete the journey.

This all kind of goes back to the original vampire myth being Christian in nature. Now I'm not Christian so I really, really don't mean to offend anyone if I get something wrong and please correct me if I do. In Bram Stoker's, book Dracula was the anti-Christ(hense the crosses, holy water, etc.). He was all things evil and corrupt. This centers in a way around Dracula defying death. Jesus embraced death(no I'm not going to go on about the whole Buffy/Christ metaphore), Dracula and other vampires believe themselves better than death.

Now Joss could have chosen to eliminate the crosses, etc. like Anne Rice did, but he chose not too. And I don't think that the show really supports any religion over another. Willow is Jewish. There are TPTB-God-like but not really like any particular religion. The cross being where Jesus died is something that opposes vampires. It repressents acceptance of death.

Where am I going with this? Well, I'm not sure. The contrast between Buffy and vampires mainly. How that is related to Dracula calling Buffy kindred. Also, the importance of death as a part of the journey and why Joss wanted to Buffy to die then return.

So, this is the end of my really discombobulated rambling rant. Agree? Disagree? Comments?

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[> Re: Death -- Brian, 13:54:46 07/31/01 Tue

Man, you raise a great question! Why did Joss decide that Buffy's journey needed her to die. There are several choices available for the "Campbell" hero. However,when Buffy comes back (with knowlege) her impact upon the status quo should be enormous. Of course, we will have to see just what that status quo is when the season starts.

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[> [> You get a cookie............:):):) -- Rufus, 16:49:08 07/31/01 Tue

Death for Buffy in my opinion was a stop on the way through her journey. In Restless Giles in Xanders dream said "it's all about the journey isn't it?" then the voice of Tara at the end of Restless said...."You think you know...what's to come...what you are. You haven't even begun." Then in Intervention the guide said..

Guide:"You think you're losing your ability to love.?"

Buffy: "I-I didn't say that. (sighs) Yeah."

Guide: "You're afraid that being the Slayer means losing your humanity."

Buffy: "Does it?"

Guide: "You are full of love. You love with all of your soul. It's brighter than the fire....blinding. That's why you pull away from it."

Buffy: (surprised)"I'm full of love? I'm not losing it?"

Guide: "Only if you reject it. Love is pain, and the Slayer forges strength from pain. Love...give...forgive. Risk the pain. It is your nature. Love will bring you to your gift.?

We know that the guide told Buffy her gift was death. Buffy just wasn't sure of who the gift was for. She didn't get it. Her last words to Dawn included telling Giles that she got it now, that she was doing her work. I saw death as the gift that Buffy gave to the world out of love. And it will be the love of her friends that brings her back. Death was something that Buffy feared, now having experienced it will she ever feel that fear again? The Slayer forges strength from the pain, I wonder what the pain of death will forge in Buffy?

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[> [> [> Sorry my reply was for Kerri, she gets the cookie......:):) -- Rufus, 16:50:16 07/31/01 Tue

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[> [> [> [> Rufus, don't be mean! Cookies for everyone....:) -- LadyStarlight, 17:02:45 07/31/01 Tue

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[> [> [> [> [> Oh alright...........cookies for the board....:):):) -- Rufus, 21:14:44 07/31/01 Tue

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[> [> [> Now that you bring it up, the part I have trouble with... -- anom, 17:07:02 07/31/01 Tue

..is the part about "love is pain." It kind of got lost in the shadow of "death is your gift." Being open to love means also being open to pain, but that doesn't mean they're the same thing, & I would certainly dispute the idea that they are.

BTW, I'm glad I read vampire hunter D's rant before I started reading this thread. When I clicked on Kerri's (great!) post about death, one reply was shown under it. Her actual post showed 2 replies, but when I went back to the board & refreshed it, the whole thread was gone! At least I was able to Alt -> back to the post & click on the replies, which did show up (I think there was even 1 more). Makes me wonder if I'm typing straight into the archives here. At least I have some idea what's happening, if not why.

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[> [> [> Buffy's gift.... -- Kerri, 17:21:38 07/31/01 Tue

Rufus, thanks for the cookie! Yum! :)

"I saw death as the gift that Buffy gave to the world out of love."

I think that's partially it. But more importantly, perhaps, it was a gift to Buffy. She understood what being the slayer meant. That it was about giving life not bringing death. She understood the importance of love and life.

"Death was something that Buffy feared, now having experienced it will she ever feel that fear again? "

After Buffy "died" in PG she tells Xander, "I feel strong, I feel different." Ok-now I know there's a lot of different interpretations of this, but on the most clear level(that is without speculation about TPTB, whether maybe she she is more than the slayer now, etc.) this statement reflects the fact that Buffy gained strength by facing her fear. She overcame her fear. This was a victory not against death but against fear. Buffy was changed by this.

But this is different. How will Buffy be changed by being dead of four months? Well that depends...does she remember what happened when she died? What was it like? How did she come back? So many questions...but no answers! :( Well unless you count aint-it-cool spoilers-but they're just too depressing for me to believe! (Suicidal Buffy-oh God I hope not!) Guess we'll just have to wait 'till Oct 9th to find out where the journey goes next...

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[> [> [> [> What could be on the other side that would make Buffy anxious to go back? -- Rufus, 21:22:06 07/31/01 Tue

It will interest me to find out if and why Buffy would feel suicidal when she returns from the dead. I don't go with all the spoilers, I believe that Willow is capable of bringing Buffy back. If those hacks at Wolfram and Hart can bring back a mortal Darla (small flaw dying of syphillis)then why can't a very powerful witch bring back her much loved friend. I know the others had taken an oath to not mess with the natural order of things but Willow isn't one for rules if she wants something bad enough. The clawing out of her grave could be symbolic of a birth of a sort, it sure wouldn't be easy even for a slayer. But in the end we have to wait til the first ep airs to answer our question.

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[> [> [> [> [> Who was it who said... -- Solitude1056, 06:19:42 08/01/01 Wed

"You were so busy wondering if a thing could be done, you never stopped to ask if it should."

Same thing goes for the ultimately selfish act of bringing back someone who's died, beyond that, who made the choice to do so. I'm just not sure I could still respect Willow's character in the morning if she did, and I certainly wouldn't blame Tara for dumping her ass for it, either. Nor would I blame Dawn, Spike, Giles, Xander, or Anya if they had undercurrents of resentment at Willow as a result - and if they didn't, I'd be resenting Joss. So it's more wait-and-see...

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[> [> [> [> [> [> Ian Malcolm said that -- purplegrrl, 09:00:30 08/01/01 Wed

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[> [> [> [> [> I'm workin' on one possible answer to that, Rufus-- stay tuned! One other comment... (*S6 Spoiler*) -- OnM, 08:48:08 08/01/01 Wed

I have a hard time seeing 'clawing her way out of the grave' as any kind of passible symbolism for a rebirth. If this is in fact what happens, then Joss mislead us by using the 'rebirth' term, IMO.

I'd be interested to hear from any Christian-oriented posters here whether they think of Christ's return from death to be a 'resurrection', or if they ever think of it as a 'rebirth', and if so, why?

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[> [> [> [> [> [> "resurrection" vs. "rebirth -- d'Herblay, 13:46:51 08/01/01 Wed

OnM writes: "I'd be interested to hear from any Christian-oriented posters here whether they think of Christ's return from death to be a 'resurrection', or if they ever think of it as a 'rebirth', and if so, why?"

I would be lying if I called myself "Christian," but I would also be lying if a denied being "Christian-oriented." (I'm an atheist whose mother is in seminary. She's agnostic. Life is complicated.) Here goes.

The correct term for "Christ's" "return from death" is "resurrection." The corpse comes back to life (it is made perfect in the process). This is why the three Marys found an empty tomb (Luke 24:1-3). On the Day of Judgment, "all that are in the graves shall here his [Jesus's] voice, and shall come forth; they that have done good unto the resurrection of life; and they that have done evil, unto the resurrection of damnation." (Jn 5:28, 29.) Catholic doctrine insists on resurrection of the body because the soul cannot die.

"Rebirth," when it means "reincarnation," which means a soul is placed into an entirely new and different body, has no place in traditional Christian theology. "Rebirth" can also mean the process by which one is "born-again" in various well-publicized American denominations.

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[> [> [> [> [> [> [> Okay, Let's see if I stir it up a bit (with no disrespect to anyone intended) -- Anthony8, 18:16:09 08/01/01 Wed

Ultimately the "resurrection vs. rebirth" debate probably hinges on what dictionary you use. In terms of the Christian Bible, I would suggest that it is a question of dealing with literal and symbolic images simultaneously much in the same way that Jesus speaks in parables. Some individuals are incapable of understanding the truth behind symbols, so for them the literal will have to suffice. The symbolic, metaphors and parables, allow different individuals to have access to the Truth within their own level of understanding. Some have evolved enough so that they have a better understanding of what are essentially incompreshensible concepts (eternity, the infinite, ultimate source of all things, etc.). Some will never completely understand because of the physical limitations of their intellect, but the parables ensure that they are not shut out because of this disability. In fact, Jung had a theory that the Jesus's, the Buddhas, Einsteins (name your own "genius", "advanced thinker" or otherwise "enlightened one") were but the vanguards of human spiritual and intellectual evolution. They have evolved beyond the rest of society and are misunderstood in their time and are, consequently revered or feared as "supernatural" or "evil," respectively. Jung proferred that this is why such geniuses are often condemned since it takes society quite a while to catch up with them. Only later does society at large recognize the mistake of their ignorant ancestors because, to paraphrase Jesus they "knew not what they had done."

Anyhow back to resurrection. From what I have read (disclaimer:I am no biblical scholar, nor am I a follower of any particular religious practice, but I do study these things),"resurrection" in the New Testament refers primarily to the fact that the holy cannot truly be killed. The rising of the body is but a symbol of the eternal nature of God. Moreover, the physical resurrection of Jesus' body is necessary for him to fulfill Old Testament prophesies of the legitimacy of the Jewish Messiah. Throughout the Gospels, Jesus asserts his legitimacy by reminding those around him as to the prophecies he is fulfilling by his actions. With respect to "resurrection," specifically, the Sadduccees put the question to Jesus in terms of the practical inconsistencies of bringing people back to life. They point out that if one follows Mosaic Law in which a brother must marry his dead brother's widow, any resurrection of the dead would make the remarried adulterers and polygamists, which would obviously frustrate the other biblical laws. Christ corrects their interpretation of "resurrection" stating (in Matthew 22:29) "You are wrong, because you understand neither the scriptures nor the power of God. For at the resurrection men and women do not marry; no, they are like the angels in heaven. And as for the resurrection of the dead, have you never read what God himself said to you: 'I am the God of Abraham, the God of Isaac and the God of Jacob'? God is God, not of the dead, but of the living." The "living" is a reference to the eternal thread of all the souls that derive their existence from the biblical God (Actually, that's my interpretation).

This ties in well with Jesus' resurrection since he repeatedly tells those who ask for a sign from heaven that he is the messiah that the only sign that will be given is "the sign of Jonah." Jesus states: "For as Jonah was in the belly of the sea monster for three days and three nights, so will the Son of Man be in the heart of the earth for three days and three nights."(Matthew 12:40). Jonah's internment in the "whale" has been interpreted by many (Campbell was a proponent) as being metaphorical of the spiritual "death" and "rebirth" of the hero Jonah. The belly of the beast is supposed to be the realm of the unconscious from which the archetypes of eternity emerge. Fear is what prevents most from entering the dark realm or from understanding the message (eternal truth untouched by matters in the field of time) that awaits within the beast. Overcoming the fear is what leads you to the Truth and allows you to emerge from the darkness to embrace the Light (Nirvana, spiritual rebirth, etc.). There is a particular significance to the number three, which is another thread in and of itself, but I'll just note that you have to pass three before you can get to four (which in many religions represents the completion of a cycle or the embracing of the eternal). And many, many people spend their lives stuck at "three," if they even get there in the first place. So whether or not Jesus' "resurrection" is the factual revivification of his body is not as important as the sign that it fulfills (remember, "resurrection" itself is not so remarkable as to be exclusive to a messiah, since Jesus himself resurrects a few people in his journeys). The metaphor should not be confused with the truth which underlies it.

Okay, I know that was long. Sorry about that. I would like to add one more thing that I don't think anybody has mentioned yet with respect to crosses and vampires and addresses Kerri's first post in this thread, above. Another way the cross may be interpreted is as a fulfillment of the cycle of The Fall and the return of mankind into the good graces of "God." Mankind is sent out of paradise as a punishment for eating from the Tree of Knowledge. The new awareness gives mankind the knowledge of opposites--good and evil, male and female, man and god--a knowledge previously only possessed by God itself. Mankind is forbidden access to the Tree of Life because God reserves the right to eternal life to itself and is fearful that mankind would become as "God" with access to the fruit of the tree. Jesus on the Cross is not merely a symbol of the acceptance of death and a path to spiritual rebirth, but is the Tree of Life itself transplanted from the ideal realm of the heavenly paradise to the brutal reality of the mortal Earth. It is the symbol of eternity (unity with the source of everything) and as such is a powerful force against vampires who can never experience the eternal because they do not have human souls. It is not necessarily an anti-christian reaction by the vampires, but rather a mystical aversion to the ultimate symbol of what they cannot have--a direct relationship with the eternal (or at-one-ment).

And finally, another tidbit for OnM, if he is reading this: remember our 2001: A Space Odyssey discussion a few months back? How about this. The three monoliths (on Earth, the moon, and near Jupiter) are the Tree of Knowledge enlightening mankind in stages until he is ready to take "the ultimate trip." The monolith at the end of the film that transforms Dave into the Starchild is the Tree of Life that completes the cycle and brings mankind to at-one-ment with the source of creation. Have I gone too far this time (to quote Peter Gabriel: "...but I don't know how to stop--I don't know how to stop!"

What do you think?

A8

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[> [> [> [> [> [> [> [> Wow. Kaboom Warning on the Above! ;o) -- Wisewoman, 19:24:17 08/01/01 Wed

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[> [> [> [> [> [> [> [> [> Feedback. Please--I crave feedback. Villify me, validate me, whatever. Just feed me please;o) -- Anthony8, 19:33:55 08/01/01 Wed

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[> [> [> [> [> [> [> [> [> [> Kaboom = so rich with philosophical goodness it may actually make your head explode. -- Wisewoman, 19:47:45 08/01/01 Wed

That was my feedback!

;o)

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[> [> [> [> [> [> [> [> [> [> [> But I'm still hungry. Anything in particular that you agree/disagree with? -- Anthony8, 20:02:14 08/01/01 Wed

Thanks for the compliment. Your posts are always interesting, so if you feel like elaborating...

It doesn't appear that there are very many people on the board tonight and there is no Buffy rerun (at least on the SF WB affiliate) tonight due to a pre-emption by the movie "Spawn." Where is everybody?

A8

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[> [> [> [> [> [> [> [> [> [> [> [> I'm here..........:):):) -- Rufus, 20:03:38 08/01/01 Wed

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[> [> [> [> [> [> [> [> [> [> [> [> I'm checking my book of heresies . . . -- d'Herblay, 20:22:45 08/01/01 Wed

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[> [> [> [> [> [> [> [> [> [> [> [> [> If I'm mentioned, I guess I better make other plans for the afterlife! :0 -- Anthony8, 20:46:33 08/01/01 Wed

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[> [> [> [> [> [> [> [> [> [> [> [> By 'SF' do you mean San Fran, CA? I suspect that... -- OnM, 20:35:33 08/01/01 Wed

..many of us don't check in here until after 10 or 11 PM on most evenings, I know I often don't. That would be three hours earlier for you West Coasters. I've often posted stuff at midnight or so, and then sacked out, only to check in the next morning and found responses that would have been at 2 or 3 in the AM here in the East.

Interesting trivia question that I confess I don't know the answer to-- What country of the world spans the most time zones? My guess would be Russia, but I dunno for sure. Even the four that're in North America seem like a lot to me.

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[> [> [> [> [> [> [> [> [> [> [> [> [> Yep. San Francisco it is. Baghdad By The Bay. "Sodom Redux" ... -- Anthony8, 20:41:55 08/01/01 Wed

..in the eyes of many a far right winger.;o)

I think Russia spans six time zones. I don't know where I heard that. Perhaps those "heretical" voices in my head.

A8

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[> [> [> [> [> [> [> [> [> [> [> [> [> [> For some of us, San Francisco is the only town that'll take us! -- Masquerade, 09:06:19 08/02/01 Thu

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[> [> [> [> [> [> [> [> [> [> [> [> [> [> [> No matter where I go... -- Anthony8, 12:05:38 08/02/01 Thu

..I always end up back here, like some newt returning to his pond of origin. For others, who were not born here, it's about as far left as you can go in the contiguous U.S. without falling into the sea. Whatever it is, there is something magnetic about this place.

A8

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[> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> Which explains... -- Masq, 12:09:25 08/02/01 Thu

the aluminum foil cap on the head of the homeless guy who lives on my street corner.

"magnetic rays!" grumble, grumble "magnetic rays!"

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[> [> [> [> [> [> [> [> [> [> [> [> [> Ah! A question I can answer easily! -- d'Herblay, 20:57:21 08/01/01 Wed

OnM writes: "Interesting trivia question that I confess I don't know the answer to-- What country of the world spans the most time zones? My guess would be Russia, but I dunno for sure. Even the four that're in North America seem like a lot to me."

Yes. Russia with 9. Canada has 6 time zones (or 5 1/2 maybe): the four in the Continental U.S. plus Atlantic (Eastern Standard plus an hour) and Newfoundland time (EST plus an hour and a half). Plus Alaska includes two time zones, one for mainland Alaska, one for the Aleutians (a time zone shared by Hawaii). Greenland has three time zones, Atlantic Standard and EST+2 and EST+4. So North America spans the time zones from Greenwich Mean Time -1 to GMT -10 for a total of (no GMT -2, but with those heretical Newfoundlanders thrown in) ten time zones. I have no idea whether this is true for both Standard and Daylight Savings times.

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[> [> [> [> [> [> [> [> [> [> [> [> [> [> Re: Ah! A question I can answer easily! -- Solitude1056, 23:20:43 08/01/01 Wed

I was gonna say China, now that the Soviet Union isn't around (and a lot of the western parts of the former USSR aren't really considered part of Russia anymore) ... or are they? Hm. Russia it is, then, I suppose. ;-)

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[> [> [> [> [> [> [> [> [> [> [> [> [> [> [> Re: Ah! A question I can answer easily! -- d'Herblay, 23:57:24 08/01/01 Wed

China, despite being wide enough for four time zones, is entirely entirely on Beijing time. Which means that when it's noon in Beijing, it's noon everywhere, including Tibet and Xinjiang, where the sun's been up only a few hours. In Xinjiang, stores often post two sets of hours, "official" and "real." But because businesses are required to open on Beijing time, much business commences well before sunrise.

Much of Continental Western Europe does the same thing, meaning that parts of France and Spain that are west of the prime meridian are, in the summer, two hours ahead of GMT. I was in France just before the summer solstice, and it didn't get dark until after 11 p.m. I checked my watch against a sundial on the side of Chartres Cathedral, and while the official time was three o'clock, the sun indicated it was only one.

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[> [> [> [> [> [> [> [> [> [> [> [> [> [> ...and a *half* (Newfoundland)?? how does that work? (NT) -- anom, 07:32:14 08/02/01 Thu

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[> [> [> [> [> [> [> [> [> [> [> [> [> [> [> Re: ...and a *half* (Newfoundland)?? how does that work? -- d'Herblay, 08:07:45 08/02/01 Thu

When it's noon in New York, it's 1:30 p.m. in . . . I don't know of any cities in Newfoundland.

Whole countries do this. India, parts of Australia, Iran, Burma. Afghanistan is four-and-a-half hours ahead of and 400 years behind Greenwich Mean Time (can I make fun of Afghanistan without offending anyone here?). Nepal is five hours and forty minutes ahead of GMT. A number of island groups are off by fifteen or forty-five minutes.

A time zone is just a convenience. If every town in the world used local solar time (i.e., noon is when the sun is at the highest point in the sky for that day), then when it is noon in New York City, it would be 11:59 in Newark, 11:55 in Philadelphia, 11:36 in Pittsburgh, 11:29 in Cleveland, 11:24 in Detroit, 11:05 in Chicago, and eleven o'clock in Decatur, Illinois. This is actually pretty much the way it was 150 years ago, but it screwed up the railroad schedules something fierce, so we invented the time zone.

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[> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> St. John's, NFLD! -- Wisewoman, 10:57:33 08/02/01 Thu

I don't think they do it anymore, but the CBC in Toronto when I was a kid used to announce all it's programs with the tag..."half an hour earlier in Newfoundland." It was a hoot. Just one of those things that's intrinsically Canadian (and Newfoundlandish) I guess!

;o)

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[> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> Come on we're Godless Canadians, can't expect us to do the time zone thing in whole numbers.... -- Rufus, 13:11:07 08/02/01 Thu

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[> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> Hey, wait a minute. I'm pretty sure God is FROM Canada... -- Anthony8, 16:57:40 08/02/01 Thu

..didn't anybody see "Dogma"?

A8

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[> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> Many times........ -- Rufus, 16:59:50 08/02/01 Thu

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[> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> I had no idea! -- anom, 20:25:37 08/02/01 Thu

"(can I make fun of Afghanistan without offending anyone here?)"

Yeah, I'm pretty sure the Taliban aren't monitoring this board.

"If every town in the world used local solar time (i.e., noon is when the sun is at the highest point in the sky for that day), then when it is noon in New York City, it would be 11:59 in Newark, 11:55 in Philadelphia, 11:36 in Pittsburgh, 11:29 in Cleveland, 11:24 in Detroit, 11:05 in Chicago, and eleven o'clock in Decatur, Illinois."

Something like that happens w/the Jewish Sabbath, which begins at local sunset. Many Jewish calendars give the times for lighting Sabbath candles (18 minutes earlier) each week in different cities.

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[> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> Re: I had no idea! -- d'Herblay, 21:00:58 08/02/01 Thu

Of course, while noon is the same for all points on the same line of longitude, the length of day (and therefore sunrise and sunset) varies according to latitude, being longer in summer, and shorter in winter, the farther north you go.

In Islam, the start of each month is established by direct observation, i.e. the month starts when someone sees the first sliver of moon east in the evening sky after the new moon. This leads to some variation as to when months start and end between localities.

And my most hated violation of celestial-mechanics in Buffy is not the eclipse in GD2. It's in WML2, when the ceremony to reinvigorate Drusilla must take place during the new moon. Night falls, and Drusilla says, "Spike. The moon is rising. It's time." I just want to say, "Where? Iran?" Drusilla, baby, if the new moon is rising and you go outside, you're gonna fry.

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[> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> [> LOL! Reminds me of a friend who wanted to get married "by the light of the new moon!" ;o) -- Wisewoman, 21:16:53 08/02/01 Thu

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[> [> [> [> [> [> [> [> [> [> [> [> Ooops. Went to bed early last night and missed all the fun... -- Wisewoman, 12:05:13 08/02/01 Thu

..you certainly engendered a great discussion, though. I can't seem to clarify my thoughts on your original post. Don't know what it is...I know there's profundity there as is evidenced by the response, but for some reason my mind goes blank when confronted with mainstream theology.

It did raise a question in my mind about Joss, though. He must see the Buffy/Christ metaphor (analogy?) and be using it consciously, yet his general attitude toward religion in the Buffyverse is decidedly non-Christian (the Powers That Be, Hellgods, etc.) Is he trying to say something specific, or is he as confused as I am?

;o)

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[> [> [> [> [> [> [> [> [> [> [> [> [> Interesting Test (somewhat o/t) -- Wisewoman, 16:23:50 08/02/01 Thu

In this discussion of various religious viewpoints, it interested me that people described their own position vis-a-vis religion in the negative, IOW, not Christian, or Jewish, etc.

I recently took a test at smartselect.com called Belief System Selector (!). What surprised me about it was that I answered the questions as truthfully as I could, but while I was doing so I was thinking, "Oh, this is gonna come up that I'm really a Buddhist, or a Hindu, or something along those lines," and it didn't at all. I was actually quite impressed with the result. (Umm, that sounded wrong...I would have actually been delighted had the result pointed to Buddhist or Hindu.)

If anyone else wants to give it a try it's at:

http://www.selectsmart.com/RELIGION/

Let me know if you think it was accurate for you.

;o)

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[> [> [> [> [> [> [> [> [> [> Whatelse do ya want, I just killed a tree for you, now off to think too much about it...:):):) -- Rufus, 20:02:22 08/01/01 Wed

Remember the Slayer forges strength from pain, the pain can be that of rebirth or resurrection. I still see the climb from the grave as a rebirth from darkness to the light of the world. Buffy has proved to be an advanced thinker in relation to her slayer abilities and her sacrifice was an example of her ability to solve a problem in a new way. She could have shoved her sister into the portal or watched Dawn leap to her death, but Buffy saw that option as unaceptable. Buffy didn't want to send her sister into a void and accepted that void for herself. She took a chance and let love lead her to a new conclusion. I do not feel that Buffy will be back out of the selfish desire of one person but because she was meant to be in this world to complete her journey. Buffy will be back because the world needs her more than she needs the world. She will take up the task of protecting the world because that is the work she does.

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[> [> [> [> [> [> [> [> [> [> [> Ah, Buffy--a bodhisattva of sorts. -- Anthony8, 20:06:39 08/01/01 Wed

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[> [> [> [> [> [> [> [> 'The metaphor should not be confused with the truth which underlies it'. (Ooooooo....) -- OnM, 20:27:03 08/01/01 Wed

Kaboom indeed! Some minds are obviously never on vacation! ;)

There must be some variety of metaphysics occurring that is associated with this board, 'cos just a half-hour ago I was browsing through a copy of Roger Ebert's Movie Yearbook 2001, which I just purchased earlier today.

Being that this is the '2001' issue of this tome, he comments on Kubrick's film at some length. This part is relevant to your comments, methinks:

"Now consider Kubrick's famous use of Richard Strauss' Also Sprach Zarathustra. Inspired by the words of Nietzsche, it's five bold opening notes embody the ascension of man into spheres reserved for the gods. It is cold, frightening, magnificent."

"It is associated in the film with the first entry of man's consciousness into the universe-- and with the eventual passage of that consciousness onto a new level, symbolized by the Star Child at the end of the film."

(Copyright 2001 / Roger Ebert)

Synchonicity much?

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[> [> [> [> [> [> [> [> [> How's this one? -- Anthony8, 20:32:45 08/01/01 Wed

I was reading a review of the Kubrick Collection DVDs on a DVD review site (and, drats, drats and double drats!I can't remember which one) where the reviewer noted in his discussion of '2001' that the word "monolith" means one stone. He continues that the German translation of "one stone" is "Einstein." Synchronicity, indeed!

A8

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[> [> [> [> [> [> [> [> Re: Okay, Let's see if I stir it up a bit (with no disrespect to anyone intended) -- anom, 22:55:38 08/01/01 Wed

Whoo. Some deep stuff here. I can only comment on bits & pieces of it.

"Moreover, the physical resurrection of Jesus' body is necessary for him to fulfill Old Testament prophesies of the legitimacy of the Jewish Messiah."

OK, I'm a lot more familiar with Hebrew than with Christian scripture (it's not old to us, & not necessarily a testament either) @>), & yes, there are predictions of a Messiah, but I don't know of any prophecies that he would be killed & resurrected (any sooner than everyone else). He was supposed to bring an era of peace, & I don't remember anything about having to come back a 2nd time to do it. Oh, & btw, that supposed prophecy of a virgin birth in Isaiah? Mistranslation, dating back to the Greek. Yup.

"'...And as for the resurrection of the dead, have you never read what God himself said to you: "I am the God of Abraham, the God of Isaac and the God of Jacob"? God is God, not of the dead, but of the living.'"

Now I'm really confused. God said this after Abraham, Isaac, & Jacob were dead.

"Mankind is sent out of paradise as a punishment for eating from the Tree of Knowledge....Mankind is forbidden access to the Tree of Life because God reserves the right to eternal life to itself and is fearful that mankind would become as 'God' with access to the fruit of the tree."

First, "The Fall" is a Christian concept, & not the only one that can apply to this story (something I wanted to get into during the Riley:Buffy::Adam:Eve thread but didn't have time for). I'm not sure banishment from Eden was part of the punishment (cursing of the ground for man & of the body for woman) for eating the fruit rather than a precaution against their eating from the tree of life (not gonna look it up now, but I'm pretty sure it says so). Second, the original prohibition applied only to the tree of knowledge of good & evil; the tree of life was never expressly forbidden but was made inaccessible, & that only after Adam & Eve had eaten from the tree of knowledge--as if it's only a risk once they have that knowledge.

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[> [> [> [> [> [> [> [> [> Insightful post--perhaps I can clarify my original points. -- Anthony8, 09:02:42 08/02/01 Thu

As I said, I'm not religious in any way that people who are strict adherents of any one faith would probably want to associate with me. Moreover, I would never make any claim to speak for what other's believe. That is their right and so long as they don't harm anyone in the exercise of their beliefs, I wish them well.

I've always viewed the world's religious texts (all myths included) as being expressions of a greater truth that is ultimately beyond human comprehension. I am an adherent to the theory of archetypes advanced by Carl Jung. For me this is why there is such a great degree of similarity in the stories of the Native Americans, the Australian Aboriginal peoples, the African tribal religions, Judeo-Christianity, the Hindus, the Buddhists, and so on and so forth. I am also in agreement with Joseph Campbell that the greatest religious disputes in the world are essentially "metaphor wars." People of Faith (and I'm really generalizing here, so forgive me for that) will have none of that archeo/anthropological nonsense. Faith, afterall, is the belief in something that cannot be proven. Proof extinguishes Faith. Faith innoculates one against proof. Proof is a scientific idea grounded in the world of logic and the five physical senses. Faith lives in the world beyond sensation, although I would argue that all our thoughts and feelings, including Faith (uh-oh paradox time!), originate from our existence as sensual creatures.

Anyhow with regard to the specifics of your post, yes the Fall is a Christian interpretation of Genesis which is contradictory to begin with (there being two fundamentally different accounts in the bible-is the second not present in the Jewish texts? If not I stand corrected. My only copy of texts biblical is in a combined Old/New Testament book). However, I think I have assessed the "banishment" in the "Fall" chapter correctly. To quote: "then Yahweh God said, 'See, the man has become like one of us, with his knowledge of good and evil. He must not be allowed to stretch his hand out next and pick from the tree of life also, and eat some and live for ever.' So Yaweh God expelled him from the garden of Eden, to till the soil from which he had been taken." (Genesis 3:22) Yeah, man is not expressly forbidden to eat from the second tree. Read optimistically, one could interpret a hint that man may be allowed to return some day and partake in the fruit of that tree. At any rate, Yahweh doesn't seem to want man to have eternal life anytime soon at that point in the story.

Okay,the fulfillment of Old Testament stuff is also an interpretational thing. After all, their are Jews in the world today that believe that the messiah has been in here in the last decade (a rebbe from Brooklyn) and they base their belief on scriptural interpretation. The Jewish Jesus followers at the time of Jesus (I would suggest seeing the Frontline documentary on this for a quick anthropolical overview) were looking for a sign that Jesus was who he said he was. Some saw him as a blasphemer, some as a prophet (Islam views him this way), and some as the messiah. All based their beliefs on scriptural interpretation. When questioned as to his nature, Jesus, as a rabbi, cites specific "Old" testament passages to support his followers' belief in him as the messiah, but he often leaves it up to them to conclude for themselves based on their own understanding of those biblical passages. That's all I was saying with regard to that.

As for the "God is not of the dead, but of the living," quotation, I don't think it is that confusing if you interpret it in the context of the living spirit of God that is present in the line from Abraham to Isaac and Jacob rather than focusing on their physical deaths. Now that's just my interpretation of it.

Once again, great post. I would definitely like to hear more from a Jewish prospective (what are your thoughts on the cross and vampires--do you think it represents a pro-christian prejudice?)

A8

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[> [> [> [> [> [> [> [> [> [> Apologies for all the misspellings. -- Anthony8, 12:47:10 08/02/01 Thu

Oops. Thinking too fast for my typing skills again.

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[> [> [> [> [> [> [> [> [> [> Another perspective -- Kerri, 13:20:27 08/02/01 Thu

A8: You said you wanted to hear a Jewish perspective. Now my family is Jewish but I don't really consider myself to be only Jewish. I would call myself religious for my belief in a God(s), and I have read a bit about many religions. So I don't know if I qualify, as I'm certainly not an expert on Judaism but I was bat mitzvahed so I have studied Jewish beliefs. On that note I thought I would give my oppinion on crosses and vampires.

I began to get into this topic a little in my original post. I think that the origin of the vampire myth is Christian in nature. The depiction of Dracula as the anti-Christ seems to explain in part how the cross became a symbol that repels vampires.

Joss' Buffyverse does not seem to be partial to or supporting Christianity. Willow is a Jewish character. In "Passion" she hangs crosses in her room to keep Angel from entering and while she is worried that her parents will be upset she does not seem to think that this goes against her religion. Also there are TPTB-certainly not a Christian figure. TPTB are a God-like entity that does not appear to be linked to a particular religion. BtVS and AtS have both shown signs of devine influences-Amends, IWRY. These devine interventions do not seem to be linked to any particular religion but also seem not to oppose any religion.

In my oppinion the show has at least as much Buddhist influence as it does Christian. The idea of death being a part of the cyclke of life, and the abondance of Buddhist images in the show.

So-here's the question. If BtVS shows no allegiance to Christianity then why keep the crosses as part of the myth? I more or less discussed this in my original post but I'm going to get into it a bit more...

The cross represents sacrafice. It represents acceptance of death. Acceptance of the next phase of the journey-death. Vampires do not enter the next part of the journey. Out of fear, defiance, whatever, they chose not to die at a terrible cost. Death is natural. Vampires are unnatural beings. They have defied the natural order. The cross represents acceptance of this natural part of life. Vampires don't accept this natural process-they flee from it-and thus the cross causes them to flee.

Note that Buffy was in the possition of a cross when she jumped into the potal-she accepted the next step of the journey-and as she asks Dawn to tell Giles she is "okay". When I watched "The Gift" I was struck by hearing Buffy say "and I'm okay" just as we see her body. It seemed to me a bit eerie at first. She's dead but she's alrught. This reflected a new level of peace and serenity in Buffy's character. While seeing this image made me cry a little more(I know, I know-but I really don't cry at tv that much-in fact at all) it also made the end of "The Gift" less sad-because Buffy wasn't sad. She understood. She accepted.

On a side-note it would be interesting if because of Buffy's acceptance of death and her newly obtained serenity(kind of a Buddhist concept there) she had a power kind of like the cross. If she could hurt vampires with her touch. I know this is a strange idea that will never happen. It didn't just come out of the sky though. Actually it came from Harry Potter(once again I know kid's book and all but it really is excellent and I'd recomend it to all of you-most-actually I think all of my friends who like Buffy like Harry Potter). Harry's mom died to protect him. Because of this Voldemort can't touch Harry. He is marked by the goodness and sacrafice and Voldemort, representing the opposite-corruption and evil-is burnt by touching Harry.

Wow-that got a bit rant like sorry about that. I tend to start with an idea then go off on tangents.

Agree? Disagree? Other ideas?

~Kerri

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[> [> [> [> [> [> [> [> [> [> [> Vampire Paradox -- Rufus, 15:10:09 08/02/01 Thu

Season four was better than many give it credit for. They had many good ideas. One was Adam. In Who are You he says some things that are worth remembering.

Adam: I've been thinking. About vampires.

Boone: (threateningly) This is my place.

Adam: (unintimidated) You're place, yes. The sewers. You hide from them. Crawl about in their filth. Scavenging like rats. What do you fear?

Boone: Kill this guy already.

Adam: You fear the cross. The sun. Fire. (looks at his captive) And, oh, yes.........

(He clamps his other hand on the unfortunate vamp's shoulder. Close up shot of Adam as we hear him rip its head off. Cut to Adam's feet and the vamp's body falls to the ground, quickly followed by its head and it's in mid roll when they both disintegrate to ashes.)

Adam: I believe decapitation is a problem as well.

Boone: You can have the place. I mean, we don't have to stay here anymore.

Adam: You fear death. (Adam walks closer to them) Being immortal, you fear it more than those to whom it comes naturally. Vampires are a paradox.

Boone: (nervously) Okay. We're a paradox. That's cool.

Adam: Demon in a human body. You walk in both worlds and belong to neither. I can relate. Come.

The vampire is a creature of the darkness unable to tolerate the sun and fire, they fear the cross. They are a creature that can belong to neither the human or demon world..a scavenger like rats...this would explain Angelus's need to find meaning in his killing. He can no longer be approved of by the people in his life that would have mattered, he is powerful, immortal but fears the nothingness of death most of all. Vampires are creatures that have never progressed on the journey of life and death. They are trapped by their human form to be feared and despised by both man and demon. Buffy is herself a paradox, she is a slayer created from darkness to fight for the powers of light. She hates killing but does it to make the world safe for humanity. She feared death, but in The Gift finally understood death could also become a posative thing, a gift. She has accepted death and her place in her journey. She can progress, the vampires cannot. When Buffy jumped she was in the position of the cross, the thing that creates dread in vampires, she accepted the gift of death that the vampire fears. Buffy also feared that killing made her less able to love only to find out that her love is brighter than the flame. Buffy because she is so capable of love and sacrifice overcomes fear and uncertainty.

Adam: (pacing) I have a gift no man has. No demon has ever had. (faces them) I know why I'm here. I was created to kill. To extinguish life wherever I find it. And I have accepted that responsibility. You have lived in fear and desperation because you didn't have that gift. But it's time to face your fear.

Boone: Tell us what to do.

Adam: You are here to be my first. To let them know that I am coming.

Adam had a the ability to kill whatever he saw, he thought his gift was to extinguish life. Buffy feared her work as a killer because she didn't see death of any kind as a gift. Once Buffy understood the nature of the gift of death, she was okay with it and her work. Fear and desperation over her ability to love gave way to understanding and serenity. Adam failed because he misunderstood death as a gift. He saw his power as a way to destroy life and make a new master race of demon hybrids. His ideas came from the mind of a woman who had lost touch with humanity. Buffy kills to preserve life, only killing when she has to. Her gift of death was a sacrifice to save the world and all life. Both vampires and Buffy originate from darkness but love is what makes the difference. Vampires love in a self serving way, Buffy's love was for all. This is why vampires are scavengers and Buffy is the one thing they fear more than the cross, she is the embodiment of sacrifice and love, something a vampire fears. Adam told Boone to tell others he was coming, and he was destroyed by Buffy. Buffy has sacrificed herself and we all know she is coming back. She has work to complete.

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[> [> [> [> [> [> [> [> [> [> hey, thanks! flattery will get you...more discussion (looong) -- anom, 22:43:39 08/02/01 Thu

I don't think there actually is any such thing as "Judeo-Christianity," but I don't want to get into that in this post.

"...there being two fundamentally different accounts [of the creation of humans] in the bible-is the second not present in the Jewish texts?"

Yes, it's there. There are several different ways of explaining this in various strains of Jewish thought. I think someone already mentioned the Lilith story; one other story is that the original Adam was both male & female & was separated into Adam & Eve--I'm not sure how its adherents explain the use of the plural in "male & female created S/He *them*."

"However, I think I have assessed the 'banishment' in the 'Fall' chapter correctly. To quote: 'then Yahweh God said, "See, the man has become like one of us, with his knowledge of good and evil. He must not be allowed to stretch his hand out next and pick from the tree of life also, and eat some and live for ever." So Yaweh God expelled him from the garden of Eden, to till the soil from which he had been taken.' (Genesis 3:22)"

Hmm, sounds like a modern translation. Guess it is a matter of interpretation then. This strikes me as closing the barn door before the other horse is gone. The way I read it, banishment is presented as a reaction not to the disobedience of the command against eating the fruit of the tree of knowledge but to the result: the knowledge itself, & as a preventive measure to keep the humans away from the tree of life. Once humans have that kind of knowledge, can't let 'em live forever. (Sorry, that's a bit convoluted.)

I once heard a talk about various creation stories that share a similar element of breaking a commandment not to eat/take/etc. something that would confer knowledge/awareness/understanding. The (Jewish) speaker said he thought the commandment was meant to be broken & the stories were metaphors for adolescence, a time of disobedience & rebellion in which we lose innocence (the Garden) but which is necessary to grow up. When I asked if the tree of life is ever forbidden (initially, that is) in these stories, he said no. Not in any of them. I wonder (just occurred to me) if losing access to the tree of life means that this is also a time when we begin to understand/accept the idea of death, that we won't live forever.

"I've always viewed the world's religious texts (all myths included) as being expressions of a greater truth that is ultimately beyond human comprehension. I am an adherent to the theory of archetypes advanced by Carl Jung."

I can't address Jung's theory--I don't know enough about it. I'm a panmonotheist myself. But I'm with you on the greater truth part. There's a yoga center in NYC with a mandala above the door showing the symbols of many different religions. Around its circle are the words "Truth is one, paths are many."

"I would definitely like to hear more from a Jewish prospective (what are your thoughts on the cross and vampires--do you think it represents a pro-christian prejudice?)"

I'm thinking about the joke where a werewolf--in the joke it's a werewolf--breaks into a woman's room. She picks up two pencils & holds them up in the shape of a cross. The werewolf laughs & says, "Oy! Have you got the wrong verevolf!"

I assume you're talking about European vampire myths (& stories based on them) in general, not the Buffyverse specifically. I wouldn't say it's prejudice so much as just a Christian viewpoint. Since these myths arose among Christians, of course crosses & holy water repel them. (OK, yeah, if I lived in Sunnydale & needed to keep an invited vampire out of my house, I'd try to find out if something other than crosses would work. It would bother me, but not because I think it represents prejudice.) There are vampire-type myths in other cultures, but I don't know much about them, except I doubt crosses figure as a defense. I've seen different interpretations in more modern vampire stories. There was a vampire storyline in the X-Men years ago (anyone remember?) in which the effectiveness of a cross or other religious symbol depends on the belief of the person using it--or trying to. A vampire isn't stopped when Wolverine holds up a cross because he doesn't believe in it. Kitty Pryde steps in holding a Jewish star & it works because she does believe in it. But in "I Am Legend" by Richard Matheson (can't remember the name of the movie version, w/Charlton Heston as the only human left--OnM?), it depends on the (pre)vampire's belief system (now, don't have nightmares about invulnerable atheist vampires!). @>)

There's another example but I can't think of it. Enough already. Up too late. Post too long. 'Night, folks.

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[> [> [> [> [> [> [> [> [> [> [> "Truth is one.....paths are many" .....I like that........:):):) -- Rufus, 00:34:16 08/03/01 Fri

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[> [> [> [> [> [> [> [> . . . no disrepect inferred. But . . . -- d'Herblay, 03:34:24 08/02/01 Thu

A8 (may I call you A8?) writes: "Ultimately the 'resurrection vs. rebirth' debate probably hinges on what dictionary you use."

Strict definitions are important to me; if words come to mean anything, they start to mean nothing. And resurrection and rebirth connote entirely different things. Resurrection comes from the Latin resurgere, "to rise again." It shares a root with surge and, by ecclesiastical Latin times specifically meant "to rise from the grave." There is no "birth" in that concept, and rebirth is never used in the King James Bible. Resurrection applies equally to the risings of Jesus, of Lazarus and of all on the Day of Judgment. It was established Christian doctrine that the Resurrection (both of Christ and the general resurrection) was bodily as early as the writing of the Apostles' Creed. Any interpretation of resurrection that was not bodily resurrection was considered heresy. On the borders of Christianity, Gnostics and Manichees denied bodily resurrection because they believed that the body was evil, because they believed that all matter, all creation, was evil, because ultimately they believed the creator God was either senile or a lesser, evil demiurge in rebellion against the true God. To the early Christians, however, the essential goodness of the body reflected the essential goodness of creation and Creator.

A8 continues: "In terms of the Christian Bible, I would suggest that it is a question of dealing with literal and symbolic images simultaneously [ . . . ] Some individuals are incapable of understanding the truth behind symbols, so for them the literal will have to suffice. The symbolic, metaphors and parables, allow different individuals to have access to the Truth within their own level of understanding. Some have evolved enough so that they have a better understanding of what are essentially incomprehensible concepts (eternity, the infinite, ultimate source of all things, etc.). Some will never completely understand because of the physical limitations of their intellect, but the parables ensure that they are not shut out because of this disability." He adds, "The metaphor should not be confused with the truth which underlies it."

I am not here to defend the simple-mindedness of Biblical literalists, as not only do I deny the "metaphor" but I'm pretty dodgy about the underlying "truth." That said, I must point out that both Catholic and mainstream Protestant doctrine rely on the inerrancy of the Bible as written. (Well, actually, Catholicism relies on the inerrancy of the Church's interpretation of the Bible.) While interpretations of the Bible as allegory or metaphor are on the rise within C/mP, so are reactionary literalist/fundamentalist interpretations.

(I may be too rigidly hewing to a doctrine that I don't actually subscribe to here, but OnM's request was, "I'd be interested to hear from any Christian-oriented posters here whether they think of Christ's return from death to be a 'resurrection,' or if they ever think of it as a 'rebirth', and if so, why?" and I thought the best way to respond was with the doctrinal definitions.)

Catholicism and mainstream Protestantism insist on the inerrancy of the Word as they insist on the reality of the world as we perceive it. The esoteric/occult traditions (esoterichos and occultus are Greek and Latin, respectively, for "hidden"), such as Kabbala, Gnosticism and their off-shoots, use metaphor because they hold that our perceptions are not to be trusted, that there is a hidden reality beyond what we see. They hold that the world is, in fact, metaphor. One direction leads to the knee-jerk literalism of Jerry Falwell; the other leads to the modern mystery cult of L. Ron Hubbard. I say, a pox on both their houses of worship.

A8 theorizes, "It [the cross as the representation of the Tree of Life] is the symbol of eternity (unity with the source of everything) and as such is a powerful force against vampires who can never experience the eternal because they do not have human souls. It is not necessarily an anti-Christian reaction by the vampires, but rather a mystical aversion to the ultimate symbol of what they cannot have--a direct relationship with the eternal (or at-one-ment)."

Sounds good to me. Are there any extra-Christian symbols suggesting a relationship with the eternal that we've seen vampires react to? Any such symbols which we've seen vampires treat as benign?

A8 continues, "There is a particular significance to the number three, which is another thread in and of itself, but I'll just note that you have to pass three before you can get to four (which in many religions represents the completion of a cycle or the embracing of the eternal). And many, many people spend their lives stuck at 'three,' if they even get there in the first place."

Please explain. Once you reach "four," don't you then have to strive to achieve "five"? Will only then have you achieved "quintessence"? (Oh, let's leave The Fifth Element out of this. A little Chris Tucker goes a long way.)

(And this not-so-little post has gone a long way towards giving me a headache.)

One final question: The Catholic Encyclopedia says: "Among the opponents of the Resurrection we naturally find first those who denied the immortality of the soul; secondly, all those who, like Plato, regarded the body as the prison of the soul and death as an escape from the bondage of matter; thirdly the sects of the Gnostics and Manichaeans who looked upon all matter as evil; fourthly, the followers of these latter sects the Priscillianists, the Cathari, and the Albigenses; fifthly, the Rationalists, Materialists, and Pantheists of later times."

I can claim to partake in number one and two-thirds of number five. How many can you check off?

(Also, I think this post demands an emoticon. Here goes-- : ) )

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[> [> [> [> [> [> [> [> [> I could mention the Holy Hand Grenade here, but I won't... ;-) -- OnM, 06:33:18 08/02/01 Thu

*** Once you reach "four," don't you then have to strive to achieve "five"? Will only then have you achieved "quintessence"? ***

The thing with numbers and various and sundry holy writs is a category unto itself. Most physicists do tend to regard mathematics as the 'language of creation', should they feel a philosophical bent.

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[> [> [> [> [> [> [> [> [> [> Speaking of which . . . -- d'Herblay, 07:13:14 08/02/01 Thu

Have you done Pi as your movie of the week yet?

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[> [> [> [> [> [> [> [> [> [> [> I think he did it in June - gee, you could check the archives if... -- Solitude1056, 07:42:35 08/02/01 Thu

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[> [> [> [> [> [> [> [> [> [> [> [> . . . I had half a clue how to do that. -- d'Herblay, 08:18:13 08/02/01 Thu

Actually, I've found it in the Google cache. Dated 6/1 so it got bumped from the archives maybe a week ago. Doesn't fall into the Oct 2000-Mar 2001 batch, and the only person who seems to be archiving threads at ivyweb is . . . Solitude1056.

My apologies.

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[> [> [> [> [> [> [> [> [> [> [> [> [> Welll, sheesh. -- Solitude1056, 08:38:59 08/02/01 Thu

Actually, that's just cause I can do the coding faster, so I got it out of the way (but haven't done the older threads I've started, for obvious reasons). There's other folks working on their archives right now, but I don't know if they've been added to the list - no one's sent me anything, just told me that they're working on it.

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[> [> [> [> [> [> [> [> [> [> [> [> [> [> Maybe I should just... -- Masq, 09:41:18 08/02/01 Thu

do another mass massive upload like the Oct-March InsideTheWeb archive. It's not pretty like your format, but at least they'd be available and not gathering cyber-dust on my hard drive....

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[> [> [> [> [> [> [> [> [> [> [> 'Pi' was posted on 051801. If anyone wants a copy of any of my CMotW columns... -- OnM, 19:34:45 08/02/01 Thu

and you can't find them in the archives, just e-mail me and I will be happy to e-mail the column to you. Just specify the name of the featured movie.

Here is a list of all films I've done to date. The format may look funky because of being copied from my word processor.

(Hey Sol, how do ya do tab stops in html?)

DATE TITLE DIRECTOR

020201 Brazil..... Terry Gilliam 020901 The Conversation..... Francis Ford Coppola 021601 They Live..... John Carpenter 022301 L.A. Story..... Mick Jackson 030201 The Seventh Seal..... Ingmar Bergman 030901 McCabe and Mrs. Miller..... Robert Altman 031601 Shadowlands..... Richard Attenborough 032301 The Last Temptation of Christ..... Martin Scorsese 033001 The Road Warrior..... George Miller 040601 A Perfect World..... Clint Eastwood 041301 Defending Your Life..... Albert Brooks 042001 Georgia..... Ulu Grosbard 042701 Altered States..... Ken Russell 050501 Fearless..... Peter Weir 051101 Sorcerer..... William Friedkin 051801 Pi..... Darren Aronofsky 052501 Until the End of the World..... Wim Wenders 060101 ***Summary to Date*** OnM 060801 Batman Returns..... Tim Burton 061501 The Avengers (The TV Series)..... (Anti-review of Avengers: The Movie) 062201 Wm. Shakespeare's Romeo + Juliet..... Baz Luhrmann 062901 The Quick and the Dead..... Sam Raimi 070601 The Arrival..... David Twohy 071301 The Year of Living Dangerously..... Peter Weir 072001 Princess Mononoke..... Hayao Miyazaki 072701 Infinity..... Matthew Broderick

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[> [> [> [> [> [> [> [> [> Thank you for the clarification re: doctrine. Here's a little more. -- Anthony8, 09:34:48 08/02/01 Thu

I make no claim to speak for how Christians view the world and their beliefs. My impressions on that are anecdotal at best. Also when I refer to "Truth," I am making reference to the concept of something much broader than anything I can comprehend and something vague enough that would include the concepts of God or enlightenment, whatever. Like I said, I've spent a lot of time studying these things and the only satifactory conclusion I've ever reached is that there is just too much information for any one person or group to lay claim to really knowing what the "truth" is, if there is any real truth at all.

I've always had a big problem with the concept of "inerrancy" because it requires every conduit of the message to be infallible. In almost all cases those conduits were human. That means every person who was ever entrusted with the keeping of scriptures (every priest, scribe, messenger, delivery person, and translator) since the time they were first written down had to be infallible. It also requires every word of our languages to be unambiguous. No misspellings, not a single word that would reflect the scribes' own beliefs, not one mistranslation in 6 millenia. I just don't have that much faith in human beings. Even Jesus had doubts. Okay, that rant aside, I do understand what you are saying about doctrine. Once again my response was not to explain the Christian perspective, but rather to offer some non-doctrinal perspective with some inflection of my own, hopefully with the prospect of encouraging some interesting discussion. Success! Yay!

Regarding the numerology stuff, not only do you have to continue on to "five" (which begins a whole new cycle), but I believe the journey continues on through "nine." I am just beginning to study literature that deals with that subject as we write here today. My analysis in that area could only be cursory since I only have a rudimentary understanding of these concepts at this time. In the context of the Hero's Journey, "four" should not necessarily mean the culmination of the trip. Instead it is the transforming step that allows the Hero to take the journey to the next level. So if my take on this has some validity, Buffy is at "three" right now, when she comes back this fall, she should be at "four" and will proceed from there. Am I making any sense at all? Or am I starting to sound like Charlie Brown's teacher ("Mwah, mwah, mwah, mwah....") here?

And by the way, A8 works for me. It's a carpal tunnel saver.

A8 (two key strokes--ah my wrists!)

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[> [> [> [> [> [> [> [> [> [> These go to eleven. -- d'Herblay, 19:34:14 08/02/01 Thu

What do "three," "four," "nine" signify? "Three" what?

I'd appreciate your analysis, even if cursory.

I'm skeptical, but I am interested.

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[> [> Buffy's Death and Faith's coma -- Anthony8, 12:26:50 08/02/01 Thu

Something just occurred to me when I read your post. We know from Buffy's experiences in 'Anne' and Angel's experience after he is regurgitated from Acathla's hellish dimension that the passage of time in demon dimensions can pass with a great rapidity compared to Earth's dimension. [And just as a curious aside, under Einstein's theory time slows to a halt for one as his speed approaches the speed of light.] Chances are that when Buffy returns, three months will have passed in Sunnydale but Buffy may only experience it as a matter of moments. Remember that transcendental/transformational experiences come from a place outside the field of time. So it follows that she may be in for a kind of shock similar to that which Faith experienced when she reawakened from her coma only to find that eight months had passed and everybody had moved on with their lives. Just another random wacky thought. I will return to my hobbit-hole now [bows head and sheepishly retreats to the shadows].

A8

Current board | August 2001